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What if Princess Sophie instead of Death was Prince Rudolf's longtime friend? What if Death was the enemy?

[Death/Elisabeth] Five years after Mayerling, Elisabeth has a riding accident. (Elisabeth and Death meet one last time before the fateful 10 september in Geneva)

[Death/Elisabeth] Elisabeth: The Aftermath. Death takes her away, but Sisi still has a choice to make. Will she choose to stay, or will she go up, up, up and away from his realm? (Can be read as a continuation of 'A Choice (A Soaring Heart)' but it isn't necessary to have read that one).

[Death/Elisabeth] Death and Elisabeth have a conversation about choices, and the true meaning of freedom. A little Drabble.

[Death/Elisabeth] "You forget, Elisabeth, that I am no mere man. But", he runs his hands over her body slowly, with languid movements, and she arches against him. She feels his smile against her ear: "I'm willing to make an exception… for you… tonight." (Set after Sisi issues her ultimatum: She asks Death to stay, and he is most willing to comply with her wishes.)

[Death/Elisabeth] After all these years, after all this suffering, this is the last straw for her. Her son, her Rudolf and he, always he, with his eternal presence, his sharp gaze, his taunting smile. After all these years, after all the times he has made her this proposal, he rejects her. [Drabble, Translation of my work: 'De Smeekbede']

[Death/Elisabeth] What are years to him? Empires have fallen for him, vicious rulers, brave men, all believing themselves immortal; they bled out before his very eyes. He can wait a lifetime, and for her he will. Empress, queen, she will be his. He will be patient, he always is what makes him who he is, and no matter what games they play with him- he always wins.

[Drabble] [De Dood/Elisabeth] Na al deze jaren, na al dit lijden, is dit de laatste klap voor haar. Haar zoon, haar Rudolf, en hij, altijd hij, met zijn eeuwige aanwezigheid, zijn scherpe blik, zijn treiterende glimlach. Na al deze jaren, hoe vaak hij haar dit voorstel al heeft gedaan, wijst hij haar af.

Austria, 1888. A suicidal boy, a willing mistress, a stubborn father and a reluctant mother; these are the ingredients for the fall of one of the most powerful dynasties that has lasted for over 600 years. The Habsburg's empire is a sinking ship!

Growing up in the palace, Rudolf befriended the daughter of one of the servants. She is there to stop him from shooting himself in Mayerling. But Death will always get what he wants.

[Traduction] [Recueil OS] La Mort n'a cessé de surveiller la famille royale, c'est la légende méconnue de la relation de l'impératrice Elisabeth et d'un homme aux habits sombres, la Mort...

A short poem written in Elisabeth's POV about her relationship with Death.

Modern day AU. Der Tod decides to have a little fun with Rudolf... While he's going about his daily activities, der Tod appears and makes life difficult. And, since he's invisible, he can cause all the mischief he'd like! (Rating may go up as chapters added)

Rudolf has a nightmare and there is a storm, what child wouldn't be scared. Even young Princes get scared from time to time. He can't find his mother but maybe instead he finds someone better. Rudolf finds death or maybe death finds Rudolf, but does it really matter. Just your average bit of fluff from Death and Rudolf. xPlease rate and review x I own nothing x I hope you enjoy x

Rudolf shares a bond with Death - a bond that is deeper than either of them anticipated. When he also shares a vision with his friend, the course of history is changed. M/M, AU, no Mary Vetsera, based on the 2013 Vienna production

Elisabeth & Death, a moment in daily life

The thoughts of Empress Elisabeth during Rudolf's pregnancy.

He saved her on a whim, so that one day she may turn the world in his favor. That was all it was. So why...was Death finding himself so drawn to the vivacious young woman?

Death's thoughts about his love for Empress Elisabeth as he did everything to get her.

A poem for Sissi

Die junge Sissi wollte immer nur eines: Frei sein. Doch als Frau des österreichischen Bundespräsidenten ist das alles ander als einfach. Erst recht, wenn man sich in den Tod verliebt hat! Das Leben der Elisabeth von Österreich-Ungarn, als wäre sie eine Frau des 20. Jahrhunderts gewesen! Basierend auf dem Musical mit Máté Kamarás als Tod und Serkan Kaya als Luigi Lucheni.

Small Rudolf only wanted to go picking flowers for his mother Elisabeth but ends up gaining a friend who is not as honest as Rudolf thinks. Death: Màtè Kàmàràs For now it's a small OneShot but maybe I'll add Mayerling soon.

Preventing suicides does not usually fall within my remit; however, when the person calling to me is a six year old boy- none other than Elisabeth's son, things become… complicated. Fast.

Luigi Luchenis letzte Nacht.