I...really don't know what this is, other than another piece of utter garbage banged out in a single day for that "Thirty Days" dealio. You're just lucky you didn't get my first ending, which was...forget it.
Persona 4. Atlus. Not me.
Teddie remains a child, even as his voice deepens and his hair grows and he has to duck to fit his bear costume which nevertheless fits Teddie just as comfortably as it always has, once he is inside. It is a talent that never fails to mystify Yousuke, although it makes perfect sense to Teddie. It's his costume, after all. Why shouldn't it fit him?
He is beautiful. It is a description given to him by both men and women, a description Teddie delights in, adds to his name when he introduces himself. The beautiful Teddie, he exclaims, and he brushes his perfectly windswept hair out of his eyes and smiles.
He does not truly understand, though, how beautiful he is, does not understand that he is the desire of the female population of Inaba and the scourge of the male half.
Both halves overreact. Teddie is beautiful, but he is still a child, will forever be a child. Only a few women get close enough to discover this fact, and all but one are left with the vague feeling of shame as they watch Teddie's delight in what is to them the commonplace, the banal.
The lone exception is Nanako Doujima, who, despite her eventual growth into an adult, manages to retain some level of childlikeness deep within herself. It is barely a pebble's worth, but it is there, hidden beneath the layers of adult speech and adult behavior, and its existence is enough to form between her and Teddie a bond, something strong and deep that defies description, platonic but beautiful just the same.
And perhaps a certain police detective holds issue with the time they spend so close together—but that is a story for another time, and as Teddie performs for the customers and Nanako watches gaily after, the sun shines down on a small town called Inaba, where there is no fog to diffuse its light.