SUPERNATURAL
"She Came In Through The Bathroom Window"
TEASER
FADE IN:
Super Title: LEBANON, KANSAS
1 INT. BUNKER. WASHROOM - MORNING 1
Joe Cocker's "She Came In Through The Bathroom Window" is
cranked. On the bathroom floor, WEND, 20, opens her eyes. She
is dressed in black tights, a long buttoned white shirt,
black belt, and an open baggy black cardigan with the crest
torn off the breast pocket. Her hair is Goth black in two
thick braids. With large wondering eyes she gazes up at a
high SKYLIGHT and FAN. The bathroom is STEAMY, recently
vacated by DEAN.
WEND'S gaze shifts to the dripping FAUCET. She moans and
rises shakily to the sink and grabs a large GLASS BEER MUG
and fills it with water. She drinks thirstily. She pauses and
uses a rumpled TOWEL to wipe the mirror. She frowns in
confusion shaking her head. Her gaze falls on a PORN MAGAZINE
on the counter. Her expression in the mirror turns to horror
as she contemplates every woman's fear.
2 INT. BUNKER. DEAN'S ROOM - CONTINUOUS. 2
Freshly dressed and showered, DEAN UNDOCKS the MUSIC and
whirls into the hall. He hears the CRASH of a GLASS
SHATTERING in the sink.
3 INT. BUNKER. HALLWAY. CONTINUOUS. 3
DEAN
Hang on to the soap, Sammy! It's a
life skill.
SAM appears at the end of the hall and looks at DEAN
quizzically. They segue to Hunter mode. SAM grabs a WEAPON
and DEAN ducks into his room to collect a DUFFLE BAG and
WEAPON. They position themselves on either side of the
bathroom door.
SAM
Cas? Cas is that you?
DEAN
Cas? Hey? Are you all right?
DEAN nods to SAM and TURNS the handle. They rush in.
4 INT. BUNKER. WASHROOM - CONTINUOUS 4
WEND, terrified, plasters herself against the far wall.
BLACKOUT
END OF TEASER
ACT ONE
FADE IN:
5 INT. BUNKER. WASHROOM. 5
WEND shakes her head in confused terror as DEAN and SAM press
in.
DEAN
Who the hell are you?
SAM
What are you?
WEND
I don't know. I-
WEND swallows. DEAN and SAM begin their ritual of SALT, HOLY
WATER, and SILVER. They exchange glances before DEAN pulls a
BLADE to test her blood. Instead, SAM suddenly grabs WEND and
shoves her in front of the mirror.
SAM
What are you doing here? How'd you
get in here?
WEND
I don't know. I don't remember.
(She looks at the vertical
bleeding slash on her
inside arm)
I broke your glass.
DEAN and SAM regard her BLEEDING ARM, exchange looks and DEAN
puts his BLADE away. WEND GASPS and points to the PORN
MAGAZINE. WEND struggles to escape. DEAN holds her arms
behind her.
WEND (CONT'D)
You've drugged me. That's why I
can't remember. You're going to use
me to make a pervert animate film.
Oh, please, just let me go.
I'll give you anything you want.
Money or, or, or. I won't talk if
you let me go now-
SAM sweeps the MAGAZINE into the TRASH glaring at DEAN.
SAM
No. That's not what... We're not
going to hurt you, or make any
films. Listen to me.
We never gave you any drugs. We
just want to know what you're doing
here in our home.
DEAN
We want to help. Tell us who you
are, where you're from... Maybe we
should take her to the dungeon
until-
WEND goes ballistic trying to get out the door. On either
side DEAN and SAM grab her and lift her moving into the hall.
6 INT. BUNKER. HALL - CONTINUOUS 6
A scuffle ensues. WEND puts her feet on either side of a
doorway and is scrunched up like a pretzel. WEND CLIPS DEAN a
good one in the mouth.
7 INT. BUNKER. DUNGEON. 7
WEND is in a chair and SAM HANDCUFFS one wrist.
SAM
(Checks for marks)
Not a Vampire or victim. Here.
SAM finds an ANTI-DEMON POSSESSION TATTOO on the back of her
neck. A bandage is now on WEND'S arm. DEAN examines her
fingers. The word WEND is on the inside of one finger, while
strange SYMBOLS are on another.
DEAN
Wend. I get it. Wednesday. Like
that creepy girl on the Addams
Family.
WEND
What? I'm creepy? Says the
sketchball.
SAM
Are you a hunter? You have this.
SAM shows her his tattoo.
DEAN
Too scrawny for a hunter.
WEND
Your split lip says something else.
DEAN
Lucky shot.
WEND
Or a fast one.
Half rising, WEND kicks DEAN in the gonads. SAM pushes her
back in the chair. DEAN copes gradually.
SAM
Hey, hey, hey. Listen. Look at me.
We are not going to hurt you, or
make films, or whatever. We just
want to know why you're here. You
broke into our place. We're
justified in knowing why. We won't
harm you... You can't remember, can
you? If you truly don't remember,
we'll try to help you sort it out,
but you're going to have to
cooperate.
WEND
Well, excuse me. My Stockholm
Syndrome hasn't kicked in yet.
SAM
You're not a captive-
WEND yanks on her HANDCUFFS.
DEAN
Those aren't coming off until you
understand we're the good guys.
WEND
Really? Then, Oh, my, what a big
lip you have. Oh, my, what a big
dumb you have.
DEAN
How the hell did she get in here
through all this warded concrete?
An Angel?
SAM
Fallen angel?
An ALARM goes off. SAM and DEAN exchange looks.
DEAN
I haven't had my coffee yet.
8 EXT. BUNKER. GROUNDS. MORNING 8
BEND (25) is flat on his back, moaning. He is tall, wiry with
black hair in a pony tail. He is wearing a black leather
vest. The word BEND is clearly visible on his chest with a
large ANTI-DEMON POSSESSION TATTOO. His arm has a Voodoo Loa
Eshu talisman of CROSSED PITCHFORKS. He rises slowly only to
be met with DEAN'S KNIFE in his face.
9 INT. BUNKER. DUNGEON - LATER 9
BEND and WEND are handcuffed to chairs. BEND is laid back,
bemused; but there is lethal potential. DEAN examines BEND'S
tats.
SAM
Bend? Wend and Bend? You two know
each other?
BEND and WEND shake their heads.
DEAN
Look. Same. Another hunter.
BEND
A hunter? I don't know what's going
on. I woke up on the ground. I
don't even remember who I am. But,
I'm certain I'm not interested in
hurting anyone.
SAM
You're both trespassers and until
we know otherwise, you're staying
right here.
DEAN
We want answers.
BEND
Grill me all you want. I have no
details. I wish I did.
DEAN
Maybe you need persuasion.
BEND
Man, you can use torture if you
choose. I'll say whatever is
necessary. Except, I'm telling you,
I have zero.
CASTIEL enters and nods to SAM and DEAN, then narrows his
eyes at the captives. WEND SNICKERS.
SAM
Cas, we have mystery guests.
Recognize them?
CASTIEL
Well, no. There's a force blocking
me. From whom, I couldn't say.
BEND
A guy in a trench coat?
WEND
I'm bracing for an epic flash.
Not that I want to see anything
from you creepers. It's kind of
cliche isn't it?
DEAN
There's not going to be any show.
What are you, like 15?
WEND
No. I go to university. The
University of... My crest is
missing.
DEAN
Wow. They must have some tough
prerequisites there.
BEND
I'm not getting a perverse
sensation. More like an instinct I
should know you. Like allies.
CASTIEL
Visceral knowledge. It may be all
we have to go on. Tell us, on an
intuitive level how you feel about
us, about being here.
WEND
(Sighs, nods closes eyes)
I feel resentment, animosity...
Mostly fear. But you... It's weird.
CASTIEL
Say what comes to mind.
WEND
Light. Peaches? Weeping. Sadness.
Maybe it's a memory or something.
DEAN
Or something.
WEND glares at DEAN. An ALARM goes off.
DEAN (CONT'D)
Are you kidding me?
10 EXT. BUNKER GROUNDS. 10
A strange slick clothed DEMON tests the force field around
the Bunker. Confused, he determinedly slams against the force
field only to REBOUND from it. SAM rushes him from one side
while DEAN sneaks in behind to finish him off. A spiral cloud
of RED SMOKE SCREAMS out of the DEMON'S mouth.
11 INT. BUNKER. LIBRARY - LATER 11
SAM is on the COMPUTER while DEAN fixes a drink.
SAM
Breakfast?
DEAN
It's ten a.m. somewhere.
SAM
Not funny Dean. We have got to find
a different way to deal. What we've
been doing isn't working. I'm
barely hanging on. I can't sleep.
And self medication is not a long
term viable solution. We have to
make an effort to cope. Take some
steps to keep from sliding.
DEAN
Steps?
SAM
I did some research. Coping
strategies for high stress.
DEAN
And?
SAM
I made a list.
DEAN
Tips. Let's see. Tip one, get
counselling. That's a good one. If
we did that, we'd be locked up
doing the Thorazine shuffle in no
time.
SAM
Keep reading.
DEAN
Two. Open up to a friend. OK. We
could do that. Later. Tonight,
maybe. Three. Meditation. Oh, Man.
Not that Yoga-
SAM
From what I hear, it works. I'm
ready to try anything. Dean, I'm
haunted. There isn't enough salt
and fire on this earth to get rid
of it all. No joke.
DEAN
OK. OK. We'll get some DVD's, some
mats, give it a go. Moving on. Tip
four. Get fresh air every day. That
I can do. I'm going out. I'll check
the perimeter, reset the alarms.
Take the car for a beer run. Maybe
pick up some incense.
SAM
I'm serious about this list.
DEAN
I know. I'm down for some of it. In
the meantime, post an A.P.B. on our
guests. See if anyone knows
anything. It's tough to heal when
you're dealing with a house full of
cuckoo.
BLACKOUT
END OF ACT
ACT TWO
FADE IN :
12 INT. BUNKER. DUNGEON. 12
CASTIEL is sitting watching the prisoners.
WEND
Winchester. What do you think when
you hear 'Winchester'?
BEND
Guns. Hunting. They think we're
hunters.
WEND
Hunting what?
BEND
The most dangerous-
WEND
Game. Ya. The short story.
BEND
What does that mean? We hunt,
chase, people?
WEND
That's not necessarily bad. Maybe
you're an FBI agent hunting
criminals.
BEND
Must have quit the police
department. Not really dressed for
it.
WEND
Maybe you're undercover, a
disguised agent, hunting evil
doers.
BEND
With all this black we could be
vampires hunting our dinner.
WEND
The thought of blood and meat makes
me queasy. Pretty sure I'm vegan.
BEND
Not me. I'm hungry. Cheeseburger.
Side order of wings.
WEND
Angel wings?
BEND
No. Chicken.
WEND
Bleh.
CASTIEL looks at the ceiling and VANISHES.
13 INT. BUNKER. COMPUTER ROOM - CONTINUOUS 13
CASTIEL appears behind SAM who is watching the prisoners on
the SECURITY MONITOR.
CASTIEL
You've been listening.
SAM
Yes. It's spooky how they're
getting it but not getting it.
CASTIEL
They're beating all around the head
of a nail.
SAM
You're mixing metaphors. But, yes
exactly.
CASTIEL
We've been doing this wrong. We
should be asking them what they do
know. Save the interrogation for a
demon. You shouldn't have killed
him.
SAM
Right, but a little late. Time to
share what we know. Then see what
makes sense. Let's bring them up.
14 INT. BUNKER. ENTRY -LATER 14
DEAN slams in.
DEAN
Hi Home! I'm honey!
DEAN runs down the stairs and into the Library.
15 INT. BUNKER. LIBRARY - CONTINUOUS 15
DEAN freezes, upset that the prisoners are free. WEND is
studying a SWORD at the table. BEND is eating a SANDWICH. SAM
is Skyping on the COMPUTER while CASTIEL hovers.
OVER THE SHOULDER:
SAM watches BILLE, 30's, a hunter, on the COMPUTER SCREEN.
BILLE
It's so calm here I had time for
research.
SAM
It's raining crazy here. What do
you have, Bille?
ON THE COMPUTER SCREEN.
BILLE is seated in front of large CHAKRAS WALL HANGING
surrounded by POST-IT NOTES with bizarre messages.
BILLE
You probably know that 'wend' means
a blended word: a portmanteau.
Words blended together like
'Brangelina'. 'WEND' is wend for
Weekend. But 'Wend' can also mean,
'wander to a place.' That's all I
got for her.
But, this Bend guy has a tat, the
one with crossed pitchforks. That
tat belongs to a N'Orleans band of
hunters. T Joe Folle called me.
And, none of them have ever heard
of, or seen this guy before. They
are beaucoup pissed off that he's
using their tat. They offered to
remove it for free if he ever has
the brain sick notion to go down
there. That's all I got. Hope it
helps.
WIDE SHOT OF LIBRARY
SAM
Thanks, Bille. It's a start.
DEAN
N'Orleans. Does it ring a bell?
BEND
No more than any other city or
state. Nothing says 'home'.
DEAN drops his KEYS and a case of BEER on the table.
DEAN
Isn't this cosy.
SAM
We thought we'd try friendly
persuasion. See what they know
instead of what they don't know.
DEAN
And?
CASTIEL
They seem to know everything except
relevant personal details.
WEND
(Picks up DEAN'S KEY TAG)
Isn't an Impala an antelope?
DEAN snatches the KEYS and puts them in his JACKET pocket.
DEAN
My car.
WEND
I expected you to be more of a
serial killer van type.
SAM
Play nice. Wend, tell us something
else you know.
WEND
OK. This sword has sigils and
seals. It's made of silver and iron
which makes it capable of killing
ghosts, vampires, demons. It's sort
of a one blade fits all. And, I
have no idea how I know that. Let's
see, the crosspieces for the Mona
Lisa painting are made of sycamore.
BEND
(frowning, muttering)
La Mona Lisa.
WEND
Uh, the human tongue is too big for
the mouth. It never fits properly.
Annnd, Having sex on a Ouija board
brings one year of bad luck.
CASTIEL
I wish she hadn't said that.
DEAN
What the Ouija board?
CASTIEL
No, the tongue. Now its
uncomfortable.
They all sit trying to manage their tongues.
SAM
OK. Random knowledge isn't helping.
What about specifics? Like what's
the date?
BEND
It's a Sunday. Maybe early Monday.
WEND
It's Tuesday to me. Definitely not
Wednesday.
SAM
Month? Year?
WEND
May 2025.
BEND
May 2025.
ALARM goes off again. Everyone RUSHES to arm.
DEAN
(To BEND)
Get a knife. Come on. Let's go.
CLOSE UP
BEND'S face. He senses something familiar, or odd, as he
grabs a knife from a CASE and follows DEAN.
16 EXT. BUNKER GROUNDS. 16
A DEMON ASSASSIN from the future is trapped with the BUNKER
FORCE FIELD behind him and the approaching HUNTERS; he lifts
into the air. CASTIEL rises, too. CASTIEL lays his hands on
the DEMON'S head. The DEMON droops unconscious in CASTIEL'S
arms.
CASTIEL
This time we get answers. I'm
taking him inside.
CASTIEL vanishes with the DEMON.
17 INT. BUNKER. LIBRARY - MOMENTS LATER 17
DEAN, SAM, WEND and BEND arrive. DEAN takes off his JACKET
and puts it on a chair. They move towards the dungeon.
DEAN
No. You stay here.
WEND
Why? I'm a hunter, too. You're not
the boss of me.
DEAN
You don't need to see this. Stay.
WEND
And what? Make you a sandwich?
DEAN
Hey. I did not say that. I'm not
being sexist. You're just too damn
young. She's stays. Final word.
DEAN stomps off to the dungeon followed by SAM and BEND.
WEND
That's stellar! I'll just stay and
suck my thumb in this lunatic
lagoon.
Left alone, WEND picks up the SWORD and then goes to DEAN'S
JACKET and removes the KEYS. She heads out.
18 INT. BUNKER. DUNGEON. 18
The DEMON ASSASSIN is coming around in a chair. DEAN stands
behind him and CASTIEL is directly in front. SAM and BEND
lean on either side of the entrance. BEND dangles a KNIFE.
They are INTENSE.
CASTIEL
Why are you here?
The DEMON ASSASSIN grins. He is cold, sneering, his voice
hollow. DEAN moves in with some HOLY WATER.
DEMON
Ha ha ha. That's it? You're going
to have to do better. The domain of
men. It is disappointing.
DEAN
And painful.
DEMON
Bugs. Little squashable bugs.
19 INT. IMPALA. DAY 19
CLOSE ON WEND'S face as she starts the IMPALA. Her eyes pop
at the RUMBLE of the motor. She adjusts the mirror.
ANGLE - OUTSIDE THE IMPALA as it PEELS away from the curb.
BLACKOUT
END OF ACT TWO
ACT THREE
FADE IN:
20 INT. BUNKER. DUNGEON. 20
CASTIEL
You came for Wend. Why?
The DEMON smiles. DEAN gets in his ear.
DEAN
I've been down, and inside, darker
than you. I know how to make every
demonic nerve-ending squeal.
DEMON
Save your pillow talk for your blow
up doll. I have no objection to a
literate conversation with the
obtuse angel here.
CASTIEL
Why did you come for Wend?
DEMON
I am an assassin. I am not told the
'why' and I don't care to know.
Ahhh! You can do that all day. I
have no other knowledge about this
assignment.
SAM
Who sent you?
DEMON
If I say his name, I am destroyed
by him. If I do not say his name, I
am destroyed by you. The true
question is, 'with whom do I have a
greater allegiance?' Answer: you
lose.
CASTIEL
How did you know Wend was here?
DEMON
Many assassins are searching
everywhere. An assassin was sent
here before me. When he did not
return, I was sent. Destroy me or
not, more will come.
The DEMON takes in their non comprehending faces, smirks and
tries again.
DEMON (CONT'D)
I can tell them to come here, or my
absence will tell them to come. Who
knows how many? You cannot avoid
the influx. Again, you lose.
CASTIEL shares a #DagBlammit #He'sRight look with DEAN and
SAM.
Unnoticed, the DEMON raises quizzical eyebrows at BEND
confused by his presence. BEND stares coldly back.
21 INT. IMPALA. HIGHWAY INTERSECTION - DAY 21
A VAN full of DEMONS sits at an intersection and watches WEND
speed by in the IMPALA. Their DEMON heads turn as one.
ANGLE - OUTSIDE VAN. The VAN SPINS onto the highway in
pursuit.
22 INT. BUNKER. DUNGEON. 22
The DEMON is slumped over. CASTIEL and DEAN wash their hands.
CASTIEL
I can scramble his mind; take him
to another place. It might confuse
them for awhile.
SAM
All right. We didn't learn much.
CASTIEL lays his hand on the DEMON and they both VANISH.
23 INT. IMPALA. FOUR LANE HIGHWAY - DAY 23
WEND sees, in the rear-view mirror, the DEMON VAN following
her.
ANGLE - OUTSIDE THE IMPALA. The IMPALA GUNS it into the LEFT
lane.
24 INT. BUNKER. LIBRARY. 24
DEAN, SAM and BEND take in the empty room.
BEND
Wend's gone.
SAM
Sword's gone.
DEAN grabs his JACKET.
DEAN
Check the rest of the bunker. I'll
check the... Oh, no no no no!
DEAN flies up the stairs.
25 EXT. IMPALA. FOUR LANE HIGHWAY - DAY 25
The DEMON VAN is in the right lane beside the IMPALA. WEND
SCREECHES on the brakes, TURNS, CROSSES the MERIDIAN and onto
the opposite two lane and heads back.
ANGLE - INSIDE THE IMPALA. WEND struggles with THE STEERING
WHEEL.
WEND
Why is this so bloody hard to
steer?
26 EXT. BUNKER. STREET 26
SAM DRIVES up to DEAN with an ALTERNATE VEHICLE. Agitated,
DEAN gets in SHOTGUN.
27 INT. ALTERNATE VEHICLE. CONTINUOUS. 27
SAM hands DEAN a G.P.S. DEVICE.
SAM
Here. Already tracking her. See.
DEAN
How did she get so far so fast?
BEND
Speeding?
DEAN
We can cut her off. Take the 24,
then 6. Punch it. Punch it. Punch
it!
28 EXT. IMPALA. HIGHWAY - CONTINUOUS 28
MUSIC: Everly Brothers, "Bye Bye Love" "There goes my baby
with-a someone new. She sure looks happy, I sure am blue ..."
HIGH ANGLE
The DEMON VAN pulls along side the IMPALA and tries to slam
it. WEND BRAKES and makes a U TURN and heads into oncoming
traffic. The ONCOMING CARS all manage to get out of her way.
She crosses the MERIDIAN again to get back on the OTHER side.
29 INT. ALTERNATE VEHICLE - CONTINUOUS 29
DEAN
Wait. What? How can she be going
East on that road? Oh, baby, I
think I'm going to be sick.
SAM
Which way?
DEAN
She's coming back. Hard right.
SAM turns onto the highway.
30 EXT. IMPALA. HIGHWAY EXIT CIRCLE - CONTINUOUS 30
HIGH ANGLE
The IMPALA takes an EXIT RAMP, ironically passing a
"SLOW/EXIT" sign.
The IMPALA whizzes around the EXIT CIRCLE with the DEMON VAN
having difficulty keeping up.
The IMPALA CLIPS an "EXIT/MERGE" SIGN. The BUMPER is DENTED
and the WINDSHIELD gets a baseball size SMACK.
31 EXT. ALT. VEHICLE. HIGHWAY EXIT CIRCLE. OVERPASS - CONTINUOUS31
CLOSE UP
DEAN'S face is visible through the passenger window of the
ALTERNATE CAR. DEAN swears an INAUDIBLE blue streak as he
WATCHES the IMPALA careen back onto the HIGHWAY.
32 EXT. IMPALA. FOUR LANE HIGHWAY - CONTINUOUS 32
The DEMON VAN pulls up on the IMPALA'S left. The IMPALA
moves to the right of a SEMI. The DEMON VAN is visually cut
off on the other side of the SEMI.
The IMPALA makes a hard right onto a side road.
The DEMON VAN tries to slow but is REAR ENDED.
A SIGN reads, "PEACH LAKE RESORT" as the IMPALA SMOKES by on
a less populated road.
33 EXT. PEACH LAKE RESORT. FRONT STREET. 33
WEND parks The IMPALA parallel to the road behind some
BUSHES, gets out, and runs to the FRONT STREET.
There is a short two-sided street of shops with "CRACKERS
BAR," and a FRUIT/FLOWERS stand on one-side. On the other
side, there are tourism shops: NUTS & CANDY, BASKETS, STIR
CRAZY BISTRO, etc.
WEND hurries past CRACKERS BAR and pauses hungrily at the
FRUIT/FLOWER stand.
MUSIC ENDS.(2:25)
MADDY, an older woman, wears a large crazy SUN HAT.
MADDY
Can I help you? Some bananas or
peaches, maybe?
WEND
No. No thank you.
MADDY
Are you sure, Darling? First one's
on me.
WEND hurries on to the end of the street and starts to cross
a field leading to a PLAYGROUND/BEACH area.
34 EXT. PEACH LAKE RESORT. FRONT STREET-CONTINUOUS 34
DEAN, SAM, and BEND pass The IMPALA unaware it is a few feet
away. They park and get out.
DEAN
It's here. She's here. There's just
the one road.
CLOSE UP
BEND shakes his head and silently mouths DEAN'S last words.
BEND
There's just the one road.
SAM
First, we need to find her.
DEAN
You two take that side.
SAM grabs a DUFFLE BAG and heads with BEND across the street.
DEAN ducks into CRACKERS BAR.
35 INT. CRACKERS BAR. CONTINUOUS. 35
DEAN approaches the bartender, DAPH, 30's, wearing a large
YOGA LOGO on her T shirt. DAPH is putting money in a TIP JAR
that reads, "ONE TIP = ONE LESS BELIEBER." DEAN searches for
a picture of WEND on his phone and reads DAPH'S NAME TAG.
DEAN
Hi. Uh. Daph? I wonder if you can
help me. Have you seen her around?
DAPH
Mmmm. No. And I'd remember. I
would've ID'd that one. Gee,
missing girl. That always freaks me
out. How long?
DEAN
Just a couple of hours. We haven't
pushed the panic button yet.
DAPH
Those first two hours can be
pivotal.
LEWY, 20's, cocky and overeager, clamps his hand on DEAN'S
collar.
LEWY
You're off your turf, pal.
DEAN
I don't have time to play Hacky
Sack right now.
LEWY
I'm just asking you to leave
nicely. Your choice: slow and easy,
or fast and painful.
DEAN
Funny, that's what your mama said
last night.
Before LEWY can take a swing, he is seized from behind by
ZERKO, 50's, an aging hunter dressed like a bad ass Biker.
ZERKO
At ease, Lewy! Dean, are you
Winning Chester! How are you man?
DEAN
Zerko. Mad dog there.
ZERKO
Learning. He's an H.I.T., Hunter in
training. Doesn't know the faces
yet. Walk with me.
LEWY sulks to a corner.
36 EXT. PEACH LAKE RESORT. FRONT STREET. ACROSS THE STREET.36
SAM and BEND hold up their phones to a group of TOURISTS
comprising an assorted populace.
SAM
Did anybody see her?
TOURISTS shake their heads.
BEND
Anybody see her?
TOURISTS shake their heads.
CUT TO:
37 EXT. PEACH LAKE RESORT. FRONT STREET - CONTINUOUS 37
DEAN and ZERKO stroll up the street to the FRUIT/FLOWER
stand.
ZERKO
I'm as retired as I'll ever get in
this business. I got your posts on
Bend and Wend. You do know what a
'wend' is don't ya? A blended word-
DEAN
Ya. I do.
ZERKO
And, Bend is a wend.
DEAN
Bend? What's bend a wend for?
ZERKO
'Bend' is a wend for 'bad friend'.
Not like a really bad friend but
the kind of friend you go out with
for a couple of beers and then you
get into trouble. Which reminds me,
Maddy, can I get some flowers for
my wife?
MADDY
Roses?
ZERKO
Actually, she prefers carnations.
They have a cleaner scent.
DEAN
What's the occasion?
ZERKO
No occasion is the best occasion.
Married, Dean.
DEAN
Tips. You haven't seen Wend?
ZERKO
Let's see her again. No. No.
Happy colors and Baby's Breath.
MADDY
May I have a look? Sure, I saw her
a few minutes ago. She walked over
there, towards the playground.
DEAN
Later.
DEAN waves to SAM and runs towards the playground.
38 EXT. PEACH LAKE RESORT. FRONT STREET. ACROSS THE STREET.38
SAM collects BEND and they run to catch up to DEAN.
39 EXT. PLAYGROUND/BEACH AREA. 39
DEAN sees WEND on the swings and storms towards her. WEND
gets up to meet DEAN.
DEAN
Where's my car? So help me god if
there's a scratch on her, I will
Sit You Down!
WEND cocks her head unafraid, takes stance and raises her
sword.
WEND
Bring it.
BLACKOUT
END OF ACT THREE
ACT FOUR
FADE IN:
40 EXT. PLAYGROUND/BEACH AREA 40
WEND'S only sign of nervousness is the way she chokes up on
her sword grip. DEAN is flabbergasted but then he gives a
slow grin.
DEAN
Bring it? Oh, I'm not afraid to
open a can of whoop ass, all right.
Suddenly, six FUTURE DEMONS appear in a circle around DEAN
and WEND. They are all poised about three feet off of the
ground.
DEAN (CONT'D)
To me, Wend.
WEND
I can dance with a demon.
WEND and DEAN turn, on guard, back to back. The DEMONS drop
to the ground.
From one angle SAM and BEND run towards them.
From the other angle ZERKO huffs along, brandishing a BLADE.
A melee ensues with WEND showing her quick skills with the
sword. DEAN takes out his DEMON and turns to help WEND with a
third.
SAM and BEND hack their way through a couple of DEMONS.
ZERKO takes out a Demon on DEAN'S blind side and gets sliced
in the arm. When he goes down, CASTIEL appears and ZAPS the
DEMON.
The DEMONS are scattered carnage while the HUNTERS and
CASTIEL move into a circle.
WEND jabs her BLOODY SWORD into the ground and pulls it out
wiping it clean. The others watch and begin flinking and
wiping their blades.
ZERKO
Never seen ones like this before.
SAM
Time for an expert's opinion.
CASTIEL blazes a DEMON TRAP while SAM scrummages for a POTION
BAG which he opens on the ground and adds BLOOD. DEAN throws
a MATCH.
SAM (CONT'D)
...Et ad congregandum... eos coram
me.
CROWLEY APPEARS.
CROWLEY
For the love of Lucifer. On the
phone to... Sorry, I've been served
a Moose Burger with a side of
Charred Wings and Squirrel Nuts.
Call you back. What is it?
SAM
The demons?
CROWLEY
Not my monkeys. Not my circus.
Look, it's hell right now, so if
it's amenable, I'd like to get on
with snaking the pits and padding
the cells.
SAM
Why lie? Why not claim your demons?
CROWLEY
Listen closely. I just said they're
not mine. Can't even get a read on
them. Check with your fourth floor
fanaticos.
CASTIEL
No. They are definitely demons.
From the future.
CROWLEY
Now that's ominous, for me. How far
in the future?
CROWLEY and all the DEMONS VANISH. DEAN turns around to see
ZERKO with FLOWERS on his sweet MOTORCYCLE burn a "U" turn.
He pauses to wave at DEAN and ROARS off.
WEND
What happened? Where did they all
go?
CASTIEL
Call Crowley back.
SAM adds more BLOOD to the opened POTION BAG. No one notices
that the DEVIL'S TRAP has disappeared. A MATCH is thrown.
CROWLEY REAPPEARS and REPLAYS, unaware this is his second
visit.
CROWLEY
For the love of Lucifer. On the
phone to... Sorry, I've been served
a Moose Burger with a side of
Charred Wings and Squirrel Nuts.
Call you back. What is it?
SAM
The demons?
CROWLEY
You mean hunters? Hello, you're new
to class. Did you want to introduce
yourselves? No? Odds and End? Bits
and Bobs? Busy! Do say what you
have to say.
SAM
Demons? We were asking you about
the demons.
CROWLEY
What demons? When were you asking?
... Crickets are singing? Bats in
the belfry? Why am I surprised? An
inevitable outcome. Wait. Ha.
You've forgotten the trap. Really,
boys. Now there's an omen. Get some
therapy.
CROWLEY snaps his fingers and VANISHES. DEAN turns around to
see ZERKO with FLOWERS on his sweet MOTORCYCLE burning a "U"
turn. He pauses to wave at DEAN and ROARS off.
SAM
It has to be Archangels. The time
shifting-
CASTIEL
It's powerful but completely
blocking me. Mind erasing. Events
are resetting. Crowley was unaware
he was on replay. Also, Dean's
friend. Crowley did not recognise
the future demons.
SAM
Or, they were never really here.
WEND
But, we remember. We killed demons.
And they're from the future?
Everyone nods.
CASTIEL
They are hunting you, Wend.
DEAN
You're drawing them in. You're
like a magnet for evil psychos.
WEND
Yourself included.
DEAN
Why is it every time you open your
mouth, I want to put a sock in it?
WEND
Because you're a bully and a
pervert?
41 EXT. PLAYGROUND. NIGHT - CONTINUOUS 41
They stand in the same position but it is suddenly NIGHT. A
FIRE burns in their center. LAILAH'S LAUGHTER is heard.
CASTIEL
Lailah. I should have realized.
SAM
Layla. Like the song?
CASTIEL
Different spelling but sentiments
are comparable. She's 'by night'.
SAM
An archangel?
CASTIEL
Higher. A restorative angel. She
follows direction from the
Dominations. Lailah?
More LAUGHTER from LAILAH, 20's, who begins to take shape as
a FEMALE SILHOUETTE outlined in BLUE LIGHT.
LAILAH
Sweet Castiel. Come join with me.
CASTIEL
Have you come to erase our memory?
LAILAH
No. Only to heal. A godsend.
Blessings. I am overdue. Such
heaviness and wounding. Come join
with me.
CASTIEL
You won't harm us?
LAILAH
Gentle Castiel. No harm. I have
soothing balm and messages. Come.
CASTIEL takes two steps as though forced forward.
CASTIEL
Messages from God?
LAILAH LAUGHS again. Castiel, shyly takes a few more steps of
his own accord but stops to instruct the others.
CASTIEL (CONT'D)
Shield your eyes.
DEAN
Don't look.
SAM
Cover your eyes.
CASTIEL moves to LAILAH and they join in a passionate embrace
and kiss. CASTIEL turns into LIGHT and melds with the DARK of
LAILAH. They SPIN until there is a great LIGHT BURST that
VANISHES. CASTIEL REAPPEARS whole and winded on his knees.
CASTIEL
Lailah wants to heal us. Help us.
DEAN
How exactly?
CASTIEL
Diminishing tortuous memories.
LAILAH, gowned, appears in human form beside DEAN who jumps.
LAILAH
You have suffered much for
humanity. Too unbearable for any
one man. I apologize for not coming
sooner. Chaotic times.
I will kiss you and your times of
torment will diminish and recede.
DEAN
Will I forget? I can't forget what
I-
LAILAH
No. I offer healing. It's not
bourbon and pie, but it's close.
All agony will dissipate. Always,
there is apprehension first, then
terror, then bliss.
DEAN
You had me at pie.
LAILAH moves in close to kiss DEAN who opens his mouth.
LAILAH pulls back laughing.
CASTIEL
Dean. She has to kiss your
philtrum.
DEAN
My what?
SAM
Dean, close your mouth.
LAILAH
For your time in hell.
LAILAH kisses DEAN'S philtrum.
42 MONTAGE - VARIOUS 42
- Clips from various episodic scenes of Dean's time in hell.
END MONTAGE
DEAN is on his knees gasping.
LAILAH
For your time under the mark of
Cain.
DEAN
No. I -
She kisses him.
43 MONTAGE - VARIOUS 43
- Clips from various episodic scenes of Dean's time under
mark of Cain.
END MONTAGE
DEAN is down. He puts his hands up to keep LAILAH from
kissing him but he is unable. He writhes.
44 MONTAGE - VARIOUS 44
- Clips from various episodic scenes of Dean's times of pain.
END MONTAGE
Shaken, DEAN rises to his knees.
DEAN
No more.
LAILAH
I'm done. You will feel lighter.
LAILAH turns to SAM.
LAILAH (CONT'D)
Apprehension first, terror, then
bliss. Your time as a demon and
your thirst.
45 MONTAGE - VARIOUS 45
- Clips from various episodic scenes of SAM'S time as a demon
with RUBY.
END MONTAGE
SAM, on one knee, is shaking his head to clear it.
LAILAH
Your time in the cage. This will be
difficult.
SAM screams with his mouth closed as she kisses him.
46 MONTAGE - VARIOUS 46
- Clips from various episodic scenes of LUCIFER
END MONTAGE
LAILAH breaks away from SAM and the FIRE FLARES up behind
her. LAILAH speaks to the flames.
LAILAH
Lucifer? Even now from the cage you
fight me.
LAILAH moves in to kiss SAM again pressing him down to the
floor as he spasms in agony. The others watch. The FLAMES
RECEDE to a glimmer.
LAILAH (CONT'D)
Once more for all your sacrifices.
SAM
I can't-
LAILAH kisses him a third time.
47 MONTAGE - VARIOUS 47
- Clips from various episodic scenes of SAM'S times of pain.
END MONTAGE
LAILAH FLOATS to WEND.
LAILAH
Poor child. Everyone and everything
you have ever loved is gone. Now,
they have no way to control you.
You were about to take your life
which is why I wiped your memory
clean.
LAILAH holds up WEND'S arm to show the SCAR of her suicide
attempt.
LAILAH (CONT'D)
I rescued you. You are a critical
being in the restoration of order.
You will truly 'wend' your way. You
will come and go. Run and hide.
But, you must not die. I had no
safe place to keep you.
LAILAH FLOATS to BEND.
LAILAH (CONT'D)
That is when Bend, the hunter, came
to rescue you. Bend suggested this
place and this time. For that, I am
grateful; but, foolishly, Bend
followed. You must return to your
time, without any knowledge of Wend
or of this happening.
LAILAH moves to kiss BEND but stops and LAUGHS.
LAILAH (CONT'D)
Castiel. You have touched this one.
Already taken some memory from him.
Keep Wend safe when she appears to
you. We go and it is done.
LAILAH kisses BEND and they VANISH.
SAM
Cas. You knew Bend? You erased a
memory from him?
CASTIEL
At Dean's request. Sorry, Dean. Her
force field is formidable. I
recognized him too late. That was
Ben Braeden.
DEAN
Ben? Lisa's Ben? Wait. Are you
telling me that in this new
improved future world order, Ben's
a hunter?
CASTIEL
Yes. It appears so.
DEAN
Well, now I'm pissed. Ben's a
hunter and we're stuck baby-sitting
some Miley Montana twerking and
bopping in and out of our lives?
SAM
Dean!
WEND
You think I want this? You heard.
Everything and everyone I ever
loved is dead. I chose death and I
get this? You? I don't want to harm
anyone or bring anyone grief. I'm
out.
Sorry about messing up your lives
and your car. Here's your damn
keys.
WEND throws the KEYS at DEAN.
SAM
Wait. You've got to stay safe.
Where can you go?
DEAN
My car? Whadda ya mean 'messing up'
my car?
SAM
Dean!
CASTIEL
I'll go after her. Wait here.
DEAN
I want my car! If my car is messed,
the belts coming off, for her and
her sister!
SAM
Wait. Dean. Hold up. Ha! Not sure
she has a sister. Ha. Take a
breath. Breathe.
DEAN
Yoga class! Now?
SAM
Just. Try, Dean. Ha. You're acting
like dad when we, ha… Remember when
we -
DEAN relaxes and begins to grin sheepishly.
DEAN
The hubcaps. Ya, I remember. Ha. He
lost it.
SAM
You sounded just like him. Ha. The
Belt Threat. You don't even have a
belt. Ha Ha. Wow. Can't you feel
that? Nothing. There's nothing.
Feels so... Dean. No brain heat. No
weight.
DEAN watches SAM spin slowly taking in the SUNRISE. DEAN
exhales. They grin and marvel.
BLACKOUT
END OF ACT FOUR
ACT FIVE
FADE IN:
48 EXT. PEACH LAKE. PIER - SUNRISE 48
CASTIEL and WEND sit side by side watching a peaceful lake
sunrise. WEND is wiping tears off her face.
CASTIEL
We will try to protect you here.
Promise me, you must not take your
life. I know. It must all seem
strange.
WEND
Strange day. This morning when I
woke up I thought I was in
purgatory. Everything was foggy and
I sensed a terrible pending
punishment. Then the demons came,
and I thought, 'No, I'm wrong. This
is hell.' But now-
CASTIEL
Now?
WEND
Now, I think this might be a piece
of heaven. The light, beauty. But,
most of all it seems like heaven
because someone is with me.
Listening. Someone trying very hard
to understand. A friend.
WEND smiles weakly and shoulder boops CAS. Cas smiles and
shoulder boops her in return.
49 EXT. PLAYGROUND - SUNRISE 49
SAM and Dean are horsing around with the playground
equipment. They notice CASTIEL and WEND watching and lope
towards them.
SAM
Wend. We want you to know that we
mean you no harm. We never have.
We'll help you. We'll guard you.
It's what we do. OK?
WEND
OK.
SAM
Dean?
DEAN
OK. Now, where's my car?
WEND gestures and leads the way back to the IMPALA. The
others fall in at least five paces behind.
50 EXT. PEACH LAKE RESORT. FRONT STREET -SUNRISE 50
FRONT STREET is deserted as they stroll back to the IMPALA.
A sign, SYCAMORE LOOP, APPEARS unnoticed behind them.
SAM
Cas, Lailah said she had messages.
CASTIEL
She said past events, and the ones
manifesting, are as they should be.
Restoration.
DEAN
What does that mean?
CASTIEL
All we've suffered was for this
outcome and this outcome was
destined all along. Lailah is a
powerful force who answers only to
the Dominations, or God. Encounters
with her are healing but also
confusing. This one especially so.
The FRUIT section of the FRUIT/FLOWERS VANISHES unnoticed
behind them. The sign reads only 'FLOWERS.'
CASTIEL (CONT'D)
Lailah is without evil, incapable
of duplicity. Like death, she
performs her duties, erasing
memories from souls. This directive
is astonishing. She was ordered by
the Dominations.
DEAN
What are Dominations?
CASTIEL
Higher Authorities who have been
silent and absent like God. Why are
they intervening now? Why not
before?
No other Angels have acknowledged
their presence. I will have to let
them know.
Ahead the IMPALA's DENT and the WINDSHIELD SMASH magically
REPAIR like new as they approach.
CASTIEL (CONT'D)
Lailah allowed us to remember her
visit. She does this for angels
sometimes, but she rarely permits
humans to remember. Why the
exception?
Ahead, WEND reaches into her pocket and pulls out a PEACH.
She frowns, confused, trying to remember.
CASTIEL (CONT'D)
Most disturbing is this young
woman. Why torment her? What
happens in ten years? Why is Wend
needed?
MUSIC of "Layla" begins and continues to END. "Layla, you've
got me on my knees. Layla, I'm begging, darling please.
Layla, darling won't you ease my worried mind?"
WEND turns towards CASTIEL. Smiling, she holds out the PEACH
to show CASTIEL. WEND VANISHES.
HIGH ANGLE
49 They show shock and then sadness. SAM collects WEND's sword49
and CASTIEL picks up the PEACH.
DEAN sees the IMPALA and runs to it. SAM follows.
CASTIEL pauses, frowns, and looks around. Locating some
unseen movement, anger darkens his face. CASTIEL GLARES
directly upward into the camera. DEAN examines and reunites
with his baby.
BLACKOUT