Agent Matt: Academy of Shadows

Chapter 1: Falling in the Black

Paul A. Jones was a careful man. The car that drove him to work at quarter past seven each morning was a custom-made Mercedes with reinforced steel plates and bulletproof windows. His driver, a retired FBI agent, carried a Beretta subcompact automatic pistol and knew how to use it. There were just five steps from the point where the car stopped to the entrance of Jones Tower on New York's Fifth Avenue, but closed-circuit television cameras followed him every inch of the way. Once the automatic doors had slid shut behind him, a uniformed guard-also armed-watched as he crossed the foyer and entered his own private elevator.

The elevator had white marble walls, a blue carpet, a silver handrail, and no buttons. Jones pressed his hand against a small glass panel. A sensor read his fingerprints, verified them, and activated the elevator. The doors slid shut and the elevator rose to the sixtieth floor without stopping. Nobody else ever used it. Nor did it ever stop at any of the other floors in the building. At the same time it was travelling up, the receptionist in the lobby was on the telephone, letting his staff know that Mr. Jones was on his way. Everyone who worked in Jones's private office had been handpicked and thoroughly vetted. It was impossible to see him without an appointment. Getting an appointment could take three months. When you're rich, you have to be careful. There are cranks, kidnappers, terrorists-the desperate and the dispossessed. Paul A. Jones was the chairman of Jones Electronics and the ninth or tenth richest man in the world and he was very careful indeed. Ever since his face had appeared on the front cover of Time magazine ("The Electronics Wizard"), he knew that he had become a visible target. When in public he walked quickly, with his head bent. His glasses had been chosen to hide as much as possible of his round, handsome face.

His suits were expensive but anonymous. If he went to the theatre or to dinner, he always arrived at the last minute, preferring not to hang around. There were dozens of different security systems in his life, and although they had once annoyed him, he had allowed them to become routine. But ask any spy or security agent. Routine is the one thing that can get you killed. It tells the enemy where you're going and when you're going to be there. Routine was going to kill Paul A. Jones, and this was the day death had chosen to come calling.

Of course, Jones had no idea of this as he stepped out of the elevator that opened directly into his private office, a huge room occupying the corner of the building with floor-to-ceiling windows giving views in two directions: Fifth Avenue to the east, Central Park just a few blocks south. The two remaining walls contained a door, a low book shelf, and a single oil painting-a vase of flowers by Vincent van Gogh.

The black glass surface of his desk was equally uncluttered: a computer, a leather notebook, a telephone, and a framed photograph of a fourteen-year-old boy. As he took off his jacket and sat down, Jones found himself looking at the picture of the boy. Blond hair, blue eyes, and freckles. Arthur P. Jones looked remarkably like his father had thirty years ago. Paul Jones was now fifty-two and beginning to show his age despite his year-round tan. His son was almost as tall as he was. The picture had been taken the summer before, on Long Island. They had spent the day sailing. Then they'd had a barbecue on the beach. It had been one of the few happy days they'd ever spent together. The door opened and his secretary came in. Helen Munday was English. She had left her home and, indeed, her husband to come and work in New York, and still loved every minute of it. She had been working in this office for eleven years, and in all that time she had never forgotten a detail or made a mistake.

"Good morning, Mr. Jones," she said.

"Good morning, Helen." She put a folder on his desk. "The latest figures from Singapore. Costings on the R- 15 Organizer. You have lunch with Senator Andrews at half past twelve. I've booked The Ivy."

"Did you remember to call Tomoeda?" Jones asked. Helen blinked. She never forgot anything, so why had he asked?

"'I spoke to Korindo Ooishi's office yesterday afternoon," she said. Afternoon in New York would have been evening in Tomoeda. "Mr. Ooishi was not available, but I've arranged a person-to-person call with you this afternoon. We can have it patched through to your car."

"Thank you, Helen."

"Shall I have your coffee sent in to you?"

"No, thank you, Helen. I won't have coffee today." Helen Munday left the room, seriously alarmed. No coffee? What next? Mr. Jones had begun his day with a double espresso for as long as she had known him. Could it be that he was ill? He certainly hadn't been himself recently not since Arthur had returned home from that school in the South of France. And these phones call to Korindo Ooishi in Tomoeda! Nobody had ever told her who he was, but she had seen his name once in a file. He had something to do with military intelligence. JIN 7. What was Mr. Jones doing, talking to a spy? Helen returned to her office and soothed her nerves, not with coffee-she couldn't stand the stuff-but with a refreshing cup of English breakfast tea. Something very strange was going on, and she didn't like it. She didn't like it at all.

Meanwhile, sixty floors below, a man had walked into the lobby area wearing gray overalls with an ID badge attached to his chest. The badge identified him as Sam Green, maintenance engineer with VERITAS elevator Inc. He was carrying a briefcase in one hand and a large silver toolbox in the other. He set them both down in front of the reception desk. Sam Green was not his real name. His hair-black and a little greasy-was fake, as were his glasses, Moustache, and uneven teeth. He looked fifty years old, but he was actually closer to thirty. Nobody knew the man's real name, but in the business that he was in, a name was the last thing he could afford. He was known merely as "Shelly De Killer," and he was one of the highest-paid and most successful contract killers in the world. He had been given his nickname because he always sent a necklace of puka shells to the families of his victims.

The lobby guard glanced at him.

"I'm here for the elevator," he said. He spoke with a Bronx accent even though he had never spent more than a week there in his life.

"What about it?" the guard asked. "You people were here last week."

"Yeah, Sure. We found a defective cable on elevator twelve. It had to be replaced, but we didn't have the parts. So they sent me back." Shelly De Killer fished in his pocket and pulled out a crumpled sheet of paper.

"You want to call the head office? I've got my orders here." If the guard had called VERITAS Elevators Inc., he would have discovered that they did indeed employ a Sam Green although he hadn't shown up for work in two days. This was because the real Sam

Green was at the bottom of the Hudson River with a knife in his back and a twenty-pound block of concrete attached to his foot. But the guard didn't make the call. Shelly De Killer had guessed he wouldn't bother. After all, the elevators were always breaking down. There were engineers in and out all the time. What difference would one more make?

The guard jerked a thumb.

"Go ahead," he said. Shelly De Killer put away the letter, picked up his cases, and went over to the elevators. There were a dozen servicing the skyscraper, plus a thirteenth for Paul A Jones. Elevator number twelve was at the end. As he went in, a delivery boy with a parcel tried to follow.

"Sorry," Shelly De Killer said. "Closed for maintenance." The doors slid shut. He was on his own. He pressed the button for the sixty first floor. He had been given this job only a week before. He'd had to work fast, killing the real maintenance engineer, taking his identity, learning the layout of Jones Tower, and getting his hands on the sophisticated piece of equipment he had known he would need. His employers wanted the multimillionaire eliminated as quickly as possible. More importantly, it had to look like an accident. For this, Shelly De Killer had demanded-and been paid-one hundred thousand dollars. The money was to be paid into a bank account in Switzerland; half now, half on completion. The elevator door opened again. The sixty-first floor was used primarily for maintenance. This was where the water tanks were housed, as well as the computers that controlled the heat, air-conditioning, security cameras, and elevators throughout the building. Shelly De Killer turned off the elevator, using the manual override key that had once belonged to Sam Green, then went over to the computers. He knew exactly where they were. In fact, he could have found them wearing a blindfold. He opened his briefcase. There were two sections to the case. The lower part was a laptop computer. The upper lid was fitted with a number of drills and other tools, each of them strapped into place.

It took him fifteen minutes to cut his way into the Jones Tower mainframe and connect his own laptop to the circuitry inside. Hacking his way past the Jones security systems took a little longer, but at last it was done. He tapped a command into his keyboard. On the floor below, Paul A. Jones private elevator did something it had never done before. It raised one extra floor-to level sixty one. The door, however, remained closed. Shelly De Killer did not need to get in. Instead, he picked up the briefcase and the silver toolbox and carried them back into the same elevator he had taken from the lobby. He turned the override key and pressed the button for the fifty ninth floor. Once again, he deactivated the elevator. Then he reached up and pushed. The top of the elevator was a trapdoor that opened outward. He pushed the briefcase and the silver box ahead of him, then pulled himself up and climbed onto the roof of the elevator. He was now standing inside the main shaft of Jones Tower. He was surrounded on four sides by girders and pipes blackened with oil and dirt. Thick steel cables hung down, some of them humming as they carried their loads. Looking down, he could see a seemingly endless square tunnel illuminated only by the chinks of light from the doors that slid open and shut again as the other elevators arrived at various floors. Somehow the breeze had made its way in from the street, spinning dust that stung his eyes.

Next to him was a set of elevator doors that, had he opened them, would have led him straight into Jones's office. Above these, over his head and a few yards to the right, was the underbelly of Jones's private elevator. The toolbox was next to him, on the roof of the elevator. Carefully, he opened it. The sides of the case were lined with thick sponge. Inside, in the specialty moulded space, was what looked like a complicated film projector, silver and concave with a thick glass lens. He took it out, and then glanced at his watch. Eight thirty-five A.M. It would take him an hour to connect the device to the bottom of Jones's elevator, and a little more to ensure that it was working. He had plenty of time. Smiling to himself, Shelly De Killer took out a power screwdriver and began to work. At twelve o'clock, Helen Munday called on the telephone. "Your car is here, Mr. Jones."

"Thank you, Helen." Jones hadn't done much that morning. He had been aware that only half his mind was on his work. Once again, he glanced at the photograph on his desk. Arthur. How could things have gone so wrong between a father and a son? And what could have happened in the last few months, to make them so much worse? He stood up, put his jacket on, and walked across his office, on his way to lunch with Senator Andrews. He often had lunch with politicians. They wanted either his money, his ideas-or him. Anyone as rich as Jones made for a powerful friend, and politicians need all the friends they can get. He pressed the elevator button, and the doors slid open. He took one step forward. The last thing Paul A. Jones saw in his life was the inside of his elevator with its white marble walls, blue carpet, and silver handrail. His right foot, wearing a black leather shoe that was handmade for him by a small shop in Rome, travelled down to the carpet and kept going-right through it. The rest of his body followed, tilting into the elevator and then through it. And then he was falling sixty floors to his death. He was so surprised by what had happened, so totally unable to understand what had happened, that he didn't even cry out. He simply fell into the blackness of the elevator shaft, bounced twice off the walls, then crashed into the solid concrete of the basement, five hundred yards below.

The elevator remained where it was. It looked solid but, in fact, it wasn't there at all. What Jones had stepped into was a hologram, an image being projected into the empty space of the elevator shaft where the real elevator should have been. Shelly De Killer had programmed the door to open when Jones pressed the call button, and had quietly watched him step into oblivion. If the multimillionaire had managed to look up for a moment, he would have seen the silver hologram projector, beaming the image, a few yards above him. But a man getting into an elevator on his way to lunch does not look up. Shelly De Killer had known this. And he was never wrong. At 12:35, the chauffeur called up to say that Mr. Jones hadn't arrived at the car. Ten minutes later, Helen Munday alerted security, who began to search around the foyer of the building. At one o'clock, they called the restaurant. The senator was there, waiting for his lunch guest. But Jones hadn't shown up.

In fact, his body wasn't discovered until the next day, by which time the multimillionaire's disappearance had become the lead story on the news. A bizarre accident-that's what it looked like. Nobody could work out what had happened. Because by that time, of course, Shelly De Killer had reprogrammed the computer, removed the projector, and left everything as it should have been before quietly leaving the building. Two days later, a man who looked nothing like a maintenance engineer walked into JFK International Airport. He was about to board a flight for Switzerland. But first, he posted a special parcel to a Mrs. Jones and was sent to a certain address. The man paid with cash. He didn't leave a name. The parcel was full of puka shells.