This is AU, Clark has no powers. The story is set in the mid 1950s, principally in Monte

Carlo, playground of the very rich.

Clark is a retired WWII hero in the French resistance, who as the war was drawing to a

close saw an opportunity to help others, and admittedly himself, by stealing from the rich

and sharing his spoils.

He has since retired, living the life of a single country gentleman, with his villa, his

gardening, fast cars, similar women, a cat named Noir, and a subtly nagging thought that

he is missing something…or someone in his life.

Lana Lang, and her aunt Nell had come into an enormous some of money from the shockingly pleasant surprise of finding oil on their farmland. So, money was no concern, but navigating the gigolo infested waters of Monte Carlo was a challenge for 27 year old

Lana. And meeting Clark, aka The Cat, did not seem to offer a solution…at first.

Adapted from the motion picture screenplay by John Michael Hayes. Directed by Alfred

Hitchcock.

Chapitre Une

A single ray of moonlight falls between the drawn curtains, illuminating a long

rectangular shape on the expensive rug. Resting on the top of a finely crafted vanity is

an open jewel case lined with black velvet. Nestled inside is a collection of women's

jewelry. There are necklaces, bracelets, rings, wristwatches and an expensive

assortment of emeralds, rubies, diamonds and sapphires. They are in a random

arrangement, as though the owner had just taken some of them off the night before and

had been too tired to put them away in a place of safety.

Slipping through the shadows is a shape that stops in front of the jewelry display. A pair

of black-gloved hands is revealed by the shaft of moonlight—with expert dexterity, the

hands remove the jewelry from the case, depositing it in a soft satchel. The dark shape,

with feline grace, quickly turns and noiselessly makes it way to the window, steps onto

the balcony, and reaching above the window, it seems to disappear into the night.

Bright sunlight nudges its way into the well appointed hotel room. This light is in sharp

contrast to the silent moonlight of the night before. Across the room is a middle-aged

woman. Her face is covered with night cream to help her retain youthful skin elasticity.

Her nearly black hair, her naturally grey well hidden, is tied up in a chiffon scarf. She has

immaculately maintained teeth, which are easily seen in her wide open, screaming

mouth. Still screaming, as she looks down at the empty jewel case.

Clutching her robe around her full figure she begins running around the room in a

helpless panic. She sees the open French windows leading to the balcony. She dashes

out through the window doors, into the sunlight, needing to tell someone.

She leans over her fourth floor balcony rail and starts to scream to the world at large.

Beyond her is the whole curving sweep of the sea-front at Cannes. The mid-day

pedestrian and car traffic is heavy . Some of the passersby turn to stare up at her.

The woman shouts down to the street, first in French and then switches to English.

Au secours! Appelez la Police! On m'a volé mes bijoux! On m'a volé mes bijoux! Help!

Call the Police! They stole my jewelry!

Later that day, as night falls. A darkened room in a different hotel has a night-time visitor.

A dresser drawer is silently opened, offering a glimpse of another collection of expensive

jewelry. The same two black-gloved hands move in, and they scoop up the entire

collection of jewels.

The next morning one of the hotel windows is thrown open as a woman's scream is

heard in German: Mein juwelen! Mein juwelen! Ist verschwunden!

As the sun brings light to this third theft we see the comings and goings of the police.

as they enter the expensive hotel located on the sea-front at Nice.

On the third consecutive night there is a black shadow stealthily moving across a slate-

tiled roof in the moonlight. An enveloping darkness shrouds this hotel room, as the

moonlight is less so tonight. The back of a woman's head rests on a fluffy pillow, snoring

gently. A pair of black-gloved hands skillfully slide under the pillow, and reappear with a

suede bag. The hands open the bag which contains an assortment of brilliant jewels.

The black shape moves with cat-like agility across the hotel roof.

Early the next morning. The facade of this elegant hotel has one of its many windows

thrown open. And from the window is heard a long, hysterical scream.

Across town, Lana Lang is lying on an ornate chaise lounge on the balcony of an

expensive hotel, one bedroom slipper dangling from her small foot. The pink peignoir

she is wearing is open and not covering her shapely lightly tanned legs, leaving them

bare to catch the morning sun. Holding her porcelain coffee cup in one hand, her hair

cascading to her graceful neck, she bends the newspaper she's reading to get a better

look at the article on "Le Chat".

She reads of the recent wave of bold, night time robberies:

'Today's date, "The Paris Herald Tribune". The leading paragraph is in a Chloe Sullivan

Column. The column suggests that the famous, supposedly retired jewel thief called The

Cat—or, as he is known in France, Le Chat—has now become active again on the

Riviera.' Lana is interested to learn that this series of stealth crimes bear The Cat's

trademark style of never being seen, never hurting anyone, but yet getting away with,

what is rumored to have been a small fortune.

She continues reading, 'It was thought that he had reformed after becoming a hero in

World War II, helping to spirit many refugees to safety. Apparently, he has decided not

to let well enough alone and has come out of retirement.'

Lana takes a small sip of coffee as she reads that 'It has been reported that the local

police had adopted a live and let live attitude toward Le Chat when it appeared that he

had withdrawn from the world's stage, that he was no longer a menace to society. "That

attitude may now change, "said a member of local law enforcement.

Lana considers this The Cat character for a moment, allowing that he sounds interesting,

with the possibility of his having just a smidgen of gentleman thief charm. But, she's

certain that he will turn out to be an over-the-hill, ex convict with the wear and tear and

brutal attitude to prove it. She wonders what kind of person has the audacity to steal

from people while they are peacefully sleeping in their room? It is so easy to romanticize

exploits like this when there are certain to be some very crass motivation behind them.

Motives that usually involve drugs, loose women, gambling an extravagant life style, or

all of these.

She muses aloud, "Can a person like this be anything but a scoundrel, the dregs of the

earth?" But, what if this one were different. She thinks, quickly dismissing the thought.

"What's that Lana, are you talking about another of your charming dates from hell," said

her elderly aunt Nell, walking out onto the sun-drenched balcony, as she tries to rub the

sleep from her eyes. She quickly bends and kisses her niece on the cheek and turns to

get herself a cup of coffee from the carafe.

"Morning, Nell, did you sleep well, " a small smile on her face as Lana well knew that

Nell had drunk just a wee bit too much last night, as she was being regaled with stories

of adventure and romance by two of the aforementioned poor royalty. The two

gentlemen in question were in fact quite charming, with many amusing anecdotes to

share. However, it was clear to Lana, that their principal interest in Nell was the interest

on her principal

"I slept like a befogged log, dearest. What's that you were talking to yourself about just

now?"

"This article about this famous, or infamous, jewel thief. He apparently has just come out

of retirement and taken up his midnight crawls again, stealing jewelry from rich,

eccentrics like you."

Ignoring the 'eccentric' remark, Nell says. "That's probably what you need, Lana, a

dashingly handsome, gentleman thief to visit you in your boudoir in the hopes of

ravishing you, "a knowing smirk on her face as she reached for a croissant. "It might be

worth a few of your baubles to find a man you think worthy."

"Nell, you are too kind. But, I am quite capable of finding my own visiting a$$holes, as

my last 4 or 5 dates will attest, without the need to resort to dipping into the pool of

common thieves. I mean, where are all the interesting gentlemen…who are in fact

gentlemen, I ask you?

"Is that a serious question requiring an answer at this ungodly hour, or are you simply

venting your spleen?

"Hmm…more the latter…but if you have an answer I'd be willing to hear it. And, by the

way, this ungodly hour is nearly 11AM. So nice of you to join the living, auntie,"

exchanging smiles with Nell.

"…lucky I got up now, as my body was requesting another hour. But, speaking of the two

royal gentlemen last night…one was a count and the other a duke, I think, Nell added."

"And lord knows I have seen quite enough of the inbred stupidities or avariciousness

amongst the impoverished royalty here in this town, those two were a perfect example.

Do you not realize that they hope to marry you, or god forbid -me, for our money," she

said, with a small sigh of exasperation.

Nell and Lana had, just three years ago, come into an enormous some of money from

the shockingly pleasant surprise of finding oil on their farmland. The oil find quickly

awarded them a multi-million dollar buyout, with the deal including a monthly dividend

that was ten times more than the average American's salary. So, money was no

concern, but navigating the gigolo infested waters of Monte Carlo was a challenge for 27

year old Lana Lang.

Although her aunt thought she was watching over Lana, protecting her from the cruel

world, in fact it was Lana's modestly cynical outlook that had kept both of them out of

serious situations.

Had Lana not one penny to herself she would have still been compelled to turn away

suitors, as her charms were many. Most recently she had put behind her the dire

flirtation she conducted with her weight, allowing it to dwindle to what Nell called the

"scary bones" stage. Too many angles and lines to best complement or lithe, petite

figure. She had somewhere picked up the absurd notion that she was carrying around

too much adipose. Something, at the time of this supposed excess, many men would

have prostrated themselves to have simple seen, much less touched.

Being the bright young lady that she was it soon became apparent to her that she looked

best, indeed felt best, with a couple of pounds less than her 'baby fat' weight. Once she

regained, what was a very modest amount, weight that was advantageously distributed

by nature art over her body and face, the attention of men increased.

She had the kind of beauty that did not vanish with the clothes or setting or weather,

remaining constant. But, like the well crafted setting for a precious stone, even natural

beauty can be enhanced.

And so, yet another cliché was debunked as she had realize that in fact you can be too

thin…but…perhaps not too rich.