The iconic theme is now playing. All black, and the camera goes backwards, to encounter a row of coding, one in an endless ocean of a matrix. The title then forms from the Codes when the camera was moving back.
Ghost in the Shell
It goes back even further to encounter chips, and then, a whole robotic body, skinless and metallic, like a robotic human skeleton, albeit faithfully made, with anotomically correct features, as well as silicon-made breasts, showing that this body is female. The skeleton also had wires out from the back of it's neck. This robotic body had simulated muscles and tendons. The head was made of metal, except for the lips, eyebrows, nose, ears, eyes, and cheeks. They were made out of a simulated material. The head assembled together like in the anime. Surrounding the lone and stationary body, was a number of scanners and holographic screens, along with a few scientists. The screens were listing the stats and condition of the body. One screen showed a brain, with the screen looking like the brain is almost uploaded into the body. Another set of words show up within the black, albeit like a coding sequence.
Directed by BLANK
Produced by BLANK
The brain was now fully uploaded. A scientist slides a finger across a holographic screen, and tapped on one side of the screen. The wires now shoot out from the neck, and the arm holding onto it now passed through an opened hole filled with water. The body, connected to a rail, slides quickly through the water tunnel, across a whole facility, where other robotic bodies were being manufactured. The words came back in the same coding sequence, saying;
Screenplay by BLANK
The rail now stops into a circular tank, with scientists on the other side watching as the rail lets go of it, leaving it to hover into the water. On the top of the water was a skin-colored layer. The lead scientist then looks to the one at the lever, and signals him to pull it. He nods, and pulls it, activating the magnetic levitation that pushes the body up to the layer, coating it. The words in the sequence come back
Starring
BLANK
The body now levitates through the layer of skin color, with it's arms outstretched, like a cross towards a bright light as water particals fly up. The words in a sequence appear again
BLANK
The body is now upright, and is slowly turning as holographic scans, scan her body, which at this point is extremely human looking, except for no hair and that the whole body is one color. The codes appear one more time.
And BLANK
She is fished out by an arm out the water, where scientists take her on an hospital table through a hall and into a room, labelled "Shell Cosmetics". There, is where they applied the make-up, and finally the purple hair similar to the anime Motoko. We jump to a scene where Motoko falls into water in a fetal position, whilst being scanned for any changes. The codes appear.
Casting by BLANK
Music by BLANK
The body flows through another water-tube, and hovers into a room full of scientists and computers, as a holographic scan scans her one more time. Her hair was flowing, and her eyes were closed through the whole experience. The wind stops blowing, and her eyes finally open in a jumpscare.
Motoko gasps as she woke up, and looks around. Her vision was now computerized, but then took a little while to adjust. She gets up in a sitting position, and looks at her arm, to move it a bit slightly. She looked at the time, and saw it was 8:15, and she sighed. She opened the curtains to show a morning sunrise as she wipes her eyes. She gets out of bed, and walks out of the frame, to get ready for work. The codes finally appear one last time.
Based on the Manga by Shirow Masamune
