Mulder opens his eyes suddenly hearing a familiar voice down.
S. Mulder it's me!
M. Where are you Scully?
S. Exactly where you left me.
M. You found anything?
S. No, I haven't
Noticing frustration.
M. What's wrong?
S. Well, I just climbed up and down, and again, and again. I'm hot, I'm horny, and to be honest I'm wondering what I'm doing here while you're SNORING!
M. I'm sorry, Scully. I got exhausted looking for that bomb.
S. I know that but you called me and told me to come right away. And by the way you were looking in the wrong building. (Kinda what I'm doing now)
M. I thought it was covered.
S. Mulder, when a terrorist bomb threat is called in, the rational purpose of providing that information is to allow us to find the bomb. The rational object of terrorism is to promote terror, yada, yada, yada… and if we don't act in accordance with that data, if you ignore it as we have done, the chances are great that if there actually is a bomb, we might not find it. Lives could be lost ... Mulder. Mulder?
M. WHAT??
S. Jesus, Mulder. You fell asleep again and I'm playing a hunch on you.
M. Scully, if we fail to anticipate the unforeseen or expect the unexpected in a universe of infinite possibilities, we may find ourselves at the mercy of anyone or anything that cannot be programmed, categorized or easily referenced. WOO That was a turn on! …Hey man, what are you doing UP there? It's hotter than hell!
S. Now I'm bored at this assignment, Mulder.
M. What? You dare to leave me like this now?
S. I gotta quit looking for what isn't there. To me this X File is closed.
M. Come on, Scully, let's make a bomb threat at my Astrodome.
Scully looks at Mulder in disagreement, but goes downward again.
S. Now what?
M. It's LOCKED?
S. So much for anticipating the unforeseen.
Mulder rises to see everything is normal.
S. I had you.
M. No, you didn't.
S. I had you big time.
M. You had nothing. Come on, I saw you jiggle the handle.
S. I saw your face. It was a definite moment of panic.
M. You've never seen me panic. When I panic I make this face.
(Not changing a bit…)
S. That was the face.
M. You didn't see that face.
S. I saw that face.
Scully lies next to him.
M. What do you want now? Saline IV?
S. Something sweet.
And kisses her.