Yorktown Revisited
By: Len
Spoilers:
The Drop-In
Catergory: Josh/Donna
Teaser: Josh is having problems, with walls and Lord
Marbury.
Rating:
PG
Diclaimer: The West Wing still doesn't belong to
me. Rats. It belongs to Aaron Sorkin and NBC and probably some other people
I don't remember... Don't sue me. I have nothing you'd want. (-:
Notes: Feedback is, as always, very welcome:
poppy_twist@hotmail.com
He is loving this. He is savoring every damn minute. But I guess that's what happens when you have supreme executive
power. You can afford to torture your
friends.
The funny thing is, it looks like Leo has
pretty much patched things up with Marbury.
Enough that they aren't going to actually kill each other if they are
left alone in the same room.
A part of me rejoices. You have no idea how boring it is to be the
man hired to make problems for Bartlet's opposition, and end up having to
referee a crazy Englishman and an over-worked Chief of Staff. It's not in my job description. And as some people will tell you, it's
probably not the wisest place for me to be if we want to stay on speaking terms
with Great Britain.
So now the Lunatic Brit has an official
place in Washington. There really is no
justice in the world, is there? The
people in the Oval Office are mulling around, offering him congratulations,
posing for pictures. Marbury is
grinning like he's just seen his first fireworks show, and the President is in
the middle of a lecture on English history.
I fall back, watching it all. At
that moment, I really wish I had a flat wall handy.
*
"Donna!" I shout a while
later. Her stuff is still at her desk,
so I know she hasn't gone home yet.
There is no answer. This is
strange. My voice has a naturally
carrying quality, so she must have heard me if she was still in the
office..."Donna!"
"She's not here," Leo says,
walking past. I look up from my
confused contemplation of her desk.
"Yeah, that's what I'm starting to
think."
Leo looks at me in that way he has-the
Almost Eye-Rolling look. "No, she
really isn't here. I heard her agree to
a celebratory drink with John Marbury."
"What!" I think Leo is now smirking.
"You let her leave with that lunatic?" I demand.
"Josh, your assistant is old enough to
make up her own mind about that sort of thing.
I don't think she would have taken kindly to me telling her she has to
stay because her boss is intimidated by her date's intelligence and
charm."
"Intelligence and....she got to
you!! For the last damn time, I am not
intimidated by any aspect of that man's person or personality!"
"Donna thinks you are."
I fiddle around with the mug on her desk,
contemplating a suitable mode of pay-back to use on my assistant, and then
pause. "It's a date?" I ask as his words start to sink in. He is smirking again. I turn and head into my office.
"Well, Marbury thinks it is. Josh," he starts, following me inside.
I look up from the carpet "Yeah Leo?"
"What are you doing?"
"I'm standing with my back straight
against the wall," I answer. I try
to think of a relaxing place. A wide,
sandy beach. No. That makes me think of Florida and the
number of registered Republican voters
"Why are you standing with your back
against a wall?"
"It's supposed to relax me." What about a deep, dark, green forest? No.
That instantly brings to mind CARE and the drop-in at the GDC dinner.
"Doesn't look like it's working,"
My boss observes.
"It just needs a little
time." A nice empty desert
maybe? No. That reminds me of last summer's drought in the Midwestern states
which played havoc with crop production.
"How much time does it usually
take?"
"Not sure." I give up and push myself away from the
wall. "I usually get hit by a door
before it really starts to work."
"Oh.
Well, when you see Donna, tell her to come by my office."
Huh?
Donna's getting called onto the carpet?
"Leo?"
"Margaret wants to talk to her. Something about bottling whatever she's
got..."
"Okay," I reply slowly. I have no idea what Leo is talking
about. It probably shows, but Leo turns
to go anyway.
I do some odd paperwork and listen for
Donna's familiar footfalls. I don't
hear them, or anything else for that matter.
Everyone has gone home. I guess
it's safe to return to my wall.
I'm running out of calming things to think
about here. Beaches, deserts, forests...sky. Sky is very calming. I imagine myself lying on the grass in front
of my Mom's house, staring up at the sky and watching the fat, fluffy clouds
float by.
And this is working, until out of nowhere I
remember that Donna has just lowered her Eligible Man Standard to include those
of questionable mental stability. This
is disturbing for a minute. But then I
think of my frequently questionable mental stability, and the fact that Donna
is always right here to keep me from going off the deep end. I guess I'm hardly in a position to
judge. 'Like that's ever stopped you
before,' a little voice says in my head.
It sounds disturbingly like Donna.
It's about this point that somehow my
picture of Donna gets mixed up with the my mental sky picture and I realize how
blue her eyes are when she smiles, and how soothing her presence is when she's
happy...
Whoa there, Lyman.
That's it.
I've been at work way too long.
I need some sleep. That's
probably the root of my problems, anyway.
There's no way tomorrow could be as stressful as today was. And tomorrow
I will examine the Donna/Marbury problem.
It's in her best interests, of course.
*
Well, like they say, the best laid plans of
mice and men...It seems I am not going to get home tonight. And not because I'm getting drunk and ending
up on Donna's couch, either. I have no
reason to get drunk, except maybe out of sympathy to Sam. And I'm not allowed to do that on a school
night, anyway.
No, I'm not drunk. I kind of wish I was.
I am standing behind my office door,
meditating for no particular reason on the Immigration Policy, when I hear a
loud crash from the Operations Bullpen.
I jump away from the wall and look towards the sound. It's Donna.
She's alone.
"Hey, Josh," she says cheerfully, continuing to knock
things off her desk, "I'm trying to find my keys. Have you seen them?"
Okay, there are two things very wrong with
this picture. One, Donna has no respect
for my ability to even dress myself in the morning; there is no way in hell she
would ever expect me to know where anything is, especially any of her
stuff. Two, Donna is knocking things
off her desk. Do I need to repeat
myself? She is knocking things off her
desk. Donnatella Moss is making a mess,
and she looks like she's enjoying it.
The world must be about to end.
*
My assistant giggles. "You look like a fish, Joshua,"
she says, and demonstrates. I realize
I've been staring at her.
"How was your date?" I sit on the edge of her desk and try for
casual.
"Oh, you know," she shrugs. "I made some contacts. If I'm still single in ten...twenty years I
might be able to hook myself some royalty..." She sits next to me on her
now-spotless desk.
"Oh yeah?"
"Yup." She's weaving, I realize.
Swaying back and forth like she's really caught up in some music that I
can't hear. Oh yeah, it's music all
right. One bourbon, one scotch and one
beer...
"Donna, are you drunk?"
"Yup." She looks over and squints at me. The blue eyes I was relaxing with earlier are having trouble
focusing on me. "Only a leeeetle
bit." She shows me the space
between her thumb and forefinger, and sways again. I grab onto her before she falls off the desk.
"God, I wish I had a camcorder," I
mutter.
"So do I."
Here we go.
What you are about to see, fellow citizens of the United States, is
Deputy Chief of Staff Josh Lyman being led like a State Fair pony by his lovely
assistant, Donnatella Moss.
"Why do you wish you had a
camcorder?" I say with a sense of impending doom.
"I drank Lord Marbury under the
table!" she says gleefully, and then slides off the desk and lands in a
heap on the floor. "You shoulda
seen it, Josh! His system isn't as
sensitive as your's but I took him!
U.S. one, Great Britain, nil!!"
At least, I think that's what she's
saying. Her voice is kind of muffled by
carpet.
"You took the new British Ambassador
and got him drunk?" I laugh in disbelief.
So maybe this day isn't ending quite as badly as it started.
"The man needs to relax. Y'know, Josh, he's is absolutely _dreamy_
when he's drunk?"
I take that back. Today sucks on all levels.
"Yeah, I've heard that."
With what is apparently a tremendous effort,
Donna pushes herself to a sitting position and does that pouty thing. "Don't worry Josh, I still love
you." She tries to pat me on the
foot and misses by a mile. "But
hey, a girl's gotta have a lil' fun somime..."
Her speech patterns are disintegrating, and
I'm pretty sure she's lost her drunken mind.
"I still love you?"
Where the hell had that come from?
I fight down a sudden wave of pure
terror. Please God, let that be the
drink talking. "C'mon, Donna,
let's get you home." I haul her to
her feet, and then prop her against my office doorframe while I get my coat and
backpack. "How did you get past
security?"
She giggles again. If I hadn't just been sucker-punched I would have thought it was
kind of cute. "I am a par-a
paragon of sobriety...compared to John."
"John?"
"Yup.
He's being held by security right now.
I was gonna give him a ride to his hotel...Oh! We gotta go pick 'im up, Josh!"
"Okay.
We'll do that," I say agreeably.
Donna frowns at me. "You're not going to, are you?"
How well she knows me. "No."
"That's not nice, Josh."
I open her desk drawer, pull out her purse,
and hand it to her. "Marbury can
sober up and find his own way home. And
you know what they say."
"Who say? Is someone saying something?"
"I don't know. 'They'--whoever. A long time ago..."
"And what do they say, Josh?"
"All's fair in love and war,
Donna."
I start to tow her out the door. I really hope Leo's not around anymore.
"Which one is this?" she finally
asks as we come to my car. I unlock the
doors and look at her.
"Huh?"
"Love or war? Which is it?"
I shrug and feel my palms start to
sweat. "Oh, one of the above, I
bet."
Donna mumbles something and then rests her
head on the dash, groaning. The woman
has an amazing metabolism, so it takes a hell of a lot to get her drunk-I
know. In fact, I don't think I've ever
seen her like this. I drive through the
streets and take the corners slow.
Before long we are in front of the sooty, graffiti-decorated complex she
calls home. I'm afraid to leave my car
unattended in her neighborhood.
"Time to get up, Sunshine!" I say
cheerfully. She cracks open her eyes
and rewards me with a particularly venomous glare. She then opens the door and climbs out.
Donna has no elevator. I help her up however many hundreds of
flights of stairs there are, and then unlock her apartment. "Here we are."
"Yeah."
She is standing in the doorway, looking at
me with an unreadable expression. I
look away.
"So, I'll see you in work
tomorrow. Eight o'clock."
"Okay.
Thanks, Josh."
"Yeah." Over her shoulder I see her roommate come out into the living
room. Candi, or Cindi, or Cami or
something.
"He's not staying here, Donna! I don't care how damn drunk he is!" she
screeches. "He abuses my
cats!"
My assistant puts her hands over her ears
and sushes her. Agony is evident on her
face. "Oh. Sorry," the brunette mouths. I just shake my head and turn to go.
*
On October 6th, 1781, we opened, as Leo
would say, a big can of whoop-ass on the British at Yorktown. And all because one man, British General
Charles Cornwallis, didn't heed the warnings given to him. He was arrogant and over-confidant in his
abilities, and we kicked his ass. We
had the home court advantage.
Intelligence, allies, the whole bit.
Cornwallis waltzed into Yorktown expecting an easy win. And then Washington showed up and blew him
and the entire British Army out of the water.
Figuratively speaking, of course.
Marbury
had better be careful about what he tries to pull on my territory. I've got history going for me.