This is kind of weird, but bear with me. I've found I have to be in a VERY specific frame of mind to update Headmaster Snape; otherwise it just doesn't work. The mindset hasn't visited me lately, and my fandom time is fairly limited these days to begin with. I figure I can update the story quickly or I can do it properly, and will choose the latter every time.
So I had this thought: I could do a "DVD commentary" for JTB. I know I provided some insights into the writing process in review responses and ANs, but there's a lot of thought and planning that goes into an epic story. If you don't write yourself, this could be a way of showing the thought that goes into (my) writing. There are also references and anecdotes to be had. I also hope that going through this story (which I frankly haven't much since I finished posting it) will get me back in the right frame of mind.
This is SUPER SPOILERISH for JTB; I will point out references and foreshadowing to plot twists literally chapters before they happen, so you have been warned.
Warnings for rambling, self-absorbed musings by the author.
Hermione jumped at the sound of the door slamming behind her and aimed her wand in defence. For a few seconds, she held her wand and narrowed her eyes, before remembering where she was and relaxing.
I've told this to a few people already, but for those who don't know: this story popped into my head more or less fully formed the night before an important exam (great timing, brain). I had a "vision" of the DE children locked in a dungeon, and the rest of it fell into place fairly naturally. The ending went a completely different direction than I had initially anticipated, and the writing process brought many twists and turns, but the story more or less wrote itself. For awhile I wrote a chapter a day. It took about 4 months to completely write it.
Six years had passed since the end of the war, and she still jumped and armed herself at any sudden noise. Residual trauma, the healers had said. Post traumatic stress, the Muggle doctors had said. Whatever they wanted to call it, it lingered. True, it was not nearly as bad as it had been in the first year or so after the war, when she awoke with nightmares each night and practically had to drown herself in dreamless sleep potions to get any rest at all. Every day, every month, every year, it got better. She had long since given up hope that it would go away completely.
Most people who suffer PTSD don't suffer the vivid flashbacks depicted in movies. Mr. Amarti has had it for years. It's more of a general unease and constant awareness of your surroundings. According to him, it gets better with distance but never completely goes away.
"Right this way," the director, Miss Glastonbury, said. Hermione nodded and followed. It was one of her first assignments since she had transferred to the Department of Magical Law Enforcement. She was here to perform a basic review and audit of the Ministry Home for Children. The Wizarding orphanage. Where many of the war orphans had ended up.
JKR mentioned that Hermione transferred to MLE after securing house-elf rights. Miss Glastonbury is named for a region in England that hosts a big music festival each year.
"Of course since so much time has passed many of our original charges after the war have since been adopted or sent to live with family," Miss Glastonbury continued in a crisp voice not unlike Minerva McGonagall's but lacking the Scottish brogue. "And many have come of age or left for Hogwarts. But there are still some who return here in the summers, and we still do have some young ones who have been here since the war ended. And that's where I will be taking you now."
They walked down a narrow, dark set of stairs toward what looked like a large basement. Or a dungeon.
"They live down here?" Hermione asked.
Miss Glastonbury nodded.
"Full time?"
Miss Glastonbury nodded again. "We tried keeping them upstairs with the other children, the ones who have lost their parents in the years since the war, the 'transitory' ones we call them because they are almost always adopted or sent to family right away. But these are our more…permanent residents. They don't remember their parents, thank God, and they have only known this place. They are scared around others. They…act out. So for their own safety and, in a way, comfort, and that of the other children, we thought it best to keep them down here. Together."
Hermione was too horrified to scribble this down on her clipboard. Not that she would need notes to remember it.
"How can you…I mean it just seems cruel. It's like a prison."
Miss Glastonbury stopped and turned to look down her pointed nose and through her cat-eye glasses at Hermione. "I assure you, Miss Granger, if I could find homes for them, I would. And if I could get them to interact with the outside world, I would. These children have problems. Anger problems. Nightmares. Uncontrolled magical outbursts. People have been hurt, Miss Granger, some of them very seriously." Hermione said nothing. "I resent your implication that we are in the business of cruelty here. We are not. I love every child in here like my own."
I don't think she's telling the truth.
Miss Glastonbury's tone clearly indicated that she did not, in fact, love all the children in this home.
"Do they ever leave?"
"We try. They do not want to."
"What about their health? Education?"
"We have healers and tutors who come to them. Unfortunately, it's a bit of a revolving door. Most who come do not last very long. Many others only come for a short while under various agreements with the Ministry, usually community service as sentences for minor infractions."
"Criminals are teaching and taking care of them?" Hermione raised her eyebrows in incredulity. What other horrors will I discover here?
"We would never let anyone dangerous near the children, Miss Granger." Miss Glastonbury's voice became dangerously calm. Hermione nodded. "I have to take my volunteers where I can get them, since permanent staff have been difficult to retain. In fact, only in the past few years have I had a constant member of staff dedicated to this group."
"I'd like to interview whoever that is, if I may," Hermione said. "For the report."
"I may be able to arrange that. He may not agree."
"You cannot direct him?"
"This is not a man to be directed easily. He works quite independently. It was a condition of him coming here. I was not in a position to negotiate that."
It was not supposed to be a great surprise who they're talking about. Hermione already has an inkling.
"Interesting," Hermione mused. "Is there any evidence of war trauma among these children?"
Miss Glastonbury nodded gravely. "Some of the most severe I have seen."
"You, um, you said that they have no family. Were their entire families…?"
"No, just their parents."
"And they have no other relations?"
"None who are willing to take them in."
This is based on the sad story of the children of Julius and Ethel Rosenberg. After their parents were executed as Soviet spies, none of their relatives would take them in. They were eventually adopted by communist sympathizers. So sayeth Wikipedia.
"And no one is willing to adopt them?"
"Not after they learn who these children are. I have come close, so close, so many times to finding them homes. I now believe it to be impossible."
That is based on the children of Nazi soldiers in some European countries and American soldiers in Vietnam.
"But…why?" Hermione could not understand how or why a group of children had been completely isolated after the war. All but swept under the rug and forgotten.
"Why?" Miss Glastonbury stopped before a large bookshelf and pulled a thick registry off the shelf. Opening it to the right page, she held it out to Hermione. "Read for yourself. This is as far as anyone really needs to look. This is as far as anyone has ever looked."
She read the parchment. It was a list of names. Rosier. Mulciber. Macnair. Avery. Lestrange.
Amarti is listing Death Eater surnames literally in the order they pop into her head.
Oh my God. Comprehension dawned. She looked up and met Miss Glastonbury's eyes. The older woman's eyes were filled with sadness and resignation, as was her voice when she finally spoke.
"You see now, Miss Granger, why no Wizarding family, relatives or otherwise, is willing to let these children into their homes. These are the children of the Death Eaters."