EAT COLD CRISPS
(DOOM MOVIE 20XX)
THEME SONG: DOOM 3 THEME BY TWEAKER
0-44s: The music starts. The scene starts in a Mars facility. We see Doomguy loading up his weapons, especially his iconic super shotgun, Just as we build up to the climactic music, the door opens, and all the demons are before him. Standing in the open Martian landscape.
45s-1m5s: Doomguy fires at the ghouls with his rifle. Shooting bullets and missiles endlessly onto their grisly bodies, as Imps, Revenants and Mancubi all get gibbed to shit and fall before him.
1m5s-1m22s: Doomguy throws away his rifle, and enters Berserker mode. As he moves to eviscerate every ghoul within and without his reach.
(As the singer in the song punctuates his muttering, with oodles of deep bass riffs)
Doomguy rips and tears motherfucker!
1m22s-1m40s: Doomguy runs across the Martian landscape towards Olympus Mons at max speed. The FPV continues, then we cut to a pulled out shot which shows him zipping across the Martian surface at impossible speeds. Then we zoom back to his face; his face is obscured by the helmet visor. But we catch a glimpse of his mouth and face twisted into a demonic grin, ear to ear.
1m43s-1m59s: Doomguy blasts through more ghouls, with his handy super shotgun. Shooting twice with the same rounds, before reloading. Punches out the cartridges, shoves them back in with his right hand, cranks it back in place, shoots, rinse, repeat. BOOM! BOOM! BOOM! BOOM! BOOM!
An endless, merciless assault!
Climbs up to the summit of Olympus Mons, looks down and sees the cyberdemon. Perspective is now lost. Even though the CD is 25kms down, it seems close, real close, especially as the camera zooms into his ugly mug (differing magnification). Doomguy jumps.
2m-2m33s: Doomguy falls down, racing towards the CD. As the shot cuts to the CD's feet, as his boot thrusters fire and he lifts off of the ground and rockets towards Doomguy. Doomguy's boosters also fire.
2m26s-2m33s: They reach each other's fist. Doomguy's left to the CD's right. He's dwarved by the sheer size of the CD. Both are gritting their teeth. The camera matches the staccato bursts of the bass riffs to their fists hitting each other in slow motion.
The title screen pops up as the music dies down.
EAT COLD CRISPS
DOOOM IS STYLIZED, OF COURSE.