FULL CIRCLE
ANOTHER HUBBARD STREET STORY
BY
HENRIETTE MOUSTAKIS
TEASER
FADE IN:
INT. MAYLING'S FLOWER SHOP. DAY
A sign on the window reads "Lotus Blossom". KATE, her female employee, stands behind the register. MAYLING HOCKENBERRY is arranging flowers. MONICA the Angel enters. Mayling does not see her. Kate turns to Mayling.
KATE - EMPLOYEE
We've got another order for roses.
MAYLING HOCKENBERRY
Mother's day is always the busiest. This time every year I develop a hatred for roses.
KATE - EMPLOYEE
Till Frank sends you some.
MAYLING HOCKENBERRY
And always from another florist.
KATE - EMPLOYEE
He's no fool.
MAYLING HOCKENBERRY
That's why I love him. I'm just glad the trial is over. It took alot out of him.
Kate sees Monica, who turns.
KATE - EMPLOYEE
Can I help you?
MONICA - ANGEL
No thank you. I'm just looking.
Mayling recognizes the voice and turns.
MAYLING HOCKENBERRY
Monica?
MONICA - ANGEL
Hello Mayling.
KATE - EMPLOYEE
You two know each other?
MAYLING HOCKENBERRY
We haven't seen each other for over---
MONICA - ANGEL
Sixteen human years.
KATE - EMPLOYEE
Human years?
MONICA - ANGEL
You have a lovely shop. I love flowers. Interesting name too?
MAYLING HOCKENBERRY
I named this place after my daughters Lotus and Blossom. I was in so much pain when they were born, I overdid the meds. In my delirium, I named them.
MONICA - ANGEL
They're very pretty names.
MAYLING HOCKENBERRY
They're strange names. I was so sure Frank would object, but he didn't.
MONICA - ANGEL
Love makes a person do many strange things. How have you been?
MAYLING HOCKENBERRY
I've been better. This has been a rough year for us. But we survived. Why are you here?
MONICA - ANGEL
I'm needed, by you. It there a place we can talk?
FADE OUT:
END OF TEASER
ACT ONE
FADE IN:
SCENE ONE
INT. BACK OFFICE. DAY. -- CONTINUOUS
Mayling and Monica enter the office.
MAYLING HOCKENBERRY
Can I get you anything?
MONICA - ANGEL
Coffee would be nice.
MAYLING HOCKENBERRY
I just made some fresh. Cream and sugar are in packs.
Mayling pours a cup and gives it to Monica.
MONICA - ANGEL
Thank you.
MAYLING HOCKENBERRY
What do you mean, I needed you? I didn't call for help.
MONICA - ANGEL
Yes you did. You can't tell me Frank's been easy to live with lately.
MAYLING HOCKENBERRY
He's had problems. He's better since he's found his father. He doesn't lean on me so much anymore.
MONICA - ANGEL
And does that bother you?
MAYLING HOCKENBERRY
No, actually, I'm relieved. I'm under enough stress; this business, my family and him. He's the worst headache. I was so convinced he would slip.
MONICA - ANGEL
He's stronger than you think.
MAYLING HOCKENBERRY
The day the trial ended, I didn't know what to expect. Zek said he was upset. So, when Gunther came up with Chez Gunther, I prayed it would calm him down.
MONICA - ANGEL
And did it?
MAYLING HOCKENBERRY
It helped for awhile. After everyone left and we went upstairs, we didn't do what everyone expected. We talked. And when we went to bed, all he did was hold me. He didn't let go all night. I felt like his teddy bear not his wife. We haven't been the same since. He's still distant. He only opens up when his father is there.
MONICA - ANGEL
He needs to get used to his recent changes.
MAYLING HOCKENBERRY
Monica, he's not the same man he used to be. We haven't been intimate for a long time. He might as well be my brother. I miss him. Is that way you're here?
MONICA - ANGEL
I'm not here as your sex therapist. I'm here to talk to you. I came to warn you.
MAYLING HOCKENBERRY
About what?
MONICA - ANGEL
Your father?
MAYLING HOCKENBERRY
My father left me years ago.
MONICA - ANGEL
And Gunther hasn't made you think about him?
MAYLING HOCKENBERRY
No.
MONICA - ANGEL
Even when you told Andrew?
MAYLING HOCKENBERRY
That was the first I've thought of him for years. It did make me miss my brothers and sisters. I would like to know where they are.
MONICA - ANGEL
They want to know about you.
MAYLING HOCKENBERRY
Did he sell them too?
MONICA - ANGEL
No. They moved to Saigon. They've tried to find you, but no one knew your married name. They want to see you, and so does your father.
MAYLING HOCKENBERRY
My father is dead.
MONICA - ANGEL
He's very much alive, and on his way here. It's only a matter of time before he gets here.
MAYLING HOCKENBERRY
Did the angels have anything to do with it?
MONICA - ANGEL
No, just a good private detective, and alot of publicity.
MAYLING HOCKENBERRY
So, if there hadn't been a trial, he wouldn't know where to find me?
MONICA - ANGEL
Everything he needed was on the internet.
MAYLING HOCKENBERRY
No one's privacy is safe anymore. Have you seen him?
MONICA - ANGEL
Yes.
MAYLING HOCKENBERRY
Well, I don't want to see him. I don't need a rerun of "Father Knows Best". So, when you see him again, tell him not to bother. I'm doing well without him. I've met my Prince Charming and HE saved me. Frank's no saint, and right now we're having intimacy problems, but we can work it out, and we will.
MONICA - ANGEL
I know you will and God does too. There's love there. I've come to warn you about your father.
MAYLING HOCKENBERRY
Is that all?
MONICA - ANGEL
I could be more if you need me.
MAYLING HOCKENBERRY
Frank calls you a delusion. His doctor has convinced him you don't exist.
MONICA - ANGEL
We do loose believers. You haven't told him about me?
MAYLING HOCKENBERRY
No, as far as he's concerned, I brought him into his room alone.
MONICA - ANGEL
You know for a loving couple you keep alot of secrets. Your life is one big secret.
MAYLING HOCKENBERRY
Some things should stay that way. Secrets hurt.
MONICA - ANGEL
When they come out; but they can also heal. You knew that when you made Frank tell Andrew. How can you talk all night and still have secrets? Well, thank you for the coffee. I'll leave you with your thoughts.
She goes to the door and turns back.
MONICA - ANGEL
Remember, the truth will make you free. If you need me, just call.
She leaves. Mayling turns from the door.
CUT TO:
SCENE TWO
INT. MAYLING'S FLOWER SHOP. DAY -- CONTINUOUS
Mayling comes out.
KATE - EMPLOYEE
Is your friend gone?
MAYLING HOCKENBERRY
She left a few minutes ago.
KATE - EMPLOYEE
I didn't see her leave.
MAYLING HOCKENBERRY
You were probably busy.
A man walks in. He is well dressed and is carrying a brief case. He is PHILLIP KINZIE. Kate sees him.
KATE - EMPLOYEE
Can I help you sir?
PHILLIP KINZIE
I would like some flowers for my mother.
Another customer walks in.
MAYLING HOCKENBERRY
I'll take care of him. What type do you want?
PHILLIP KINZIE
A dozen roses--
(gives paper)
Sent to this address.
MAYLING HOCKENBERRY
(taking paper)
Gladly. Come with me and we'll discuss price.
PHILLIP KINZIE
No need. Price is no issue. After all, we only have one mother.
MAYLING HOCKENBERRY
That's very sweet. Come with me anyway.
She goes to the register and starts filling out an order. He looks behind her and sees a family portrait and her business license with her name on it.
PHILLIP KINZIE
I didn't know you knew the Hubbard Street Angel?
MAYLING HOCKENBERRY
He's my husband and he hates that name.
PHILLIP KINZIE
I don't blame him. So would I? Five children must really be a handful.
MAYLING HOCKENBERRY
We manage between the two of us.
PHILLIP KINZIE
What are their names?
MAYLING HOCKENBERRY
None of your business.
PHILLIP KINZIE
You don't look like a mother of five. You're much too beautiful.
MAYLING HOCKENBERRY
And mothers of five are ugly?
PHILLIP KINZIE
I didn't mean that. You just look so refreshed, not tired.
She gives him the bill and takes his credit card.
MAYLING HOCKENBERRY
I'm a good liar.
PHILLIP KINZIE
(signing receipt)
And very beautiful, Mayling.
MAYLING HOCKENBERRY
How do you know my name?
PHILLIP KINZIE
It's on your business license. A pretty name for a pretty lady.
(keeps receipt)
Well, Mayling, I'll be seeing you. I have an office in this building. Come up and see me sometime. I would love to buy you lunch, maybe even dinner.
MAYLING HOCKENBERRY
My husband would have something to say to that.
PHILLIP KINZIE
Your husband is a lucky man.
He leaves. Kate practically falls over the counter.
KATE - EMPLOYEE
Wow! If you don't want him, I'll take him. He's smooth.
MAYLING HOCKENBERRY
A little too smooth for me. Let's get back to work.
CUT TO:
SCENE THREE
INT. FRANK'S LIVING ROOM. NIGHT. -- LATER
The family is picking up the dining room table. ANDREW HOCKENBERRY looks out the window. FRANK HOCKENBERRY sees him.
FRANK HOCKENBERRY
What are you looking at?
ANDREW HOCKENBERRY
Nothin'.
FRANK HOCKENBERRY
You've been looking at nothin' all night. What is so interesting?
ANDREW HOCKENBERRY
That old man by the bus stop. He's been there for hours. I thought we had good bus service.
FRANK HOCKENBERRY
We do.
ANDREW HOCKENBERRY
Then why doesn't he get on the bus?
FRANK HOCKENBERRY
Let me see.
Frank goes to the window.
FRANK HOCKENBERRY
He's probably enjoying the weather.
(to Andrew)
Either that, or he's homeless. We do have them here. Just forget it. Get the monopoly game and call your sisters.
(into kitchen)
May, we're starting the game.
MAYLING HOCKENBERRY
(coming out)
Not tonight.
FRANK HOCKENBERRY
Something wrong?
MAYLING HOCKENBERRY
I'm just not in the mood. You play for me. I trust you.
She leaves as Andrew brings the board. LOTUS and BLOSSOM HOCKENBERRY sit down and get their properties ready.
ANDREW HOCKENBERRY
What's with mom?
FRANK HOCKENBERRY
Probably ragtime again. I could of sworn it was two weeks ago.
ANDREW HOCKENBERRY
PMS?
FRANK HOCKENBERRY
Don't ask me. I don't have that problem.
ANDREW HOCKENBERRY
Dad, just think. We have FIVE women in this family. Multiply PMS by five.
FRANK HOCKENBERRY
(faking smile)
Is it too late too move?
LOTUS HOCKENBERRY
Daddy, let's play.
FRANK HOCKENBERRY
Okay, you throw the dice first.
They continue their game till bedtime. Frank looks at the clock.
FRANK HOCKENBERRY
Bedtime, girls.
BLOSSOM HOCKENBERRY
We want to keep playing.
FRANK HOCKENBERRY
Tomorrow.
He walks them to the stairs.
LOTUS HOCKENBERRY
But the game will end?
FRANK HOCKENBERRY
Honey, Monopoly never ends. A game could go on for weeks. I wouldn't worry. Now give me a kiss and get ready for bed. I'll be up in a few minutes.
LOTUS HOCKENBERRY
Night, daddy.
FRANK HOCKENBERRY
(kissing their foreheads)
Night, girls. I love you.
They run up. Frank turns to see Andrew looking out the window. He walks over.
FRANK HOCKENBERRY
Anything new?
ANDREW HOCKENBERRY
He's still there. Maybe he's a reporter?
FRANK HOCKENBERRY
Too old, unless he's an independent. Now close the curtain before you give him something to write about. I'll put the board away.
ANDREW HOCKENBERRY
I'm gonna practice my rifts.
FRANK HOCKENBERRY
Fine, just don't amplify it. The girls need their sleep.
Andrew runs upstairs. Frank looks out the window again. The man is still there. He turns off the lights and goes upstairs.
CUT TO:
SCENE FOUR
INT. FRANK'S BEDROOM. NIGHT. -- LATER
He goes in. Mayling is sitting in front of a mirror combing her hair. She is in her nightgown. He quietly comes in and grabs his pajamas.
FRANK HOCKENBERRY
Anything wrong, May?
MAYLING HOCKENBERRY
I was thinking of asking YOU that.
FRANK HOCKENBERRY
What do you mean?
MAYLING HOCKENBERRY
You haven't touched me in weeks. Ever since the trial, you've become distant. Is it me? Is there someone else?
FRANK HOCKENBERRY
NO! It's nothing like that.
MAYLING HOCKENBERRY
Then what is it?
(turning)
Why won't you make love to me? We never had that problem before. I feel like your sister not your wife. I can't remember the last time you even kissed me. What is wrong with us?
FRANK HOCKENBERRY
It's not you, it's me.
MAYLING HOCKENBERRY
Are you having problems?
FRANK HOCKENBERRY
I don't need viagara.
MAYLING HOCKENBERRY
Then tell me. Why won't you touch me?
FRANK HOCKENBERRY
I can't. Ever since the trial, I just can't. I want you so bad but...I just can't.
MAYLING HOCKENBERRY
Why? I've never refused you. I don't think I'm frigid.
FRANK HOCKENBERRY
You're not.
(takes her hand)
You're warm, loving and very beautiful.
(releases hand)
I just can't.
MAYLING HOCKENBERRY
I'm your wife. We have children together. What is wrong?
FRANK HOCKENBERRY
Do you remember when the defense attorney questioned me about dad's letter? He asked about you and our relationship. He reminded me of that night in the bordello when I sent you packing.
MAYLING HOCKENBERRY
So?
FRANK HOCKENBERRY
During the questioning, he asked me one question that was thrown out. The answer's been bothering me ever since.
MAYLING HOCKENBERRY
What was the question?
FRANK HOCKENBERRY
Did I really want to do it?
MAYLING HOCKENBERRY
Do what?
FRANK HOCKENBERRY
The reason I bought you. What else?
MAYLING HOCKENBERRY
Is that what's bothering you all this time?
FRANK HOCKENBERRY
I know the answer. I did. When you took off your top and I looked at you, I wasn't looking at your face. Even at fifteen you had the body of a woman.
Mayling starts backing away.
FRANK HOCKENBERRY
I came that close to using my purchase. The last thing I thought about was your face. When I finally saw it I saw the face of a child, a scared child. That's when I gave you the money, not before. Please don't look at me like that.
He tries to touch her but she pulls away.
FRANK HOCKENBERRY
I didn't do it. Doc wanted to, but I didn't. Doc is the man who's sick, not me.
He tries again but she pulls away even further.
FRANK HOCKENBERRY
Please, don't be afraid.
MAYLING HOCKENBERRY
Have you ever looked at another child like that again?
FRANK HOCKENBERRY
No. I'm not a pervert. Just look at the girls. I have never put a hand on them.
MAYLING HOCKENBERRY
But you wanted to thirty years ago?
FRANK HOCKENBERRY
Doc wanted to. He had the problem. The man was a drunk.
MAYLING HOCKENBERRY
That man is you. You can't divorce yourself from him.
FRANK HOCKENBERRY
Yes I can. I have too, to keep my sanity. It's like I'm two men and ever since the trial, I don't know where one ends and the other begins.
MAYLING HOCKENBERRY
Hasn't Jenny helped?
FRANK HOCKENBERRY
She's helped me with the dreams, but not this. That's why I haven't touched you. I look at you and see a fifteen-year old child. Just the thought of us together turns my stomach. That's why I never made love to you after Chez Gunther. I couldn't.
MAYLING HOCKENBERRY
Instead you treat me like your teddy bear?
FRANK HOCKENBERRY
You deserve better than me. I don't know why you even married me. I was still legally a drunk.
MAYLING HOCKENBERRY
(taking his hand)
I married you because I loved you.
FRANK HOCKENBERRY
And Andrew already created had nothing to do with it?
MAYLING HOCKENBERRY
No. I would have waited till you were ready for marriage.
FRANK HOCKENBERRY
And Andrew?
MAYLING HOCKENBERRY
I knew his father loved me and that was enough for me. I was willing to wait for the ring. Marriage wasn't necessary. I had the child of the man I loved inside me.
FRANK HOCKENBERRY
I couldn't do that to you, or our child. He deserved a name.
MAYLING HOCKENBERRY
And he got a good one, yours. I love you, Francis Hockenberry. I loved you when you were Doc, and I love you now that you're Frank.
(releases hand)
Since we're telling the truth, I've been keeping a secret from you for a long time.
FRANK HOCKENBERRY
How long?
MAYLING HOCKENBERRY
Seventeen years. I've been afraid to tell you. I know you don't remember the night we met a second time.
FRANK HOCKENBERRY
I couldn't if I tried.
MAYLING HOCKENBERRY
When I was a waitress, a woman named Monica was my boss. There was another employee, the bartender. She was an older black woman. Her name was---
FRANK HOCKENBERRY
Don't tell me. I know.
MAYLING HOCKENBERRY
Before I went to the garage, Monica told me who she really was.
FRANK HOCKENBERRY
A convention of delusions.
MAYLING HOCKENBERRY
She was no delusion. She was real.
FRANK HOCKENBERRY
If you say so.
MAYLING HOCKENBERRY
After you saved me from the attack, you stood up and pointed the gun at the man. I told you not to shoot but you wanted to. Then you began talking to someone who wasn't there. Apparently, it wanted you to stop also.
FRANK HOCKENBERRY
It was Andrew.
MAYLING HOCKENBERRY
You finally put the gun down and collapsed. Here I was, stuck between two unconscious men. Monica found me and we brought you to your room, and then she left.
FRANK HOCKENBERRY
So, who gave me the shower?
MAYLING HOCKENBERRY
I did, all by myself.
FRANK HOCKENBERRY
(walking away)
What is it with this family? Does everyone see delusions? Maybe I should ask the girls? I wonder who they see.
MAYLING HOCKENBERRY
They are not delusions. They come to help.
FRANK HOCKENBERRY
And God knows this family needs help.
MAYLING HOCKENBERRY
Yes, he does.
FRANK HOCKENBERRY
This family doesn't need help. I do! I'm the screw-up! I don't know how you can live with me. My life is one problem after another. Why don't I just leave?
MAYLING HOCKENBERRY
Leave? What are you saying?
FRANK HOCKENBERRY
You deserve someone better, someone NORMAL! Not some drunk perverted monster. Do yourself a favor, May, leave. I'd understand. You don't have to worry about child support. I'll still take care of you financially.
MAYLING HOCKENBERRY
What are you saying?
FRANK HOCKENBERRY
I want a divorce.
MAYLING HOCKENBERRY
What? How can you say that? I love you.
FRANK HOCKENBERRY
And that's why I want it, to give you a second chance. I'm a curse.
MAYLING HOCKENBERRY
You are not a curse! You're my husband!
FRANK HOCKENBERRY
Come on, May. Just think of how much better your life would have been if you never got pregnant. With your looks, you could find anyone. Who knows? You could have been the wife of some bank president by now!
MAYLING HOCKENBERRY
I wanted you, not some president.
FRANK HOCKENBERRY
Well, I don't want you, not anymore.
MAYLING HOCKENBERRY
(starting to cry)
Frank, how can you say such things? What about our years together?
FRANK HOCKENBERRY
A total waste of time, for both of us!
Andrew comes into the room.
ANDREW HOCKENBERRY
For God's sake, stop!
They look at him.
ANDREW HOCKENBERRY
I have the room right next to you, and I hear EVERYTHING that happens in this room. I can't tell you the times I lost sleep because you decided to be happy. But, I would rather loose sleep because of that than hear the silence or this. I don't know what your problems are, but they're affecting all of us. I want my parents to love each other! Is that too much to ask?
Mayling runs out and a door is heard slamming.
ANDREW HOCKENBERRY
I don't know you anymore. You have never made mom cry.
Frank leaves and goes into the hallway. He goes to the bathroom door. Mayling is inside and the door is locked.
FRANK HOCKENBERRY
May, open this door.
MAYLING HOCKENBERRY
Go away.
FRANK HOCKENBERRY
I'm sorry. Please, let's talk about this.
MAYLING HOCKENBERRY
We have nothing more to say.
Andrew comes out of their room. Frank starts pounding on the door.
FRANK HOCKENBERRY
(yelling)
Damn it, May! Open this door, now!
The babies start crying.
FRANK HOCKENBERRY
Christ! That's all I need now.
ANDREW HOCKENBERRY
Are you satisfied now? Not only is mom crying, but the twins are too. Who else do you want to hurt?
FRANK HOCKENBERRY
I am not in the mood for your mouth. Go quiet the twins.
ANDREW HOCKENBERRY
What for? Your screaming will only make it worse.
Frank slaps him. Andrew is shocked.
ANDREW HOCKENBERRY
(looks at Frank coldly)
I was wondering when that would happen.
Andrew goes into the twin's room. Frank looks back at the door.
CUT TO:
SCENE FIVE
INT. BABIES ROOM. NIGHT. -- CONTINUOUS
Andrew walks over to one crib and picks up a baby. He starts rocking her lightly.
ANDREW HOCKENBERRY
Now, now Alice. It's okay. This will be over soon. Just relax.
He rocks her gently as the yelling continues. He hears a door open and another close. The yelling continues in Frank's room.
ANDREW HOCKENBERRY
Shhh...Shhhh..
(puts her down)
You have to get some sleep now. I have to get your sister.
(picks up other twin)
Hey, Rachel. You've had a busy night.
(gently rocks her)
Try and get some sleep. This is going to be a bumpy night. Okay, Rachel? Do it for me, please. I promise you the fighting will stop.
(puts her down.)
Sleep tight.
He turns and sees the older twins behind him.
ANDREW HOCKENBERRY
Hey, girls. Why aren't you in your room?
LOTUS HOCKENBERRY
The yelling woke us up.
ANDREW HOCKENBERRY
(leaning down to them)
Mom and dad are having a little fight. It will be over soon.
BLOSSOM HOCKENBERRY
Why did dad hit You?
ANDREW HOCKENBERRY
He was angry.
BLOSSOM HOCKENBERRY
Will they fight all night?
ANDREW HOCKENBERRY
I don't know. Why don't you girls go to your room?
LOTUS HOCKENBERRY
Daddy promised us he'd kiss us goodnight.
ANDREW HOCKENBERRY
How about me? Will I do?
LOTUS HOCKENBERRY
As long as you don't yell.
ANDREW HOCKENBERRY
I promise I won't yell.
(standing)
Let's go to your room.
The three exit the room as Frank leaves his room carrying a pillow and blanket down the stairs. The bedroom door is closed and Andrew hears Mayling cry.
ANDREW HOCKENBERRY
(under his breath)
That bastard.
(to girls)
Let's go.
CUT TO:
SCENE SIX
INT. FRANK'S BEDROOM. NIGHT. -- CONTINUOUS
Mayling is on the bed crying. Monica appears and touches her. She looks up.
MAYLING HOCKENBERRY
Monica?
She runs into her arms crying. Monica slowly rocks her.
MONICA - ANGEL
There, there. Let it out.
MAYLING HOCKENBERRY
(pulling away)
I don't know what happened to him. He's such a gentle man. When did he become a volcano?
MONICA - ANGEL
There's a war inside him between Doc and Frank.
MAYLING HOCKENBERRY
It looks like Doc is winning. I want my Frank back.
MONICA - ANGEL
He's still in there.
MAYLING HOCKENBERRY
Frank would never strike Andrew. He loves him. Who is that man? Ever since he died, he's someone else. Most people when they die come back better. He came back worse. Why is that?
MONICA - ANGEL
Only Frank knows.
MAYLING HOCKENBERRY
He never hit Andrew before. He never hit anyone. He hates violence.
Andrew comes to the door and opens it ajar. He sees Mayling and Monica. Monica is shining. Andrew looks up.
ANDREW HOCKENBERRY
Thank you.
He closes the door and listens.
MAYLING HOCKENBERRY
He calls Andrew his idol. Why has he changed so? No one can help him now.
MONICA - ANGEL
God can.
MAYLING HOCKENBERRY
He hates God. He calls you a delusion.
MONICA - ANGEL
He's no delusion to God.
MAYLING HOCKENBERRY
Try and say that to him and live. How can we help him?
MONICA - ANGEL
God will find a way. He may even use Andrew. That's why he gave him to you. He saw two people to love his child and gave you a present.
MAYLING HOCKENBERRY
Andrew was a mistake.
MONICA - ANGEL
No child is a mistake. Maybe the timing was wrong, but he was no mistake. God is responsible for the timing.
MAYLING HOCKENBERRY
And a broken condom. Frank and I wanted kids but at a later time. He wanted to be established and do everything right. Instead, we were pregnant so we had to get married. All my friends told me Frank was a mistake. But, I insisted he was different. I was happy to have his child in me. So was he. After tonight, I think my friends were right.
MONICA - ANGEL
About Andrew?
MAYLING HOCKENBERRY
No, never him. He's my little angel. I just don't know what to do with Frank.
MONICA - ANGEL
You know there have been many surveys of people who were married alot of years. They were all asked how they did it. Can you guess what the top answer was?
MAYLING HOCKENBERRY
No.
MONICA - ANGEL
They never went to bed angry. Go down and bring him back.
MAYLING HOCKENBERRY
He won't come back.
MONICA - ANGEL
I think he will. You two have too many years under your belt to let it end this way. You do want him back?
MAYLING HOCKENBERRY
Yes, of course.
MONICA - ANGEL
Then go. He's waiting.
Mayling leaves. Andrew hides behind the door so she can't see him. He then looks in. Monica turns to him. He is in awe.
MONICA - ANGEL
Hello, Andrew. My name is Monica. I'm a friend of Tess. You look surprised.
ANDREW HOCKENBERRY
I don't know what to say. You're drop-dean gorgeous. Tess is pretty and Andrew is handsome; but you're one good-looking babe. If you were human, I'd forget my age.
MONICA - ANGEL
(walking to him)
Thank you for the compliment. But, I'm not here for my looks.
ANDREW HOCKENBERRY
You could of fooled me. Are you mom's guardian angel?
MONICA - ANGEL
You could call me that. I'm also her friend if she needs me. I'd like to be your friend too.
ANDREW HOCKENBERRY
You got it!
MONICA - ANGEL
You don't see me as a delusion?
ANDREW HOCKENBERRY
That's dad's hang-up, not mine.
MONICA - ANGEL
(touching his shoulder)
You do know that when he hit you, it wasn't him. He has a demon inside him.
ANDREW HOCKENBERRY
I know.
MONICA - ANGEL
And do you forgive him?
ANDREW HOCKENBERRY
I don't care what he does to me. I don't forgive him for hurting my mother.
MONICA - ANGEL
That's between them. I'm asking YOU. Do you forgive your father?
ANDREW HOCKENBERRY
Yes. Monica?
MONICA - ANGEL
Yes?
ANDREW HOCKENBERRY
Take care of mom. I can take care of my sisters but she needs someone older to talk to. She needs an adult.
MONICA - ANGEL
She has one, you. I'll do what I can. But, right now she depends on you.
ANDREW HOCKENBERRY
Man! With your looks, Andrew would have to be a fool not to grab you. He's got to be blind.
MONICA - ANGEL
We leave that to the other life forms.
ANDREW HOCKENBERRY
Then where do little angels come from?
MONICA - ANGEL
God makes us all. And sometimes, he gives them human form, like you. You're your mother's angel. Remember that.
ANDREW HOCKENBERRY
And who's dad's angel?
MONICA - ANGEL
God will provide for him. Now go get some sleep. The battle is over.
ANDREW HOCKENBERRY
I hope you're right.
He walks to the door and turns.
ANDREW HOCKENBERRY
Night Monica.
MONICA - ANGEL
Night Andrew. God loves you.
ANDREW HOCKENBERRY
I know.
He starts to leave and turns. Monica is gone.
ANDREW HOCKENBERRY
Monica? I hate when they do that.
He leaves.
CUT TO:
SCENE SIX
INT. FRANK'S LIVING ROOM. NIGHT. -- CONTINUOUS
Mayling slowly comes down the stairs. Frank is by the bar. He is holding a half-full glass. He turns when he sees her.
FRANK HOCKENBERRY
He's winning. Ever since the trial, he's started slipping back. I have tried so hard to keep him hidden. I can't anymore.
(puts down glass)
I'm losing myself and I can't do anything to stop it.
MAYLING HOCKENBERRY
(walking to him)
Just lean on us. We can help you.
FRANK HOCKENBERRY
I am so tired of leaning on other people. I have to take care of myself.
MAYLING HOCKENBERRY
You have. This is only a slip.
FRANK HOCKENBERRY
This is not a slip.
(turns to her)
He's back and you saw him tonight. He's a violent and angry man. For God's sake, May, I struck my son. I have never put a hand to any of my children. What is happening to me?
Mayling grabs him.
MAYLING HOCKENBERRY
Lean on me.
He pulls away.
FRANK HOCKENBERRY
No. I can't do it anymore. You need your life back.
MAYLING HOCKENBERRY
You are my life. You became my life years ago when we took our vows. We are one before God and man.
FRANK HOCKENBERRY
You don't believe in Women's Lib, do you?
MAYLING HOCKENBERRY
When it comes to my brain, not my heart. It's you I want. You're all I've ever wanted.
FRANK HOCKENBERRY
What did you ever see in a drunk?
MAYLING HOCKENBERRY
(taking his hands)
I saw the man underneath. I saw YOU. Come to bed, please.
FRANK HOCKENBERRY
I feel so ashamed. My behavior tonight was so wrong.
(holds her)
Please forgive me.
MAYLING HOCKENBERRY
I already have.
(pulls away)
Grab the pillow and blanket. You'll need it.
He takes them and they go upstairs.
FADE OUT:
END OF ACT
ACT TWO
FADE IN:
SCENE ONE
INT. MAYLING'S FLOWER SHOP. DAY
Mayling and Kate are working. A little old Asian man enters. He is Mayling's father, HAI NGYEN. He turns his back when she looks in his directions. She looks tired and sad.
KATE - EMPLOYEE
You okay, May? You look terrible.
MAYLING HOCKENBERRY
We had a fight last night.
KATE - EMPLOYEE
You've had fights before.
Phillip walks in and approaches. Mayling sees only Phillip.
PHILLIP KINZIE
Hello Mayling.
MAYLING HOCKENBERRY
Hello. What can I do for you today?
PHILLIP KINZIE
I'd like some more flowers for my secretary.
MAYLING HOCKENBERRY
You really like flowers?
PHILLIP KINZIE
Just the flower lady.
ZEK ANDERSON enters. Kate sees him and waves.
MAYLING HOCKENBERRY
Look, Mr. Kinzie, if you come in here for non-professional reasons you're wasting your time. I'm a married woman. I'm only here to sell flowers, not myself.
PHILLIP KINZIE
My, we are touchy. Did you and hubby have a fight?
MAYLING HOCKENBERRY
That is none of your business.
PHILLIP KINZIE
He's a fool if he did. You're too beautiful to hurt. Let me make it up to you.
MAYLING HOCKENBERRY
Mr. Kinzie, the answer is still NO. I love my husband and I'm NOT interested.
PHILLIP KINZIE
Forget the guy. He's a loser. I can give you so much more. Just give me a chance.
MAYLING HOCKENBERRY
What part of NO don't you understand?
PHILLIP KINZIE
Come on, May.
MAYLING HOCKENBERRY
It's Mrs. Hockenberry to you. Now please go.
Zek approaches.
ZEK ANDERSON
The lady wants you to leave.
PHILLIP KINZIE
(to Zek)
Who's the old guy, May, your father?
ZEK ANDERSON
A friend of the family, and one how knows how to break your neck if you don't leave. I did it plenty of times in Nam. Good-day, Mr. Kinzie. You know where the door is.
Phillip goes to the door and turns.
PHILLIP KINZIE
This isn't over, old man. I'm a powerful man in this town.
ZEK ANDERSON
And I'm a strong one who doesn't give a damn.
He leaves. Zek turns to Mayling.
ZEK ANDERSON
Who is this guy?
MAYLING HOCKENBERRY
He has an office in this building.
ZEK ANDERSON
He come here often?
MAYLING HOCKENBERRY
This was his second.
ZEK ANDERSON
Look, if he comes back, you tell me.
MAYLING HOCKENBERRY
Don't worry. He won't be back. What can I do for you, Zek?
ZEK ANDERSON
I need some flowers for Mother's day.
MAYLING HOCKENBERRY
Your mother's dead.
ZEK ANDERSON
They're for Jenny.
MAYLING HOCKENBERRY
She's not your mother.
ZEK ANDERSON
Tell that to Andy?
MAYLING HOCKENBERRY
Your dog?
ZEK ANDERSON
She is legally Andy's mother and deserves flowers.
MAYLING HOCKENBERRY
What type?
ZEK ANDERSON
I'll leave that to the flower lady.
MAYLING HOCKENBERRY
What do you want on the card?
ZEK ANDERSON
"To Mommy, from Andy".
Mayling starts to cry.
ZEK ANDERSON
Hey! That was a joke.
(holding her shoulders)
It wasn't that bad.
MAYLING HOCKENBERRY
It's not the joke.
ZEK ANDERSON
We need to talk.
They go into the back office as her father turns.
CUT TO:
SCENE TWO
INT. BACK OFFICE. DAY. -- CONTINUOUS
They enter.
ZEK ANDERSON
What's wrong?
MAYLING HOCKENBERRY
We had a fight last night.
ZEK ANDERSON
You've had fights before. Why was last night so different?
MAYLING HOCKENBERRY
Frank was different. I've seen his temper but he's never been violent.
ZEK ANDERSON
He hates violence.
MAYLING HOCKENBERRY
The man last night didn't. We were yelling. I started to cry. Andrew tried to stop it and Frank hit him. He has never hit any of the kids. Even when Andrew got into trouble, Frank walked out of the room to avoid violence.
ZEK ANDERSON
What was the fight about?
MAYLING HOCKENBERRY
We've been having intimacy problems since the trial. He hasn't been a husband for a long time.
ZEK ANDERSON
What about Chez Gunther?
MAYLING HOCKENBERRY
What about it? Nothing happened after you left. We went upstairs, talked and he spent the whole night holding me. I felt like his teddy bear, not his wife. Ever since then, he just goes to sleep.
ZEK ANDERSON
That's not the Frank I know. Did you ask him why?
MAYLING HOCKENBERRY
That's why the fight started. He said that ever since the trial he's been confused. He admitted that night in the bordello, he...wanted me. Even though I was a child, he wanted me.
ZEK ANDERSON
He said that the day his father came back. He had doubts then.
MAYLING HOCKENBERRY
He never lost them. Now he thinks he's Doc again and some kind of..perverted monster. Every time he sees me, he sees a child not a woman. That's why he is now my brother.
ZEK ANDERSON
Where did the hit come from?
MAYLING HOCKENBERRY
He asked for a divorce. He says I deserve better, so he wants to give me my freedom. When he said that, I started to cry. That's when Andrew came in. They exchanged words and he hit him. The babies started crying. The girls ran out. All hell broke loose.
ZEK ANDERSON
(holding her)
He didn't mean it. It's his confusion. If he did, he'd need a shrink. He's got the second most beautiful woman around.
MAYLING HOCKENBERRY
Who's the first?
ZEK ANDERSON
My wife, the shrink. Don't worry. He'll come back. He always does.
MAYLING HOCKENBERRY
Not this time.
She pulls away.
ZEK ANDERSON
Has the drinking started?
MAYLING HOCKENBERRY
Not yet. But at this rate, soon. I'll get your flowers ready. Give me a minute.
She leaves.
CUT TO:
SCENE THREE
INT. DR. SEYMORE'S OFFICE. DAY. -- LATER
DR. JENNIFER SEYMORE-ANDERSON is at her desk trying to work but is distracted by the flowers. There is a knock.
DR. SEYMORE-ANDERSON
(looking up)
Enter.
Zek walks in. She gets up and walks over to him.
DR. SEYMORE-ANDERSON
What are you doing here?
ZEK ANDERSON
I came to take you to lunch. Who gave you the flowers?
DR. SEYMORE-ANDERSON
Someone named Andy. I'd kiss him but I refuse to kiss a cold and wet nose.
She walks over to Zek and puts her arms around him.
DR. SEYMORE-ANDERSON
Thank you, Zek.
ZEK ANDERSON
You're welcome.
DR. SEYMORE-ANDERSON
Answer me one question? How did Andy pay, with dog biscuits?
ZEK ANDERSON
He used my credit card and signed it with his paw.
She lets go.
DR. SEYMORE-ANDERSON
I bet May was surprised.
ZEK ANDERSON
She was crying. She and Frank had a bad fight last night.
DR. SEYMORE-ANDERSON
What happened?
ZEK ANDERSON
He blew his temper. She started crying. Andrew got involved. Words were said and Frank hit him.
DR. SEYMORE-ANDERSON
He did what? He's not violent.
ZEK ANDERSON
He is now. Doc's come back with a vengeance. Haven't you noticed it lately in his sessions?
DR. SEYMORE-ANDERSON
He's canceled them. I didn't think anything about it. It's a patient's prerogative to get a second opinion. Should I worry?
ZEK ANDERSON
I would.
DR. SEYMORE-ANDERSON
Tell me more.
ZEK ANDERSON
As my wife or his doctor?
DR. SEYMORE-ANDERSON
I'll decide.
ZEK ANDERSON
In Nam, he had a bad temper. When he began drinking, he became mean. He became that man who hit Andrew. Add one more ingredient, stir and you get a mean drunk who won't think twice of destroying everything he's worked for.
He goes up to her and puts his arms around her.
ZEK ANDERSON
I didn't come here to discuss Frank. I came to take my wife out to lunch.
DR. SEYMORE-ANDERSON
Zek, are you sorry we never had children?
ZEK ANDERSON
Not everyone is blessed. I'm just happy to have you. You're a bad cook, have no domestic skills, but you have the warmest brown eyes I've ever seen. The only ones that comes close are Andys.
DR. SEYMORE-ANDERSON
At least I don't have a cold nose.
ZEK ANDERSON
(letting go)
Honey, I have something to ask. I was thinking about our future. We're not getting any younger. I'm close to retirement. When I retire, what will I do while you work? I was even thinking of taking an early retirement. The house is paid for and I have my army pension. We don't have to worry about money.
DR. SEYMORE-ANDERSON
Get to the point, Sergeant.
ZEK ANDERSON
The night of Chez Gunther, I started thinking. I have nothing to show for my life. We have a big house and no kids to fill it.
DR. SEYMORE-ANDERSON
It's too late for a medical way. And we're too old to adopt. What did you have in mind?
ZEK ANDERSON
I thought we could become foster parents.
(pulls out paper)
I sent for a form and filled out my part. The rest is up to you.
DR. SEYMORE-ANDERSON
That's quite a suggestion. You realize those kids come from problem homes. Do you have what it takes?
ZEK ANDERSON
I know I do. When I commanded my men, I felt needed. I have the patience and those kids need love. I can give it to them.
She takes the forms and puts them on her desk.
DR. SEYMORE-ANDERSON
I'll think about it. It's a big step. Tell me the truth, soldier, you already have one child in mind?
ZEK ANDERSON
You really know me.
(takes her hand)
Let's go and I'll tell you all about him. We'll leave work here.
DR. SEYMORE-ANDERSON
Give me a minute.
(picks up phone)
Ann, I'm taking a long lunch. I'll be back late. If Frank should call, tell him I'll call him back...No, I don't expect him... No, it's not necessary to call him.
(puts phone down)
I'm ready.
ZEK ANDERSON
You are worried?
DR. SEYMORE-ANDERSON
(taking his hand)
And I'm also hungry. Let's go, soldier.
They leave.
CUT TO:
SCENE FOUR
INT. FRANK'S LIVING ROOM. NIGHT. -- LATER
All is quiet. Dinner has just finished.
LOTUS HOCKENBERRY
Can we play monopoly?
FRANK HOCKENBERRY
Not tonight. I have a headache.
LOTUS HOCKENBERRY
Is that from yelling too much?
FRANK HOCKENBERRY
No, I just have a headache.
Andrew goes to the window and looks out. Frank notices.
FRANK HOCKENBERRY
What are you looking at?
ANDREW HOCKENBERRY
He's out there again.
FRANK HOCKENBERRY
(going to window)
He must live in the area. Close the curtains.
ANDREW HOCKENBERRY
(closing curtain)
It doesn't bother you that someone's been watching our house?
FRANK HOCKENBERRY
He's an old man. Let it go.
ANDREW HOCKENBERRY
You're getting snappy again.
FRANK HOCKENBERRY
Not as snappy as you, young man. Must I remind you of last night?
ANDREW HOCKENBERRY
No sir.
Mayling hears and looks in.
ANDREW HOCKENBERRY
For the record I was protecting mom.
FRANK HOCKENBERRY
From who, me? I never put a hand to her.
ANDREW HOCKENBERRY
You also never made her cry before.
FRANK HOCKENBERRY
You have no right to correct me. I'm the father, you're the son. You obey ME.
ANDREW HOCKENBERRY
I don't even recognize you anymore. You're a different man.
FRANK HOCKENBERRY
It happens when you die.
ANDREW HOCKENBERRY
You're dead, alright.
MAYLING HOCKENBERRY
(coming out)
Andrew, stop this!
ANDREW HOCKENBERRY
I will not. Most people when they die come back better, he came back worse.
FRANK HOCKENBERRY
You're pushing it, boy.
ANDREW HOCKENBERRY
Go ahead. Hit me again. I know you want to. That's your answer to everything lately.
FRANK HOCKENBERRY
I'm going out.
MAYLING HOCKENBERRY
Where?
FRANK HOCKENBERRY
(by door)
Don't wait for me.
He leaves slamming the door.
MAYLING HOCKENBERRY
Lotus, go to your room. Your brother and I have to talk.
She goes upstairs.
MAYLING HOCKENBERRY
What is wrong with you? Your father is having a bad time. He doesn't need your mouth.
ANDREW HOCKENBERRY
He also didn't need to make you cry.
MAYLING HOCKENBERRY
What happened last night was between your father and me.
ANDREW HOCKENBERRY
And did he apologize?
MAYLING HOCKENBERRY
Yes.
ANDREW HOCKENBERRY
Did he mean it? I don't think so. Just look at the bar. Notice anything different.
(walks over to it)
This bottle is loosing volume and the glass is clean, while the others are dusty.
MAYLING HOCKENBERRY
He was there last night.
ANDREW HOCKENBERRY
And how much did he take?
MAYLING HOCKENBERRY
Very little.
ANDREW HOCKENBERRY
(showing half empty bottle)
And that's exactly what's left, very little. He's drinking, mom. I know it. When was the last time you smelled his breath?
(puts back bottle)
Case closed.
Andrew walks out of the room.
FADE OUT:
END OF ACT
ACT THREE
FADE IN:
SCENE ONE
INT. MAYLING'S FLOWER SHOP. DAY.
Mayling is trying to work but is distracted. Two men are watching from the outside, Hai and Phillip. She sees only Phillip. He smiles as she works on a window display. She stops and goes back into the store.
KATE - EMPLOYEE
Anything wrong, May?
MAYLING HOCKENBERRY
No.
KATE - EMPLOYEE
He's out there again. It doesn't look like he's giving up. Maybe you should call Mr. Anderson?
MAYLING HOCKENBERRY
No, he'll get tired. I'd rather not involve Zek. I'll take out the trash.
She grabs some loose leaves and sticks them in a bag and leaves.
CUT TO:
SCENE TWO
EXT. ALLEY BEHIND STORE. DAY. -- CONTINUOUS
Mayling comes out with the bag and puts it in a bin. As she turns, she sees Phillip in front of her.
MAYLING HOCKENBERRY
Mr. Kinzie, you scared me.
PHILLIP KINZIE
A woman like you should be more careful in alleys. Anyone could be watching.
He approaches her. She becomes scared and keeps walking backwards till she is cornered by the bin with nowhere to go.
MAYLING HOCKENBERRY
Please, leave me alone, Mr. Kinzie.
PHILLIP KINZIE
Why, May? I thought you wanted me?
MAYLING HOCKENBERRY
I have a husband.
PHILLIP KINZIE
And an old man for a father, who isn't here now to protect you.
MAYLING HOCKENBERRY
Stay away from me.
PHILLIP KINZIE
Not till I've made you forget your wino husband.
He grabs her and pushes himself on her. Hai comes up.
HAI NGYEN
Let her go.
PHILLIP KINZIE
Get lost old man. This bitch is mine. Find your own.
HAI NGYEN
Let her go.
Phillip tears her blouse and his hands go up her skirt. Mayling fights him.
HAI NGYEN
NO!
Hai grabs him. Phillip pulls back pushing Hai to the ground. Monica shows up and lightens his fall. Another merchant comes out with his garbage. Phillip runs. Mayling sees the old man and goes to him. His face is turned.
MAYLING HOCKENBERRY
(bending down)
Are you alright?
The other MERCHANT comes by carrying a blanket and covers Mayling. She turns the old man around and is shocked.
MAYLING HOCKENBERRY
(standing up)
No. No. It can't be you.
HAI NGYEN
Mayling.
MAYLING HOCKENBERRY
Leave me alone. Go away and leave me alone.
She runs back in. The other merchant helps Hai up.
MERCHANT
What just happened here? You saved her. Who are you?
HAI NGYEN
Her father.
CUT TO:
SCENE THREE
INT. FRANK'S LIVING ROOM. DAY
Andrew comes in and sees the torn blouse on the floor and the shower water running. He goes to the bathroom door.
ANDREW HOCKENBERRY
Mom, you in there?
MAYLING HOCKENBERRY
Go away, Andrew.
ANDREW HOCKENBERRY
You okay?
MAYLING HOCKENBERRY
Just go away.
ANDREW HOCKENBERRY
(looking at blouse)
What happened to your blouse?
MAYLING HOCKENBERRY
Please, go away.
Frank walks in and sees Andrew with the torn blouse.
ANDREW HOCKENBERRY
Did you do this?
FRANK HOCKENBERRY
Don't look at me. I just walked in. What are you doing with your mother's blouse?
ANDREW HOCKENBERRY
I found it on the floor.
FRANK HOCKENBERRY
(taking it)
Give me that.
(looks at it)
Where's your mother?
ANDREW HOCKENBERRY
In the bathroom, using all the water.
Frank goes to the door.
FRANK HOCKENBERRY
May, you alright?
MAYLING HOCKENBERRY
Go away.
FRANK HOCKENBERRY
(looks at blouse)
Let me in.
MAYLING HOCKENBERRY
Go away.
ANDREW HOCKENBERRY
What's wrong with her?
Frank goes to the phone and dials.
FRANK HOCKENBERRY
Zek, it's me. Is Jenny home? I need to speak to her...Dr. Seymore, could you come over? It's an emergency...I'll tell you more when you get here. It's Mayling.
He hangs up, puts down the blouse and goes back to the door.
FRANK HOCKENBERRY
May, honey. Let me in.
MAYLING HOCKENBERRY
NO!
ANDREW HOCKENBERRY
Dad, what's wrong?
FRANK HOCKENBERRY
History repeating itself. Let Jenny in. I'll try and get your mother to let me in.
(to door)
Honey, whatever it is, we can work it out. Please, let me in.
A car drives up. Andrew goes to the door and lets them in. Dr. Seymore has her bag with her.
DR. SEYMORE-ANDERSON
What's wrong, Frank?
FRANK HOCKENBERRY
May's locked herself in the bathroom and she won't come out.
(gets blouse)
Andrew found this on the floor.
DR. SEYMORE-ANDERSON
(looking at blouse)
Let me try.
(to door)
May, it's me, Jenny. Please, let me in.
MAYLING HOCKENBERRY
No.
DR. SEYMORE-ANDERSON
Let me help you.
The water stops and the door opens ajar. Dr. Seymore goes in.
ZEK ANDERSON
How did the blouse get torn?
FRANK HOCKENBERRY
I have suspicions. I just hope I'm wrong.
ZEK ANDERSON
If it's the same one I have, his name is Phillip Kinzie?
FRANK HOCKENBERRY
Who?
ZEK ANDERSON
A customer who wouldn't take NO for an answer. I had to escort him out of the shop. He seemed quite taken with her.
FRANK HOCKENBERRY
Where is this guy?
ZEK ANDERSON
He has an office in her building.
FRANK HOCKENBERRY
I'll kill him.
ZEK ANDERSON
I may beat you to it.
Dr. Seymore comes out.
FRANK HOCKENBERRY
What did she say?
DR. SEYMORE-ANDERSON
Sit down, Frank. I need to tell you something. There was an incident at work. Apparently, a customer tried to force his intentions on Mayling in the alley.
ZEK ANDERSON
Kinzie, I presume?
DR. SEYMORE-ANDERSON
She didn't tell me his name. That's not all that happened. An old man stopped him. The attacker pushed him down and ran when a third person showed up.
FRANK HOCKENBERRY
Is she hurt?
DR. SEYMORE-ANDERSON
No, the old man distracted him.
FRANK HOCKENBERRY
Who was the old man?
DR. SEYMORE-ANDERSON
May is upset because the attack AND the old man. It was her father.
Frank looks at Andrew.
ANDREW HOCKENBERRY
Don't look at me. I had nothing to do with this. I didn't even know his name.
FRANK HOCKENBERRY
The old man watching the house. Zek, look out the window. Is there an old man sitting on the bench?
ZEK ANDERSON
(looking)
Yeah.
FRANK HOCKENBERRY
Does he look familiar to you?
ZEK ANDERSON
I can't tell from here. You think it's her father?
FRANK HOCKENBERRY
Look again. Could he be Asian?
ZEK ANDERSON
Yeah, he's Asian.
ANDREW HOCKENBERRY
Grandpa's out there?
FRANK HOCKENBERRY
(standing/stopping him)
Don't jump to conclusions.
(to Dr. Seymore)
What can I do for May?
She gets out a pad, pen and starts writing.
DR. SEYMORE-ANDERSON
Nothing until she comes out of the bathroom. In the meantime, get this filled.
FRANK HOCKENBERRY
I'm on it.
Frank leaves. Dr. Seymore goes back to the door.
DR. SEYMORE-ANDERSON
May, please let me in again.
(to Zek)
I don't know what's got her more upset, the attack or her father.
ZEK ANDERSON
Throw in Frank while you're at it. There's so much tension in this house, you could cut it with a knife.
DR. SEYMORE-ANDERSON
May, please. Let me in.
The door opens ajar again and she goes in. Zek stares into space.
CUT TO:
SCENE FOUR
INT. FRANK'S DOWNSTAIRS BATHROOM. NIGHT. -- CONTINUOUS
Dr. Seymore enters. May is wearing a robe and is sitting down. Dr. Seymore approaches cautiously.
DR. SEYMORE-ANDERSON
How do you feel?
MAYLING HOCKENBERRY
Numb.
DR. SEYMORE-ANDERSON
May, I have never seen you as a patient. We've only been friends. But, if you need someone to talk to, I'm available.
MAYLING HOCKENBERRY
It can't be you.
DR. SEYMORE-ANDERSON
You have to talk to someone.
MAYLING HOCKENBERRY
Not you. Thank you, anyway.
DR. SEYMORE-ANDERSON
Then tell me as a friend. What are you feeling?
MAYLING HOCKENBERRY
Very confused. Seeing my father again brought it all back.
DR. SEYMORE-ANDERSON
You never told me what happened.
MAYLING HOCKENBERRY
I was outside the house watching my brothers. A troop of men walked by. One man waved and smiled. I ran to the gate. It never failed. He always had a chocolate bar for me. He treated me like his daughter. I was in love with him. I wanted him to be the father of my children. There were other men with him, Taylor, Ruiz and Doc. They were all friendly, except Doc. He was in a daze. I know now he was already drunk.
DR. SEYMORE-ANDERSON
Do I know the man with the chocolates?
MAYLING HOCKENBERRY
You married him. A few hours later, my father told me to pack some clothes and go with him. We went to Saigon and he introduced me to a man. Then my father left. But, before he did, I saw them exchange money. The man told me I was going to work for him. And then, he proceeded to show me how. A few hours ago, a kind soldier was giving me a chocolate bar and later a strange man was...When he was finished, he took me to a bar. He announced I was untouched. He neglected to say he tried out the merchandise first.
DR. SEYMORE-ANDERSON
Have you told anyone else?
MAYLING HOCKENBERRY
No one, not even Frank. And now I don't dare. The men at the bar declined his offer, except for one. Frank was drunk by then. He thinks he saved me. He was one man too late.
DR. SEYMORE-ANDERSON
I'm so sorry, May. How did you get over it without help?
MAYLING HOCKENBERRY
I had help. No matter how bad things got, I always had a guardian angel. They were there when Frank gave me the money, when Sister took me in, when I found a foster family in the states.
DR. SEYMORE-ANDERSON
Zek wants to be a foster parent.
MAYLING HOCKENBERRY
Do it Jenny. Do it for all the children who need help, like I did.
DR. SEYMORE-ANDERSON
To this day, he still carries candy bars.
MAYLING HOCKENBERRY
For the record, I did have help. It wasn't till I met Frank again did they make themselves known. I believe you call them delusions.
DR. SEYMORE-ANDERSON
What do you call them?
MAYLING HOCKENBERRY
Two you know. The last one is Monica. She was my boss at the hotel. She followed me into the garage and found me between two unconscious men. We picked up Frank and brought him to the room. She's also the one who told me my father would be coming. She's no delusion, Jenny. She's real.
DR. SEYMORE-ANDERSON
I know they're real. I saw them too. I chose not to tell Frank. It looks like we have two secrets now. How about we go outside now?
MAYLING HOCKENBERRY
I'm ready.
CUT TO:
SCENE FIVE
INT. FRANK'S LIVING ROOM. NIGHT. -- CONTINUOUS
The two men are alone.
ZEK ANDERSON
I'll kill him. That asshole is not going to get away with this. Is that man still across the street?
ANDREW HOCKENBERRY
(looking)
Yes, and he's not alone.
ZEK ANDERSON
Who's he with?
ANDREW HOCKENBERRY
See for yourself.
Zek looks out and sees Hai talking to no one.
ZEK ANDERSON
He's talking to himself.
ANDREW HOCKENBERRY
He's talking to Monica.
ZEK ANDERSON
Who?
ANDREW HOCKENBERRY
I saw her in mom's room after the fight. It looked like they knew each other.
ZEK ANDERSON
How did she get in?
ANDREW HOCKENBERRY
Aunt Jenny calls her a delusion.
ZEK ANDERSON
At least somebody is getting help. Son, tell me the truth. How is your dad?
ANDREW HOCKENBERRY
(walks over to bar)
He's started.
ZEK ANDERSON
There's still some left in the bottle.
ANDREW HOCKENBERRY
Yesterday it was full. He won't eat with us. He goes out for long walks, alone. He comes home late and goes straight to sleep.
ZEK ANDERSON
Why did he hit you?
ANDREW HOCKENBERRY
I was defending mom. He got so mad, I was afraid he's hit her. He's not my dad, anymore.
The girls come out. May's hair is wet and she is wearing a bathrobe. They go into the kitchen. Andrew starts to go to her but Zek stops him.
ZEK ANDERSON
Not yet, son.
ANDREW HOCKENBERRY
I've lost both my parents.
Frank comes back in.
FRANK HOCKENBERRY
Where's May?
ZEK ANDERSON
In the kitchen with Jenny. Jenny, could we see you please? Frank's here.
She comes out.
FRANK HOCKENBERRY
You only gave her two?
DR. SEYMORE-ANDERSON
I want her to call me on Monday. Two are enough. Make sure she eats before she takes them.
FRANK HOCKENBERRY
How is she?
DR. SEYMORE-ANDERSON
She's not harmed. She's just in shock. Keep her quiet and she'll be better in a few days.
FRANK HOCKENBERRY
Can I see her now?
DR. SEYMORE-ANDERSON
In a minute. We need to talk. I know you've ended our sessions. It's your choice. Just don't do anything stupid. There are ways to deal with this. Vengeance isn't one. Go in now.
He does. May sees him and he hugs her.
DR. SEYMORE-ANDERSON
You wanted to take in foster children, Zek. You can start now. These kids can't stay here.
ZEK ANDERSON
I understand. Andrew, you feel like coming?
ANDREW HOCKENBERRY
I can't. Someone has to take care of the babies. I'm the only sane adult left. You could take the twins.
ZEK ANDERSON
Are you sure you won't come?
ANDREW HOCKENBERRY
I can take care of myself. I'll get the girls ready.
He goes upstairs.
DR. SEYMORE-ANDERSON
I still didn't fill out the form yet. I'm not sure about you.
ZEK ANDERSON
Me?
DR. SEYMORE-ANDERSON
These are kids we know. How can you deal with ones you don't know? Are you ready for that?
ZEK ANDERSON
Very ready. Does that mean you won't do it?
DR. SEYMORE-ANDERSON
When I feel you're ready. You have my word. Let's deal with this problem first.
Andrew comes down with the girls. Each has a bag.
LOTUS HOCKENBERRY
Hey, Uncle Zek.
ZEK ANDERSON
Hello girls. How would you like spending the night with me and Aunt Jenny?
BLOSSOM HOCKENBERRY
Only if she doesn't cook.
DR. SEYMORE-ANDERSON
I promise, I won't cook. We'll go out for pizza.
ZEK ANDERSON
And tomorrow you can go with us to a real four-star restaurant for Mother's Day.
LOTUS HOCKENBERRY
Mc Donalds?
ZEK ANDERSON
That's not what I had in mind.
DR. SEYMORE-ANDERSON
Mc Donalds is fine. Zek can take me to a four-star restaurant Monday.
Frank comes out.
FRANK HOCKENBERRY
Where are you taking my girls?
ZEK ANDERSON
I thought they deserved a break. I'll bring them home tomorrow. Frank, this is not the best place for them.
FRANK HOCKENBERRY
You're right. Goodnight, girls. Give you dad a kiss before you go.
They do and he goes upstairs. Andrew goes into the kitchen.
ZEK ANDERSON
You girls get into the car. I'll be right there. There's something I have to do.
Zek leaves.
CUT TO:
SCENE SIX
EXT. STREET. NIGHT. -- CONTINUOUS
Hai is still sitting on the bench. Zek crosses and walks up to him.
ZEK ANDERSON
Hello, papason.
HAI NGYEN
Sergeant Anderson?
ZEK ANDERSON
I'm told we owe you a thank you.
HAI NGYEN
He was trying to hurt my daughter. I had to do something.
ZEK ANDERSON
I need to ask you a question. Did you ever see that man before?
HAI NGYEN
I saw you throw him out. Who is he?
ZEK ANDERSON
A dead man after I get through with him.
HAI NGYEN
How is she?
ZEK ANDERSON
I wouldn't go visiting right now. Look papason, this is not a good time to enter her life. I don't know why you're here, that's your affair. This family needs a break. You picked the wrong time to show up.
MONICA - ANGEL
When is the right time, Mr. Anderson?
He turns and sees Monica.
ZEK ANDERSON
Don't tell me, you're Monica.
MONICA - ANGEL
You didn't answer my question.
ZEK ANDERSON
I don't know when the right time is. I just know it isn't now.
MONICA - ANGEL
What makes you an authority?
ZEK ANDERSON
(pulling out pager)
This pager. I deal with many vets in my job. I'm the direct connection to the police when one flips out. One thing I can tell you from experience, the vets from Korea and Nam didn't all come back normal. I have seen them fine one day and the next they kill their whole family.
MONICA - ANGEL
Are you afraid Frank will do that?
ZEK ANDERSON
He abhors violence. He wouldn't hurt anyone, except himself. I have seen him low and it's not pretty. He won't think twice of destroying everything he's worked for, if it only involves him. He's already started. Andrew showed me the bottle in the bar. It's already been used. No offence, ma'am, but you weren't there in Nam. Andrew was. I saw him a few times. I'm just giving you the facts.
MONICA - ANGEL
I knew the facts before you. See, I was there, along with others. We were the nurses, the Red Cross Volunteers. You name it, we did it, for both sides. God does not play politics, people do.
ZEK ANDERSON
Why are you here?
MONICA - ANGEL
I am here to help.
ZEK ANDERSON
Don't get me wrong, ma'am, you can't help. It's impossible to help one family member without Frank finding out. And when he does, excuse my language, all hell will break loose. He wants nothing to do with God---
MONICA - ANGEL
And his delusions? Mr. Anderson, God knows what he's doing.
ZEK ANDERSON
Not this time. He butts in again and your friend, Andrew, will be on call, for Frank.
MONICA - ANGEL
He already is.
ZEK ANDERSON
You know something I don't?
MONICA - ANGEL
I know your hearts in the right place, but not your mind. Let God do his work. He has a message for you. He approves of your wish to be a foster parent. It's what you were meant to be. And don't worry too much about this family. God is with them. It's time you gave your heart to others. Your wife is coming.
Dr. Seymore comes up to him.
DR. SEYMORE-ANDERSON
What are you doing out here? The girls are waiting.
ZEK ANDERSON
Jenny, there's someone you should meet. This is Hai Ngyen, May's father. He's been watching the house.
DR. SEYMORE-ANDERSON
I hear we owe you our gratitude. If you hadn't been there---
HAI NGYEN
I just want my daughter, Mrs. Anderson.
DR. SEYMORE-ANDERSON
My professional name is Dr. Seymore. I'm a psychiatrist.
HAI NGYEN
And I'm a father who knows he made a mistake and wants his child back.
DR. SEYMORE-ANDERSON
Thank God, we only have two sets of parents. Mr. Ngyen, please don't get involved now. Let it die down.
Hai stands up.
HAI NGYEN
I can't. She's my daughter. I will watch her every day and night if I wish. Goodnight, Dr. Seymore.
He walks off.
DR. SEYMORE-ANDERSON
Did you hear him?
ZEK ANDERSON
Jenny, not to change the subject, but do you think we should call Gunther?
DR. SEYMORE-ANDERSON
He can't do any good, but he should be informed.
ZEK ANDERSON
I'll call him after dinner. Let's go.
They cross the street to the car.
CUT TO:
SCENE SEVEN
INT. FRANK'S BEDROOM. NIGHT. -- LATER
Frank is sitting by the mirror. He takes a key from the front drawer and opens a bottom one pulling out a gun. He holds it as Andrew enters. Andrew is surprised.
ANDREW HOCKENBERRY
I didn't know you had a gun?
FRANK HOCKENBERRY
I've had it for years.
ANDREW HOCKENBERRY
I thought you hated guns?
FRANK HOCKENBERRY
You're here because of it. The night I stopped your mother's attacker, I hit him with it. The rest is history. You want to hold it?
ANDREW HOCKENBERRY
No. They make me nervous.
FRANK HOCKENBERRY
It's harmless.
(opens barrel)
See, it's empty. I never keep it loaded. Actually, it was loaded that weekend. That's how I met your namesake. I was in the bathroom with this
(puts gun to head)
To my head. As I---
(cocks it)
Cocked it, he showed up.
(puts it down)
He convinced me it was a bad idea. Just because I was having a bad day didn't mean the maid should. She would have to clean it up. I pointed it to my head again and he just stood there, waiting. As long as I held it, he would stay. I stopped just to get rid of him. Andrew--
He puts it away and locks the drawer.
FRANK HOCKENBERRY
Can be a real pain.
ANDREW HOCKENBERRY
Please, give me the key.
FRANK HOCKENBERRY
No way. This key is mine.
ANDREW HOCKENBERRY
You're not thinking of using it, are you?
FRANK HOCKENBERRY
No.
(looks into mirror)
It's too easy. Men like that deserve to suffer first. Bullets are too neat. Say goodnight Andrew. I have work to do with the twins.
ANDREW HOCKENBERRY
I can help you.
FRANK HOCKENBERRY
Not tonight. I'll do it.
Mayling walks in.
MAYLING HOCKENBERRY
I'll help you.
FRANK HOCKENBERRY
(turning to see her)
May?
MAYLING HOCKENBERRY
It's late. They're probably hungry. I bet they're also cranky. What ever has happened today, I'm still their mother.
FRANK HOCKENBERRY
Are you sure you're up to it?
MAYLING HOCKENBERRY
Goodnight Andrew.
ANDREW HOCKENBERRY
Night everyone.
He leaves. Mayling comes close to Frank.
FRANK HOCKENBERRY
The pills are on the table. Jenny wants you to eat first and take one before you go to sleep.
MAYLING HOCKENBERRY
After we feed the girls.
They leave.
CUT TO:
SCENE EIGHT
INT. FRANK'S DINING ROOM. MOTHER'S DAY MORNING.
Frank comes down the stairs. May is in the kitchen cooking. Her Sunday best is on the chair. Frank sees it.
FRANK HOCKENBERRY
What are you doing?
MAYLING HOCKENBERRY
Making breakfast before church.
FRANK HOCKENBERRY
You should be resting.
MAYLING HOCKENBERRY
It's Sunday. I want to go to church. God is my only real strength. I have to go.
(brings out plates.)
Eat up. We don't have much time.
FRANK HOCKENBERRY
We?
Andrew comes down carrying the babies.
MAYLING HOCKENBERRY
We're going as a family. Please come with us.
FRANK HOCKENBERRY
I don't know if I should.
MAYLING HOCKENBERRY
Please, Frank, for what's left of us.
FRANK HOCKENBERRY
I'll get my suit.
He goes upstairs. Andrew walks up to her.
ANDREW HOCKENBERRY
It won't work mom.
MAYLING HOCKENBERRY
Eat up.
She walks back into the kitchen.
CUT TO:
SCENE NINE
INT. MAYLING'S FLOWER SHOP. DAY. MONDAY MORNING
Mayling is quietly working, as a SECURITY GUARD stands erect at the door. Zek enters and walks up to her.
ZEK ANDERSON
Hello May.
MAYLING HOCKENBERRY
Hello Zek.
ZEK ANDERSON
Why did you call me?
MAYLING HOCKENBERRY
I wanted to thank you for taking the girls Saturday night.
ZEK ANDERSON
It was Jenny's idea. She wanted me to see how it felt.
MAYLING HOCKENBERRY
How what felt?
ZEK ANDERSON
I was thinking to tell you after it became final. I'm want to be a foster parent. Jenny and I never had children. I'm close to retirement but she still wants to work. I thought it would be a good way to spend my free time. You know I love kids. Hell, I feel like yours are mine.
MAYLING HOCKENBERRY
You have a good heart, Zek.
ZEK ANDERSON
I miss not seeing my little girl grow up. When she brings the grandkids, I try to imagine her growing up. Your kids have filled your life with love. I want to return it to others less fortunate.
MAYLING HOCKENBERRY
You realize they well be problem kids from problem homes?
ZEK ANDERSON
You mean like yours lately? You can't tell me they don't feel it. Andrew may be stoic but I can see it in his eyes. Lotus and Blossom were surprised we didn't fight. They couldn't get comfortable.
MAYLING HOCKENBERRY
The babies are even cranky. They've lost their appetite. We've tried Zek.
ZEK ANDERSON
If you like, I could take the girls this weekend. It's no bother.
MAYLING HOCKENBERRY
They could use the time away from us. I'll get their bags ready on Friday.
ZEK ANDERSON
(sees guard)
What's with the guard?
MAYLING HOCKENBERRY
Some owners have become paranoid since the attack. The female ones have asked for protection. I wasn't one of them. It wasn't a random attack.
ZEK ANDERSON
What are you going to do about it?
MAYLING HOCKENBERRY
Nothing.
ZEK ANDERSON
May, the guy tried to rape you.
MAYLING HOCKENBERRY
You don't have to remind me. I'm just tired of legalities. For once, I'd like to avoid a courtroom. I'm tired. I want my life back. I'm tired of living in a war zone. This is America, not Vietnam. It has to get better.
ZEK ANDERSON
He's drinking May. It's only going to get worse.
CUT TO:
SCENE TEN
INT. OFFICE. DAY. -- CONTINUOUS
Outside the office sits Hai. Frank comes out of the elevator carrying a baseball bat. He kicks in Phillip's door. Frank comes in. Phillip stands up.
PHILLIP KINZIE
What the---? Who the hell are you?
FRANK HOCKENBERRY
You know damn well who I am. I'm the wino husband whose wife you tried to attack.
PHILLIP KINZIE
You're Hockenberry?
FRANK HOCKENBERRY
Smart boy.
(aims at lamp and hits)
You remembered? Tell me, you always attack women?
PHILLIP KINZIE
I'm calling security.
FRANK HOCKENBERRY
You do that.
Frank hits the ashtray and it goes flying in the air.
PHILLIP KINZIE
(backing away)
You're nuts.
FRANK HOCKENBERRY
At least I don't attack women. You really think that makes you a man?
(slams other lamp)
You're not a man; you're an animal.
Another MAN walks in. He is Phillip's boss.
PHILLIP KINZIE
Call security.
FRANK HOCKENBERRY
How many other women have you attacked? Or do you have a thing for Asians only?
Frank cracks the table with the bat. Phillip runs away from him as Zek and Mayling enter. Frank doesn't see him.
PHILLIP KINZIE
Look man, I'm sorry. She was asking for it.
Phillip falls backwards.
FRANK HOCKENBERRY
She was selling flowers. You were the one asking for it.
Frank raises the bat to him. Phillip hides his head.
ZEK ANDERSON
Frank, NO!
FRANK HOCKENBERRY
(to Zek)
He deserves it. He tried to hurt May.
ZEK ANDERSON
He's not worth the jail term. Give me the bat.
FRANK HOCKENBERRY
(raising it)
No. This is one man who will get what he deserves.
MAYLING HOCKENBERRY
Give him the bat, Frank. You're not a killer. Please!
FRANK HOCKENBERRY
(nose starting to bleed)
No, I have to do it.
PHILLIP KINZIE
Look, he's bleeding. I didn't touch him. You're a witness.
The GUARD comes in. Zek stops him.
ZEK ANDERSON
Give me the bat. I'm going to walk over and take it. Just stay calm.
He does.
PHILLIP KINZIE
(getting up)
You can't prove it. It's her word against mine.
FRANK HOCKENBERRY
(blood running on shirt)
Not if we press charges.
PHILLIP KINZIE
You won't.
MAYLING HOCKENBERRY
(stepping forward)
Yes, I will.
HAI NGYEN
And I will tell what I saw.
All turn to Hai except Mayling. Phillip looks taken back. Zek walks up to Phillip's cell phone.
ZEK ANDERSON
You're lucky that wasn't my wife. Or this
(smashes phone with bat)
Would be your face.
Phillip's boss walks over to Phillip.
BOSS
You have five minutes to clear up what's left on your desk. I will not have a criminal on my payroll. You're fired.
Mayling walks over to the boss.
MAYLING HOCKENBERRY
Please, don't press charges. My husband is not well. He hasn't been for months. Just send me the bill. I will pay the damages.
BOSS
Ma'am, I have bought flowers from your establishment since you first opened. You have always treated me fairly. I won't be sending you a bill, or pressing charges. The money will come from HIS severance pay.
MAYLING HOCKENBERRY
Thank you.
Frank starts to feel dizzy and passes out. Zek runs to him while dropping the bat. Mayling goes to them.
ZEK ANDERSON
He's really bleeding. Get a rag with cold water.
Mayling looks around and sees nothing. She rips her sleeve and gets water from a water fountain. Zek puts it under his nose.
ZEK ANDERSON
This should stop it.
MAYLING HOCKENBERRY
He's waking up.
FRANK HOCKENBERRY
(groggy)
What happened?
ZEK ANDERSON
You bled too fast and passed out. Can you sit up?
FRANK HOCKENBERRY
I'll try.
He does and falls back. The guard comes over.
GUARD
You need a doctor?
MAYLING HOCKENBERRY
He'll be fine in a few minutes. Try again Frank.
He sits up.
ZEK ANDERSON
You need to rest. I'll take him home.
MAYLING HOCKENBERRY
He's my husband, I will. Just get him up.
They get him standing. She puts his arm around her shoulder.
MAYLING HOCKENBERRY
I can take it from here.
They walk to the elevator. Zek bends down picks up the bat. He sees Hai watching quietly.
ZEK ANDERSON
It seems I'm always thanking you, papason.
HAI NGYEN
I want my daughter back, Sgt. Anderson. I will do whatever it takes.
ZEK ANDERSON
It's gonna take alot more than this.
The two men walk to the elevator.
CUT TO:
SCENE ELEVEN
INT. FRANK'S LIVING ROOM. DAY
Frank is resting on the couch. Lotus and Blossom run in and go into a different room. Andrew runs in and goes upstairs. Frank gets up slowly and moves to the bar. He looks at the bottle and very slowly picks up a glass. He does not see the girls watching. He pours a drink and starts to drink. Andrew comes down slowly with his guitar. All three watch him. Frank turns to them and stops. Andrew comes down the stairs to the girls.
ANDREW HOCKENBERRY
Girls, take this to my room. Then go in yours and don't come out until mom gets home.
LOTUS HOCKENBERRY
Why?
ANDREW HOCKENBERRY
Just stay in there and don't do out no matter what you hear. Now go.
They follow his instructions.
FRANK HOCKENBERRY
You really think I would hurt your guitar? Do you think that little of me?
ANDREW HOCKENBERRY
I don't know what to think anymore.
Andrew goes to the door.
FRANK HOCKENBERRY
Where are you going?
ANDREW HOCKENBERRY
Out.
He runs out. Frank looks at his glass and throws it against the wall breaking it. He then takes the bottle and does the same. The whole bar follows and he leaves in anger.
CUT TO:
SCENE TWELVE
EXT. ZEK'S FRONT YARD. DAY. -- CONTINUOUS
Zek is outside playing with his dog, ANDY. Andrew drives up on his bike. Zek sees him drop the bike and run into the yard. He is upset. Zek walks over to him.
ZEK ANDERSON
What's wrong?
ANDREW HOCKENBERRY
I caught him. This time I saw him drinking.
Zek pulls out his phone and dials.
ZEK ANDERSON
Hello...May?...Now calm down. Tell me what's wrong?...The whole bar?...Just pick up the glass and wait. I'll find him.
He puts down the phone.
ANDREW HOCKENBERRY
What glass?
ZEK ANDERSON
He destroyed the bar. There's glass all over.
ANDREW HOCKENBERRY
How are my sisters?
ZEK ANDERSON
They were in their room all the time.
ANDREW HOCKENBERRY
I told them to stay there.
ZEK ANDERSON
You're a smart boy. Looking at you I wonder where you got your brains. You didn't get it from your father.
Dr. Seymore comes out.
DR. SEYMORE-ANDERSON
I'm ready for dinner. Andrew, what are you doing here?
ZEK ANDERSON
There's been a change of plans. We need to find Frank. He's drinking again.
ANDREW HOCKENBERRY
I caught him.
ZEK ANDERSON
Right before he destroyed the bar. His control is gone.
DR. SEYMORE-ANDERSON
I'll get my bag.
ZEK ANDERSON
You don't need your bag, just your driver's license. Tonight he's MINE. Andrew put the bike in the house and meet us in the car.
DR. SEYMORE-ANDERSON
You know where he is?
ZEK ANDERSON
In the first place I saw him.
Andrew comes out and all three go into the car.
CUT TO:
SCENE THIRTEEN
INT. CHARLIE'S BAR. DAY. -- LATER
Zek, Dr. Seymore and Andrew enter. They are stopped by the BOUNCER. CHARLIE the bartender is waiting the bar.
BOUNCER
No way. He's under age.
ZEK ANDERSON
We're not staying.
(goes to bar)
Where is he?
CHARLIE - BARTENDER
The corner stool. It's his second drink.
Zek walks over to him. Frank turns.
ZEK ANDERSON
So, this is the Hubbard Street Angel? Funny, you don't look angelic. Congratulations, Hockenberry. You've come full circle. You were a spoiled brat in Nam, and you still are. I really thought you'd grow up by now.
FRANK HOCKENBERRY
Sorry to disappoint you, Sarge.
Zek pulls the stool from under him causing him to fall.
FRANK HOCKENBERRY
Hey! What are you doing?
ZEK ANDERSON
Bringing you down to size. I look at you and see a common drunk. You're not the Hubbard Street Angel. I deserve the title. You're not even a man. You're a joke. You don't even have second thoughts about deserting your family.
FRANK HOCKENBERRY
(getting up)
I did not desert them.
Zek grabs Andrew and pulls him to Frank.
ZEK ANDERSON
Andrew, this is your real father, not the good man who raised you. This is what he really looks like.
FRANK HOCKENBERRY
Please, not in front of my son.
ZEK ANDERSON
Was he your son when you picked up your first drink?
Dr. Seymore grabs Andrew back.
DR. SEYMORE-ANDERSON
Zek, stop this. He's just a child.
ZEK ANDERSON
Correction, he's more of a man than this pathetic thing I'm looking at. Jenny, take him home. His car is across the street.
FRANK HOCKENBERRY
How will I get home?
ZEK ANDERSON
That's my job.
(puts out hand)
Give me the keys, private.
Frank looks at Andrew and gives Zek the keys. Zek gives them to Dr. Seymore.
ZEK ANDERSON
I'll meet you at Franks.
Dr. Seymore and Andrew leave. Zek grabs Frank's arm and pulls him out.
ZEK ANDERSON
Come with me. This is one night you'll pay for your actions. I want you at work tomorrow and you better be sober, or they'll be hell to pay, from me.
CUT TO:
SCENE FOURTEEN
INT. FRANK'S LIVING ROOM. NIGHT. -- LATER
Mayling and Dr. Seymore are sitting drinking coffee. Andrew waits by the window. He sees Hai waiting. Dr. Seymore goes over.
ANDREW HOCKENBERRY
How long is he going to sit out there?
DR. SEYMORE-ANDERSON
I don't know.
ANDREW HOCKENBERRY
Maybe I should go to him? He is my grandfather.
DR. SEYMORE-ANDERSON
(seeing car)
One problem at a time.
The door opens and Zek pushes Frank in.
ZEK ANDERSON
I told you I'd find him. Jenny, I promised you dinner and I meant it. Let's go.
DR. SEYMORE-ANDERSON
What about Frank?
ZEK ANDERSON
That's up to May. Jenny, come on.
(She comes.)
I'll call you when we get there.
MAYLING HOCKENBERRY
I won't need you.
They leave. Mayling goes upstairs and comes down with a pillow and blanket and puts it on the couch.
MAYLING HOCKENBERRY
Say goodnight to your father.
ANDREW HOCKENBERRY
He's not my father.
Mayling and Andrew go upstairs.
CUT TO:
SCENE FIFTEEN
INT. COFFEE ROOM. DAY.
Zek is sitting drinking coffee. He is reading a paper while trying to get a kink out of his neck. He looks up and sees Frank with his coffee. Their eyes meet. Zek watches as Frank sits across from him.
ZEK ANDERSON
You look like hell.
FRANK HOCKENBERRY
I slept on the couch last night.
ZEK ANDERSON
That makes two of us. I just have one question. Why? You've been through worse and you've never slipped. Why now?
FRANK HOCKENBERRY
I don't know. Lately it seems like I'm drowning. I've lost control.
ZEK ANDERSON
What do you intend to do about it?
FRANK HOCKENBERRY
I need time away. I have to breathe again. I've requested a leave of absence.
ZEK ANDERSON
And your family?
FRANK HOCKENBERRY
I need time away from them also.
ZEK ANDERSON
(rising coldly)
Hockenberry, in all the years I've known you, nothing's changed. You're a coward. You always run away from your problems. I'm surprised you waited this long.
Zek leaves. Frank hangs his head.
CUT TO:
SCENE SIXTEEN
INT. FRANK'S LIVING ROOM. DAY
Mayling comes home. She sees a letter addressed to her on a table. She opens it and sits down. Monica appears.
MONICA - ANGEL
Is it bad news?
MAYLING HOCKENBERRY
He's left. He feels we're drowning him.
MONICA - ANGEL
I'm sorry, May.
MAYLING HOCKENBERRY
(putting down letter)
I expected this to happen. It was only a matter of time. You were wrong, Monica. There isn't enough love to save this marriage. Maybe it's time I admitted it.
MONICA - ANGEL
Are you ready to give up so soon?
MAYLING HOCKENBERRY
I'm tired. I left home to avoid the war and now I'm married to it. There's so much I can take.
MONICA - ANGEL
He really needs you now. Everyone he loves has deserted him.
MAYLING HOCKENBERRY
I don't blame them. He's a virus, constantly eating away at people till there's nothing left. I'm burnt out.
MONICA - ANGEL
Have you forgotten "for better or for worse"? You did say those vows.
MAYLING HOCKENBERRY
Don't remind me. His going is a relief.
MONICA - ANGEL
Did he say where he was going?
MAYLING HOCKENBERRY
He's spending some time with his father, and when he comes back, he'll tell us where he is just in case of emergencies. Even as a drunk, he's reliable.
Andrew enters. He sees Mayling is upset. He doesn't see Monica.
ANDREW HOCKENBERRY
Mom, what is it?
(reads letter)
Why that...asshole? He left us.
MAYLING HOCKENBERRY
If he stayed he would become what he was before.
ANDREW HOCKENBERRY
Since when does a loving family make a man drink?
MAYLING HOCKENBERRY
When he's originally a drunk.
ANDREW HOCKENBERRY
What do we do now?
MAYLING HOCKENBERRY
We go on.
ANDREW HOCKENBERRY
He's with Gunther. Grandpa will straighten him out.
MAYLING HOCKENBERRY
I wouldn't count on it. There is one thing you can do for me.
ANDREW HOCKENBERRY
Name it.
MAYLING HOCKENBERRY
Is that man still waiting across the street?
ANDREW HOCKENBERRY
Yes.
MAYLING HOCKENBERRY
Send him in. It's time you met your grandfather.
Andrew does and Hai enters cautiously. Father and daughter see each other. Monica has left.
MAYLING HOCKENBERRY
Set an extra place at the table. Your grandfather is staying.
FADE OUT: