MELROSE PLACE (CW NETWORK) EPISODE 19 "BEVERLY" FANFIC SCREENPLAY WRITTEN BY MARK SINACORI
*Note: The CW version of Melrose Place aired from 2009-2010 and consisted of 18 episodes. In episode 18, Jonah and Riley went to their college reunion and did not get back together, with Riley staying with Drew and Jonah staying with Ella and being director of his film "Living In Reverse" at a major studio in Hollywood. Drew was set up by Doctor Michael Mancini for having drugs on him at ULA, so he was fired, and he later reveals to Riley that Michael had put in a bad heart valve inside of him a few years back and in time he will die. While in the operating room, Lauren tells Doctor Mancini not to operate on a patient, saying that the valve he's using is not good as this stirs up doctors in the room. David was threatened by Morgan's father after she exposed to him that David stole from him, so Mr. McKellar hires David to work for him and to steal for him. Ella takes down Amanda for her embezzling at WPK and she's caught by the FBI and taken to prison while P and K put Ella in charge of the company until they get back.
FADE IN:
TEASER
INT. LOS ANGELES MEN'S PRISON, CELL- DAY
Two officers escort Michael into a cell.
MICHAEL
Great! Just great, Mancini. How the hell will you get out of this one? Damn you, Lauren. Damn you to hell!
Michael bangs his fist against a wall.
INT. LOS ANGELES WOMEN'S PRISON, CELL- DAY
Two officers escort Amanda into a cell.
AMANDA
Look, where's the phone? Don't I get to make a call? This place is a pig sty. No way am I staying in here more than an hour.
An OFFICER (36), makes a stern face at Amanda. He takes none of her talk.
OFFICER
Ma'am, you're in here because of embezzling. Now, if you were in here for something petty, like indecent exposure, maybe you'd be out of here in a snap.
AMANDA
I'd like to snap you that's for sure.
OFFICER
You're pushing it, lady.
The officer closes the cell. Amanda sits at the bench. She then gets up and her eyes widen as she moves towards the cell door.
AMANDA
My God, where the hell have you been? So you heard about this fiasco on the news I take it. It's probably everywhere due to social media now. Point is, you're here. You're here and we have work to do.
EXT. MELROSE PLACE, COURTYARD- DAY
David walks into the courtyard with a limp. Lauren exits her apartment and walks down the stairs.
LAUREN
David! What happened?
DAVID
Nothing. It's fine. Just slipped on a wet floor at Coal's, that's all.
LAUREN
Do you want me to take a look at your leg?
DAVID
No, no, I'll be fine.
LAUREN
Okay, I gotta run. I have a long shift at the hospital.
INT. MELROSE PLACE, DAVID'S APARTMENT- DAY
David walks into his apartment. He aches, takes his shirt off, and reveals horrible scars from Mr. McKellan the night earlier at the club when he beat him.
David's cell phone RINGS.
DAVID
Hello?
INT. MR. MCKELLAN'S HOUSE, STUDY- DAY
Mr. McKellan sits at his desk.
MR. MCKELLAN
Hey, there, bad boy. Ready for your first task?
DAVID
I told you, Mr. Mckellan, I've changed. I...
MR. MCKELLAN
Have you? So you won't mind it if I pay a visit to your girlfriend's hospital, do you?
DAVID
What?
MR. MCKELLAN
Yeah, I have a really bad back. It's aching with the pain you're causing me. I feel a dagger in it. And you know what? I pulled that dagger out and I'm ready to use it on someone very special to you.
DAVID
Leave Lauren out of this.
MR. MCKELLAN
Then we have an understanding?
DAVID
Look...
MR. MCKELLAN
Nine o'clock, Punjab's Jewelry on Beverly. Got it?
David looks at a picture of him and Lauren on the table.
DAVID
Yeah, I go it.
END TEASER
FADE IN:
ACT I
INT. LOS ANGELES MEN'S PRISON, CELL- DAY
Michael walks about in his cell. He stops.
MICHAEL
Hello? Hello, Officer?
An OFFICER (45) African American and husky approaches Michael's cell.
OFFICER
What can I do for you?
MICHAEL
You know that thing about one call, right? I didn't get one.
The officer shakes his head.
OFFICER
I'll see what I can do.
MICHAEL
Gee, thanks.
The officer walks off and converses with another officer. He returns to Michael's cell.
OFFICER
Right this way, Doctor Mancini.
Michael bears a shrewd smile.
INT. MELROSE PLACE, RILEY'S APARTMENT, KITCHEN- DAY
Riley and Drew sit and have breakfast.
RILEY
So what's going to happen to you now?
DREW
Well, that depends. But the outlook doesn't look so good for me. Doctor Mancini put in a bad valve inside me and a lot of damage has been done.
RILEY
Drew, listen, you can beat this. We can take you to a specialist, they can help you and...
DREW
Riley, no. No. Nothing is going to make me better. I just have to face the fact that sooner or later I'm going to die.
RILEY
I refuse to believe that.
Riley's cell phone BUZZES.
RILEY (CONT'D)
I just got a text.
DREW
From who?
RILEY
From Jonah.
DREW
What does he want now? Dibs on you? Did you tell him about my condition yet?
RILEY
Drew, stop, I've only known since yesterday. Besides, he's not interested in me anymore. He has Ella.
Riley looks at her cell phone. A message from Jonah. "RILEY, I KNOW THAT WE HAVE HAD OUR DIFFERENCES. I LOVE YOU AND ALWAYS WILL. BUT IT'S CLEAR YOU'RE WITH DREW NOW. TO MAKE THINGS BEST FOR ALL OF US I'VE HIRED SOME MOVERS AND RENTED A CONDO CLOSE TO THE STUDIO. I WISH YOU THE BEST."
RILEY (CONT'D)
Oh, my God.
DREW
What is it?
RILEY
Jonah's moving out.
INT. WPK MAIN FLOOR, DAY
Ella walks into WPK. She holds her head high as workers try to present themselves at her.
ELLA
Good morning, everyone. No, no. No need to do me any favors, I'm a big girl I can do them for myself.
Ella walks up the stairs towards her office.
INT. WPK, ELLA'S OFFICE- DAY
Ella sits at her desk. She smiles and goes on the computer. She sees an article on Amanda's arrest.
ELLA
Oh, Amanda, no one, not even God can help you out of this mess now.
EXT. STUDIO LOT- DAY
Jonah walks up to the elephant door of a studio. Behind him, Riley approaches.
RILEY
Jonah!
JONAH
Riley! Hi!
RILEY
Hi, I got your text. Listen, you don't have to move because...
JONAH
No, Riley, save it. It's best for all of us this way.
RILEY
Really? Well, I thought if we could move on we could at least move on as friends. Friends don't have to move away.
JONAH
Yeah, well, things are different now. I have a movie to direct. The movie you inspired.
Jonah walks off. Riley looks down.
INT. STUDIO, HALL- DAY
Jonah walks through the studio hall. Riley follows.
RILEY
Jonah, listen I...
JONAH
Save the sympathy, Riley, I have a movie to film.
RILEY
But, Jonah, I want to let you know that I'm willing to be your...
JONAH
Friend? I know. Well, friend, I have stuff to do right now. If you'd excuse me.
Riley tenses up and sobs.
INT. COAL, KITCHEN- DAY
David gets things set up in the kitchen. Morgan approaches.
MORGAN
So, setting up for another big day, baby?
DAVID
Morgan, look, you need to stop meddling in my life.
MORGAN
But I thought you liked me doing that. Remember our fine time we had a few weeks ago?
DAVID
I'm not with you, Morgan. I have a life. A life with Lauren. That doesn't include you.
MORGAN
I wonder what daddy will say when I tell him that?
DAVID
You don't want to know what your father has in mind for me.
MORGAN
Really? I would expect that he wants you to treat his little princess the way he treats her.
DAVID
It's more complicated than that.
David turns away. Morgan has a look of concern.
MORGAN
David, what's wrong?
DAVID
It's your Dad. He wants me to go back to a life of crime.
MORGAN
David, I had no idea.
DAVID
Thanks to your meddling, my life is a mess now.
MORGAN
Look, I'll talk to my Dad. I'll see if he can cut you slack.
DAVID
Thanks. I'd appreciate that.
MORGAN
But if you choose Lauren over me, I'll have no choice but to respect his wishes of you.
David freezes as Morgan walks off.
INT. LOS ANGELES MEN'S PRISON, OFFICE- DAY
Michael sits at a desk and picks up a phone.
INT. JANE'S BOUTIQUE, BACK ROOM- DAY
Jane sketches some designs. Her cell phone RINGS.
JANE
Hello?
MICHAEL
Jane, look, I need your help.
JANE
Michael? What's wrong?
MICHAEL
I don't know. I thought I was the best at what I do, but it turns out that what I've done is not so great. I did a lot of bad things. At Wilshire Memorial Hospital, at ULA, even to you. I don't deserve to live.
JANE
What?
MICHAEL
I'm in jail. My valve I developed a few years back, I didn't know it, but it has a flaw, and patients have been complaining. I also was exposed for setting up a doctor I had fired for framing him for having drugs. I know it looks bad, but Jane, I want to change. I really have seen the error of my ways.
JANE
Oh, no.
MICHAEL
Look, I need you to help me out. Can you do that for me?
JANE
Michael, I...
MICHAEL
After everything we've been through all these years, we've always been there for one another.
JANE
Alright. How much is bail?
MICHAEL
We're looking at a good figure, Janey.
JANE
Alright, I'll see what I can do.
MICHAEL
Thanks, Jane.
Jane hangs up.
JANE
Michael...
Jane thinks to herself with a look of despair.
INT. MR. MCKELLAN'S HOUSE, STUDY- DAY
Mr. McKellan sits at his desk. Morgan approaches.
MORGAN
Daddy?
MR. MCKELLAN
Morgan, what can I do for you, sweetie? Need to borrow my credit card?
MORGAN
No, daddy, it's not for money. I came to see you about David.
MR. MCKELLAN
David? What for?
MORGAN
I just came back from Coal. He told me that you hired him to work for you.
MR. MCKELLAN
Of course, he needs to pay me back for stealing my...
MORGAN
Daddy, I didn't know you hired him to go back to stealing.
Mr. McKellan gets up from his desk.
MR. MCKELLAN
I think you'd better leave, young lady.
MORGAN
Daddy, why are you doing this?
MR. MCKELLAN
Because when you are older and in my shoes someday, you'll understand what it takes to be rich.
Mr. McKellan closes his study door. He gets out his phone and dials a number.
MR. MCKELLAN (CONT'D)
Yeah, Frank, it's me. Look, you got the info I sent you, right? Good. I want you to make it look like an accidental murder. You know who and you know when.
INT. LOS ANGELES WOMEN'S PRISON, CELL- DAY
Amanda talks to someone from her cell.
AMANDA
So, after so long away from me, what made you want to come back to help me out?
ALISON PARKER (46), an attractive blonde, grimaces at Amanda.
ALISON
Well, I am the P in WPK aren't I?
AMANDA
Very much.
ALISON
Oh, Amanda, for what you've done by embezzling funds from WPK I should feed you to the cats like a rotten piece of fish tossed out in the trash.
AMANDA
Good one. I see your days of taking insults from me have paid off.
ALISON
Save the compliments. You've put WPK at a bad place. When we formed it we formed it out of trust.
AMANDA
Alison, don't you know anything?
ALISON
I know you aren't easy to be trusted. Look at all you did over the years. Slept with Billy behind my back when we were engaged, treated me like dirt at D&D, faked your own death to escape prison. By the way, how's Peter?
AMANDA
Peter and I don't talk anymore. He's back on the island and living an escaped life of freedom. He's lucky I didn't rat him out to the police. But then again, it was Michael who put him there, stealing money from the Children's Fund at Wilshire Memorial Hospital back in nineteen ninety nine.
ALISON
Stealing...isn't that what you're in here for?
Amanda looks down.
AMANDA
Look, can you help me or not?
ALISON
I think I can figure out something to help you.
AMANDA
Thanks, Alison, you really are a friend.
ALISON
Oh, by the way, you're forgetting about Judy Kramer.
AMANDA
Judy? What about her?
ALISON
She is our other partner in WPK. Nice girl, remember her?
AMANDA
Yeah, she was your roommate in Georgia, came with you to LA when you moved back five years ago, helped us form WPK.
ALISON
Well, see, she's the majority shareholder.
AMANDA
Meaning?
ALISON
Meaning that she put her life into WPK, even though she backed out to raise a family.
AMANDA
So?
ALISON
So it's up to her whether she keeps you on board or not.
Amanda nods.
ALISON
I hope you're up for some begging Amanda, because with what you've done the past few months, you sure as hell will need to.
Amanda looks on nervous.
FADE OUT
END OF ACT I
ACT II
FADE IN:
INT. LOS ANGELES MEN'S PRISON, OFFICE- DAY
Jane greets Michael who sits in a chair.
MICHAEL
Jane, thank you. Thank you so much.
JANE
Don't mention it. You've helped me out a lot over the past few years, the least I could do is repay you.
MICHAEL
Your new boutique. How's it doing?
JANE
Fine, I don't know where I would have been had you not given me the money to re-build it after the fire three years ago.
MICHAEL
That's what I'm here for. To save the day. Not Kyle, no...that guy, he walked out on you and Hannah when she was just a baby. Going back to Boston to work at the restaurant with Taylor. I knew that was gonna be his fate somehow.
Jane frets.
MICHAEL (CONT'D)
And little Mikey Jr. ... To think, Kyle has the decency to be a father figure to him. Wasn't it Taylor who split town ten years ago.
JANE
Michael, look, I've been hiding something from you for the past ten years. Something you should know about.
Michael gets his cell phone.
MICHAEL
Not now, Jane. I have to make a call. This will be really quick.
Michael calls someone.
MICHAEL (CONT'D)
Adam. Doctor Mancini. Yes. I see.
Michael freezes.
JANE
What is it?
MICHAEL
Thank you. Thank you. No, that's okay. I'll be in later this afternoon.
JANE
What?
MICHAEL
That was my partner at ULA. He told me I've been dismissed.
JANE
Michael, I'm sorry.
MICHAEL
That's not all. The way it's looking they're going to hold a medical conference later this week. If things go against me I may never be able to practice medicine again.
EXT. MELROSE PLACE, COURTYARD- DAY
Drew sits by the pool. Riley approaches.
RILEY
Hey, you.
DREW
Riley. Look, about our argument earlier this morning...
RILEY
No, I mended things with Jonah. What we had is over. It's really over.
DREW
Over? Did you just say over? Hasn't it been over for what, a month now?
Drew looks upset.
RILEY
Drew, look, I went to the studio to convince him to stay...
DREW
You did what? You must really want him back then.
RILEY
Drew, it's not what you think.
Drew gets up upset.
DREW
You know what, Riley, just take him back. You know that's your end goal, isn't it?
RILEY
Drew, I...
DREW
You have no use to be with a dying man like myself.
Drew goes inside Riley's apartment and slams the door.
INT. ULA HOSPITAL, CORRIDOR- DAY
Lauren walks down the hall with a clipboard. She notices doctors as they talk and look at a bulletin board "DR. MANCINI REMOVAL MEETING TWO P.M. THURSDAY, COMMENTS, CONCERNS AND COMPLAINTS FROM OTHER STAFFERS WELCOME.
Lauren's cell phone RINGS.
LAUREN
Hello? Dad. How are you? What? Is she alright? Okay. Okay, uh...look, Dad, I'm working right now at the hospital. Let me see what I can do. I'll make a flight out later today. Tell her to hold on.
Lauren cries.
INT. STUDIO, HALL- DAY
Jonah sits at his director chair. Other crew members gather around. Ella walks into the area.
ELLA
Well, well, well, if it isn't the director of Living In Reverse!
JONAH
Hey, baby.
ELLA
I'm on break right now from the office, so I thought I'd stop by and see Mr. Hollywood work his magic. Now, go on!
JONAH
Actually, Ella, we're all on lunch now.
ELLA
Oh, good. So you can treat me!
JONAH
Actually, can I be honest with you?
ELLA
Yeah.
JONAH
Riley came by today.
ELLA
What?
JONAH
Yeah, I texted her about moving out of the apartment and...
ELLA
Wait, you texted her? Did you give her your new address? God, Jonah...
JONAH
Look, she was my girlfriend for years.
ELLA
And what am I?
JONAH
You're my everything.
The two kiss.
ELLA
Well, I don't want you mentioning her anymore. Furthermore, you should get a restraining order on her. She's creepy. Coming here to tell you that. You know what that means?
JONAH
What?
ELLA
She's still in love with you.
JONAH
No way, she has Drew.
ELLA
So, you were her true love.
JONAH
But we're not together anymore.
ELLA
And you still have a thing for her.
JONAH
What?
ELLA
Well, you texted her. Couldn't have left all alone.
Ella walks away upset.
JONAH
Ella? Come on, look...
ELLA
No, Jonah, I'm busy. We'll talk later.
JONAH
But what about lunch?
ELLA
I think I just ate you up in this argument, didn't I? I'm full. See ya.
Jonah shakes his head.
INT. COAL, DINING ROOM- DAY
Lauren rushes into the dining room. David works at the front counter.
LAUREN
David. There you are.
DAVID
Lauren, what is it?
LAUREN
It's my Mom.
DAVID
Is she alright?
LAUREN
She's had a heart attack.
DAVID
Oh, Lauren, I'm sorry.
LAUREN
Look, I can't stay. I just put time off at the hospital. I gotta catch the next flight home.
A look of worry comes to David's face as he glances at Mr. McKellan sitting at a nearby booth.
LAUREN (CONT'D)
David, what is it?
DAVID
Nothing. Look, I'm here for you. You need anything, call me.
LAUREN
Thanks. Hey, did you hear about your father?
DAVID
Yeah, he's in jail. Just where he belongs. I could care less about him, he did it to himself. He's not getting any sympathy from me. And furthermore, I'm going to take him to court to sue for custody of Noah. I know he's my son.
LAUREN
Take it slow, David. Things will work out. I'll call you later.
Lauren and David kiss. Lauren leaves. David walks over to Mr. McKellan.
DAVID
Ready for your check, sir?
MR. MCKELLAN
Not as ready as you're going to be.
DAVID
What's that supposed to mean?
MR. MCKELLAN
It means that I want to make sure you have all your stuff ready for the task tonight.
David looks around with worry.
DAVID
Yeah...yeah I got it all.
MR. MCKELLAN
Good. Check, please.
David walks away.
Mr. McKellan dials a number on his cell phone.
MR. MCKELLAN (CONT'D)
Frank? Yeah, it's me. I need you to do this the right way, that way nobody gets in trouble and you make out like a hero. David's picked the wrong person to steal from. Oh, and about the girl. Have your men at LAX in a half hour.
INT. MELROSE PLACE, AMANDA'S APARTMENT, LIVING ROOM- DAY
Amanda and Alison enter the living room.
ALISON
Oh, Amanda. I love it.
AMANDA
Well, you can thank Sydney for all the updates.
ALISON
Sydney? Sydney? Oh, Jane's sister. By the way, didn't she drown in the pool?
AMANDA
Yeah, she faked her death over twelve years ago when the Martin Abbot cult she was with years ago threatened to kill Craig before their wedding day. Who knew she'd have the money to buy this place from Lexi when she sold it seven years ago.
ALISON
Lexi?
AMANDA
A vixen who was head to head with me in advertising. Oh, that's right...she moved in right after you moved out. She was a spoiled Daddy's girl, owner of Sterling Conway. A few years ago she sold everything and moved back to Ohio.
ALISON
Enough talk about other people I don't know. Let's talk about you.
AMANDA
What's there to talk about?
ALISON
Amanda, in all honesty, do you really think you're going to stay on as one of the heads of WPK?
AMANDA
Of course, I invested in it, didn't I?
ALISON
But you embezzled money from it. I don't know what Judy Kramer's policy is on people who steal, for your sake, let's hope it's forgiving.
Amanda ignores Alison and walks over to her desk.
AMANDA
See all this?
ALISON
What about it?
AMANDA
Memories. Memories I have, Alison. Don't you have those?
ALISON
I have memories. Lots of memories. But many are tainted with the bad memories of people like Keith, my father, Brooke, you.
AMANDA
Can't you learn to move on?
ALISON
I did move on. I'm far over Billy than ever before. In fact, I'm happy he found a new life with Jennifer eleven years ago. And I'm happy his marriage worked out in Rome.
Alison looks at pictures on Amanda's desk.
ALISON (CONT'D)
Is that your Mom?
AMANDA
Yeah, it is.
ALISON
Have you seen her in recent years?
AMANDA
No, we haven't talked in person since the trial back in nineteen ninety four. It's best that way. I have looked her up online and see she started a new modeling agency in New York City a good few years back.
Alison's cell phone RINGS.
ALISON
Hello? Yes, Judy. Yes, she's here with me. Yes. Meet up? Sure. Where? 4616 Melrose
Place. Yes, I'll meet you in the courtyard. Okay. Bye.
Amanda interferes.
AMANDA
Well?
ALISON
Well, that was Judy. She's on her way over to discuss what happens next.
AMANDA
Now?
ALISON
Yes, now. And, Amanda, I'd suggest you put something clean on. That dress is way too far stanched with the smell of your old prison cell to be in the company of anyone.
INT. ULA HOSPITAL, CORRIDOR- DAY
Michael walks down the corridor of the hospital. Lots of doctors and others stare him down as he approaches his office.
MICHAEL'S OFFICE- DAY
Michael walks over to his desk. He looks around the room. He looks at all his degrees. He shakes his head. A KNOCK comes from the door. Michael opens the door to find DOCTOR ROBINSON (67) grey hair and stocky build.
MICHAEL
Doctor Robinson. What can I do for you?
DOCTOR ROBINSON
Michael.
MICHAEL
Come in, come in!
DOCTOR ROBINSON
This will only take a moment.
MICHAEL
What do I have the pleasure of helping you with today, sir?
DOCTOR ROBINSON
Michael, let me be frank. As owner of this hospital, what I've found out about you these past few days is grounds for serious action.
MICHAEL
Yes, sir.
DOCTOR ROBINSON
And, after receiving many, many complaints, especially one which included a staffer at this hospital you solicited in the most inappropriate manor, I...
Michael jumps out of his chair.
MICHAEL
Oh, Lauren. Well, Doctor Robinson, I want to let you know that two timing slut was propositioning me.
DOCTOR ROBINSON
Enough!
Michael sits down at his desk.
DOCTOR ROBINSON (CONT'D)
Therefore, Michael, I have no choice but to dismiss you from this hospital. You are no longer a doctor at ULA.
Michael frowns.
MICHAEL
But what about practicing medicine? It's my life. It's all I know. All I have.
DOCTOR ROBINSON
There's a meeting to discuss the terms of that later this week.
MICHAEL
Does the outlook look good?
DOCTOR ROBINSON
I'm afraid to say, Doctor, you really should change your field. Just a heads up.
Doctor Robinson exits the office. Michael sits at his desk and covers his face.
FADE OUT.
END OF ACT II
ACT III
FADE IN:
INT. RILEY'S APARTMENT, LIVING ROOM- DAY
Drew works at the computer. Riley enters the living room.
RILEY
Hey.
DREW
Hey.
RILEY
What are you doing?
DREW
Looking up good doctors.
RILEY
Why do that? You're a good doctor, great in fact!
DREW
No, I mean I'm looking for a good doctor to see what can be done about my bad valve.
Riley smiles.
RILEY
Great! I know things will work out right for you.
DREW
Look, I'm sorry about losing my cool these past few days.
RILEY
No problem.
DREW
In fact, I have an idea how to make things so much better.
RILEY
Oh?
Drew gets up from the computer chair and kisses Riley, the two fall onto the couch and embrace.
EXT. MELROSE PLACE, COURTYARD- DAY
JUDY KRAMER (48) brunette with high heels and dark red lipstick walks by the pool.
Alison exits Amanda's apartment.
ALISON
Judy? Up here!
JUDY
Alison! Darling!
Judy rushes up the stairs and hugs Alison.
JUDY (CONT'D)
Time has been good for you. What's it been? Four years?
ALISON
Something like that.
Alison and Judy walk into Amanda's apartment.
JUDY
Hello, Amanda.
AMANDA
Hello.
JUDY
So, I see you've been embezzling funds have you?
AMANDA
Look, if you want me out, just say the word and I...
JUDY
No. Not yet. I have no word. Although I'm the majority shareholder of WPK, I haven't been around in a while to see your dirty dealing tricks.
AMANDA
What dirty dealing tricks?
JUDY
The bed-hopping, the embezzling, the secrets.
AMANDA
Secrets? What secrets?
JUDY
I'm not talking about your faked death, dear. I know a lot more about you than you think.
Amanda looks on upset.
AMANDA
What do you know, you conniving little...
JUDY
Patience, Amanda, patience. I just so happen to know a lot of secrets you have not exposed to the world yet.
AMANDA
I don't know what you're talking about.
JUDY
I know all. And I know you are very troubled. You had a troubled past. You have a troubled present. Most likely...a troubled future.
AMANDA
Look, I don't have to be insulted in my own apartment. Get out! Take your company and shove it if that's what it comes down to.
JUDY
Oh, Amanda, you'll never learn. Ella was right to turn you in.
AMANDA
What?
JUDY
Takes one to know one.
AMANDA
What are you saying?
JUDY
I'm saying, don't be surprised Ella Simms looks up to you. I wouldn't see any other reason why she shouldn't.
Amanda shakes her head.
JUDY (CONT'D)
As for you, Alison, the P in PK still stands. The K is back for now.
ALISON
And the W?
JUDY
W? Oh, there's still a W. But that's another story I'll tell you all about a little later.
Amanda gapes, she's in shock. Judy leaves the apartment.
AMANDA
The nerve of her. I don't know what she meant by knowing secrets I've never exposed.
ALISON
Well, Judy's always been a snoop, she's more onto people than you think. Got any tea?
AMANDA
Get out.
ALISON
I'm only trying to be friendly, Amanda. Be lucky you still have me as a friend.
AMANDA
I'd rather be friends with Hitler.
INT. COAL, KITCHEN- DAY
David works in the kitchen. He calls Lauren on her cell phone but no answer. Morgan enters the kitchen.
MORGAN
Hey, baby.
DAVID
Morgan. You startled me.
MORGAN
What are you doing? Who are you calling?
DAVID
No one.
MORGAN
You were calling her weren't you?
DAVID
Morgan...
MORGAN
Weren't you.
DAVID
Morgan, look, I...
MORGAN
Tell me the truth!
DAVID
Yes, if you want the truth, then yes. Lauren just found out her mother had a really bad heart attack. She's on a plane back home to see her.
Morgan stares in shock.
MORGAN
David. I'm sorry.
DAVID
No. Don't be.
MORGAN
Is there anything I can do to help you?
Morgan begins to seduce David.
DAVID
Morgan, not...not now...not here.
MORGAN
Okay, baby. I'll be waiting at your place. When you close up you're all mine tonight.
DAVID
That's the thing, Morgan...I'm not. I'm busy tonight.
MORGAN
Did Daddy...
DAVID
Look, enough with you and enough with your Dad, okay. Now I'm busy, I really need to work here.
MORGAN
Okay. But just remember this, David. The minute you get done doing my Daddy's dirty work, you'll be doing mine.
David shakes his head. Morgan storms off.
INT. WPK. FLOOR, DAY
Judy walks on the floor and talks on the phone.
JUDY
Yes, Amanda. I'm sorry how things played out earlier today. Listen, you're not dismissed yet. How about we have lunch at five at Vincenzo's? It's on me. Yes, five o'clock. Great. See you then.
ELLA'S OFFICE- DAY
Ella sits at her desk. Judy approaches.
ELLA
Hello, may I help you?
JUDY
I'm Judy Kramer. The K in WPK.
ELLA
Of course! Mrs. Kramer! I've heard so much about you.
JUDY
Really? I've heard so much about you, too.
ELLA
Like?
JUDY
Oh, we'll discuss that later. In the meantime, I made a decision.
ELLA
Oh?
JUDY
Yes, and since I'm the majority shareholder in WPK, the company will be in control by you.
ELLA
Oh, thank you, Mrs. Kramer.
JUDY
No, call me Judy.
ELLA
Oh, of course, Judy!
JUDY
So, WPK will be in good hands I take it?
ELLA
Yes, I'll make sure to see it runs smoothly, I have the past few months, haven't I?
JUDY
You certainly have.
ELLA
Wait, wouldn't it now be called something else?
JUDY
What do you mean, sweetheart?
ELLA
I mean, with Amanda gone, there's no more W in WPK.
Judy laughs.
JUDY
Oh, my silly, silly child.
ELLA
What are you talking about?
JUDY
Ella, is it?
ELLA
Mmmm-hmmm...
JUDY
You look up to Amanda Woodward don't you?
ELLA
Well, I did, until I saw all the two timing things she did.
JUDY
Then why not have lunch with Amanda and I, dear? You know she is out of jail don't you?
ELLA
That fast, huh? Why lunch with her? Don't you despise her now for stealing money?
JUDY
No, I want to have a discussion with the two of you. Maybe have you see eye to eye.
ELLA
You mean you're serious of keeping her on staff here?
Judy laughs.
JUDY
Just have lunch with me and Amanda this evening. We have a lot to discuss.
EXT. JANE'S HOUSE- DAY
Michael walks up to Jane's door and RINGS the doorbell. Jane approaches.
JANE
Michael, hi, what a pleasant surprise.
MICHAEL
Can I come in?
JANE
Sure.
INT. JANE'S HOUSE, LIVING ROOM- DAY
Michael walks into the living room with Jane.
JANE
Can I get you a drink?
MICHAEL
No. No, that's okay. I can't really stay long, Noah's getting out of school soon and I have to be there to pick him up.
JANE
I see.
MICHAEL
Jane, I got dismissed today.
JANE
I'm sorry.
MICHAEL
Yeah, Doctor Robinson came into my office and told me I was done.
JANE
Michael, is there anything I can do?
MICHAEL
Jane, they're having a meeting to see if I will be able to ever practice medicine again. What will I do?
Jane hugs Michael.
JANE
Michael, it will be okay.
MICHAEL
Look, I better get going. I don't want to be late picking up Noah, he...
JANE
Right.
Michael turns to the door.
JANE (CONT'D)
Michael, there's...there's been something I've been meaning to tell you.
MICHAEL
What is it?
JANE
Ten years ago, when I gave birth to Hannah. I was all confused.
MICHAEL
Why? You had the perfect life. Perfect guy in Kyle, perfect dream house by the ocean, perfect everything. Me, on the other hand, I was alone, working my plans on that valve that broke me.
JANE
Michael, Hannah is not Kyle's daughter.
MICHAEL
What are you saying?
JANE
I'm saying at how bad things were between us ten years ago I couldn't see you raising her with me. Michael, she's your's.
Michael's jaw drops.
INT. RILEY'S APARTMENT, LIVING ROOM- DAY
Riley and Drew nestle on the couch in a blanket.
RILEY
That was incredible.
DREW
It sure was.
RILEY
See, I told you that you're gonna be fine. Who's to say you have a bad heart valve, you were amazing in bed.
DREW
I was, wasn't I?
RILEY
Want something to drink?
DREW
Sure.
Riley gets up and goes over to the fridge.
KITCHEN- DAY
A BUZZ comes from Riley's phone. A text message from Jonah reads "I'M REALLY SORRY HOW I TREATED YOU AT THE STUDIO EARLIER TODAY. PLEASE FORGIVE ME. YES I WANT TO BE FRIENDS. YOU WILL ALWAYS BE MY FRIEND."
Riley texts back. "GREAT! I'D LIKE THAT."
A BUZZ comes from Riley's phone again. A text message from Jonah reads "HOW ABOUT YOU COME BY TONIGHT AFTER WE WRAP AND WE TALK THIS THROUGH AND OFFICIALLY MOVE ON AS FRIENDS."
Riley looks in shock. She looks back at Drew on the couch. She then texts back to Jonah.
"OKAY. WHEN AND WHERE?"
A BUZZ comes from Riley's phone again. A text message from Jonah reads "SIX O'CLOCK, DENNY'S NEAR YOUR PLACE."
Riley smiles. She texts back to Jonah "SURE."
DREW (O.C.) (CONT'D)
Hey, where's that drink?
RILEY
Coming right up.
INT. STUDIO, HALL- DAY
Jonah sits at his director chair.
JONAH
Okay, cut! Print that!
Ella walks onto the floor.
ELLA
Hey, you.
JONAH
Ella, to what do I owe this surprise visit? Twice in one day?!
ELLA
Well, I just met the K in WPK and she wants to have dinner with Amanda and me at Vincenzo's.
JONAH
Amanda? Isn't she still in jail?
ELLA
I guess she got off being that she's having dinner tonight with us. But from where things are going, it looks like even though Amanda could be coming back to WPK, I'll be the one in charge above her.
JONAH
Don't under estimate Amanda. You know all the bad things she's done. She could do far worse if she's out of prison.
ELLA
Well, we'll just see about that. So, have any plans tonight?
JONAH
Actually, I do. I'm meeting a friend for dinner.
ELLA
Oh, do I know this friend?
JONAH
Yeah, I believe you do. Riley.
Ella turns her face away and looks down upset.
ELLA
God, damn it, Jonah!
JONAH
Ella, look, she's my friend. Nothing more.
ELLA
Right, until you two grow close together again.
JONAH
Ella, listen...
ELLA
No, Jonah, I'm done listening. It's either her or me.
JONAH
Is that an ultimatum? I thought I knew you better than that, El. I thought you didn't mind me hanging out with my friends.
ELLA
Not if any of those friends are former fiance's.
Ella shakes her head and walks away.
JONAH
Ella, wait!
ELLA
Either you meet me at eight tonight at my place or we're finished.
JONAH
Ella...
Ella storms off.
Jonah exhales.
INT. COAL, KITCHEN- DAY
David calls Lauren on his cell phone. No answer. He texts her. "WHERE ARE YOU RIGHT NOW?"
EXT. LAX AIRPORT- DAY
Lauren walks up to a door and puts her cell phone on. She sees calls from David and his texts messages. She gets ready to text him. Just then, two guys in black suits approach her. Each man takes her by an arm and escorts her towards a limo at the curb.
LAUREN
Hey, who are you?! What are you doing to me? Stop it!
Before she can say another word, Lauren gets thrown into the limo.
INT. LIMO- DAY
Lauren catches her breath. The two guys sit side by side of her and make sure she doesn't move. Lauren struggles.
LAUREN
Hey, what's going on? What is this?
Lauren looks up to see DIEGO (35) a sleazy Spanish pimp who wears a gold chain around his neck.
DIEGO
Name's Diego. No need to fret, honey.
LAUREN
This is kidnapping.
DIEGO
Is it? I only want a little fun with you, that's all. I heard you were a real looker.
Diego pulls out his wallet, counts some hundred dollar bills, throws them down on a table and laughs. Lauren looks on in shock.
FADE OUT.
END OF ACT III
ACT IV
FADE IN:
INT. LIMO- DAY
Lauren sits inside the limo. The guys continue to hold her in place. Diego counts his money.
LAUREN
I'm not going to run, if that's what you think.
DIEGO
Easy on the lady, fella's
The guys loosen their grip on Lauren.
LAUREN
Why are you doing this?
DIEGO
Like I said, I heard you were the best.
LAUREN
What?
DIEGO
A little birdy told me.
LAUREN
About me being a prostitute?
DIEGO
That's the stuff, baby.
LAUREN
I've given that up.
DIEGO
Have you? Don't you want to pay for the rest of your internship so you can be a doctor?
LAUREN
It would be nice, but I don't need to use my body as ways to make money anymore.
DIEGO
What if I help you. Full price.
LAUREN
You can't be serious.
Diego pulls out a briefcase. He opens it. Inside are many hundred dollar bills.
DIEGO
In here is over fifty thousand dollars, girl. That's enough to help you out isn't it?
Lauren shakes her head.
LAUREN
And what if I say no?
DIEGO
Nobody ever says no to Diego.
Diego pulls out a switchblade and presents it at Lauren's neck. She frets.
DIEGO (CONT'D)
Relax, girl, you worry too much. Here's the scoop. Someone in the know told me about you. And I always see to it that I get my sex the way I like it and if anyone goes against Diego...
Diego traces the switchblade near his neck.
LAUREN
Why are you doing this? Why threaten me like that? What if I said no? I have every right to.
DIEGO
You don't know who I am, do you, missy? I'm Diego, head of one of the biggest gangs here in LA. You don't do what I say, you get what's coming to you.
Lauren shivers.
INT. JANE'S HOUSE, LIVING ROOM- DAY
Michael stares in shock. Jane looks down.
MICHAEL
Hannah? I'm Hannah's father?
JANE
Yeah. I'm sorry I kept it a secret all these years, I thought that if you were in her life that you'd raise her to be...
MICHAEL
No, I get it, Jane. I understand. I was rotten back then, and I know I've done so many rotten things. I ruined it with you and Sydney and Kimberly and Meghan and my second chance with you again, and most recently Vanessa. Married six times. Six mess-ups. But this is a new beginning for me. I really want to change.
JANE
Good. You know, Michael, years ago when I came back to LA, I thought you had changed, but you just went from woman to woman.
MICHAEL
I know, it ruined all my relationships.
JANE
Including ours twice.
MICHAEL
You were my one true love Jane, you always were and always will be.
Michael leans in to kiss Jane.
JANE
No, Michael, we shouldn't.
MICHAEL
Okay.
JANE
Look, tomorrow at noon, why not stop by. Hannah will be home from school since it's the weekend. She can finally meet her father.
MICHAEL
I'd like that. I'd like that very much.
Michael and Jane hug.
INT. VINCENZO'S, LOBBY- NIGHT
Amanda and Judy sit at a table and converse.
JUDY
So, thinking about your next business move?
AMANDA
Get real, Judy, I came here because I thought we could work something out civil.
JUDY
Civil? Really? You?
Ella walks into the lobby and over to the table.
Amanda twists her eyes.
AMANDA
Of all the people, what the hell is she doing here?
JUDY
I invited her.
Amanda gets ready to get up but Judy pushes her back to sit.
JUDY (CONT'D)
No, sit, Amanda, stay. This won't take long. She knew to meet us here.
AMANDA
Oh, she did, did she?
ELLA
Judy. Amanda.
JUDY
Ella, darling, come, sit down.
AMANDA
Look who it is, the wicked witch of the west.
ELLA
No, I thought that was you, Amanda.
AMANDA
Takes one to know one.
JUDY
You see, friends already after that painful expose you did to her, Ella.
Amanda turns her head in disgust.
AMANDA
Judy, get to the point. Why did you bring us here?
JUDY
Because, you're both at odds with one another, aren't you?
Amanda and Ella look at one another and turn their heads away.
JUDY (CONT'D)
Ah, you see...takes one to know one.
AMANDA
What are you talking about?
JUDY
Amanda, dear...has Alison ever told you I like to snoop?
AMANDA
In passing, yes.
JUDY
Well, it turns out that when I met you and we all invested money in WPK, I had my PI investigate your entire life story. It was a little tightly locked up even you couldn't find out the most juiciest details of your past, but he did it and he found out an earful.
Amanda gets upset. She's ready to attack Judy.
AMANDA
You no good two timing...
Judy pushes Amanda back to sit down.
JUDY
Oh, no need to jump yet, darling.
ELLA
Judy, what's going on?
JUDY
Sit down, dear. This may come as a shock to the two of you.
Ella takes a seat.
JUDY (CONT'D)
Ella. Oh, Ella. Daughter of a drunken mother.
Ella twists her eyes.
ELLA
And how would you know that?
JUDY
Well, you are the new boss at WPK aren't you? I had to investigate you as well.
ELLA
Okay, this is starting to creep me out.
AMANDA
Tell me about it.
JUDY
It just so happens, Ella, that you admire Amanda.
ELLA
I did.
Ella looks at Amanda in disgust. She then turns her head away.
JUDY
And it's ironic you've admired her for years, even before you went into public relations.
ELLA
Yeah, so what?
Amanda's mouth gapes.
AMANDA
Judy, what are you saying?
JUDY
Years ago, years and years ago, twenty four to be exact, a baby was born. Ella.
ELLA
Wow. Big surprise.
JUDY
What you don't know, Ella, is the whole story.
Ella grows furious.
ELLA
What are you saying?
JUDY
Twenty four years ago you were born, honey. You were born in Florida.
ELLA
No, I wasn't. I was born here in California, and...
JUDY
No. Listen to me for a second. This will all make perfect sense.
ELLA
Waiter, check please!
JUDY
Ella, darling, you were not born here in California. You were born in Florida. Your father was Jack Parezi.
Amanda's jaw drops.
AMANDA
Oh, my God. That can't be.
JUDY
Amanda, before you left Florida, before your father faked your death in that skiing accident, before you came to LA to start a new life at D&D, you were married to Jack Parezi.
AMANDA
I was. But I was never pregnant.
JUDY
Yes, you were. You just don't remember it. It was so tightly locked up it was hard to find in records. But my PI did a lot of digging and he found out everything.
AMANDA
I'm leaving.
Amanda gets up.
JUDY
I have the birth certificate copy here, Amanda.
Judy shows Amanda the birth certificate. Ella looks at it as well. They stare in shock.
AMANDA
Anyone can fake a certificate. Besides, it says here that Ella was born in a mental institution not a hospital. This is insane.
JUDY
Amanda, you did give birth to Ella. When you were married to Jack, he did so many mean things to you that you once were checked into a mental institution. Remember that?
Amanda gets ready to leave.
AMANDA
This is sick. It's not true.
JUDY
Amanda, your father put you in one. To save you from Jack. It's on your life records, it's where you gave birth to your daughter, not in some hospital. Don't you remember?
AMANDA
Obviously not.
JUDY
Well, my PI searched deep enough and found it. He found the record, the certificate, he even contacted the institution and some of the workers even remember you. They said you were so far ill after giving birth and giving your baby away you completely blanked out. When you recovered your father said it was just some horrible dream. That's how you forgot.
AMANDA
I knew my father, and he would have never kept that a secret.
JUDY
He kept so many from you. His whole life was full of them. Palmer Woodward risked his life to save you. He did so many things to keep you safe from Jack. To keep you and your baby safe, your father hid you in a mental institution for over nine months.
AMANDA
This really doesn't make sense. I don't recall any institutions. Well, there's that time I was locked in Willowbridge with Peter and Michael back in nineteen ninety six with Kimberly holding us captive.
Amanda laughs then looks at Judy.
JUDY
Amanda, at the start of your stay in the institution, your father explained to Jack that you were killed while skiing with him in Colorado while all that time you were safe from Jack there.
Amanda thinks to herself.
JUDY (CONT'D)
After you gave birth, he didn't want you to be burdened and wanted what was best for the child, so despite you wanting to keep it, he convinced you to give it up for adoption. Jack would have never seen to that. Ella would have grown up in a house of horror.
Ella stares in shock.
JUDY (CONT'D)
A few weeks after your baby was born a nice couple named Martin and Gina Simms adopted her in Florida and they soon moved to California. That little girl, Ella, was you. You're Ella Woodward, and the new W in WPK.
Ella shakes her head.
ELLA
This can't be happening. Amanda, is this true?
Amanda stares in shock. She shakes her head.
AMANDA
I...
ELLA
She's lying, isn't she? You must want something from me or Amanda or both of us.
JUDY
I don't want anything at all. I just thought you both had a right to know, that's all.
ELLA
I'll settle this once and for all.
Ella gets out her cell phone and dials a number.
ELLA (CONT'D)
Hi, Mom, it's Ella. Oh, nothing...Mom, I have a question to ask you. Was I adopted?
Ella stares in shock.
INT. RILEY'S APARTMENT, LIVING ROOM- NIGHT
Drew exercises on an elliptical machine. Riley walks to the door.
DREW
Where are you going?
RILEY
Out. I'll be back in a little bit.
DREW
Out where?
RILEY
Just to the mall.
DREW
Have fun.
Riley opens the door. She looks back at Drew and looks down. She shuts the door.
Drew continues to work out on the elliptical machine. Sweat pours down his face. Drew freezes, stops to pedal, gets dizzy, gets off the machine, and slouches towards the floor as he holds his heart. He reaches for his cell phone on the end table but misses as he falls to the floor.
INT. HOTEL ROOM- NIGHT
Diego walks to a bed. Lauren stands in a corner.
DIEGO
So, we gonna do this or what?
LAUREN
You are one sick pervert.
Diego laughs.
DIEGO
Thank you. Now get over to the bed.
Lauren makes her way to the bed with caution. She takes off her dress. Diego moves in closer to her. He caresses her. She sits on the bed and he sits behind her. Diego kisses Lauren on her neck as she looks down. Diego begins to take off his shirt. Lauren makes a break for the hallway.
HALLWAY
Lauren rushes to the hallway and to the elevator. She pushes the button then notices the stairs. Diego runs from the room with his switchblade.
STAIRWELL
Lauren runs to the stairwell. She rushes down flight after flight of stairs.
Diego rushes after her.
HALLWAY
Lauren exits on a floor and catches her breath. She turns her back from the stairwell. With her back turned, Diego pops up from behind and holds out his switchblade, ready to attack.
EXT. DENNY'S- NIGHT
Riley and Jonah laugh.
JONAH
See, just like the old days. And we're nothing but friends.
RILEY
Right. Friends.
JONAH
Look, do you need me to give you a ride home. I know it's a few blocks back to your apartment, but...
RILEY
No, I'm fine.
JONAH
No, really, come on. I'll give you a lift.
INT. JONAH'S CAR- NIGHT
Riley sits in the passenger seat as Jonah drives.
JONAH
So, did you tell Drew you were meeting me tonight to hang out?
RILEY
No, I didn't. I feel bad I didn't tell him, he's been very jealous the past few days with us being friends even.
JONAH
Well, to each their own, I guess.
EXT. STREET- NIGHT
Jonah drives his car down the street. In the distance police sirens WAIL.
INT. JONAH'S CAR- NIGHT
Riley panics as Jonah drives.
RILEY
What the hell is going on out there?
JONAH
Looks like a police chase.
RILEY
Jonah, be careful.
EXT. STREET- NIGHT
A car speeds right by Jonah's car.
INT. JONAH'S CAR- NIGHT
Riley panics as Jonah drives.
RILEY
Jonah! Watch out!
Riley screams.
EXT. STREET- NIGHT
A car speeds by and side swipes Jonah's car. Jonah's car tumbles over several times, then comes to a stop by the side of the street.
INT. ELLA'S APARTMENT, LIVING ROOM- NIGHT
Ella sits on her couch. A look of despair in her eyes. She looks at her phone. The clock reads "EIGHT TWENTY FIVE P.M." She sighs.
INT. MICHAEL'S HOUSE, NOAH'S BEDROOM- NIGHT
Michael looks in as Noah sleeps in his bed. He smiles then his smile turns to a frown.
MICHAEL
Good night, Noah.
KITCHEN- NIGHT
Michael calls someone on his phone.
MICHAEL (CONT'D)
Hey, David, it's me. It's Dad. I, uh...I'm sorry I wasn't there for you over the years. I'm sorry I did so many mean things to you. Truth is, I loved you. You're my son. And, David, I want to be honest with you, I believe you about you being Noah's father. Vanessa was not a good person and I know I've gotten with so many of those in my time. She was after me for my money, and you, you've stolen in life because you didn't want a father like me to provide for you. I'm sorry, David. Really, I am. That's why I'm letting you have custody of Noah. He's your son. When you get this message, please get back to me. I want to start over with you. I want to be a good grandfather to Noah. I'm sorry for all the bad things I've done in the past.
Michael hangs up the phone. He goes over to the computer and searches "DOCTOR MICHAEL MANCINI". Pages upon pages of article's of Michael's bad heart valve show up in search engine along with his arrest. Michael frowns. He sweats and tears begin to form in his eyes. He exhales. He walks over to the cabinet and opens a bottle of sleeping pills.
NOAH'S BEDROOM
Noah gets out of bed.
NOAH
Dad? Daddy?
KITCHEN- NIGHT
Noah walks into the kitchen in his pajamas. He notices Michael's body on the floor, next to him, a bottle of spilled sleeping pills, a pool of wine and a wine bottle as well.
NOAH
Dad!
Noah rushes to the phone and dials a number in shock.
NOAH (CONT'D)
Yes, it's my Dad. He's on the floor. I think he's dead.
EXT. STREET- NIGHT
David walks down a street. He goes to his phone and calls Lauren. No answer.
EXT. PUNJAB'S JEWELRY STORE- NIGHT
David approaches the front of the Jewelry store. He looks around and makes his way to the door. He uses a tool to open it.
INT. PUNJAB'S JEWELRY STORE- NIGHT
David enters the store. From the back room, FRANK (39) Persian with slick black hair enters the front of the store with a shotgun.
FRANK
Who's there?
DAVID
Damn it!
Frank draws his shotgun.
FRANK
Freeze!
DAVID
Look, I'm...I'm sorry, sir, I...I was told to rob this store, I...
FRANK
Shut up. Boy am I gonna enjoy this. Say your prayers, punk.
EXT. PUNJAB'S JEWELRY STORE- NIGHT
A gunshot goes off.
FADE TO BLACK
END OF ACT IV