43.
FADE IN:
EXT. MANHATTAN, CENTRAL PARK – MORNING
We open to a MAN, Caucasian, 30s, jogging along. He stops. He notices a hand sticking out of some bushes. He walks over. His eyes bulge.
MAN
Oh, God!
Close on: A WOMAN'S LIFELESS BODY, NAKED, with a BULLETHOLE in her head.
EXT. CENTRAL PARK, FIFTH AVE – MORNING
A crisp, sunny day. CASTLE and BECKETT emerge from their car.
CASTLE
(smiling)
Beautiful day, isn't it my love?
BECKETT
(smiling)
Castle, I know we're engaged but turn it down some. We've got a murder to solve.
CASTLE
It's a bad day for them, not us.
Beckett shoots Castle a dirty look.
ESPOSITO approaches.
ESPOSITO
Our Vic, female, Caucasian was found by a jogger in some bushes off the trail over there. She was naked, single bullet wound to the head. So far, our ME found no sign of a sexual assault.
BECKETT
Was Lanie able to get the bullet?
ESPOSITO
(presents evidence baggy)
Right here.
BECKETT
Get that to ballistics; I want to know what kind of gun was used, and I want to know if any fingerprints on the bullet are in the system.
EXT. CENTRAL PARK, RUNNERS' TRAIL – MORNING
Beckett and Castle duck under yellow police tape. They approach LANIE, still examining the body.
BECKETT
What do you got for me, Lanie?
LANIE
Our victim's body has been out here since last night. She's a blonde; I found a single brown hair on her. The kind of gun used was a .9 millimeter. I won't know more until I get Jane Doe here back to the lab.
CASTLE
(to Beckett)
Murdered and dumped naked in the park at night. But not raped. What was she doing last night that got here killed?
BECKETT
This couldn't have been a robbery. The bullet hole in her head says that someone wanted her dead.
CASTLE
Mob hit, maybe?
BECKETT
I don't know – maybe. We'll need to ID her, first.
RYAN approaches.
RYAN
I can look through missing persons to see if anyone who knows our victim comes forth. I interviewed witnesses, a homeless guy slept under a tree last night, when he saw a black SUV pull into the park. He says a white man, big, dressed in a black leather jacket got out, pulled a large black bag from the trunk, and dumped it in the bushes where our victim was found.
CASTLE
So it was a mob hit?
RYAN
Not sure, Castle.
BECKETT
Did the homeless guy get the license plate?
RYAN
Only that the plate said New Jersey.
BECKETT
You look through those missing persons files; I and Castle will check the system for all black SUVs with New Jersey plates. And then, have Esposito scout the area for witnesses who might have seen that SUV with those plates.
RYAN
Got it.
CASTLE
New Jersey? Big white man in a leather jacket? Black SUV? Are you thinking what I'm thinking?
BECKETT
I'm thinking professional hit man.
CASTLE
I love how our minds think alike.
Beckett smiles, rolls her eyes.
SMASH CUT TO:
CASTLE TITLE CARD
INT. PRECINT, BULLPEN – MORNING
The dead woman's MOTHER, 60s, is being talked to at Ryan's desk.
She is presented with a picture of the dead woman.
MRS. O'Connell
(teary eyed)
That's her. That's my baby.
(breaks down)
RYAN
(caring voice)
I know that this is very hard for you, Mrs. O'Connell, but I need to know, when was the last time you talked to Tara?
MRS. O'CONNELL
Last night. It was around seven in the evening.
RYAN
Did she sound concerned or worried about anything?
MRS. O'CONNELL
No. She was the opposite. Tara was always a positive person. Even when things were tough, like when she was going through a divorce from her husband, she would never show her feelings about it. She was just so strong of a person.
RYAN
What's the name of her ex-husband?
MRS. O'CONNELL
Derek…Derek Barnes. They got divorced last year due to his out-of-control gambling habit. He lost his job, and became more of a burden than a husband. So Tara divorced him, took their son, Connor, and moved into a two-bedroom apartment on West 12TH Street.
RYAN
You have a grandson?
INT. PRECINCT, BULLPEN – CONTINUOUS
Castle and Beckett enter. Ryan and Esposito approach.
RYAN
Our victim is 35-year-old divorcee, Tara O'Connell. Her son, 6-year-old Connor is now missing. The grandparents haven't seen him since yesterday. I just spoke to our victim's mother. We have an Adam Alert out. Her ex-husband, Derek Barnes isn't at his place on Fifth Avenue. Mrs. O'Connell said that Barnes has gambling issues.
BECKETT
His place is across the street from the park.
RYAN
Uniforms are looking for Barnes as a person of interest.
BECKETT
Espo, what did you get from Ballistics?
ESPOSITO
The bullet came from a .9 millimeter handgun, registered to…Sam Wallace. His address is 511 East 73RD Street.
BECKETT
Any fingerprints?
ESPOSITO
Only Sam's. He has a rap sheet; for B and E, Armed Robbery and Felony Assault. That was expunged. No one saw an SUV with New Jersey plates.
BECKETT
I checked the system for SUVs registered in New Jersey. And specifically, a black SUV came up, registered to one John Adams. This guy has a long criminal history dealing with drug trafficking, prostitution rings, assault, you name it. He did 15 years at Riker's. Most recently, he's being watched by authorities, who think he might now be a Loan Shark.
CASTLE
(sarcasm)
Of course he is.
BECKETT
You two, go see this Wallace character. I and Castle are headed to Mr. Adams' residence in Hoboken.
Esposito and Ryan take off. Castle shoots Beckett a look – what? Hoboken?
BECKETT
(off Castle's look)
What? Nothing wrong with a little road trip.
CASTLE
Well, I got to pee first, and then we can go.
He runs to the bathroom. She sighs and moves toward the exit.
INT. OUTSIDE SAM'S APARTMENT, HALLWAY – DAY
Esposito knocks on the door, it is already open. He and Ryan enter. The apartment is a mess. There's furniture flipped, papers on the floor, picture frames broken. Someone was looking for something.
(More)
They pull their guns out. Esposito heads to the room. Ryan looks in the kitchen. He spots a handwritten NOTE on the counter, reads it.
RYAN
Esposito – look at this.
Esposito approaches. He reads note.
Close on: It reads "Time to pay up."
They exchange looks.
ESPOSITO
Clothes are gone.
RYAN
Sam packed up and fled.
ESPOSITO
And it had something to do with this note, bro.
EXT. BECKETT'S UNMARKED, MOVING – DAY
She's on her cell while driving.
BECKETT
Okay.
(hangs up)
Sam Wallace is gone. Esposito says that he must've packed up and left. They have a warrant out for his arrest. A note was there.
CASTLE
What did it say?
BECKETT
"Time to pay up."
CASTLE
Sounds like he owed someone some money.
BECKETT
Or someone's out for revenge against him.
CASTLE
Na, I'll stick with my money theory.
BECKETT
"Time to pay up" can mean a lot of things, Castle.
CASTLE
Yes. But what if it had something to do with Sam owing a large sum to someone?
BECKETT
But what if it's not about money? It could mean that this Sam guy ticked someone off…
CASTLE
…Enough to kill Tara.
BECKETT
The son is missing, and so are both Derek Barnes and Sam Wallace.
CASTLE
Barnes has gambling problems, right? Sam's left a note about it being time to pay up. Barnes and Tara's son is missing.
BECKET
And Tara's apartment turned up nothing.
Silence. Just then, a light bulb goes off in both their heads at the same time.
BECKETT
Are you thinking what I'm thinking, Castle?
CASTLE
This Adams we're going to see could be the one that is owed money, possibly by both Barnes and Wallace.
They pass under a sign that says "Welcome to New Jersey."
EXT. JOHN ADAMS' RESIDENCE – DAY
Beckett and Castle stand in front of the door. Castle admires the red bricked house's beauty.
CASTLE
Cozy little home, isn't it?
BECKETT
Yeah, if it weren't for the felon staying here, it'd be quite cozy.
Beckett rings the doorbell.
An OLDER GENTLEMAN, 60s, opens the door.
Beckett presents her badge.
BECKETT
I'm Detective Kate Beckett with the NYPD, and this is Rick Castle. He's assisting me.
ADAMS
I'm John Adams. What is this about?
BECKETT
I'm here because I have questions about your black SUV that was spotted in New York. It's linked to a murder investigation. May we come in?
ADAMS
(hesitates a beat)
Yes. Please come in.
INT. ADAMS' HOUSE, LIVINGROOM – DAY
Beckett and Castle sit across from Adams; they on the couch, he in his recliner.
ADAMS
I didn't take any trip to New York recently. My son, Calvin, had it. Maybe he took off to New York. He likes to do stuff like that.
BECKETT
Where is your son, Calvin?
ADAMS
At work; he's a Nurse's Assistant over at the VA Medical Center.
CASTLE
And, just to clarify Mr. Adams, you don't know Sam Wallace or Derek Barnes?
ADAMS
Never heard of them.
BECKETT
Thank you for your time, Mr. Adams.
Castle and Beckett head for the door.
ADAMS
Take care now.
EXT. INFRONT, BY CAR – DAY
Castle and Beckett are about to get into the car.
CASTLE
So, off to the VA hospital, I guess.
BECKETT
He was lying through his teeth.
CASTLE
Do tell…
BECKETT
When I asked could we come in, he hesitated. I saw the look in his eyes when I said I was from the NYPD.
CASTLE
Maybe he was a little surprised. This is New Jersey.
BECKETT
No, it wasn't that, Castle. He's aware of what happened to Tara O'Connell, and her missing son, Connor. Let's see if we get somewhere with Calvin. Right now, he has the SUV.
CASTLE
And plus, I got to pee again.
They get into the car.
EXT. VA MEDICAL CENTER – DAY
We see a big grey concrete building with numerous windows.
INT. VA MEDICAL CENTER, STAFF BREAKROOM – DAY
Beckett and Castle sit at the round table across from CALVIN, a large bald man, Mr. Adams' 34-year-old son.
CALVIN
Yeah, I had the SUV last night. What about it?
BECKETT
A woman was murdered and dumped naked in Central Park.
CASTLE
And you had the same black SUV with New Jersey plates seen by a homeless man last night.
BECKETT
And a big man wearing a black leather jacket was seen dumping a black body bag in the bushes where we found our female victim.
CALVIN
(getting frustrated)
So what! Are you saying that I had something to do with that murder?
BECKETT
Yes, Calvin, and we saw the SUV outside in the parking lot. The plates are from New Jersey.
CALVIN
(frustrated)
I'm not the only guy in Jersey with a black SUV, you know?
CASTLE
But yours was the one seen at the crime scene.
CALVIN
(angrily slams fists on table, stands up)
That doesn't mean anything!
Castle scoots back in chair. Beckett stands up.
BECKETT
Calm down now, Calvin. Have a seat.
(makes serious eye contact)
They're just routine investigation questions.
CALVIN
(pauses a beat)
Whatever – I got to get back to work.
He exits. Beckett looks at Castle. She picks up her cell.
BECKETT
(in cell phone)
It's Beckett, Esposito. I need you to do a background check on Calvin Adams.
EXT. UNMARKED, MOVING – DAY
Beckett and Castle are leaving New Jersey. Beckett's cell rings.
She answers.
BECKETT
(in cell)
Beckett. What? Are you sure? Okay. Thanks, Esposito.
(hangs up)
CASTLE
What is it?
BECKETT
Esposito says that Calvin Adams died ten years ago from a drug overdose.
CASTLE
Then who did we just talk to?
BECKETT
I don't know. But we're going back to see Old Man Adams.
EXT. JOHN ADAMS' HOME – DAY
Beckett and Castle are at the front door again. Beckett rings doorbell, and then knocks 3 times.
No one answers.
CASTLE
Maybe the fake son left work early, and got his fake father and left already.
BECKETT
He couldn't have came back and done all of that that fast.
She pulls out her gun and kicks in the door. She heads inside.
Castle hears the revving up of an engine from the garage.
CASTLE
Kate – the garage!
The black SUV explodes through the garage door.
The vehicle, Calvin driving, John passenger, turns right and speeds off with screeching tires.
(More)
Beckett emerges in time to see the back of the SUV speeding down the street. Looks at Castle.
CASTLE
I hope they have home insurance to fix that garage door.
They are speechless at what just happen.
INT. MORGUE, COLD STORAGE – DAY
The next day, back in New York, Beckett and Castle are presented with new info on the victim's body by Lanie.
A drawer from the wall is pulled out, revealing the female victim's corpse.
LANIE
If you look at the neck, you can see where our victim was choked. Those hand imprints are no joke. Before being shot to death in her head, she was being choked by a rather large man. In fact, he broke her neck.
CASTLE
Ouch.
BECKETT
Then why shoot her in the head?
LANIE
To make a point.
CASTLE
Calvin Adams, the man we interviewed yesterday, was a rather large man. I mean, he was downright frightening after he got angry.
BECKETT
No doubt he's the kind of guy who could snap someone in half. What about that single brown hair found on our Vic?
LANIE
Over here.
(now at her computer)
This is the man it came from.
Close on: Computer screen shows mug shot of Sam Wallace; think rough version of Hugh Jackman, with brown hair.
Both Beckett and Castle peer at the screen.
BECKETT
We're still looking for him.
CASTLE
Why was his hair found on our victim?
Beckett's cell rings. She answers.
BECKETT
(in cell)
Beckett. Okay. I'll be right up.
(hangs up)
It's the Captain. She wants me in her office.
She and Castle exit.
Close on: Sam Wallace's mug shot.
INT. CAPTAIN GATES' OFFICE – DAY
We enter mid-conversation.
CAPT. GATES
So John Adams and this strange man, pretending to be his dead son, are nowhere to be found?
CASTLE
They're somewhere, we just haven't found 'where' yet.
Captain Gates shoots Castle a dirty look. He says nothing else.
BECKETT
We have reason to believe that our victim may have had contact with Sam Wallace before she was killed.
CAPT. GATES
Then we need to find this Wallace character. Police are all over the Tri-State area searching for these people who've seemed to have disappeared from the face of the Earth.
(sees Castle about to say something)
You say nothing right now.
Castle puts his finger down.
CAPT. GATES (CONT'D)
I want these people found. And I want this case closed. Do you get me, Detective?
BECKETT
Yes, sir.
INT. PRECINCT, BULLPEN – DAY
Castle and Beckett approach Ryan and Esposito.
BECKETT
Any new leads?
ESPOSITO
Nothing yet.
Ryan's cell rings. He answers.
RYAN
(into cell)
Ryan here. Okay. Good. We'll be right there.
(hangs up)
Derek Barnes' credit card was just used at the Hot Box Coffee Shop on West 8TH by a guy matching Sam Wallace's description.
BECKETT
Let's go.
They proceed to exit.
INT. HOT BOX CAFÉ, SURVEILLANCE ROOM – DAY
We enter mid-chat, between the two detectives, Castle and the MANAGER. They are viewing VIDEO of Wallace in line purchasing coffee.
MANAGER
All he wanted was some coffee. I saw his face, and thought he looked familiar. And then I realized that he's the man you all are looking for from the news. He seemed kind of jumpy. After he got his cup of Joe, he couldn't leave fast enough.
BECKETT
Stop the video.
Video freezes.
Close on: a small boy is with him as he leaves the café.
The others see it too.
CASTLE
That's Connor.
RYAN
But where's Barnes?
Esposito enters the room.
ESPOSITO
Guys, witnesses say they saw Wallace and the boy hop into an unmarked van, with Barnes as the driver. The van was last seen heading South on Main Street.
EXT. OUTSIDE OLD BROWN STONE – DAY
UNIFORMS, Beckett, Castle, Ryan and Esposito are out in front of a town house.
The unmarked van is sitting out in front. It's empty, Wallace, the boy and Barnes are inside the building.
INT. INSIDE BROWN STONE – DAY
Beckett takes lead as the police and detectives bust through the door with their guns drawn.
They search around upstairs and down. Upstairs, they find only WALLACE, with his hands in the air.
SAM
(surrendering)
Don't shoot.
Esposito approaches. Then he cuffs him.
BECKETT
Where areBarnes and Connor?
Wallace looks her in the eye, but says nothing. He is then escorted away by Ryan and Esposito.
Castle looks at Beckett. Off Beckett,
CUT TO:
INT. PRECINCT, INTERROGATION – DAY
Castle and Beckett sit across from Wallace, playing with his fingers.
BECKETT
You can make this a lot easier on yourself, Sam; just tell us where they are.
SAM
I don't know.
BECKETT
Don't play that game with me. Your fingerprints are on the bullet found in our dead victim's skull; from a gun that belonged to you. You know where they are. What are you all running from anyway?
CASTLE
…Maybe from John Adams and his giant son, Calvin.
SAM
(scoffs, slight smile)
I'm not scared of any Old Man John.
BECKETT
What about Calvin?
Wallace is silent.
CASTLE
He is a scary man.
SAM
Listen, that big monster is a cold-blooded killer.
BECKETT
Oh yeah?
SAM
Oh hell yeah. And his name isn't Calvin; it's Paul Dunkirk – an ex-con I did time with years back, around the time John's real son died of that overdose. John, being a veteran criminal, took Paul in once he got out. Ever since, Paul's been using Calvin's name and identity. That's how Paul was able to get a training certificate and get a job at the VA in Jersey.
CASTLE
A new start.
BECKETT
And Calvin had no criminal record; just a habit that ultimately killed him.
SAM
Exactly; Paul also moonlights as John's muscle for the Loan Shark business. Two guys who owed John money ended up with both of their legs broken.
BECKETT
Do you and Derek owe any money?
SAM
As you probably know, Derek has a gambling problem.
CASTLE
Yeah, his ex-mother-in-law was interviewed.
SAM
He had no money, and wanted to place a large bet on a basketball game. He wanted me to go in with him to meet John.
BECKETT
You and he asked John for the money to place a bet.
CASTLE
How much money?
SAM
$50,000.
CASTLE
Wow.
SAM
He and John had a verbal agreement that they shook on. John gave Derek the money in cash, in a duffle bag.
BECKETT
What happen next?
SAM
Derek loses the bet. A couple of days later, "Calvin" shows up to my apartment looking for him. He roughed me up pretty good. I told him where he was. When he left, I called Derek. And I told him to run 'cause big foot was on his way. Ever since then, we've been hiding out.
BECKETT
If you tell us where they are, we can protect him and his son, Connor.
SAM
They're in a motel out in Queens. Some place called the Moonlight Inn. They bolted right before you guys showed up.
Beckett heads toward the door, but Castle is still sitting.
CASTLE
By the way, were you and Derek's ex-wife…?
Beckett stops.
SAM
…We did it right before she was killed. Please don't tell Derek. We've been best buds for a long time.
Castle rises and moves to the door.
CASTLE
(to Wallace)
I hardly think that matters. You know, because she's dead and all.
Beckett opens the door and pulls Castle out with her by his arm.
INT. MOONLIGHT MOTEL, RM 108 – DAY
Police open the door and enter the room to find a dead and bloody Derek on the bed. His son gone.
Ryan, with a handkerchief, picks up the murder weapon beside the body.
Close on: a large hunting knife covered in Derek's blood.
END ACT ONE
ACT TWO
INT. MORGUE, COLD STORAGE – DAY
Derek Barnes' body is sprawled across the examination table.
Lanie tells Castle and Beckett about the wounds.
LANIE
He was held down as he was being stabbed to death. The knife punctured one lung and his heart; he was gone after that. Look here.
(she points to handprint on neck)
Castle and Beckett lean in.
Close on: handprint around neck.
CASTLE
Not again.
LANIE (CONT'D)
Yep. Our Vic was also being choked while being stabbed. Our killer must've been wearing gloves 'cause I got no prints on the knife either.
BECKETT
The father's dead, and his son is now being held captive by John and Calvin.
CASTLE
If they can't have their money back…
BECKETT
(to Castle)
…Then they'll just take Connor as their consolation prize.
INT. CAPTAIN GATES' OFFICE – DAY
We enter mid-conversation.
CAPT. GATES
Damn! This case just gets more complex by the minute. We have a child with no parents now, and two crooks that have that boy in their clutches. And still, search teams haven't turned up anything.
Ryan enters the room.
(More)
RYAN
We have a new lead: Calvin Adams and Connor O'Connell were just seen on the Upper Eastside five minutes ago. Uniforms are already searching that area, and Esposito is with them questioning the witnesses.
CAPT. GATES
Beckett, you and Detective Ryan go and help cover the area. I want that entire area blocked off, no one leaves, and no one enters, and talk to everyone there. I want those sons-of-bitches in custody – now go.
BECKETT
Yes, sir.
RYAN
Yes, sir.
EXT. HUDSON RIVER – DAY
An overhead view of the Statue of Liberty.
INT. NAMELESS COFFEE SHOP – DAY
Castle is having coffee with ALEXIS, who is still upset over her break up with Pi.
CASTLE
Look, sweetheart, there's plenty of other fish in the sea.
ALEXIS
I know, dad, but I really did like Pi.
CASTLE
(jokingly)
Yeah, who doesn't like pie, right?
(off Alexis' look)
Okay. I thought that joke would cheer you up.
(stares in her eyes)
I don't like it when you're upset.
ALEXIS
I have been pretty down in the dumps lately, haven't I?
Castle thinks a beat.
CASTLE
Well…
(off Alexis' face)
…Okay, so you've been sad. It's normal following a break up.
ALEXIS
I thought that we really clicked. I hoped it would work out, and now…
CASTLE
I know, sweetheart, I know.
(looks in her eyes)
Pi is the one missing out. You are beautiful, smart – any guy would be lucky to have you, baby girl.
ALEXIS
(smiles)
Thanks, dad, I feel a little better.
CASTLE
Well, good, and so do I. How about this week, Beckett and I take you out for dinner?
ALEXIS
How about that Indian place?
CASTLE
Great – it's a date.
Alexis hugs her father.
Alexis takes a bite of her blueberry muffin. Castle looks out the window, where he sees Calvin walking past with CONNOR, hurriedly.
Castle immediately pulls his cell phone out and calls Beckett.
CASTLE
(in cell)
Beckett, they're here on the Lower Eastside. Calvin Adams and Connor; I just saw them – hurry!
Off Alexis' worried face,
CUT TO:
EXT. NAMELESS COFFEE SHOP, OUTSIDE – CONTINUOUS
In front of the coffee shop, police are everywhere. Castle, next to Alexis, talks to Beckett, Esposito and Ryan.
BECKETT
You sure you saw them?
CASTLE
They were walking down the street towards Broadway.
ESPOSITO
I and Ryan will head down that way.
RYAN
We got guys already canvasing the area.
BECKETT
Get to it, we've got things here.
Ryan and Esposito leave.
Alexis gets a text from Pi.
ALEXIS
I got to go, dad.
(kisses Castle)
Bye, Kate.
(smiles)
She turns and walks away.
CASTLE
(smiles)
Bye, kiddo.
BECKETT
See you, Alexis.
(to Castle)
Father and daughter date?
CASTLE
Yeah. We were just talking. You and I are taking her out to that Indian place this week.
BECKETT
That's great, Castle.
CASTLE
Good – I kind of feel like Curry.
Uniform approaches.
BECKETT
(to officer)
What is it?
UNIFORM
Adams has the kid with him in an abandoned warehouse on Broadway. The place is surrounded, and he's threatening to kill the kid in exchange for us letting him leave.
BECKETT
Damn it!
CASTLE
(to Beckett)
This case just became a hostage negotiation.
They and the Uniform take off on foot.
END ACT TWO
ACT THREE
EXT. BROADWAY AVE – DAY
Intercut between inside warehouse where Calvin is holding CONNOR hostage by gunpoint and on the street where SWAT, Uniforms and Beckett are.
BECKETT
(to Hostage Negotiator)
He's not budging?
HOSTAGE NEGOTIATOR
No. All he wants is to get away.
INSIDE WAREHOUSE
Connor is on the floor, tied up and gagged.
Calvin is peeking through the window with his Berretta ready.
OUTSIDE BUILDING
BECKETT (Bullhorn)
Calvin, come out with your hands up. The building is surrounded, and there's no way out.
INSIDE WAREHOUSE
CALVIN
If I don't make it out of here, neither does the kid!
OUTSIDE BUILDING
BECKETT (Bullhorn)
There's no need to hurt anybody, Paul.
INSIDE WAREHOUSE
Calvin is shocked that they know his real name.
He looks at Connor, scared and crying.
CALVIN
I want full immunity – for me! I'll give you John Adams…the man you all want!
OUTSIDE BUILDING
Beckett looks to Castle.
He nods – go ahead, say "yes."
BECKETT (Bullhorn)
Fine, Calvin, you can go. Just give us Adams and Connor.
INSIDE WAREHOUSE
Esposito, Ryan and SWAT members kick in the door where Calvin and Connor are. There's only Connor. No sign of Calvin.
EXT. BEHIND WAREHOUSE – CONTINUOUS
Beckett, Castle and SWAT members find a beaten and bloody John Adams, hanging from a fence by his own belt. A note from Calvin is handed to Beckett, who reads it. It says: "You won't take me alive."
INT. NYC HOSPITAL, RM 304 – DAY
Castle and Beckett talk to John Adams, as he lay in his hospital bed.
JOHN ADAMS
And that's why she's dead. If they didn't pay up, someone close to them was going to bite it. I warned them both. We shook on it.
BECKETT
And you chose Tara O'Connell to send a message.
CASTLE
But she and Derek were divorced.
JOHN ADAMS
It didn't matter. I knew that Sam was screwing her.
BECKETT
(putting it all together)
You knew that he cared about her, and that he wouldn't want anything to happen to Tara.
CASTLE
And there was no way that Sam would let Derek not pay you back.
JOHN ADAMS
(smiling)
Wow, you two are smart.
CASTLE
And you had Calvin kill Tara.
JOHN ADAMS
That fat bastard was like a son to me!
CASTLE
The one you lost and, whose identity you gave to Paul.
JOHN ADAMS
Yeah. And then he betrayed me, like I was nothing; such a scumbag.
CASTLE
Once a crook, always a crook.
JOHN ADAMS
(looks sad, knowing what's about to happen next)
I know.
BECKETT
John Adams, you are under arrest for your involvement in the murders of Tara O'Connell and Derek Barnes, and the kidnapping of Connor O'Connell.
(Uniform enters room)
You have the right to remain silent…
CUT TO:
INT. PRECINCT, BULLPEN – DAY
The Detectives and Castle release the boy, Connor, into the custody of his grandparents, Mr. and Mrs. O'Connell. Connor runs into the embrace of his grandmother, hugging him tightly.
Mr. O'Connell looks at Beckett and her team.
He nods – thank you. They nod back – you're welcome.
The O'Connell's and Connor exit.
INT. PRECINCT, BULLPEN – CONTINUOUS
Team is already into a conversation about the case, in particular, the note found on John Adams' person from Calvin:
"You won't take me alive."
Castle notices something about the folded up letter.
He unfolds it, and sees the reversal side.
CASTLE
Guys, this is a letter to Paul (Calvin) from his sister in Queens. This is her address.
Beckett takes it from Castle.
BECKETT
Her name…Tamela Meyers - Ryan, run her name and get some info on her.
RYAN
I'm on it.
(gets to it)
BECKETT (CONT'D)
Esposito, you're with me. We and a team will head over to Queens. Calvin has got to be there.
Beckett, Esposito and Castle exit.
END ACT THREE
ACT FOUR
EXT. UNMARKED, PARKED – DAY
On a residential street Beckett and others sit and watch Calvin's sister's house.
Tamela's husband, MARK MEYERS, enters house.
BECKETT
That's her husband.
CASTLE
It's been an hour, and no sign of Calvin.
BECKETT
I guess we'll be here a while, Castle.
CASTLE
Thank goodness we're engaged.
(off Beckett's look)
You know…because we're sitting here together.
BECKETT
I got it, Castle.
EXT. UNMARKED, PARKED – CONTINUOUS
Four hours later…and still no Calvin Adams.
Beckett, Castle, Ryan and Esposito are impatient.
Castle is asleep next to Beckett, snoring, which is annoying her.
BECKETT
(nudging Castle)
Wake up.
CASTLE
I'm up, I'm up.
BECKETT
It's time we ask Mr. and Mrs. Meyers some questions.
Moments later, Beckett and Castle are at the front door.
Beckett rings the doorbell.
TAMELA MEYERS answers the door.
TAMELA
Hi, can I help you?
CUT TO:
INT. MEYERS' HOME, LIVINGROOM – DAY
We enter mid-conversation.
TAMELA
I thought I'd never have to hear anything about Paul. Honestly, I can live without him; he was such a screw up. No one in our family really wanted him around because he'd still from them. He had no shame. We were all happy when he went to jail.
BECKETT
Mrs. Meyers, you wrote a letter to him, dated 3 months ago. We have it as evidence; it has this address on it.
TAMELA
(denial)
What? No way; I wouldn't send him a letter. I don't want him in our lives. I and my husband are trying to raise two young kids.
CASTLE
You wouldn't want him around, but if he just happened to show up after committing a crime, you'd give him enough cash to leave town.
(looks her in the eye)
Wouldn't you, Mrs. Meyers?
She looks down in shame.
She says nothing. Her silence gives her away.
BECKETT
He came here, didn't he?
MARK
(getting defensive)
She doesn't have to answer that.
(toTamela)
You don't have to answer any more questions, honey.
BECKETT
Well, maybe we can get a warrant to search the place, and arrest you both for giving us false information.
MARK
I'm a criminal defense attorney!
BECKETT
Good –you both are going to need a lawyer.
Beckett and Castle get up.
TAMELA
Wait! Paul just left – two hours ago.
CASTLE
How? We were out in front watching your house for five hours.
TAMELA
He came and went through the back. He had said that the cops could be watching us.
BECKETT
Why'd he come here, Tamela?
TAMELA
He needed money, for the bus to Canada and to get through the first week out there.
(off Beckett's look)
Are you going to arrest us for lying?
Beckett stops a beat.
BECKETT
No. No I won't.
Her and Mark breathe a sigh of relief.
BECKETT (CONT'D)
Just tell me which bus station he went to, and where in Canada is he going?
TAMELA
Okay.
(hugging Mark)
CUT TO:
INT. BUS STATION, LOBBY – DAY
Esposito, Ryan, Castle and Beckett enter.
Beckett spots Calvin.
BECKETT
There he is!
Calvin runs out back.
Beckett and Castle run after.
Ryan and Esposito run out the front.
Calvin runs down the alley.
He draws his gun, and fires at Beckett and Castle.
They leap behind a dumpster. Beckett returns fire.
Calvin turns into another alley way.
Beckett and Castle, along with Ryan and Esposito, reach that alley.
But Calvin has seemingly vanished.
There's no exit; it's a dead end.
CASTLE
Where'd he go? There's no way out.
Off Beckett, Esposito and Ryan.
END ACT FOUR
ACT FIVE
INT. CAPTAIN GATES' OFFICE – MORNING
We enter in, where Mr. and Mrs. Meyers are.
Beckett enters.
BECKETT
You wanted me, sir?
CAPT. GATES
Yes, I did, come in.
Beckett sees Mr. and Mrs. Meyers.
BECKETT
Mr. and Mrs. Meyers?
CAPT. GATES
They have something to tell you, detective.
TAMELA
We didn't exactly tell you everything.
BECKETT
Oh?
TAMELA (CONT'D)
Paul was headed up to Canada to see our father. But when you guys chased him out of the bus station, he came back.
BECKETT
And what did he want?
MARK
He told us to call him if the cops questioned us again.
TAMELA
He told us that he was headed over to an old friend's place in Brooklyn.
BECKETT
What's this friend's name?
TAMELA
Tim Walker – he and Paul did time together – they go way back.
CUT TO:
INT. PRECINCT, INTERROGATION – MORNING
TIM WALKER sits across from Beckett.
TIM
I don't even know why you brought me in, hot stuff. I haven't seen Paul in a few years.
BECKETT
That's a lie, Tim, and you know it. We have phone records to prove otherwise.
TIM
Oh, really?
BECKETT
Oh, yeah.
(beat)
He called you last night around 11, and wanted you to come pick him up; give him a place to hide out. And who better to call then an old pal and prison buddy?
TIM
What? Come on, detective.
(off Beckett's look)
All right, so he called me up last night. Big deal. I knew he was on the run, and since I'm on parole, I said no to him staying with me.
BECKETT
And then what?
TIM (CONT'D)
He hung up on me.
BECKETT
That's it?
TIM
That's it.
Beckett exits.
TIM
Can I go now?
INT. PRECINCT, BULLPEN – DAY
Beckett is headed to her desk when…
ESPOSITO
I got more on Calvin.
BECKETT
Shoot.
ESPOSITO (CONT'D)
Calvin's real father, Rick Dunkirk, lives on 49TH, and Calvin was just spotted there two hours ago.
BECKETT
Let's go, you and I will check it out.
They grab their jackets and head out.
INT. CASTLE LOFT, KITCHEN – DAY
Castle and his mother, MARTHA, are having lunch.
MARTHA
She'll get over it. It takes time.
CASTLE
Yeah, yeah – I don't like seeing Alexis so upset.
MARTHA
I remember when you were dumped, and you would mope and you were so upset. I had to talk you into getting back out there.
CASTLE
I remember – especially how'd we drink and drink –
MARTHA
Well, alcohol is the best medicine.
CASTLE
Mother, I believe that's "laughter."
MARTHA
I guess that they're both very helpful in break-ups.
Castle's cell rings: "Disco" theme.
He picks up.
CASTLE
(into cell)
Hello?
BECKETT
It's me, Castle.
CASTLE
Hey, anything new on the case?
BECKETT
I and Esposito are on our way to interrogate Calvin's real father on 49TH. How's Alexis doing?
CASTLE
Fine, I guess. She's out volunteering – wait! – Calvin's real father? I'll meet you there, hold on.
BECKETT
Castle –
(Castle hangs up)
Castle gets his jacket on.
MARTHA
You're leaving? But we're in the middle of lunch.
CASTLE
Sorry, mother, I got to go.
(kisses Martha)
Beckett's going to interrogate someone else in the case.
He bolts out the door.
INT. LIBRARY, READING EVENT – DAY
Event to have volunteers read to kids.
Alexis, one of the volunteers, is reading to a group of six and five-year-olds.
ALEXIS
And the boy said…
Unknowingly at the same event is, Calvin, looking suspicious.
He takes a seat over by the computers, looking around.
CUT TO:
INT. RICK DUNKIRK'S APARTMENT – DAY
Esposito and Beckett enter in. The place is a mess.
They draw their guns. Beckett finds RICK DUNKIRK'S BODY on the floor, lying in a PUDDLE of BLOOD.
Esposito calls for an ambulance.
Beckett checks the pulse – no pulse.
Off Beckett, then Dunkirk's body,
INT. RICK DUNKIRK'S APARTMENT – CONTINUOUS
The place is now a crime scene filled with cops.
Beckett, Castle and Esposito are talking.
ESPOSITO
The neighbors heard the gun shots, and one of them saw Calvin Adams running down the hall.
BECKETT
Tamela had mentioned that she and Calvin didn't have a good relationship with their father.
CASTLE
And now, the father's dead.
(beat, stares at body)
This Calvin, or Paul Dunkirk, is just racking up kills.
BECKETT
All the more reason we need him off the streets.
Ryan approaches.
RYAN
No one on the street saw Calvin Adams on the street.
CASTLE
Where could he go from here?
RYAN
He could've gone anywhere, Castle.
CASTLE (CONT'D)
Yes, but if he was trying to leave town…
BECKETT
…He'd be looking for transportation of some sort.
ESPOSITO
And he'd want to flee underground, undetected, and away from being spotted on the surface.
RYAN
(putting it together)
The subway – he'll use it to get far enough away from here…
BECKETT
And possibly look for another way out of town.
CASTLE
Perhaps he'd want another bus station to take him to Canada.
ESPOSITO
The best one would be uptown, George Washington Bridge Station – a lot of Canadians enter the city using that bus station.
RYAN
Then we should head there.
CASTLE
But what if he's not there, yet? The murder happened only an hour ago – he couldn't have gotten up there that fast.
BECKETT
Unless he caught the F-train.
RYAN
I'll put some Uniforms on it.
BECKETT
Esposito, you're with me. We're headed to that bus station.
INT. GEORGE WASHINGTON BRIDGE STATION – DAY
Beckett and Castle have just searched in and around the bus station. Esposito approaches, hanging up his cell.
ESPOSITO
Ryan says that no one saw our guy on the F-train.
CASTLE
Then where could he be? He has no one else to go to…
BECKETT
We're watching all of his known friends, family and associates; unless he's hiding out amongst the homeless.
ESPOSITO
This guy's a crook and a murderer, but I doubt he'll do that.
CASTLE
Then he's desperate now…
BECKETT
…And a desperate criminal who'd do just about anything to keep from going back to the cage. Right now, he should be gearing up to do something very bad.
CASTLE
I don't like the sound of that.
INT. LIBRARY, READING EVENT – CONTINUOUS
Alexis is finishing up reading to the kids.
She walks over to the fountain for a drink.
Calvin gets up and pulls out a gun.
CALVIN
Everybody get down on the ground – now!
(pops off two shots)
Everyone panics and do what he says.
Alexis turns and is terrified.
Calvin approaches her and throws her to the floor.
CALVIN
I said get down, bitch!
(shoots security guard)
I said get down! All of you!
The library patrons and staff are down, scared and crying.
Close on: Alexis' face – terrified.
EXT. UNMARKED, MOVING – DAY
Beckett and Castle are on Fifth.
BECKETT
(in to cell)
What? We're on our way.
(hangs up)
CASTLE
What is it?
BECKETT
Calvin Adams is holding hostages at the library on 10TH.
CASTLE
That's where Alexis is, the reading event is today – she's reading to children.
Off Beckett, then Castle – worried.
END ACT FIVE
ACT SIX
EXT. 10TH STREET, LIBRARY – DAY
Cops, SWAT, Esposito and Ryan are on the scene.
Spectators and NEWS CREWS are there, watching behind yellow tape. Enter Beckett and Castle from the car.
BECKETT
How many hostages?
ESPOSITO
He's got about fifty people on the 3RD floor.
RYAN
We got SWAT on the second floor; we're waiting for an opening.
CASTLE
Alexis is up there. That Reading Event is today.
RYAN
Sorry, Castle.
ESPOSITO
We'll do everything possible to get her out – don't worry.
Castle's face says "very worried".
INT. LIBRARY, 3RD FLOOR – DAY
Calvin is walking back and forth, holding his gun, looking around.
Alexis is on the floor, trying to calm the CRYING WOMAN next to her.
WOMAN
(sobbing)
Please don't hurt me.
CALVIN
Shut up! Shut her up now!
ALEXIS
(to scared woman)
Shhh – you've got to be quiet. It's okay. Everything will be all right.
The woman begins to calm down.
CALVIN
Nice one, red, I might kill you last.
Alexis' face – what?
Calvin walks away.
EXT. OUTSIDE LIBRARY – DAY
Beckett, Esposito, Ryan and SWAT are suited up with bullet-proof VESTS. They are walking away when…
CASTLE
Hey, I'm coming with you.
(wearing his "Writer" vest)
BECKETT
I'm sorry, Castle, but it's too dangerous. You can wait here.
CASTLE
There's no way in hell that I'm going to stay out here while my daughter is up there with that maniac.
BECKETT
That's exactly why I don't want you up there with us. Calvin Adams is extremely dangerous and unpredictable.
(to Uniform)
Do not let him pass you; keep him back.
CASTLE
Kate! I have to go with you.
(Uniform is holding him)
Beckett and SWAT enter the building.
Castle looks on feeling powerless.
INT. LIBRARY, 3RD FLOOR – DAY
Calvin, with his gun in hand, is on an angry rant while the hostages, including Alexis, look on terrified.
CALVIN
And did anyone even come and visit me? No! They just left me there to rot.
(beat)
Everyday somebody was getting shanked or raped. Prison is a living hell. And the guards – those damn guards – could care less. They would see all of this mess going on and they did nothing.
OUTSIDE LIBRARY
Castle, worried, looks on.
INSIDE LIBRARY, 3RD FLOOR
While Calvin continues his rant, Beckett, Ryan and some SWAT guys are behind a wall. Beckett goes behind a book shelf.
She signals to Esposito, Ryan and SWAT – move in.
They move in with their guns.
ESPOSITO
NYPD – don't move!
Screams are heard.
Calvin quickly grabs Alexis and points his gun at her head.
She is frightened.
RYAN
Let her go, Adams. We've got you cornered.
CALVIN
Don't come any closer!
RYAN (CONT'D)
Just put the gun down and let the girl go. She's innocent.
(off SWAT and their weapons)
CALVIN
You damn cops. I wish that I could kill you all.
ESPOSITO
You don't want to do that.
Calvin flashes a devilish smile at the police.
Calvin and Esposito make eye contact.
CALVIN
She's dead.
(metallic click)
From behind, Beckett pops two bullets into Calvin's back.
He releases Alexis, who runs into Ryan's arms.
Beckett shoots Calvin again, three times, he falls dead.
Standing over Calvin's body, Beckett and Esposito trade looks.
Off Calvin's body,
OUTSIDE LIBRARY
Castle hugs Alexis tightly, relieved. They're glad to see each other.
INT. PRECINCT, BULLPEN – DAY
CAPT. GATES
Good work, you all. We finally got our killer.
BECKETT
Thank you, sir.
Captain Gates walks away.
Esposito and Ryan sit at their desks.
Castle and Beckett are talking by hers.
CASTLE
Alexis is out in the car. It'll be some time but she'll get over what happen today.
BECKETT
Good – she's a strong girl.
Beat.
CASTLE
We are going to her out to her favorite Indian restaurant.
BECKETT
Good – that'll cheer her up some. And I like Indian food.
CASTLE
Great – we can leave now.
Beckett grabs her jacket.
CASTLE
(walking with Beckett)
I hope this day has made her forget all about Pi.
BECKETT
Hold your horses, Castle, that'll take a while.
INT. INDIAN RESTAURANT – NIGHT
Beckett, Castle and Alexis are seated.
BECKETT
How are you doing, Alexis?
ALEXIS
I feel a little better. I'm just glad you guys showed up when you did.
BECKETT
So am I.
CASTLE
Yeah. So let's see what's on the menu.
ALEXIS
Dad, you know you want to order the curry soup.
BECKETT
Really? That's what I want, too.
CASTLE
Hmm, we're going to be a great married couple.
(smiling)
ALEXIS
FYI, he always gets gas from that stuff.
BECKETT
Gross. Roll down the windows when we leave.
CASTLE
(sarcastically)
Thank you, sweetheart.
ALEXIS
She should know.
They all laugh.
OUTSIDE RESTAURANT
From a MYSTERIOUS BLACK SUV across the street, a BLACK CAMERA takes multiple pictures of Castle, Beckett and Alexis.
The engine starts, and the SUV drives away.
Close on: The three behind restaurant window talking.
FADE OUT.
