Ok, I decided it would be cool to make Avatar Bloopers.
These are a behind the scenes of the making of Avatar--not literaly.
The Director of Avatar gulped down his coffee before glancing around and realizing that his cast was gone!
With a tired sigh, the Director got up from his chair and made his way to the stars trailers.
The first one was Sokka's.
"On set in ten!" the Director yelled through the door. When no reply came, the Director curiously opened the door and looked inside.
Picture this: its a dark room, the only light is coming from the TV. In a big reclining chair is Sokka, there is a plate of donuts on his lap and his eyes might as well be physically glued to the screen. At his feet is the bald monk himself, Aang.
(A/N: This is part is from Fairly Odd Parents, I thought it'd be funny to have these characters do it.) "Welcome back to the Kissy-Kissy-Goo-Goo Channel, and I have breaking news. Rodrick asked for a raise and was kicked off the show--I mean--fell down an elevator shaft and broke his neck!"
With so much emotion its girly, Sokka and Aang both reach an arm out towards the TV screaming, "RODRICK, NO!"
Practically scared for his life, the Director shuts the door and shudders before moving on to Zuko's trailer.
There's a little more light in the room than there was in Sokka's, but the TV is still on, the only difference is that Zuko's sitting in a little foot stool and he's watching Mr. Rogers.
"It's o-kay to feal sad." The TV Mr. Rogers says as he moves a pink bunny puppet on his hand.
Zuko suddenly bursts into tears with his head in his hands. He only looks up to respond to what the TV has said, "You're so right!!!"
Once again, thd Director closes the door to leave his actors to their busisness.
"We may need more than ten minutes."
As the Director approaches Katara's trailer, he feels a little nervous, scared about what he might find. Meekly, he knocks, "On set in ten." he mummbles. When Katara doesn't answer, the Director opens the door just a crack.
There's a giant mirror covering one side of the wall and all over the trailer are posters of harsh encouragement like "PUT THAT FOOD DOWN YOU FATMAN!" There are dumbells and other exercise equitment scattered about the floor and in the center is Katara, she has two monsterous weights in hand, her skin is all sweaty and her face is bright red.
"OH YEAH! FEEL THE BURN BABY! FEEL THE BURN!"
As you can imagine, he leaves.
Gran Gran is next.
The now emotionally distraught Director opens Gran Gran's trailer door to see... oh, ok, it's not that bad.
Gran Gran is sitting in a rocker knitting a pair of socks with such a serene expression on her face, the Director doesn't want to disturb her. "Finally, someone normal!" he mutters as he closes the door.
The second the Director is gone, Gran Gran clicks a button on the tip of her knittin needles and the the celing and floor open up. A giant laser is lowered just a few feet above a shiny metal table that has a struggling Koko strapped to it.
Gran Gran smiles wickedly, a remote in her hand, "Now deary, what did you say about my cooking?!"
Ok, that's it. I have a few more but unless people reveiw these and tell me they like 'em, I'll just stop.
Even if you don't like 'em though--TELL ME WHAT YOU THINK!