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TERMINATOR
THE RESISTANCE FIGHTERS CHRONICLES
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EPISODE FIVE
"CARROTS AND APPLES"
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Written by
Sirapop Nualnimnoi
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This fan-produced fiction is a screenplay based on the science fiction drama television series developed for the Fox by Josh Friedman, Terminator - The Sarah Connor Chronicles. This is done in the spirit of fan fiction - to have fun and enrich the total fan experience beyond the limitations of the official story vehicle. This fan-made screenplay is being created available for entertainment purposes of the loyal fans of the show. This story follows the characters of John Connor, Sarah Connor, Cameron, Allison Young and more or all characters from TSCC after the events of the episodes "Ghost Whisperer", "A friend in need is a friend indeed", "Twanton" and "New hope coming" (earlier episodes of this fan-made screenplay series)
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TEASER
WE OPEN ON:
EXT. CLASSROOM – DAY
SUPERIMPOSE: "PALMDALE - 2064"
"52 years after Judgement Day"
It's a group of international twelve-years-old kids, serious and well dressed. They sit on their heels under a sparsely elegant tent, small wooden desks with embedded screens in front of them. The tent is on a lawn surrounded by lush foliage. People walk about and vehicles glide quietly overhead. A utopian vista.
The teacher, T-SONYA, a female T-ZM4 (Terminator – Zeira Corp Model 4), she has black curly long hair, 5'6", of about 24, and chocolate brown eyes.
ON A WALL SCREEN backward T-Sonya, is the image of the earth, white pops blossom on the surface. This is social studies class.
SONYA
Now we are safe from the war. Skynet
was defeated by our mighty heroes.
We have many endos and cyborgs work
for us under the rules of ZEITECT.
(smiles and walks around)
What model do you think it's the
best model now?
THAI GIRL
(raise her hand and answer)
I think that must be T-ZM5, developed
by Zeira Corp under the rules of ZEITECT.
SONYA
(smiles) Okay. You girl is sharp.
And how's it different from older?
THAI GIRL
A solid endoskeleton covered with liquid
metal "mimetic polyalloy". The solid endo
is made from tungsten carbide. Older models
have just cybernetic organisms-living
tissue over a hyperalloy endoskeleton.
SONYA
(in Thai)
"Good. Very good for a human."
AMERICAN BOY
Teacher, I don't know why we have to
develop and create machines more like
humans. Why do we give them an ability
for reproduction?
Sonya stops and looks to that boy.
SONYA
Good question. It's because now machines
look like humans. Some humans need those
machines more than sexual intercourse.
They need to have child with who they
love even machine. You know that as well.
It started from Cameron and John Connor.
(beat)Cameron was the goddess for love in
machines. She learned what love is.
Like humans. However she got married with
John Connor before the last battle.
CHINESE GIRL
I think we humans have many problems
in our mind. Are we humans really
cleverer than machines? (in Chinese)
"Is that right?"
SONYA
Yes. I think so. I think you will get
more information about this if you
register in my life science class.
Sonya continues walking around as her eyes roam over all students.
SONYA
(smiles)
Anymore questions?
AMERICAN BOY
Are there psychics living around us, teacher?
SONYA
Yes, there are.
AMERICAN BOY
Can they read our mind when they find us?
Will they explain our secret to the others?
SONYA
I don't think so. Psychics can read your
mind but under the rules of ZEITECT, they
can't tell your secrets to your friends or
your family or your world mates and we
have no criminals because of them and
we can live our lives happily today
because of we have the psychics.
STEFAN JR.
Yes. Because we have the psychics. I think
you are right about that, teacher.
STEFAN JR., Stefan's grandchild, is a intense little Thai boy, writing with one hand and typing with the other. (Typing consists of holding a long wooden stylus and tapping either end down different columns of Thai characters on his desktop screen.) He is a good two years younger than the other kids.
STEFAN JR. (cont'd)
We know the psychics in our history
as well. He was new General of the
Asian forces in 2028. He led his
men with his wife and joined...
SONYA
...the resistance fighters of the
John Connor. I know that as well.
General of the Asian forces,
Warapop Pichitchai and his wife,
Lieutenant General Allison Pichitchai.
I think it will be good if I get
some information from your homework.
(smiles) Yes.
And that's your next homework.
I need all of you to do the report
about the resistance fighters
chronicles. As your wish, you can
show me next week. One by one.
Do you understand?
All kids just smile to their teacher. RING!
SONYA
Okay. See you next week.
Sonya exits the class and walks after many people outside. Some of kids exit but Stefan Jr. and his friend still be there.
MAGGIE MOON, is a dark, intense little girl, walks from her seat to meet with Stefan Jr.
MAGGIE MOON
You are good, Stefan.
STEFAN JR.
Hey! You need to go to my
house as well. It locates
in NE from Lake Palmdale.
MAGGIE MOON
I think so. I need to meet
your grandparents very much.
Maybe I will get some more
data for the report.
STEFAN JR.
That's good. Let's go.
They exit the area as all monitors and screens are automatically turned off.
INT. BEDROOM - HOUSE – DAY
This is the same bedroom from F03EP04 but the technologies are upgraded. It's the dim light, curtain outshines the sun from outside. We find human sexual intercourse, inefficient and messy.
NAKED MAN, is on top of his naked wife. As he slides in her one last time, they both cry out of their climax.
LATER, husband and wife lie naked on their bed. The man is SITTIPONG PICHITCHAI(apparent age 36, resemblance to Stefan and Allison), and his wife, KITTY PICHITCHAI (apparent age 36, resemblance to Derek Reese and Jesse Flores).
KITTY
Sittipong Pichitchai, you are always good for
our activities on the bed. How long have I got
married with you?
SITTIPONG
Oh Kitty. A long time. Twelve years. I remember.
RING! From the bell outside the house. Sittipong turns to his wife and flashes a smile.
SITTIPONG
Our son comes.
INT. HALL – DAY
GRANDMA ALLISON PICHITCHAI (56-ish), opens the door meet with her grandchild and his friend, Stefan and Maggie Moon.
GRANDMA ALLISON
(smiles)
Hi! Sweetie. Who's this?
STEFAN JR.
Good evening, grandma Allison.
This is my friend, Maggie Moon.
She's from the school. She's
here for her report about the
chronicles of the resistance
fighters.
GRANDMA ALLISON
Okay. Come in please. (smiles) I'll go to take
some drinks for you and your friends.
They come in and wait. Allison turns to the counter neaby, pockets the phone, then grabs her book(Tripitaka) and heads toward the door. She turns in the doorway back to the room and looks at the picture of her husband.
ANGLE ON THE PICTURE OF STEFAN FROM ALLISON'S P.O.V.
This picture was taken when Stefan was just a Major. Beside him is Allison Young (17). In b.g., the Lake Palmdale.
FREEZE: STEFAN'S PICTURE
SUPERIMPOSE: "SEPTEMBER 2, 2027"
THE PICTURE IS LOWERED DOWN AND GENTLY PUTTED ON THE TABLE BY
Allison Pichitchai. She looks better than herself in the previous episodes. She smiles to the picture so proudly. In b.g., now it's...
STEFAN'S ROOM – MORNING
ALLISON
Thank you for everything, Stefan.
Allison turns to the bed and sees her uniform on it.
EXT. SAN JOAQUIN RIVERS – MORNING
As the sun rises, sunlight shrines on the river and reveals the river of the hell. CAMERA comes to rest on a burnt and rusted tricycle... next to the tiny skull of its owner.
A metal foot crushes the skull like china.
TILT UP, revealing a T-900 endoskeleton holding a plasma rifle.
We can see ENDOS DELTA FORCES and many Skynet's weapons consist of Ground HKs (tank-like robot gun-platforms), flying Aerial HKs, and four -legged gun-pods called Centurions. All of them head to Suisun Bay about ten miles away.
CLOSE ON A T-900'S ENDO FACE as its eyes glow RED.
INT. THE BUNK – MORNING
THE NAVAL OFFICER, LIEUTENANT NICK CORBIN (apparent age 19, resemblance to Trevor and Kacy Corbin), bunks in a one-time closet about the same size John's Holding Room is.
There are two small bunks and one trunk. Only one bunk has bedding on it. The trunk is painted black with panther eyes.
Nick loads a clip and chambers a round in her well-worn Glock (or other semiautomatic pistol).
KNOCK! KNOCK! KNOCK!
Nick turns to us and looks to...
...the HEAVY DOOR.
NICK
Come in.
A young naval officer, SUMMER GOODNOW (S02EP18), gets in. She looks excited.
NICK
What's the deal?
GOODNOW
Skynet forces are coming here.
Nick suddenly stands up. His eyes widen.
NICK
Let's go. Drive them away.
They exit.
ACT 1
(Welcome to the port of Los Angeles)
INT. OUTSIDE DAKARA SYSTEM – MORNING
The same spot like in F03EP01.
SECURITY GUARD (24, Thai, 5'8") stands seriously nearby the door. On his uniform has the brand of Psytect Corp (Three dots in green background with a picture inside each dot. Center, top dot has a yellow star, left dot has a picture of CPU, and right dot has a picture of test tube with green water inside).
LOW ANGLE AT THE LIFT as it opens, and we see two feet of a person who wears formal boots.
BACK TO THE GUARD
He turns to see the man.
CUT TO BEHIND THE GUARD, revealing who that man is, TOK-725 LAMPAGE MOORE, smiles to the guard and hands a paper to him.
LAMPAGE
I wanna meet with General Pichitchai
or Ms. Pichitchai or both of them.
The guard quickly glances a paper and hands back to Lampage.
SECURITY GUARD
Oh! You are Lampage Gage. General Pichitchai
and Ms. Pichitchai are waiting for you.
You will see them at the meeting room next
from the main office. Have a nice day sir!
LAMPAGE
Thank you for explaining.
Security opens a door and lets Lampage enter the office.
INT. DAKARA MEETING ROOM – MORNING
PROF. DR. MANIDUANG PICHITCHAI and GENERAL PICHITCHAI, sit at the seats opposite the door. They both look serious.
Lampage, just enters the room.
Maniduang reaches her hand point to a chair opposite them nearby the door.
MANIDUANG
Sit there, metal.
Lampage smiles so friendly to them.
LAMPAGE
Don't be afraid. I'm not here to kill you.
Lampage sits on his seat.
PICHITCHAI
I know that. So what's your business today?
LAMPAGE
I'm here to send you something in my car.
MANIDUANG
What's it?
LAMPAGE
It's for my masters.
MANIDUANG
Who are your masters?
LAMPAGE
Emma Akagi and the psychic family.
EXT. PORT OF LOS ANGELES – DAY
AERIAL SHOT
Flying in from over the ocean looking back at the Ports of L.A. and Long Beach, both with many columns of rising black smoke.
LAMPAGE MOORE(V.O.)
When I was just a boy, I wanted to be the
high-ranking member of U.S. Navy. I love
seas, oceans, and ships.
DISSOLVE TO:
EXT. BANGKOK – DAY
AERIAL SHOT
SUPERIMPOSE: "BANGKOK 2027"
Flying in from over looking through Bangkok city ruins drown out, like this area is in an ocean.
LAMPAGE MOORE (V.O.)
In the past, humans believed our earth
were flat. That belief has gone since
we started globetrot.
THE SAME SPOT BUT WE DRIVE DOWN UNDERWATER.
SUPERIMPOSE: "ASIAN RESISTANCE BASE – BANGKOK SUNKEN DOME"
We see the large glass dome cover the GRAND PALACE and the area 4 square kilometers around the PRAMANE GROUND (some of you call this place 'Royal Plaza', some call 'Sanam Luang'). We see the port look like the large gate access into the dome. We are like a sub getting closer the dome.
LAMPAGE MOORE (V.O.) (cont'd)
We've found the truth of the earth, the truth that
our earth is round. And we've found many wonderful
land. Asia, Australia, America and a lot more.
EXT. GRAND PALACE – DAY
Like in the past, the grand palace of Thailand is still beautiful. It's at noon but we would feel like it's evening. The sunlight can come through the water and glass dome as the kind of dim light.
LAMPAGE MOORE (V.O.)
We found them because we learned navigation
and we've never discourage the far sight of
the large ocean. We've never stepped back.
INT. BIOLOGICAL LABORATORY – DAY
ON THE LARGE CAPSULE, we see Stefan's clone body is twenty five years old now. The water has changed into blue. He looks peaceful. His naked body has no cuts and no bruises. His muscles look too small like a man who has never exercised.
LAMPAGE MOORE (V.O.)
These all are the miracles of navigation.
THE DOOR
The door opens automatically. GENERAL PICHITCHAI and EMMA AKAGI enter the lab, and the door closes automatically behind them.
They both step toward the capsule. Pichitchai smiles agreeably.
PICHITCHAI
This will be okay.
EMMA
I just decelerated his growing rate to be normal
last week. I think this is not enough, General.
PICHITCHAI
What do you want more?
EMMA
Human-being is still fragile.
PICHITCHAI
What are you thinking to do?
EMMA
Change him to be a cyborg.
PICHITCHAI
Like Skynet did with Jack Van Meter?
They turn to face each other.
EMMA
Yes. It's like that.
PICHITCHAI
But he didn't want that.
EMMA
This is only one way to make sure he won't...
PICHITCHAI
No. I love my son. If he don't want that,
I can't do that to him. Do you understand?
EMMA
I think yes. I think I know what you're
worrying about. If we change him, he will
be hated by some humans.
PICHICHAI
Yes.
They both turn to look at Stefan's body again.
DISSOLVE TO:
INT. PERRY'S HQ – DAY
LIEUTENANT COLONEL JOHN CONNOR, CAPTAIN CAMERON PHILLIPS and CAPTAIN ALLISON PICHITCHAI enter the HQ and meet with General Perry who always sits on his seat like in F03EP02. They all even Cameron wear their fully decorated U.S. Army uniforms.
PERRY
How are those robots, John?
JOHN
They all are ready. We can send
them to the Rear Admiral.
PERRY
And you trio have to secure them until
they reach to the Port of Los Angeles.
JOHN
Yes, sir.
PERRY
Allison.
Allison jerks and gets attentiveness at General Perry.
ALLISON
Sir.
PERRY
I got a message from General Pichitchai.
He needs you there. I need you to travel
on Jimmy Carter or Sea Shadow to Thailand.
ALLISON
And?
PERRY
The message said that if you don't
want to go there, I won't have to
force you. It's your free will.
(beat)
Will you go?
Allison pauses as STEFAN'S SPIRIT, same as the last time we saw him in the battle of MGR., appears behind her. His cold right hand touches on her left shoulder. She suddenly turns to him.
STEFAN
(smiles)
Follow your mind, Alise.
Allison turns to Perry.
ALLISON
I will.
PERRY
That's the answer I want to hear.
INT. PORT OFFICE ANTEROOM – DAY
The large one-time reception area is bare except for a few chairs and a reception desk. REAR ADMIRAL LAMPAGE MOORE (F03EP02) stands facing his inferiors. Rising from one of the chairs is CMDR. JESSE FLORES (S02EP06).
MOORE
Commander Jesse Flores.
JESSE
It's hard for us to work with
machines, Rear Admiral.
MOORE
I know that, commander, but we can't
drive the subs and the ships.
JESSE
We can ask our alliance for that,
can't we?
MOORE
No. Machines can drive the boats so
easily and can solve a problem faster
than humans. And they will always work
for us. No disagreements.
Jesse just shrugs and sits down.
MOORE
Anyone still has a problem?
No response.
MOORE
(smiles)
Okay. End meeting.
Moore exits the office before his inferiors slowly stand and exit the office.
EXT. SMALL HOUSE – MORNING
The house is under the Canyon. This house will become the same house in F03EP02. There is a black Chevy Cororado parking in front of the house.
INT. SMALL HOUSE – LIVING ROOM - MORNING
The house isn't stylish (the only new thing here is a Flat Screen T.V.), but it's comfortable, lived-in. Sofas and light bulbs are at the same location as in F03EP02 but they look new.
We find SEMINA CRUEL, SARAH CONNOR, and DR. FELICIA BURNETT MD. in paint-spattered work gears. They are painting the wall around the living room.
MATT MURCH and JAMES ELLISON, enter the living room through door. All women stop their works and turn to find them. Sarah and Semina step to them as Felicia turns back to the wall and continues her paint.
SARAH
Where is Lampage?
ELLISON
We don't know. We've thought
he's come here with you.
Sarah looks more serious.
SARAH
That tin man keeps secrets
from us like the tin miss.
(beat)
That can become a problem.
INT. DAKARA SERVER ROOM – DAY
We see the new chair at the center of the room and T-MONICA'S deactivated body sitting on it. She looks lifeless. General Pichitchai and Dr. Maniduang stand nearby her, looking at...
...Lampage sits nearby the mainframe, working with a wireless keyboard on his lap. He hits a couple of keys then looks to the large monitor that is always turned on.
LAMPAGE
It's complete.
INSERT MONITOR
Dialog with a process bar and a message "Software updating...", appears on the center of the system graphic desktop, it works so fast and completes in a few seconds. As it completes,... BEEP!
BACK TO SCENE
Lampage turns back, looks to General and his sister then nods.
Maniduang, turns to looks at Monica as her brother still keeps watch Lampage with cautions.
MANIDUANG
(calls to the room)
Emma Akagi. Can you understand me?
Then she looks back at the body.
CLOSE ON EMMA/MONICA'S FACE as her closed eyes have a blue glow beneath the eyelids before opening. The blue glow disappears almost immediately after opening.
Both Pichitchai and Maniduang are excited.
Emma, looks up and sees them and gives them a small smile.
EMMA
(Emma's techno voice)
This body looks...
She looks down to her hands on her knees, controls them up then slowly grasps and unfolds. Her test can pass so easily. She does, grasp and unfold, frequently. Making sure she can control this body like her own organs. She then looks up to Pichitchai and Maniduang. Lampage slowly walks in and stops in front of her.
Lampage, gives her a friendly smile.
Emma, smiles back and...
EMMA
Thank you for the body, Mr. Gage.
LAMPAGE
You should have it to protect yourself.
Emma then stands up.
EXT. PORT OF LOS ANGELES – DAY
The banks of San Pedro Harbor are lined with a few dozen resistance fighters, including John, Cameron, Kyle, Derek, Jason, Zykes and Allison.
CLOSE ON THEM
We see seven cyborgs stand backward John.
Major Nevlin Glau, Major Nelson Dekker, QUEEG (S02EP18), is dressed in a Navy service khaki uniform with the naval rank of captain, CAPTAIN PHOTON (a reprogrammed female T-888, curly long red hair, like 19, 5'7"), CAPTAIN CHARLEY DIXON, CAPTAIN MICHELLE DIXON and meet the cyborg resistance's newest model, T-ZM1 (Terminator - Zeira Corp Model 1), she's T-VICTORIA (S02EP06, Weaver's assistance), wears a common casual clothes.
ANGLE
Pulling up to the dock is SSN-23, the submarine USS JIMMY CARTER. Four SAILORS stand on top of the 6-meter tall conning tower, an imposing sail with a fairing in front at the base. Six more SAILORS walk the top deck in preparation for docking.
EXT. PORT OF LOS ANGELES - LATER
They all meet with REAR ADMIRAL LAMPAGE MOORE, and his aide, CMDR. JESSE FLORES at the dock. They both wear their Navy service khaki uniforms with their own naval ranks.
MOORE
I'm Rear Admiral Lampage Moore.
Welcome to the port of Los Angeles.
EXT. SUISUN BAY – DAY
AERIAL SHOT
A shallow tidal estuary at 38.07°N 122.07°W in northern California, USA. It lies at the confluence of the Sacramento and San Joaquin Rivers, forming the entrance to the Sacramento-San Joaquin River Delta, an inverted river delta. Suisun Marsh, the tidal marsh land to the north, is the largest marsh in California.
We see the battle between the navy and the machines.
The NAVY FORCES are in the middle of one hell of a firefight. Plasma rounds whiz by so thick you could read by them.
We see three battle-harden naval officers, NICK CORBIN, SUMMER GOODNOW and LIEUTENANT MCHAM DIETZE (S02EP18), lead their men protect the bay and the port.
Nick, and Dietze, and a SQUAD of six, run for their lives from a gang of ten ENDOS. Nick reacts to something he sees ahead.
NICK
Drop.
All the humans immediately dive for the ground.
At that instant, five DELTA FORCE ENDOS rise up and start firing at the gang of ten. It's a fierce exchange with plasma rounds firing as quickly as the guns can recharge.
Gang of ten endos soon become gang of seven endos. The Delta Force Endos drop down to four, and then three.
Now it's four gang endos against two Delta Endos.
NICK, GOODNOW AND DIETZE
keep their heads down. They want nothing of this.
And then it's QUIET.
Everyone stays on the ground for a while as more distant
battles are still raging in b.g.
DIETZE
What the hell those machines want?
NICK
Maybe our IX-529, Sea Shadow.
(a beat)
Oh god! Delta force's come.
DIETZE
Delta...
NICK
Move out!
Dietze looks at Nick with shock and disbelief as the Squad gets up and moves forward, leaving Nick, Goodnow and Dietze.
NICK (cont'd)
It's the only way to win.
One of the gang of ten torsos rights itself enough to face Nick, Goodnow and Dietze.
T-900'S H.U.D.
Target locks immediately on Nick, matching in in-memory photo. "LIEUTENANT NICK CORBIN. TERMINATE IMMEDIATELY"
BACK TO SCENE
The T-900 defies its considerable damage to bring its gun to bear on Nick.
END OF ACT 1
ACT 2
(USS Jimmy Carter)
EXT. BSD CONVENTION CENTER – DAY
SUPERIMPOSE: "BSD CONVENTION CENTER - 2027"
We see Bangkok Sunken Dome Convention Center. This place used to be Pata Pinglao and this place is very close the large port for subs. There are many Asian guards around this place.
INT. BSD CONVENTION CENTER – MEETING ROOM – DAY
The meeting room has a large table pushed to the wall and many chairs, most stacked on the table.
GENERAL PICHITCHAI and EMMA AKAGI stand nearby the wall backward meet with the leader of each Asian country. There are just 18 people here, 4 leaders with three guards for each leader. The leader of Chinese resistance fighters is COLONEL WANG PICHAO (46, black hair, 5'8", label on his chest shows his name). The leader of Korean resistance fighters is COLONEL KIM YOUNGCHUN (45, black hair ,5'8"). The leader of Japanese resistance fighters is COLONEL HIKARU CHINTAI(46, black hair, 5'6"). And the leader of Vietnamese resistance fighters is COLONEL NGUYEN TUAN(42, black hair, 5'8").
PICHITCHAI
(in Chinese)
"Good to see everyone of you here."
NGUYEN
"Now we can destroy the ASW bots factory
in the gulf of Thailand so easily. What
are you waiting for?"
PICHITCHAI
"We can't break them down without my son
and our most people. Indian resistance
fighters don't want to join us."
KIM
"But we can enforce them with our military units."
PICHITCHAI
"I don't think so. War between humans will
destroy us all and those machines won't
have to fight us because we fight with
each other. It means we destroy ourselves."
HIKARU
"How about your son now."
PICHITCHAI
"Body is good but the mind."
EMMA
"We've found his brain sent most of
his mind power away from us to the
land of US. Someone are going to
bring him back."
EXT. PORT OF LOS ANGELES – DAY
John and his friends meet with Moore and Jesse. There are new three officers behind Jesse. They are COMMAND MASTER CHIEF PETTY OFFICER HAYES (S02EP18), and other two are common officers.
MOORE
Hey! Who's in charge?
JOHN
I am.
MOORE
Who are you, boy?
JOHN
I'm Lieutenant Colonel John Connor.
Moore smiles so proud. They then shake hands.
MOORE
Okay. Like I asked General Perry a month ago.
I need 4 cyborgs work for my naval forces.
Humans aren't as good at submarine warfare
as metal is. Where are they now?
JOHN
They all are here, sir.
John turns back and gives the cyborgs backward a you-all-move-here nods. Those cyborgs step closer John and meet with the rear admiral.
JOHN
The negro is Queeg. He's a reprogrammed cyborg.
Queeg steps out to Moore and then they shake hands.
QUEEG
Captain Queeg meet with the rear admiral, sir.
Jesse steps toward him as her eyes look to Derek then to John. She has a question.
JESSE
Apologize.
Everyone turns to Jesse.
JESSE (cont'd)
Do they know how to be captains?
QUEEG
We have the file. We all have the
same file. Document from Skynet.
JESSE
What?
JOHN
When I reprogrammed the machines, I would get
some useful data from their chips. (beat)
Did you know about the battle of McGuire
Gunnery Range, Commander?
JESSE
I did.
JOHN
I got some data of the factory from Nevlin's chip.
Jesse smirks.
JESSE
Okay!
Jesse steps back and stands beside her leader. Queeg walks to an area beside Jesse.
JOHN
Captain Photon...
Photon steps forwards.
JOHN (cont'd)
...is a reprogrammed cyborg too.
MOORE
Good to see you, Captain.
PHOTON
Good to see you too, Rear Admiral.
Moore quickly shakes hands with Photon.
MOORE
I think you will be happy with my
DDG-96, USS Bainbridge, the frigate.
PHOTON
(smiles)
Frigate is not bad.
Photon walks and stops beside Queeg. John turns back to Michelle and Charley. His eyes especially glances at Charley. They both step toward the Rear Admiral.
JOHN
These are Charley and Michelle Dixon.
They are templates of kills. Charley
and Michelle Dixon died in the past.
MOORE
Are you gonna say that 'these robots
have never worked for Skynet'?
JOHN
I am.
MOORE
That's interesting.
JOHN
We can't reprogram more machines
because Skynet has redesigned all
its troops. Their chips will burn
up if we pull them out. That's why
we have to build our own cyborgs.
A naval officer runs to them from the north. Everyone turns to him. He looks tired.
OFFICER
(pants)
Rear Admiral, our base...
in the...north...is..under
attack by machines. We need
your help, sir.
MOORE
Thank you.
(to John)
Can you help us?
CUT TO: UNDERWATER
We are at 38.07°N 122.07°W under the water and we see many ASW BOTS(like hydrobots(T4) but they are bigger than hydrobots and they have missile launchers on their heads, not metal fangs) are about ten meters away from us.
CUT TO BLACK:
FADE IN:
INT. SARAH'S NEW HOUSE – DAY
Sarah, Ellison, and Felicia sit on the sofa. Their eyes stare at the door.
THE DOOR OPEN, and Lampage enters the living room.
SARAH
If you come back slower than this,
I will grab my rifle up and aim
it to your head. Just one shot.
At the chip.
Lampage turns and faces them.
LAMPAGE
You know what Sarah Connor.
You are the reason why John
chose his Cameron, not you.
Sarah immediately stands up with some anger. She looks in his eyes and slowly relaxes.
SARAH
Okay. Next time you want to get out,
you have to tell us. Do you understand?
LAMPAGE
I'm sorry.
SARAH
Never mind.
As Sarah turns back, her eyes twitch, slowly flicker out, and then close. Sarah becomes unconscious and falls but not on the floor, in time she's falling, Lampage moves to hold her faster than everyone. Ellison and Felicia just stand up.
ELLISON
What's happening to her?
Lampage holds Sarah's unconscious body into his arms. He looks like a weak man but when he holds her, it shows that he's not human. Lampage gently puts her on the sofa.
In b.g., Ellison and Felicia seem worried about her. Lampage measures Sarah's other vital signs.
Lampage looks around Sarah's body and scans her...
LAMPAGE'S H.U.D.
Every sensor Lampage has, is tuned only to Sarah, to her flushed pallor, to her heartbeat. It's too fast, far too fast for a simple fever. He gropes after the familiar support of statistics, scales and rates, but the numbers cascades past before he can grasp them. It's all wrong, temperature too high, heart rate too elevated, pushing every scale into the red.
BACK TO SCENE
LAMPAGE
It's wrong. Her temperature is too high.
Her hearth rate is too elevated.
BURNETT
Can I check her myself?
LAMPAGE
Yes.
Lampage stands up, leaves the way and lets Felicia get closer Sarah. Felicia gently grabs her hand up and checks her pulse.
FELICIA, looks up as her face shows anxiety.
BURNETT
I need my bag, Mr. Ellison.
MANY MINUTES LATER, Felicia with her bag beside her, it's been open, Felicia straps a vinyl cuff around Sarah's uninjured arm.
Ellison and Lampage stand backward. They look worried about her.
ELLISON
Is it cancer?
BURNETT
I don't think so.
Felicia closes her fingers around Sarah's wrist to check her pulse again.
BURNETT
Oh. I just recall what this mean.
It's not cancer. I've to make sure
what I think is true. We need to
wake her up. I got a question.
ELLISON
Do that quickly.
Felicia gently slaps on Sarah's cheek and calls for her.
BURNETT
Wake up, Sarah. Sarah. Wake up.
ON SARAH'S FACE, she's so peaceful.
BURNETT (O.S.)
Sarah Connor, wake up.
INT. WHITE ROOM - DAYTIME UNCERTAIN
SARAH with a glock in one of her hands, looks around the large white room. It is brightly lit and that makes an assessment of how large it is difficult. A few meters from his spot, there is no one here.
SARAH
Am I dead? Where am I?
JOHN HENRY (O.S.)
You are in my island, Ms. Connor.
Sarah turns around as...
AT THE DOOR BACKWARD HER, John Henry enters the room. He still has a cord connect to the back of his head.
JOHN HENRY
I'm here, Ms. Connor.
Sarah suddenly turns and aims her glock to him.
JOHN HENRY
Please relax, Ms. Connor.
I'm not here to kill you.
I won't hurt you if you
don't hurt my wife.
Sarah lowers her gun down. Sarah looks at John Henry with a hint of wary curiosity, intrigues but cautious. Movement behind John Henry catches Sarah's attention. It's EMMA/MONICA AKAGI. Sarah can't keep her gun down, she aims it up to Emma.
SARAH
John Henry. Is that your wife?
JOHN HENRY
Yes.
Sarah thinks about it. She takes a while before she lowers it again and keeps it back behind her.
SARAH
Where is here? Why is this room white?
JOHN HENRY
There's no room! You're on an island.
It's my island. How did you get here?
SARAH
I don't know. I just got here somehow. I see
white walls, white floor and white ceiling.
They are quiet.
SARAH (cont'd)
Where is John?
JOHN HENRY
He's somewhere in my island.
SARAH
Where's he?
EMMA
Sarah Connor.
In a flash, Emma moves toward Sarah.
SARAH
You are Emma.
In a flash, Emma moves back to her old way.
EMMA
Yes. I am.
JOHN HENRY
John is waiting for you.
EMMA
Follow us. Come with us.
Join us for the future.
They turn to leave but their heads turn back to her and their eyes GLOW BLUE. Interesting.
DISSOLVE TO:
INT. LIVING ROOM – DAY
ON SARAH'S FACE, she slowly opens her eyes and sees Felicia sitting on the sofa next to her.
SARAH'S POV.
Felicia smiles so warmly to us.
BACK TO SCENE
SARAH
What happened?
BURNETT
You became unconscious. I wake you up.
Sarah turns to see both Ellison and Lampage then turns back to Felicia.
SARAH
Is it cancer?
BURNETT
Can you still use your left arm?
Sarah braces herself and extends her arm from its default position, tucks up against her ribs where it has some support.
SARAH
I feel heavy and wooden.
The irregular splotches and fiery red lines spreading in an angry tangle from the old scar under her bicep has migrated to her chest. She tries to flex her fingers. She then gasp.
Sarah blinks back tears and Felicia helps her to settle her arm back against her body.
SARAH
If it's not cancer...
BURNETT
You have an infection in the long bone
of your upper arm. Judging by your scar,
the initial crack or break happened
at least seven months ago.
SARAH
It healed...It healed over.
BURNETT
But when the bone fused, it trapped
bacteria inside, isolating it from
the rest of your body and concentrating
the infection. Have you experienced any
significant weight loss, persistent
exhaustion, headaches, paranoia or
difficulty concentrating? Anything
else you have never told me?
SARAH
Shouldn't it have hurt more?
LAMPAGE
Pain can be controlled.
Sarah flashes a glance at Lampage then quickly turns back to Felicia.
BURNETT
Your immune system has been burning up all of
your resources trying to fight back, but the
infection has eaten away at the bone from
the inside. Even a minor blow could have
cracked it again and set the infection
loose in your bloodstream.
Sarah sighs.
SARAH
We were in a car accident...
(pauses) Sepsis. I saw it in
the jungle when I was training
John. With bullet wounds...
BURNETT
Sepsis. You need to be in a hospital.
SARAH
They could fix it?
BURNETT
If they removed the damaged bone and tissue, you
might have a chance. At this point, they would
probably recommend amputating the entire arm,
and then you'd need a transfusion, antibiotics-
SARAH
And if I don't go?
BURNETT
Then you'll die. Not today, and maybe not
tomorrow, but sooner rather then later.
I can slow it down with antibiotics, IV's,
even surgery, but I can't stop it, not here.
She glances around the room, taking in the bland furnishings and drab walls.
BURNETT
You'll die here.
LAMPAGE
I think we have another choice.
They all turn to Lampage.
LAMPAGE (cont'd)
My masters can help you. Let them help you.
(beat)Remember Sarah. We are on the same side.
BURNETT
Sarah?
Sarah thinks about it.
ELLISON
It's all your decision, Sarah.
LAMPAGE
Sarah?
SARAH
Okay. We'll join them.
Felicia turns to Sarah and gives her a warm smile.
BURNETT
You need to get some sleep.
SARAH
Thank you.
(turns to Lampage and smiles
to him like when she smiled
to Cameron) Thanks.
Sarah smiles to them one last time then slowly closes her eyes and sleeps on the sofa.
EXT. USS JIMMY CARTER – NEAR SUISUN BAY - DAY
Speed: 20kts, Depth: 400ft, Seawolf class Submarine in waters of Pacific. 6 km nearby Suisun bay. Day: 0. Submarine slowly pass POV from Bow to stern.
INT. USS JIMMY CARTER – BRIDGE - DAY
Jesse, Moore, Allison, Hayes, XO CHRISTOPHER GARVIN (S02EP18), Queeg and Photon are on the bridge, Queeg is on controls, Jesse stands beside Moore who sits on the Rear Admiral seat in the middle, XO Christopher Garvin is next to him, Garvin is on Sonar. Garvin puts his headset. Hayes is on his controls for torpedo stock. Photon stands nearby Hayes. Allison stands opposite side of Jesse.
GARVIN
Oh! man(puts off headset) Oh! man.
We got twenty ASW bots waiting for us.
JESSE
Prepare.
Jesse moves to her screen looking to the map. Kraken now is nearby the navy base. We are far from it about 6 km. There are twenty ASW bots.
MOORE
Chief of the boat, status of
our torpedo stock?
Hayes turns to his station. Checking it. So fast. Hayes turns back to the Rear Admiral.
HAYES
We have not enough torpedoes to fight
with them. Fourteen, maybe fifteen.
We can't take them all just...
QUEEG
Chief of the boat, Ready tube
one. Hold for my order.
Everyone turns to Queeg.
MOORE
Listen to him, officers.
He's gonna be your captain.
QUEEG
If I say fire, you fire.
EXT. SUISUN BAY – DAY
The T-900 defies its considerable damage to bring its gun to bear on Nick.
Dietze is faster, he fires it at the head. Nick relaxes and turns to his friend.
DIETZE
Let's go. Protect the barge.
Fall back, team.
PLASMA ROUNDS explode barely a meter away from them. They grab their rifle, and grenade from their ammo belts, and then scramble away, stopping only briefly to fire off a couple of rounds.
AERIAL SHOT
A lot of the functioning port burns. Dense black smoke fills the air. Streaks of Plasma fire are concentrated in a few pockets, but it isn't widespread.
CAMERA MOVES TO THE SOUTH AND WE SEE John's squad is running to join the battle.
END OF ACT 2
ACT 3
(Alliances from everywhere)
EXT. SUISUN BAY – DAY
It's just a day in Hell. Plasma bolts coming from HKs, OGRES, and Endos fill the air. The return fire isn't as thick.
Thermite fires spot the ground and rocket out of three HKs and one OGRE.
The resistance hides behind cover. Randomly popping out to take a few shots before quickly ducking down again. One unit of five SOLDIERS, behind a stack of crates, is about to move out when two OGREs launch a fusillade on that position. It's a plasma-fire slaughter. In seconds, all that's left is fire and charred bodies.
John and Cameron are away from the naval squad about 20 meters. Dietze, Goodnow and Nick run to join them.
CLOSE ON THEM
They are talking together with fighting with machines that get close them.
NICK
Thank you for your people.
Where is the rear admiral?
JOHN
He's going here. Strike by his
sub and the reprogrammed cyborgs.
CAMERON
This is one hell of the dogfight.
GOODNOW
Hey! Get down.
They all get down as a HK-VTOL flies through them. Goodnow raises up and fires at it bringing it down on an ORGE. They both explode in a chain. Good shot.
Goodnow gets down as they start to talk.
GOODNOW
How do we break them all down?
CAMERON
How many endos?
Goodnow gets up, looks around and gets down again so quickly.
GOODNOW
About sixty or more. Two Ogres.
Thirty HK-VTOLs around.
CAMERON
We need to get closer the Ogres.
DIETZE
We can't. There are many endos
around them. We can't.
CAMERON
I don't think so.
EXT. BATTLEFIELD – SUISUN BAY - DAY
The humans force fighting with endos as they are being cut down or blasted. The rest are retreating into the area.
We can see TWO OGRES are blasting human troops. Ogres overruns a human firing position. Soldiers are cut down as they run. Fiery explosions light the ranks of advancing machines.
PLASMA-FIRE and EXPLOSIONS around the field in front of the port and depot of the Suisun Bay.
EXT. SUISUN BAY – DAY
JOHN AND FRIENDS
They all still keep their heads down.
JOHN
How can we break them all down?
CAMERON
Follow me.
Cameron still keeps her head down as she slowly walks off to the nearby safety spot. The rest follows her.
INT. USS JIMMY CARTER – BRIDGE – DAY
QUEEG
Are our torpedoes ready?
Hayes turns to the controls then turns back.
HAYES
Torpedoes are ready.
QUEEG
Mr. Garvin, active sonar
please.
GARVIN
Okay. Aye.
Garvin puts his headset.
GARVIN
Okay. We get our target now.
One kilometer away.
QUEEG
Chief of the boat, just one
shot in front of us.
HAYES
Torpedo ready, but-
QUEEG
Let's get it's done.
EXT. UNDERWATER - DAY
We are at 38.07°N 122.07°W under the water and USS JIMMY CARTER drives closer but still stay away from ASW bots.
TORPEDO fires out from Carter and attacks on three ASW bots in only one shot.
ASW BOTS, the rest of them turns back and locks the target at our Carter.
But another shot comes from backward, a torpedo from an unknown launcher rushes to a ASW bot and explode underwater.
CUT TO CARTER'S BRIDGE
Garvin, puts his headset down and turns to his commander and the rear admiral. He looks surprise with that.
GARVIN
We get help from unknown sources.
They need to talk with us.
Monitor shows the picture of COLONEL HIKARU CHINTAI in the controls of another sub. Lampage Moore immediately turns to look.
We intercut between the two subs:
MOORE
Greet, Colonel Hikaru Chintai of Japan.
HIKARU
We're sorry about that. I'm here to take
the emissary to Thailand with us.
MOORE
We are being on the battle.
HIKARU
We can break them all down. Lower
your sub down. We'll clear them.
Queeg knows that by now he suddenly controls the sub down.
EXT. UNDERWATER – DAY
As Carter drives down more deeply, those Japanese subs show up and fire their torpedoes to those ASW BOTS. Explode under sea.
The battle underwater starts by hope to humans' victory.
EXT. BATTLEFIELD – SUISUN BAY – DAY
There is the sound of EXPLOSIONS, distant, and PLASMA BLAST.
The screen WHITES OUT with a PLASMA BLAST, very close. As the debris clatters down, JOHN, CAMERON AND THEIR FRIENDS snap up into FRAME, EXTREME F.G. John leads them get closer the OGRES, quickly but carefully. In B.G., the human troops are passing endos, HKs, and Orges away from John's team. They're fight and are being cut down so easily. Derek and Kyle fight with them as their leader but they can survive from every plasma blast.
John looks over his shoulder at Cameron. They still keep their heads down from those machines' sights. Cameron turns to Dietze.
CAMERON
Close enough.
Dietze nods then leaps up and straight-arms a satchel-charge into the way of the first OGRE.
THE OGRE, then is RIPPED APART. It lurches to a stop, burning. As half of those endos response and start head to Dietze.
DIETZE, as he says:
DIETZE
Oh! Damn!
CAMERON in a flash, shows up and puts him down with non-human speed and strength, at the same time that she throws a grenade at the endos.
As they fall back, we can hear the sound of an EXPLOSION. Cameron cuts Dietze off her way. Dietze bounces on his friends' arms.
CAMERON
What the hell were you thinking?
Why don't you quickly drop down here?
DIETZE
You are just a girl. Why...?
JOHN
Move out.
As they turn,...
...A T-900 with a plasma rifle, appears in front of them, Nick is so fast, he fires it at the head.
JOHN
(to Nick)
Thank you.
CAMERON
There's still another Ogre.
JOHN
I'll do it. Protect everyone back.
CAMERON
But you can't...
JOHN
I can.
PLASMA ROUNDS explode barely a meter away from John. John quickly grabs his satchel-charge and runs out. He runs to another debris nearby.
CAMERON
No.
Cameron turns back and then flashes to look at John. Cameron can't leave John alone. She turns to Dietze.
CAMERON
You lead your people back.
I'll go to protect him.
Cameron turns around and then quickly leaps to John.
NICK
Damn it. (to his friends)
Let's go.
Nick and Dietze turn and leave. The rest follows.
JOHN AND CAMERON
hide behind the debris together.
JOHN
Why? Cameron?
CAMERON
I need to protect you. This is stupid, John,
but this is what you programmed me for.
John turns to Cameron as...
...a T-900 endo with a plasma rifle walks in and aims the gun to John but Cameron...quickly turns with non-human speed and launches herself at it, slamming it viciously into another debris. Cameron throws it in the air as a plasma shot runs to attack it at the head by another T-900 endo, haphazardly. Cameron jerks and then drops down as that endo fires other shots to her. It's missed.
Cameron shows up with a plasma rifle, and fires to it. Cameron then drops her head down, looks back to John's location. He's disappeared.
Cameron turns around to find him.
CAMERON'S H.U.D.
Changes into infrared mode, SCANS AND PANS, searching for John. She takes a while before she can find him, he's going to the debris just ten meters away from the OGRES. Most machines don't notice him and still fire at their targets. By the view, we can see six endos are nearby his hiding place.
BACK TO SCENE
Cameron suddenly shows up on her hiding place.
INTERCUT AMONG JOHN, CAMERON, ENDOS AND THE OGRE.
Cameron stands as...
CAMERON
(shout)
I'm here. Metal.
That catches all endos' attention. They all turn to look at Cameron.
The Ogre aims its guns to her.
John, turns back and sees Cameron standing there.
JOHN
No. Cameron.
ENDOS and OGRE left their guns up and fires at her.
Cameron drops down and those shots miss her.
John, relaxes and starts running more closely Orges. John leaps up and straight-arms a satchel-charge into the Ogre. One tread rolls over the explosive. Guns swivel.
OGRE'S H.U.D.
With broad-spectrum EM cameras, the view slowly pans around the scene that has some civilization debris, but is otherwise relatively clean.
CROSSHAIRS zero in on a hotspot between two large pieces of debris. Getting recognition of John Connor, Comparing with John Connor in the picture from the depot 37. "TERMINATE"
BACK TO JOHN
He drops down behind the debris as the PLASMA-FIRE blasts nearby him. John suddenly runs back along the debris.
ENDOS aim their guns up, off human troops' sight, and fire after John. PLASMA-FIRES IMPACT near John's feet and legs, sending up big puffs of dirt. A BIG PLASMA SHOT (let's assume that it's from the ogre) blasts nearby John as he bounces off from its power.
CUT TO CAMERON, who still hides in her hiding place. She aims two plasma rifles up by both of her hands and aim them in two directions, left and right. She's ready to fire both of them at the same time. Two endos appear in those directions as she fires both of her guns to both of them.
PLASMA-FIRES attack on their heads a split second later, ENDOS turn just before they fall on the ground.
CUT TO JOHN, he's lay on the ground like he's dead but in fact, he's not dead, he's just become unconscious.
THE OGRE, turns left and...
OGRE'S H.U.D.
CROSSHAIRS ZOOM AND zero in John who still lies unconscious on the ground about twenty meters away.
BACK TO SCENE
AT JOHN'S LOCATION, John's still unconscious.
SLOW MO:
CAMERON (O.S.)
(shout)
John! No!
OGRE, fires a big plasma shot.
JOHN, as in b.g., a plasma shot runs to him as another MOVEMENT with non-human speed, gets in the scene from the left, takes John's unconscious body, and moves out, simultaneously and so quickly, just before the shot attack there in a split second.
TRACK ON that movement until it stops behind the debris, revealing T-VICTORIA holding John's unconscious body by her arms.
A few seconds later, Cameron runs into frame and joins them there.
CAMERON
Thank you, Victoria.
Victoria puts John down nearby her. Cameron suddenly gets closer John and kneels down beside him. Cameron puts her guns down beside her.
Victoria, kneels on one knee, and looks down to John.
VICTORIA
He's just unconscious.
They look up to face each other.
CAMERON
(smiles)
Thank you so much.
VICTORIA
Never mind.
Victoria and Cameron quickly grab the guns up and aim them toward their side then fire at the same time that two endos appear and take those shots. They fall.
VICTORIA
Oh! no.
CAMERON
(turns to Victoria)
What?
VICTORIA
Look there.
Victoria points to the north. It's really damn.
VICTORIA'S H.U.D.
Victoria's display is blue framed and full-color.
ZOOM IN and we can see SKYNET RESERVE FORCE from the north. They are away from our heroes about three or four kilometers.
BACK TO SCENE
CAMERON
Damn! We can't break them
all down definitely.
CUT TO:
EXT. BATTLEFIELD – DAY
The battlefield now is clear from machines. Human troops look tired. Some of them have blood on their bodies.
DIETZE AND HIS TEAM, looking to the north. They have no hope now. They let their guns fall down like they are going to surrender.
DIETZE
Oh my god. Why hast thou forsaken us?
As our camera turns to the south but still keep on them, we can see something's wrong on the sky from the south. Something's coming. We know it's not a storm.
GOODNOW
We are going to lose.
VOICE (O.S.)
Hey! Look there. The south.
They all turn to the south.
ANGLE ON THE SKY
The movements behind the cloud in the sky, appear, revealing, the air force from Palmdale. HUMMINGBIRDS, F-16 FIGHTERS AND MORE (if you can imagine about Australian air force and American air force join the battle). We see the air craft ,in the middle of the cluster, leads them here.
INT. AIR CRAFT – BRIDGE - DAY
GENERAL PERRY, MAJOR GENERAL SANCTUM EDWORD AND Chief Warrant Officer WILLIAM SUNDER, stand in the bridge looking through the window in front. LIM CHIN AND AIRMAN LINUS CANDY are on controls.
CHIN
Dad, our captains find our targets
in the north nearby Suisun Bay.
They are on comms now.
EDWORD
(into com)
Lock and fire on my command.
VOICES
(from comm)
Roger.
PERRY
It's time to send those machines
to the hell.
EXT. FIELD – DAY
AERIAL SHOT
We're flying low and go through the soldiers on the ground who cheer as they are going to win.
BACK TO SCENE
The soldiers CHEER and become happy as they see about forty air fighters flying through them to the north.
ANGLE
The air force FIRES toward Skynet force in the north tagging a few HK TANKS and AERIAL HKs, whom have slowed down and starts to attack back to those HUMMINGBIRDS and FIGHTERS.
ENODS firing up to those air force, fire and miss them, as the F-16 fighters shoot their missiles to those ENDOS on ground.
AN HK TANK, aims its gun to one of those FIGHTERS then fires in the direction where the fighter are going. An EXPLOSION of PLASMAFIRE as the aerial HKs strafe the F-16, blasting it out of the sky.
We follow the fiery pieces of shrapnel as they rain onto the ENDOS and some HK TANKS.
Another fighter locks and fires to those AERIAL HKs but a plasma-fire from the ground break it down onto ground in a split second later, before the fiery pieces of shrapnel fall and explode on the HK TANK and endos.
A COUPLE OF AIR SQUADRONS with plasma guns add-on, alight and enfilade them.
SLOW MO:
PAN OVER AFTER A PLASMA SHOT as it rushes and attacks a T-900 endo at the chest plate.
A LARGE EXPLOSION takes one of the air squadron.
NORMAL;
VOICES (V.O.)
What the hell was that?
INT. AIR CRAFT – BRIDGE – DAY
They look surprise with that.
CHIN
(on comm)
Aim the endos only their heads.
Repeat. Only their heads.
VOICES
(from comm)
Roger. On their heads. Copy.
EXT. FIELD – DAY
Our camera looks through Dietze's team to the battle in the north. Dietze turns to us and talks to his men.
DIETZE
Let's go. Help them from ground.
Telling metal we aren't weak.
GOODNOW
(as she and the people raise
their guns up with morale)
Let's go.
NICK
Go.
The team runs out to the battle as they fire their plasma rifle to the endos from the north. They always aim to the heads.
L.S. The battle continues, human troops on ground fighting with endos as the air force breaking HK TANKS, AERIAL HKS AND OGRES down, teamwork.
CUT TO JOHN, CAMERON, AND VICTORIA
John's head lies on Cameron's lap as he's still unconscious.
Victoria keeps watch. Cameron tries to wake him up.
CAMERON
(awaking)
John! John! Open your eyes.
John! We're winning. John!
JOHN'S POV.
His eyes slowly open to see Cameron who smiles to him. Feeling like the angel is forward his sight. We still can hear the sounds of many EXPLOSIONS from this point.
CAMERON
John. Wake up.
John sits up and looks to battle...
BACK TO SCENE
...then smiles hopefully. As we DOLLY OUT, we can hear Lampage Moore's voice over:
LAMPAGE MOORE (V.O.)
In every navigation, always
have hope. We can go through
storm...
EXT. BATTLE – DAY
L.S. We see the battle that is nearly end.
Humans will win. We're sure about that. PLASMA-FIRES and EXPLOSIONS on machine troops.
LAMPAGE MOORE (V.O.) (cont'd)
...big wave, sharks, octopuses,
and a lot more problems.
The endos all are being cut down so fast.
LAMPAGE MOORE (V.O.) (cont'd)
We have never fallen so easily.
ANOTHER EXPLOSION on them, all OGRES, HKS and endos are being destroyed like a group of tussock moths in bonfire.
DISSOLVE TO:
EXT. HARBOR – DAY
AERIAL SHOT
Flying in from over the ocean looking back at the harbor of Suisun bay.
Many Asian subs moor nearby the port. We can see USS JIMMY CARTER at the dock closely the harbor.
END OF ACT 3
ACT 4
(Hasta luego, Allison)
EXT. HARBOR – DAY
TILT DOWN, seeing General Perry shaking hands with COLONEL HIKARU CHINTAI. John, Dietze, Allison, Jesse, Derek, Kyle, Cameron, and more resistance fighters stand backward Perry. Hikaru speaks English repetitiously but not much.
HIKARU
Nice to meet you, General Perry.
PERRY
Nice to meet you too.
HIKARU
We are here because General Pichitchai,
our leader, need to send some forces to
bring the stealth ship and the emissary
back to our base.
PERRY
I understand. We can protect the stealth ship.
And I think you and your people need to relax
here for a day before you move out.
HIKARU
Oh! Yes. I think so. Where are the place
for my people?
PERRY
Everywhere in here.
HIKARU
Thank you, General.
ANGLE ON THE CRATE
Behind it is a man of about 20, blond hair, 5'8". He hides and stares hard to those humans.
C.U. The man, as his eyes flash electric RED. HE'S A TERMINATOR.
DISSOLVE TO:
INT. JESSE'S BUNK – DAY
A small room, basically a one-time storage closet, contains a heavy door, a bucket, one light bulb, and a built-in bathroom.
JESSE is in the bathroom. Dries her face. As the lock of the door is unlocked by someone.
LOW SHOT AT THE DOOR, BOLTS SLIDING precede the door opening, flooding the room with comparably bright light. A silhouetted man steps inside and closes the door.
JESSE (O.S.)
Hey! Derek. Please put off your boots
and put them down in front of the door.
TILT UP, revealing DEREK REESE is dressed in a vest and a BDU pants. He raises his foot up and puts off his boot. He does this to another one too. He then puts it down in front of the door and one of his hands goes to the bolt and locks the door.
Jesse, gets out from the bathroom and smiles to him.
JESSE
Hi. Funny Derek. It's been a long
time. I thought I missed you.
Derek, smiles back.
DEREK
Everything's changed, Jes.
JESSE
You looks better.
DEREK
I think so.
JESSE
Yes. I mean really good.
DEREK
What do you want?
Jesse and Derek step closer each other. Derek pulls her into his passionate kiss before he breaks the kiss and gently pushes her on her bed.
Derek jumps on top of Jesse. They both breathe harder and faster.
JESSE
It'll be good.
Jesse lifts up a little and kisses him at the cheek then smiles. He gently flashes a kiss on her lips.
DEREK
Yes. It'll be good.
Derek smiles and then gives her control of the kiss. Their eyes close as one of his hand slides up to her left breast, gently caresses it. Another hand picks through her undies and doing something under it what we haven't seen.
JESSE
(moaning)
Oh! Derek, fix it.
Derek's hands tugs at her t-shirt and pulls it out of the waistband of her jean.
He moves them up along his sides and ribs, lifting the tee in the process. She lifts her arms to allow him to remove the t-shirt. He pulls it up and to her hands and leaves her to do the rest of the work while she goes to work on his belt. He tosses his vest and leans forward to capture her lips for a moment, sucking at her lower one before nibbling his way down her neck and chest to find her nipple. He runs his tongue around the hard nub and then groans against it as he draws it into his mouth. They both sit up and strip their clothes off so quickly before he gets closer her and kisses her and pulls her on the bed again.
JESSE
(moaning)
We are naked. Do it.
Derek slides his hands from her waist and over the lush curve of her hips onto the firm globes of her ass. He tests that firmness with flexing fingers, spreading her cheeks as he fondles them.
He grasps his dick and guides its head through her folds until he finds her entrance to take away the temptation to stick it elsewhere. Jesse rocks back and his dickhead wedges into the tight ring of entrance, the muscles stretching and at the same time resisting. She looks at him.
JESSE
(moaning)
Fuck me! Derek!
Derek lowers himself on top of her. He hovers above her, his hands pressing into the bed as he supports his weight before thrusting forward. She cries out aroused.
Derek hisses as slick, moist heat and delicious velvet pressure surrounds him and draws a wonderful trail of friction along his length. Jesse undulates slowly against him as he presses firmly against her, completely buries inside her molten, pulsing core. The smooth silky skin of the insides of her thigh brushes against his hips as she wraps her legs lightly around him. He draws back and then thrusts forward again, exhaling sharply as he does, the shock wave of his collision with her making her breasts quiver and expelling her breath in an audible puff and soft moan.
He does it again and again and again, keeping his strokes steady and powerful, his breathing measures and even. He processes the wonderful jolt of pleasure that accompanied each thrust and withdrawal, allows it to wash through him, but not overwhelm his control.
He watches her every reaction; the way her breathing changed, the way her eyes either narrows or widens; when she bites her lip or licks them her back arches or the way her fingers occasionally clutches at the covers under her. Sweat lightly beads her flushed skin, her nipples just brushing his chest as she draws in a breath before dropping away when she exhales.
He closes his eyes for a moment and takes a deeper breath before he straightens up.
Derek reaches behind him and captures her calves, the muscles shifting under his fingers. He unlocks her ankles and draws her legs forward and up to drape them over his shoulder. He leans forward again, the bed creaking as he rests his weight on her, bending her knees toward her chest, his face directly over hers. Her eyes are wide, but widens even a bit further as he drives down into her at a new angle. He captures and sucks at her full lower lip before tilting his head to kiss her deeply, hungrily. Their lips slide sensuously together as their tongues fences and then tangles. Her eyes finally flutters close, hiding her unwavering stare and making the illusion complete. Their bodies meet with a wet slap again and again, accompanies by the soft squeak of the bed springs, and when his lips moves from hers to the column of her neck, their soft groans, moans sighs and gasps.
His eyes are closed now.
Derek's lungs burn in his chest as he sucks in air to fuel his straining muscles while his heart hammers at his ribs. Sweat trickles down his back in tickling rivulets, his arms, thighs and calves trembles with strain as the energy in his loins roils and compresses in on itself.
Lightning strikes of delight arches out to play havoc across his nerves as he pants and groans. His balls aches and throbs with the build and pent up tension, skipping back and forth over the line between pleasure and pain. He manages to deliver one more powerful thrust before it all became too much and his hips humps and grinds against her as his spine becomes a taut bow and he erupts inside her with a growl that graduates into a rumbling roar. Her channels squeezes and ripples around him, milking his seed from him as he expands against the tight grip to expel his seed into her.
Jesse's back arches off the bed, mashing her even tighter against him. He can have sworn he hears her say his name in a strained whimper before she lets out a stifled, stuttered cry. Electric ecstasy courses through him, making his muscles twitch as they tenses and relaxes in quick successive surges. Energy zips and snakes through his system, making his skin tingle, every part of him alive and powerful as he empties himself into her.
His climax runs its course. He can hardly stand. Her legs drop from his shoulders, spread to either side of him as he collapses limply on top of her. It takes him a moment to find the coherent ability to draw breath and he finds joy in his relaxed satiation at the simple pleasure of cool air filling his lungs. Her nipples presses into his chest, surrounds by the softer pillows of her breasts that are flattened by his weight. Her scent, mixes with sex and sweat fills his nostrils as he breathes it off her skin. He catches his breath and with a groan rolls off her, pulling his semi-erect cock out of her at the same time. He lies next to her, his shoulder presses to hers with barely enough room for them both on the single bed.
DEREK
How does it feel like?
JESSE
(smiles)
It's so fun. We'll do this again.
Derek chuckles at his own absurdity, but worms his hand under her neck until he can reach her far shoulder and then shifting closer to the middle of the bed, pulls her toward him.
She finally grasps his intent and shifts onto her side. He pulls her closer so that she is snug against his side, her head resting on his shoulder, her hair tickling him when she shifts and her arm drapes across his midriff. He shifts her leg across and between his, his cock twitching as it brushes against her skin. His arm ends up down the length of her back and he slides his hand up across the small of her back to rest it on the curve of her hip in a light embrace.
DEREK
Let's get some sleep.
He takes her hand and places it over his heart and looking down he sees an actual frown on her brow.
He draws in a heavy breath watching her hand rise with his chest. His eyelids grow heavy. He reaches over and turns off the lamp, plunging the room into darkness.
FADE IN:
EXT. DOCK – MORNING
The stealth ship, Sea Shadow, is ready to travel. Allison in her uniform, is beside Colonel Hikaru Chintai who is dressed in well – worn BDUs, and two Japanese, are facing Cameron, Perry, John, Lampage Moore, Chin, and Reese brothers. Perry is shaking hand with Hikaru and friendly smiles at him as Allison is crying. She looks to Cameron.
ALLISON
I will miss you, sis.
Can I hug you before
I go?
CAMERON
Yes. You can.
Allison runs to Cameron then gives her a sisterly hug. Cameron hugs back, a while before she gently pushes her out and wipes her tears by Cameron's left hand.
CAMERON
I will miss you too.
Allison. You and him.
ALLISON
I think Stefan would feel good
if he saw this.
Hikaru steps to Allison.
HIKARU
We have to go.
ALLISON
(to Hikaru)
Okay.
Allison waves away her friends as in b.g., Colonel Hikaru and his men go to the ship.
ALLISON
See you later.
Allison then turns to leave but...
CAMERON
Hasta luego, Alise.
Allison suddenly turns back, flashes a smile.
ALLISON
Hasta luego, Cam.
Allison then turns and leave them to the ship.
FADE TO:
A SERIES OF SHOTS
a) Sarah, asleep in her bedroom.
b) Jesse and Derek, passionate kissing in Jesse's bunk as they slowly striping their clothes.
c) Felicia, reading a book in the living room while T-Lampage keeping watch through the window.
d) Sea Shadow disappears in the ocean.
e) Allison sitting alone in the bunk on the ship.
Stefan's spirit appears and sits beside her. She then turns to him and smiles so warmly.
ALLISON
How are you today, sweetie?
STEFAN
I'm well but you look lonesome.
ALLISON
(smiles again)
It will be find.
CROSSFADE TO:
INT. HALLWAY – MORNING
The common hallway and GENERAL PERRY AND REAR ADMIRAL LAMPAGE MOORE walk along the hallway together. Behind them are Linus, John, and Cameron slowly following them. Linus walks follow the same path as Perry. Cameron and John both are with their plasma rifle.
CUT TO THE OPPOSITE SIDE OF THE HALLWAY
SLOW MO:
THE SAME TERMINATOR walks in the hallway by left side. On his hand, is a plasma rifle.
INTERCUT BETWEEN THEM AND A TERMINATOR
Cameron just realizes something's wrong with the man.
LAMPAGE MOORE (V.O.)
And in the ocean, we have to be careful all
the time. Everything's possible.
CAMERON
Metal.
Terminator, aims his rifle toward Perry.
Moore lunges to push Perry out of the range. Cameron pulls Perry backward so quickly and FIRES.
Terminator, fires a split-second later, just before he suffers
skull splat.
A plasma shot attacks Moore on his ribs under the arm and goes through to kill Linus backward.
Terminator, falls lifeless on the ground.
NORMAL;
Moore has a big ol' burn hole on his ribs under the arm. Perry rushes to turn Moore face-up. Moore's face is white; his eyes are wide open. Breathing comes in quick gasps.
PERRY
Lampage.
MOORE
Take care of my navy.
PERRY
Of course I will. They are my people too.
MOORE
Thank you.
And Moore's gasping stops. Perry closes Moore's eyes.
PERRY
He's the best naval officer.
They all look down at Moore. They all forget Linus.
DOLLY OUT AND DISSOLVE TO:
INT. CAFE – NIGHT
Alex and Xander are having their dinner. Alex looks to have had a lot of alcohol. Xander drinks club soda.
ALEX
You know what. Xan. We can come
through many problems ourselves.
We didn't need that bitch to
command us at all.
XANDER
Dad, I think you are too drunk.
ALEX
No. No. No. I don't think so.
I hate her very much. She may
think we are just her guards
in her chess match with Kaliba.
XANDER
Dad, we need to go home.
ANGLE ON FRONT DOOR as George walks in. He pushes past the cashier. A LARGE BOUNCER puts the arm on him.
T-GEORGE removes his hand easily, crushing it.
The bouncer staggers back in pain as George moves into the crowd. He crosses the dance floor, scanning. Pushing people aside like a bulldozer, leaving a wake of outrage.
ALEX AND XANDER;
ALEX
Not now. You know what
we are not guards. In fact,
we are king and knight.
GEORGE (O.S.)
You are Alex and Xander Akagi?
Xander turns left and sees GEORGE MCCARTY stand nearby their table. Alex slowly turns to him and smiles.
ALEX POV.
Everything's blur.
He doesn't see George but he sees his assistance, MINAMOTO (S02EP10).
BACK TO SCENE
ALEX
Hey. Minamoto. You've come.
Alex hiccoughs then belches so loud.
XANDER
(to Alex)
Hey! Dad. That's not Mr. Minamoto.
(to George)
I'm sorry for him. I think he's
too drunk.
GEORGE
(smiles)
Never mind. Are you Akagi?
XANDER
Yes. We are. Why?
SLOW MO:
GEORGE
(smiles)
Thank you for the answer.
As Xander turns back to his father, George draws the .45 smoothly from inside his jacket...cocks the slide.
NORMAL;
He fires.
LOW ANGLE ON T-GEORGE, lowering the barrel. He methodically fires four more rounds into the bodies OUT OF FRAME below.
SEVERAL ANGLES as patrons of the bar run, scream or dive for cover, depending upon their level of intelligence.
T-George, emotionless, walks off.
The people immediately grab their phones up and start call for the police.
INT. BIOLOGICAL LABORATORY – DAY
SUPERIMPOSE: "ASIAN RESISTANCE BASE 2027"
ON THE LARGE CAPSULE, we see Stefan's clone body is still twenty five years old. The water is blue. He looks peaceful. His muscles look better but they are still weak.
ZOOM OUT A LITTLE and we see General Pichitchai looking at him.
PICHITCHAI
Wait for a while my son.
You will be better soon.
Pichichai slowly smiles.
FADE OUT.
SUPERIMPOSE: "To be continued..."
END OF ACT 4
THE END
