The phantom of the opera.
The best theatre, movie and book. Coming to life as Harry potter Cast.
Charcters.
Phantom = Tom Riddle
Christine = Hermione
Raoul = Harry
Andre = Draco
Firmin = Seamus
Meg = Luna
Giry = Professor McGonagall
Lefebvre = Dumbledore
Piangi = Ron
Carlotta = Pansy
Reyer = Theodore
Auctioneer = Dean
Buquet = Hagrid
Porter = Neville
Chorus =
Hannah
Daphne
Ginny
Neville
Blaise
Collin
Susan
Terry
Cho
Oliver
Fred
George
Katie
Cedric
Prologue
The stage of the Paris Opera, 1911
(The contents of the opera house is being auctioned off. An Auctioneer, Porters, Bidders, Harry seventy now, but still bright of eye. The action commences with a blow from the Auctioneer's gavel)
Dean: Sold Your number sir? Thank you. Lot 663, then, ladies and gentlemen: a poster for house's production of 'Hannibal' by Chalumeau
Neville: Showing here
Dean: Do I have ten francs? Five then. Five I am bid. Six, Seven. Against you sir, seven. Eight. Eight once. Selling twice. Sold, to Harry, Potter. Lot 664 a wooden pistol and three human skulls, from the 1813 productions of 'Robert Le Diable' be Meyer. Ten francs for this. Ten, thank you. Ten francs still, fifteen, thank you sir. Fifteen I am bid. Going at fifteen. Your number sir?
Lot 665, ladies and gentleman: A papier-mâché musical box, in the shape of a barrel organ. Attached, the figure of a monkey in Persian robes, playing the cymbals. This item discovered in the vaults of the theatre, still in working order.
Neville: (Holding it up) Showing here (he sets it in motion)
Dean: May I start at twenty francs? Fifteen, then? Fifteen I am bid.
(The bidding continues. Harry eventually buys the box for thirty francs)
Dean: Sold for thirty francs to Mr potter. Thank you sir.
(The box is handed to Harry. He studies it, as attention focuses in him for a moment,)
Harry: (Quietly, half to himself, half to the box) A collector's piece indeed…. Every detail exactly as she said…. She often spoke of you my friend…. Your velvet lining and you figurine of lead… Will you still play, when all the rest if us are dead?
( Attention returns to Dean, as he resumes)
Dean: lot 666, then: a chandelier in pieces. Some of you may recall the strange affair of the phantom of the opera: a mystery never fully explained. We are told, ladies and gentlemen, that this is the very chandelier which figures in the famous disaster. Our workshop have restored it and fitted up parts of it with wiring for the new electric light, so that we may get a hint of what it may look like when reassembled. Perhaps we may frighten away the ghost of so many years ago, with a little illumation, gentleman?
(Dean switches on the chandelier. There is an enormous flash, and the overture begins. During the overture the opera house is restored to its earlier grandeur. The chandelier, immense and glittering, rises magically from the stage, finally hovering high above the stalls)
