GROUND ZERO
HUBBARD STREET
BY
HENRIETTE MOUSTAKIS
TEASER
FADE IN:
INT. ELEVEN- FORWARD. NIGHT. SEPTEMBER 10TH, 2001
It is crowded. A hubbub of activity is going on. This is the opening of Ruiz's new Star Trek restaurant ELEVEN FORWARD. Decor is pure sci-fi. The waiting staff is wearing uniforms similar to the show. Cameras are going off everywhere as soon as a celebrity walks in. Fans gather for autographs. In the midst of this is a table containing the men from Bravo. They are MYRON GOLDMAN, MARVIN JOHNSON, ZEK ANDERSON, DR. JENNIFER SEYMORE-ANDERSON, JOHNNY MC KAY, ANDREW HOCKENBERRY, FRANK HOCKENBERRY and his wife MAYLING HOCKENBERRY. ALBERTO RUIZ is floating around going crazy.
ANDREW HOCKENBERRY
I can't believe you got us here Dad. This is really embarrassing. I outgrew Star Trek years ago.
FRANK HOCKENBERRY
Andrew, stop bitching. This is supposed to be fun. Think of it as a vacation. How many of your friends ever been to New York?
ANDREW HOCKENBERRY
New York is not the problem. Star Trek is.
FRANK HOCKENBERRY
If you didn't want to come, you could have told me. You haven't been yourself for weeks, and don't tell me it's that dream.
ANDREW HOCKENBERRY
The dream is real. Every time I have it, it becomes clearer.
ZEK ANDERSON
What dream is that?
ANDREW HOCKENBERRY
Nightmare is more like it. It started out vague. But now, it's like watching a movie.
DR. SEYMORE
Why don't you tell me about it? Maybe I can help?
FRANK HOCKENBERRY
Tell her. She helped me.
ANDREW HOCKENBERRY
I'd rather not, thank you. I don't need a shrink.
Mc Kay picks up his glass.
JOHNNY MC KAY
These are the strangest glasses I ever saw. I wonder where Ruiz got them?
MYRON GOLDMAN
From Paramount. They supplied opening night, right down to the wait staff uniforms.
MARVIN JOHNSON
(picking up glass)
I can tell. The beer is blue.
JOHNNY MC KAY
It's supposed to be Romulan Ale. Dorn told me about it.
Ruiz comes over.
ALBERTO RUIZ
How's everybody doing?
MYRON GOLDMAN
I'm having a great time.
ANDREW HOCKENBERRY
I'm not.
ALBERTO RUIZ
What's with your son, Doc?
FRANK HOCKENBERRY
He's embarrassed. He'll get over it.
ANDREW HOCKENBERRY
No I won't. Normal people come to New York to see the Statue of Liberty. We end up drinking Romulan Ale. I hope my friends never see this.
MYRON GOLDMAN
Too late. Entertainment Tonight is taping us. They really love Mayling.
MAYLING HOCKENBERRY
Me? Why?
FRANK HOCKENBERRY
Got me. Hey, Ru? Is Dorn showing up?
JOHNNY MC KAY
I hope so. I'm in the mood to talk shop.
ALBERTO RUIZ
He just walked in.
(waves arm)
Mr. Dorn, over here. He's coming.
(to Mc Kay)
Don't say a word, Mc Kay.
MICHAEL DORN walks over. (This was long before HEART OF THE BEHOLDER came out. Quite a coincidence.)
MICHAEL DORN
Hello, It's good to finally meet you.
ALBERTO RUIZ
Same here. I'd like you to meet someone.
Mc Kay turns.
JOHNNY MC KAY
Hello, Dorn.
MICHAEL DORN
Hey, Mc Kay! What are you doing here?
JOHNNY MC KAY
Having dinner with my friends.
MICHAEL DORN
How do you know Ruiz?
JOHNNY MC KAY
We were in Nam together. I flew. He was infantry. We all were, except for the ladies. We were having a reunion.
MICHAEL DORN
That sounds nice. Why don't you introduce me?
JOHNNY MC KAY
Gladly.
As he introduces everyone, they shake hands.
JOHNNY MC KAY
This is Sergeant Anderson?
MICHAEL DORN
Zek? I've heard a lot about you.
ZEK ANDERSON
You got me worried now, Mc Kay.
JOHNNY MC KAY
His wife, Dr. Jennifer Seymore-Anderson.
MICHAEL DORN
She's very pretty, Sergeant.
ZEK ANDERSON
Yeah, but she can't cook.
MICHAEL DORN
Food isn't everything.
JOHNNY MC KAY
Myron Goldman, Marvin Johnson, our medic Frank Hockenberry, his wife Mayling and his embarrassed son, Andrew.
Dorn stares at Mayling in disbelief. I ORIGINALLY BASED MAYLING ON THE CHARACTER MRS. MILES O'BRIEN ON STAR TREK.
MICHAEL DORN
It's amazing.
MAYLING HOCKENBERRY
What's amazing?
MICHAEL DORN
We had an actress named Rosalind Chao. She was married to the character Miles O'Brien. You could be her twin.
MAYLING HOCKENBERRY
I assure you, sir. I am no actress. For the past twenty years I have lived in Nashville with my husband and children.
MICHAEL DORN
You could have fooled me.
A crowd forms at the door. COLM MEANEY has just walked in. Dorn looks up.
MICHAEL DORN
Colm is here. He has to see this.
(waves)
Colm, over here!
MAYLING HOCKENBERRY
I knew I should have stayed home.
He walks over and greets Dorn.
COLM MEANEY
Hey, Mike. How you been?
MICHAEL DORN
Fine. I'd like to show you something. This is John Mc Kay, my flight instructor.
COLM MEANEY
(shaking hand)
I've heard a lot about you, Mc Kay.
MICHAEL DORN
And these are his friends from Vietnam. You'll get their names later. I need you to meet Mrs...What was your name?
MAYLING HOCKENBERRY
Hockenberry. Mayling Hockenberry.
Colm looks at her with surprise.
COLM MEANEY
Unbelievable. It's a shame Rosalind can't be here. She wouldn't believe this.
Frank starts to laugh.
MAYLING HOCKENBERRY
What is so funny Frank?
FRANK HOCKENBERRY
Now you know how I feel.
COLM MEANEY
Does this happen to you?
FRANK HOCKENBERRY
All the time.
COLM MEANEY
Well, I've never seen you.
FRANK HOCKENBERRY
Then you would be the first. I assure, gentlemen, she is no actress. She has a florist shop and spends the rest of her life raising five children.
COLM MEANEY
My wife's character was a botanist. What a coincidence?
(looks up)
Majel is calling us. It's time for promotion shots.
MICHAEL DORN
That means you, Mr. Ruiz. You better come with us.
(to Mc Kay)
Call me. We'll go flying tomorrow.
JOHNNY MC KAY
I'll do that.
Detective MARCUS TAYLOR runs in.
MARCUS TAYLOR
Sorry I'm late, guys. Traffic was unreal. I hate New York.
Taylor sits down. Andrew starts staring at him. This makes him uncomfortable.
MICHAEL DORN
Who's this, Mc Kay?
JOHNNY MC KAY
Detective Marcus Taylor.
COLM MEANEY
The author? I have all your books.
MICHAEL DORN
I'm up to play you in a movie.
ALBERTO RUIZ
They're making a movie about you?
MARCUS TAYLOR
No, the detective I use in the books.
MICHAEL DORN
Tell me one thing. I just got the script and they never said who happened to the guy who caught the hooker's murderer.
COLM MEANEY
Yeah, who was he?
MARCUS TAYLOR
(looking at Frank)
A man who wished to remain unknown.
MICHAEL DORN
Did you meet him?
MARCUS TAYLOR
I was close enough to kiss him.
COLM MEANEY
Mike, Majel really wants us. We have to go.
MICHAEL DORN
(to Mc Kay)
We'll fly tomorrow.
JOHNNY MC KAY
You're on.
The two walk off. Andrew continues staring.
FADE OUT:
END OF TEASER
ACT ONE
FADE IN:
SCENE ONE
INT. ELEVEN- FORWARD. NIGHT. SEPTEMBER 10TH, 2001 -- MOMENTS LATER
All but Mayling are at the table. Andrew is still quiet. Taylor is VERY uncomfortable.
MARCUS TAYLOR
Something wrong, Andrew? You act like I'm the bogeyman.
ANDREW HOCKENBERRY
Sorry, I just can't help it.
MARCUS TAYLOR
Well stop it.
Mayling comes back. She is ruffled.
FRANK HOCKENBERRY
Something wrong, May?
MAYLING HOCKENBERRY
I can't even go to the bathroom without being followed. I had five people ask me for my autograph. Frank, stop laughing.
FRANK HOCKENBERRY
At least you're not confused for the Angel of Death. Which would you rather have?
MARCUS TAYLOR
Andrew, stop it! It's like you're walking on my grave.
ANDREW HOCKENBERRY
Dad, I have to tell him.
FRANK HOCKENBERRY
Absolutely not. We're here to eat not get spooked out.
MARCUS TAYLOR
Will someone tell me please what's going on here?
FRANK HOCKENBERRY
Andrew's been having a bad dream lately, and each time it becomes clearer. It involves you.
MARCUS TAYLOR
Me? A dream about me can't be bad. My face is too pretty.
ANDREW HOCKENBERRY
This one is.
MARCUS TAYLOR
Then spit it out, boy.
ANDREW HOCKENBERRY
Some of us are by a big building. It's on fire. We're by what used to be a door. Some men run in and you follow them. I start to follow when a hand stops me and says, "No, don't go." I turn and see Monica.
MARCUS TAYLOR
The one with the legs?
ANDREW HOCKENBERRY
It's not her legs I'm looking at. It's her face. She's crying. I turn and see the back of someone following you. It looks like dad but it's not. It's Andrew. I turn back to her and she tells me to run. I ask why and as I do, I look up. The top of the building starts to collapse. We all start running, everyone except you. You're in the building when it goes.
MARCUS TAYLOR
You sure know how to ruin a guy's night. Look, Andrew, it's only a dream.
ANDREW HOCKENBERRY
Then why is it so real?
JOHNNY MC KAY
It's probably what you ate.
ANDREW HOCKENBERRY
Every night? Tell me, Aunt Jenny? How could I have indigestion every night?
ZEK ANDERSON
You could have her cooking.
DR. SEYMORE
(ignoring comment)
They probably are secret meanings buried deep in your subconscious. You and your father are going through therapy. It's probably some old feelings.
ANDREW HOCKENBERRY
Detective Taylor is not part of my therapy.
FRANK HOCKENBERRY
You think it's a vision?
ANDREW HOCKENBERRY
I don't know. I'm not psychic. Why would I dream about Monica?
FRANK HOCKENBERRY
Because you're in love with her. You're going to have to find someone human.
ANDREW HOCKENBERRY
Stop making fun of me.
(to Taylor)
Detective, promise me something. If we're by a burning building, don't go in.
MARCUS TAYLOR
No problem. I'm a cop, not a fireman.
FRANK HOCKENBERRY
Happy now, son. You've freaked us all out. You should have stayed home.
Ruiz comes by.
MARCUS TAYLOR
Well, it isn't Mr. Star Trek? How does it feel being among stars?
ALBERTO RUIZ
Busy. How's everyone doing?
MARCUS TAYLOR
Fine, after a few ghost stories. Hey, Ru? Is Brewster showing up?
ALBERTO RUIZ
His office called. He had prior commitments. Hillary needed him.
MARCUS TAYLOR
Can't deny Hillary?
ALBERTO RUIZ
Are you kidding? He hates her. It's only us. He sends her regards.
Colm comes by and puts his hand on Mayling's and Frank's shoulders.
COLM MEANEY
I was wondering. May I have a dance with your lovely wife?
MAYLING HOCKENBERRY
(surprised)
Ah, I don't know. Frank?
FRANK HOCKENBERRY
I don't see why not. Just remember one thing. If you're anything but a gentleman, you have six men to answer to.
COLM MEANEY
I have no problem with that.
(to Mayling)
May I have your hand?
ZEK ANDERSON
What's wrong with the rest of her?
COLM MEANEY
(smiling)
Absolutely nothing.
The two go off to the dance floor.
ZEK ANDERSON
He made the right choice. She's one of the most beautiful women here. Whose that talking to them?
MYRON GOLDMAN
Entertainment Tonight.
JOHNNY MC KAY
They're taking pictures.
MYRON GOLDMAN
She looks very aggravated.
Frank starts laughing.
ANDREW HOCKENBERRY
I wouldn't laugh dad, You ain't gettin no nooky tonight. She's pissed.
FRANK HOCKENBERRY
Ain't gettin no nooky? That's not proper English.
ANDREW HOCKENBERRY
Would you rather I say, you ain't gettin' laid?
FRANK HOCKENBERRY
I'd rather you not say anything.
MYRON GOLDMAN
He's definitely you son, Doc. His minds in the gutter.
ANDREW HOCKENBERRY
It's inherited.
ZEK ANDERSON
Hey! Dorn's getting into the act. They're doing a group shot.
Frank starts laughing again.
FRANK HOCKENBERRY
This is great. At last, one place where I can't see Andrew.
Andrew walks away from the table. Frank looks at Taylor.
FRANK HOCKENBERRY
What did I say?
MARCUS TAYLOR
I'll take care of it.
Taylor walks over to Andrew.
MARCUS TAYLOR
You okay, son?
ANDREW HOCKENBERRY
I'll be fine.
MARCUS TAYLOR
That dream really has you spooked. Is there something more you didn't tell me?
ANDREW HOCKENBERRY
After I turn back to Monica, and before she says to run, she says you won't feel any pain.
MARCUS TAYLOR
Andrew, Jenny was right. Everything in that dream has special meanings. You can't take it literally.
ANDREW HOCKENBERRY
It was so real. Promise me if it happens, you won't go in.
MARCUS TAYLOR
I can't. I'm a cop. If I see someone in trouble, it's my duty to help. I will promise that I'll be careful. Don't worry. This is New York. The worse thing that can happen is getting mugged in the subway.
(looks back at Mayling)
She's really pissed. Five bucks he gets some.
ANDREW HOCKENBERRY
No way. You don't know my mom.
MARCUS TAYLOR
Let's bet on it. How about it, son?
Frank walks over and stops.
ANDREW HOCKENBERRY
There is no way Dad is going to get her to agree.
MARCUS TAYLOR
You don't know your dad.
(extends hand)
What do you say?
ANDREW HOCKENBERRY
You're on. But, you just lost five dollars.
MARCUS TAYLOR
We'll see about that. How about you go back to the table now? Check out your mom.
Andrew walks away and Frank goes to Taylor.
FRANK HOCKENBERRY
He's right. You just lost five bucks.
MARCUS TAYLOR
I know. But it got him to stop talking about the dream. Let's go back.
The two go back and sit down. Mayling joins them.
FRANK HOCKENBERRY
That was a short dance.
MAYLING HOCKENBERRY
I don't want to talk about it. Can we go back to the hotel now?
FRANK HOCKENBERRY
We haven't eaten yet. I came here to eat.
MAYLING HOCKENBERRY
Frank, please.
FRANK HOCKENBERRY
No way. I've heard about Ruiz's places and I'm hungry. We're staying.
Andrew gives his hand to Taylor.
ANDREW HOCKENBERRY
Hand it over, Taylor. I just won.
Taylor reaches into his wallet and winks at Frank as he hands Andrew the money. The WAITRESS finally comes over.
FADE OUT:
END OF ACT
ACT TWO
SCENE ONE
INT. FRANK'S HOTEL ROOM. SEPTEMBER 11TH, 2001. - MORNING
The suite is divided into two bedrooms and one bath. In one room, Frank lays on the bed. He looks at the clock. It reads 8:40 a.m.. Mayling is in the shower. Andrew is in his room sleeping. Frank closes his eyes as Andrew starts screaming. He runs into his room.
FRANK HOCKENBERRY
Andrew! Andrew! Wake up! It's only a dream. Wake up!
He does as Mayling enters. She is wearing a robe and has wet hair. She goes to Andrew who is in tears.
MAYLING HOCKENBERRY
That dream again?
ANDREW HOCKENBERRY
Mom, it's not a dream. It's going to happen. I know it. Why else would Monica stop me from going in?
MAYLING HOCKENBERRY
Frank, do something. This is getting ridiculous.
He walks over to the window and looks out. It is a beautiful view. The hotel is about a mile from the World Trade Center. Frank has a clear image of it.
FRANK HOCKENBERRY
Andrew, everything is fine. New York is fine.
(walking back)
Snap out of it. Get out of bed.
Andrew does and sits on it. Frank sits next to him.
FRANK HOCKENBERRY
You're just combining these items with your therapy. Trust me.
Mayling sits on the other side of Andrew.
MAYLING HOCKENBERRY
Listen to him. He's right.
A blast is heard. Frank throws them to the floor under the bed. He grabs the blanket and covers them. This takes place in one second. They remain covered as another blast happens. Then all is silent. Frank slowly takes off the cover and looks around. Glass is everywhere but on them. The three freeze.
MAYLING HOCKENBERRY
What was that?
FRANK HOCKENBERRY
I don't know. I'll find out. Just do what I say. There's glass all over. I'm the only one with slippers. I'll get up first and try to brush the glass away. As I do, I'll get you a robe, son, and some slippers for both of you. Just lie still till I get to you.
MAYLING HOCKENBERRY
It's Vietnam all over again.
FRANK HOCKENBERRY
Not on my watch.
He gets up and looks around. The windows are gone and smoke and dust are coming in. He slowly grabs a suitcase and moves the glass away with it. He finds a robe and slipper and goes to Andrew.
FRANK HOCKENBERRY
Here, son. Get up very slowly and put these on.
Andrew does.
FRANK HOCKENBERRY
Continue clearing the area while I get your mother.
Frank walks into another room and comes back with her slippers and puts them on the floor.
FRANK HOCKENBERRY
Honey, slide over to where Andrew was and get up very slowly.
She does.
FRANK HOCKENBERRY
Andrew, did you clear a path?
ANDREW HOCKENBERRY
All the way to the door.
FRANK HOCKENBERRY
Stay here. I'm going to the window to see. May, put the slippers on.
MAYLING HOCKENBERRY
Frank, be careful.
FRANK HOCKENBERRY
Don't worry. There's no more glass left. It's all over the floor and furniture.
He does.
FRANK HOCKENBERRY
Oh my God!
MAYLING HOCKENBERRY
What is it?
FRANK HOCKENBERRY
The World Trade Center is on fire, both towers.
MAYLING HOCKENBERRY
You were standing there a minute ago.
FRANK HOCKENBERRY
The angels must be working overtime with us.
There is a knock on the door. Frank cautiously walks over. The sound of glass is heard with every step. He opens it. Johnson, Goldman and Zek stand there.
MARVIN JOHNSON
You okay, Doc?
FRANK HOCKENBERRY
We're fine. I covered us with a blanket. How about you, guys?
MARVIN JOHNSON
Our windows are gone too.
ZEK ANDERSON
Jenny and I were dressed. We were about to take a walk. After the blast, she went to see what she could do.
FRANK HOCKENBERRY
That's not a bad idea.
Taylor and Mc Kay run in.
JOHNNY MC KAY
You guys okay?
MYRON GOLDMAN
Yeah.
JOHNNY MC KAY
It was Nam all over again. What happened? Turn on the TV.
FRANK HOCKENBERRY
I'll try and see if it works.
He goes over and turns it on. They hear the news. All are stunned.
MARVIN JOHNSON
Nam was never like this. We have to help.
MYRON GOLDMAN
We're trained for this.
ZEK ANDERSON
Jenny's already going to see what she can do.
FRANK HOCKENBERRY
(looking at night wear)
Give me five minutes and meet us in the lobby. We've all got skills we could use.
(to Mayling)
Honey, get dressed and pack our bags. Andrew and I are going down.
MAYLING HOCKENBERRY
I'm going with you.
FRANK HOCKENBERRY
Don't argue with me.
MAYLING HOCKENBERRY
I'm not staying here alone. I'm scared. There has to be something I can do.
MARCUS TAYLOR
Don't argue, Doc. She has every right to be scared. I'm scared too.
FRANK HOCKENBERRY
Okay.
(to men)
Give us a few minutes.
MYRON GOLDMAN
Right.
They leave. Andrew is very quiet. Frank goes to him and puts his arms around him.
FRANK HOCKENBERRY
I'm sorry, son. Next time I'll listen to you.
ANDREW HOCKENBERRY
Am I right about Taylor?
FRANK HOCKENBERRY
I hope not. Let's get dressed.
(looking around)
Careful the glass. Wear something that can get dirty. You won't be able to wear it after this.
CUT TO:
SCENE TOW
INT. HOTEL LOBBY. MORNING. -- MOMENTS LATER
Frank, Mayling and Andrew reach the lobby. There is pure chaos. Taylor, Goldman, Johnson and Zek are standing by a policeman name OFFICER REYNOLDS. They call the three over.
FRANK HOCKENBERRY
What's it like out there?
MARCUS TAYLOR
You don't want to know. This is Officer Reynolds. He's found jobs for us.
FRANK HOCKENBERRY
Where's Mc Kay?
MYRON GOLDMAN
He's being driven to a chopper right now.
FRANK HOCKENBERRY
Tell me what to do.
OFFICE REYNOLDS
Are you the medic?
FRANK HOCKENBERRY
Yes.
OFFICE REYNOLDS
You're going straight to triage. It's in the Sony warehouse. You men are going to the school.
ZEK ANDERSON
What for?
OFFICE REYNOLDS
We need people to help identify the dead. Your technical training will help there.
FRANK HOCKENBERRY
What about my family? They want to help.
OFFICE REYNOLDS
Sorry, no civilians. They won't be able to deal with it.
MAYLING HOCKENBERRY
I grew up in Vietnam while it was at war. There isn't anything I haven't seen. I can do it. So can my boy.
OFFICE REYNOLDS
No way, ma'am.
MAYLING HOCKENBERRY
Give us a chance to help. America is MY country now.
OFFICE REYNOLDS
She always like this?
FRANK HOCKENBERRY
You don't know the half of it.
OFFICE REYNOLDS
All right. Go with your husband to triage.
ZEK ANDERSON
Is my wife there? Dr. Seymore?
OFFICE REYNOLDS
Medical doctor?
ZEK ANDERSON
Yes.
OFFICE REYNOLDS
Our doctors are spread out. You'll have to find her yourself. Let's go.
They leave.
CUT TO:
SCENE THREE
EXT. STREET. MORNING. -- MOMENTS LATER
All is in chaos. Service personnel are everywhere. The wounded are being carried out. What once was a door can be seen in the distance in front of them.
OFFICE REYNOLDS
The Sony building is to your left. The morgue is down the street.
MARCUS TAYLOR
What can I do?
OFFICE REYNOLDS
There's still people trapped in there. We need to get them out.
MARCUS TAYLOR
I'm on it.
Taylor starts to run. Andrew stops him.
ANDREW HOCKENBERRY
NO! You can't go in.
MARCUS TAYLOR
People are in trouble.
ANDREW HOCKENBERRY
My dream is becoming real. If you go in, you'll die.
MARCUS TAYLOR
(assuring him)
I will not die. I didn't spend two tours in Vietnam to die on American soil. I'll see you later.
He runs in. Andrew follows but is stopped by MONICA the ANGEL.
MONICA-ANGEL
No! Don't go.
ANDREW HOCKENBERRY
(turning)
I have to stop him.
MONICA-ANGEL
He won't feel any pain.
Andrew looks back and sees Andrew walk in after Taylor.
ANDREW HOCKENBERRY
NO! It can't be happening.
The building starts to crumble. All look up.
MONICA-ANGEL
RUN!
It starts to fall and all run. It follows after them. Frank sees a church.
FRANK HOCKENBERRY
Quick! The church!
OFFICE REYNOLDS
Are you nuts mister? It's only a block away. It won't survive.
FRANK HOCKENBERRY
God is in there. That's all I need.
CUT TO:
SCENE FOUR
INT. CHURCH. MORNING. -- MOMENTS LATER
THIS IS A TRUE FACT. THERE WAS A CHURCH A BLOCK AWAY THAT SUFFERED NO DAMAGE. They run in as the building falls and debris starts. They hide in the pews.
FRANK HOCKENBERRY
God, if you're watching. We could use some help here.
He crosses himself as the others follow. The church shakes but the windows do not break. Then there is silence. They look up as the ground begins to shake again. They go back to hiding and the windows still do not break. Then the real silence begins as screams are heard outside. They stand up and head to the door. The situation has gone from bad to worse. Office Reynolds looks in disbelief.
OFFICE REYNOLDS
My men were in that building. Where was God?
FRANK HOCKENBERRY
In here with us.
ANDREW HOCKENBERRY
Taylor's dead, just like my dream.
ZEK ANDERSON
Andrew, he may still be alive. He could be in an air pocket.
ANDREW HOCKENBERRY
You think so?
ZEK ANDERSON
He's too pretty to die. Let's get to work. Reynolds, we're ready.
Reynolds is in shock.
MYRON GOLDMAN
Tell us where to go Reynolds. We're loosing time.
OFFICE REYNOLDS
My men.
MYRON GOLDMAN
Please show us.
OFFICE REYNOLDS
(shaking)
Come with me.
They leave the church. As they do, Frank looks back at the cross.
FRANK HOCKENBERRY
God, please be with those men and with Taylor.
CUT TO:
SCENE FIVE
INT. SONY WAREHOUSE. MORNING. -- MOMENTS LATER
It has been transferred into a hospital. Medical staff is starting to come in. The wounded are being brought in with them. The group enters.
OFFICE REYNOLDS
This is triage. I'll show you where the school is.
ZEK ANDERSON
Is my wife here?
OFFICE REYNOLDS
I don't know sir.
Zek walks up to MAN ONE.
ZEK ANDERSON
Excuse me, can you tell me if you saw a Dr. Seymore here?
MAN ONE
I don't know.
(yelling)
Hey, people! Is there a Dr. Seymore here?
MAN TWO
(yelling back)
She stepped out right before the collapse. We don't know where she is.
ZEK ANDERSON
Jenny? She could be hurt.
FRANK HOCKENBERRY
(holding him)
I'm sure she's fine. She can take care of herself. Take it easy, Zek. You have a job to do.
OFFICE REYNOLDS
I better take you to the school.
ZEK ANDERSON
But Jenny?
FRANK HOCKENBERRY
Zek, as soon as she comes back, I'll call you. Just keep your phone on. I promise I will call. Now go.
Reynolds, Goldman, Zek and Johnson leave. Frank looks around.
FRANK HOCKENBERRY
I'll find the guy in charge and we can get started.
CUT TO:
SCENE SIX
EXT. FIELD. MORNING. -- CONTINUOUS
Mc Kay and a group of men are by a helicopter. Mc Kay is holding a map and getting instructions from MAN THREE.
JOHNNY MC KAY
What do I do?
MAN THREE
We need a sweep of the area first.
JOHNNY MC KAY
What about survivors?
MAN THREE
No can do. That's a two-man team. You can't fly and rescue alone.
JOHNNY MC KAY
Then find me another man. There are people out there who need help.
MAN THREE
It has to be a backup pilot.
Mc Kay hears a ruckus. He turns to see Dorn arguing with COP ONE.
MICHAEL DORN
I assure you. I AM a pilot.
COP ONE
Sure you are. This isn't the Enterprise.
MICHAEL DORN
I have a license.
COP ONE
And I'm Captain Kirk.
MICHAEL DORN
Wrong show.
Mc Kay runs over.
JOHNNY MC KAY
He really is a pilot. Believe him.
COP ONE
How would you know?
JOHNNY MC KAY
I taught him. Let him fly.
MAN THREE
You for real, Mc Kay?
JOHNNY MC KAY
Yes. Now can we get started?
MAN THREE
Then he's your second man. You two are now search and rescue.
MICHAEL DORN
It's about time.
Dorn pushes his way past Cop One and runs to the bird.
MICHAEL DORN
(getting in)
I told you I wanted to fly, but I didn't mean this.
JOHNNY MC KAY
Neither did I. Good to have you aboard.
MICHAEL DORN
Who gets the wheel?
JOHNNY MC KAY
You do. Here's the map of the area. I'll be your eyes. Just keep us afloat.
MICHAEL DORN
Yes sir.
Dorn gets into his seat and buckles in.
CUT TO:
SCENE SEVEN
EXT. SONY WAREHOUSE. MORNING. -- CONTINUOUS
Mayling and Andrew are bringing medical supplies to Frank and the other doctors. Everyone is working on survivors. Dr. Seymore walks in. She is covered with soot and is being followed by CHARLIE THE WINO. Frank looks up and sees her. He finished his patient and runs over to them.
FRANK HOCKENBERRY
Jenny, are you all right? What happened?
DR. SEYMORE
I went to the van for supplies and all hell broke loose. I started running and this man, Charlie, grabbed me and threw me into a Starbucks. He shielded me with his body when the windows broke and saved my life.
FRANK HOCKENBERRY
(looking at Charlie)
Thank you, Charles.
CHARLIE - WINO
My name is Charlie.
FRANK HOCKENBERRY
You deserve more respect than that. You saved my friend's life. You wouldn't happen to have a flask with you?
CHARLIE - WINO
Yeah, why?
DR. SEYMORE
Frank, don't start drinking now.
FRANK HOCKENBERRY
It's alcohol. We're running low on rubbing alcohol. How else would we sterilize our instruments?
(to Charlie)
Could you give me the flask, please?
CHARLIE - WINO
You buy me another one?
FRANK HOCKENBERRY
I will buy you one.
CHARLIE - WINO
(giving it)
Here.
FRANK HOCKENBERRY
(touching him)
You're hurt. You've got glass in your hand. Come with me. I'll get it out.
(to Jenny)
Here, take my phone. Zek's worried about you. I'll take care of Charles.
The two walk off as Jenny dials. Frank picks up the tweezers and rubbing alcohol.
FRANK HOCKENBERRY
You're not afraid, are you?
CHARLIE - WINO
No.
FRANK HOCKENBERRY
(starting to work)
That was a brave thing you did. Dr. Seymore is a special lady. She's a healer.
CHARLIE - WINO
I didn't see her job. I saw a person. That was all I needed.
FRANK HOCKENBERRY
Give me your hand.
He does and Frank is pulled back.
CHARLIE - WINO
Anything wrong?
FRANK HOCKENBERRY
It's your hand. It doesn't fit your lifestyle. They're so fragile and gentle. You haven't been on the streets long.
CHARLIE - WINO
Longer than you think.
FRANK HOCKENBERRY
What are your plans?
CHARLIE - WINO
I want to help.
Mayling comes by and watches.
FRANK HOCKENBERRY
Not with those hands. The cuts will get infected. You can't trust people and blood anymore.
CHARLIE - WINO
I want to help.
Frank looks at a bag by his side.
FRANK HOCKENBERRY
I have an idea.
(picks up bag)
My wife wears gloves at work. I bought this for her birthday. She doesn't know. I don't know if I should give you these.
She walks over and takes the gloves from his hands and gives them to Charlie.
FRANK HOCKENBERRY
How did you know?
MAYLING HOCKENBERRY
After all these years I know you like a book.
FRANK HOCKENBERRY
May, get me the bandages.
(does)
Welcome to the party.
(wraps his hand)
These gloves should fit.
CHARLIE - WINO
(putting on gloves)
Who do I see?
FRANK HOCKENBERRY
The guy in blue by the door.
Charlie starts walking
FRANK HOCKENBERRY
Charles?
CHARLIE - WINO
(turning)
What?
FRANK HOCKENBERRY
Nothing.
Charlie continues walking.
MAYLING HOCKENBERRY
What is it Frank?
FRANK HOCKENBERRY
It's his hands. They didn't feel right.
Jenny is on the phone.
DR. SEYMORE
Hello...Zek...It's me. I'm fine. You don't need to worry. I'll be okay...I love you too...Turn off your phone now. Your batteries will last longer. I'll see you later...Love you.
She hangs up and walks over to Frank.
CUT TO:
SCENE EIGHT
EXT. HELICOPTER. MORNING. -- CONTINUOUS
Mc Kay and Dorn are looking at the damage and for survivors.
JOHNNY MC KAY
Unbelievable. It's amazing if we find anyone.
MICHAEL DORN
What are we looking for?
JOHNNY MC KAY
People can be on roof tops, balconies. Any place a person can stand.
MICHAEL DORN
All I see is smoke. I can't make out anything. Wait a minute!
JOHNNY MC KAY
What?
MICHAEL DORN
Three o'clock. The balcony. Is that a little girl?
JOHNNY MC KAY
Can't tell.
MICHAEL DORN
I'll get closer.
They do.
JOHNNY MC KAY
It is. She's hurt. We're going to have to get her out. The building looks pretty damaged.
MICHAEL DORN
Okay, fly boy. You were in Nam. How do we do it?
JOHNNY MC KAY
One of us will have to get down there. I see a rope and a seat back there.
MICHAEL DORN
I'll do it.
JOHNNY MC KAY
No way, Dorn. You're too valuable. Paramount would kill me if something happened. I'm the grunt. I'll do it. You call it in and just fly. I'll tie myself in and you get as close as you can.
MICHAEL DORN
I'll hold it for as long as I can.
The bird gets closer and Mc Kay slowly lowers himself out and manages to catch the balcony with his legs. He lands and sees MARY, a little girl. She is badly cut. He holds her.
JOHNNY MC KAY
Hi! My name is Johnny. What's yours?
MARY
Mary.
JOHNNY MC KAY
Mary, where are your parents?
MARY
(pointing)
In there. They're asleep on the floor. I can't wake them up. A man told me to come to the window.
JOHNNY MC KAY
Where is this man?
MARY
He disappeared.
JOHNNY MC KAY
(Untying himself)
I'm going to see your parents. You wait here.
He goes in and comes right out.
JOHNNY MC KAY
Mary, your parents are asleep. I'll send someone to wake them up later. First I have to get you out of here. I'm going to tie us both up and my friend will bring us up to the plane.
(tying them up)
Now, don't be afraid. Just keep looking at my face and no where else. Whatever you do, don't look down. You got my face?
MARY
Yes.
JOHNNY MC KAY
In less than five seconds you'll be inside.
He motions and they are transported up. He buckles them into his chair and continues holding her.
MICHAEL DORN
Where are her parents?
Mc Kay looks at Dorn and shakes his head NO.
JOHNNY MC KAY
Mary, we're taking you to a hospital. When we land, I want you to tell the police your address and they will get your parents. Will you do that for me?
MARY
Okay.
JOHNNY MC KAY
Make it so, Worf.
The bird goes up.
CUT TO:
SCENE NINE
INT. SONY WAREHOUSE. MORNING. -- CONTINUOUS
Triage as usual. Even Charlie is helping. Ruiz comes in passing bottles of water. Frank sees him.
FRANK HOCKENBERRY
Ru?
ALBERTO RUIZ
(looking)
Doc?
FRANK HOCKENBERRY
Over here.
Ruiz comes over.
ALBERTO RUIZ
What are you doing here?
FRANK HOCKENBERRY
Reliving old times. We're all helping. My family is here. Dr. Seymore is seeing to the more serious cases. Goldman, Johnson and Zek are working in the morgue. Mc Kay is flying.
ALBERTO RUIZ
And Taylor?
FRANK HOCKENBERRY
Taylor's gone. He went into the Trade Center right before it collapsed. We don't know where he is.
ALBERTO RUIZ
Andrew's dream?
FRANK HOCKENBERRY
I don't want to believe it. Look, Ru? Do me a favor. Take Andrew. I'd rather he help you than see this.
ALBERTO RUIZ
Yes, sir.
FRANK HOCKENBERRY
(seeing Andrew)
Andrew, come here!
He does.
ALBERTO RUIZ
Yeah, dad?
FRANK HOCKENBERRY
I want you to help Ruiz. He's supplying food and water.
ALBERTO RUIZ
But you need me?
FRANK HOCKENBERRY
You are not a medic, I am. You help Ruiz. Okay?
They walk off. Mc Kay runs in with Mary.
JOHNNY MC KAY
Quick! I need a doctor.
DR. SEYMORE
(running over)
Let me see.
JOHNNY MC KAY
Her parents and her were in their apartment. The father shielded her, but she's still badly cut.
DR. SEYMORE
She'll take time because of her age. I don't have it. Frank?
FRANK HOCKENBERRY
Yes ma'am.
DR. SEYMORE
Can you do this? I'm too busy.
FRANK HOCKENBERRY
Sure.
(takes Mary's hand)
Come with me. You see that table. You go sit on it and I'll be right there.
(goes to Mc Kay)
Where's her parents?
JOHNNY MC KAY
Dead. They were killed when the windows blew. Can you help her Doc?
FRANK HOCKENBERRY
I'll do what I can. At least I'll get the glass out.
Mc Kay leaves. Franks walks up to Mary.
FRANK HOCKENBERRY
My name is Frank. What's yours?
MARY
Mary.
FRANK HOCKENBERRY
I'm going to be your doctor. You have glass in your skin and I have to get it out.
Mayling stops and watches. Two men turn also. One is SENATOR BREWSTER and his AIDE. They stand by her and don't know each other.
FRANK HOCKENBERRY
(getting tweezers)
Mary, what is your favorite TV show?
MARY
Barney.
FRANK HOCKENBERRY
Mine too. I tell you what. This glass is going to hurt coming out. Why don't we sing the Barney song while I do it? Every time it hurts, we'll sing it louder. Okay?
MARY
Okay.
FRANK HOCKENBERRY
I have to warn you. I can't sing. My dogs scream every time I do. Your ears will hurt more than the glass.
(takes her hand)
Let's start.
(singing)
I love you. You love me. We're a perfect family. Come on, Mary. Sing with me.
They both start singing. He pulls the glass out as the singing gets louder with each tug. When he's finished she is in tears. He wipes her tears.
FRANK HOCKENBERRY
There. That wasn't bad. Was it?
She shakes her head NO.
FRANK HOCKENBERRY
It was my singing that made you cry, right? My dogs always cry.
He kisses her forehead.
FRANK HOCKENBERRY
You stay here. I'll find someone to take you to a hospital. I need someone to watch you for a few minutes. I'll be right back.
He looks around to see Andrew.
FRANK HOCKENBERRY
Son, could you?
ANDREW HOCKENBERRY
Sure dad.
He walks over.
FRANK HOCKENBERRY
This is my son, Andrew. He'll watch you.
Frank walks away.
ANDREW HOCKENBERRY
(wiping her tears)
I'd cry too if my dad sang to me. He sounds like a dying elephant. Come on. That was a joke. Let's see a smile.
She does.
ANDREW HOCKENBERRY
That's more like it.
Man One comes over.
MAN ONE
I'll take her now. Give me your hand.
ANDREW HOCKENBERRY
Her name is Mary.
MAN ONE
Let's go, Mary.
She does and leaves. Senator Brewster turns to his aide.
SENATOR BREWSTER
I know this man. Find out where he's staying.
MAYLING HOCKENBERRY
I'm his wife.
SENATOR BREWSTER
You're Hai's girl, Mayling?
MAYLING HOCKENBERRY
Do I know you?
SENATOR BREWSTER
I'm Senator Brewster. Your husband and his men were under my command. I was supposed to be there last night but something came up. Where are the others?
MAYLING HOCKENBERRY
Working. We're all spread out, all except Taylor. We can't find him.
SENATOR BREWSTER
Where are you staying?
MAYLING HOCKENBERRY
Our bags are staying at the Hilton down the street. As for us, we don't know. Our windows blew out when the planes hit.
SENATOR BREWSTER
How long are you working?
MAYLING HOCKENBERRY
As long as they need us, I guess.
SENATOR BREWSTER
Are all of you at the Hilton?
MAYLING HOCKENBERRY
At the moment.
MAN FOUR calls.
MAN FOUR
Senator? We need you?
SENATOR BREWSTER
I'll see you later, Mrs. Hockenberry.
He leaves. She goes back to work.
CUT TO:
SCENE TEN
INT. SCHOOL GYM. MORNING. -- CONTINUOUS
It has become a makeshift morgue. Goldman, Johnson and Zek have been busy identifying the dead as they come in. People are numbered, tagged and sent elsewhere. The men are tired. There is a pause in the action.
MARVIN JOHNSON
So many. It's hard to believe it happened here, at home.
MYRON GOLDMAN
They had it planned Johnson.
Ruiz comes up with a small food truck. He sees them.
ALBERTO RUIZ
Hey, guys!
MARVIN JOHNSON
Hey, RU!
(going to him)
You're okay? We were worried.
ALBERTO RUIZ
I live across town. I wasn't affected.
ZEK ANDERSON
What are you doing here?
ALBERTO RUIZ
Doing my part. Several restaurant owners are providing food and water for the relief workers. Andrew is somewhere around here distributing water.
MYRON GOLDMAN
It seems we're all working.
ALBERTO RUIZ
You came here for a restaurant opening and all hell breaks loose. Did they find Taylor yet?
ZEK ANDERSON
Mc Kay is flying.
ALBERTO RUIZ
Did they find Taylor yet? Answer the question, Sarge.
ZEK ANDERSON
No one knows. We're all still praying for him.
MAN FIVE comes in.
MAN FIVE
I need help here. We got another one.
Goldman and Johnson go to him.
ALBERTO RUIZ
I feel like it's all my fault. If I hadn't asked you guys to come---?
ZEK ANDERSON
You didn't cause those planes to crash.
ALBERTO RUIZ
But Taylor?
Goldman and Johnson come back wheeling a body. They are distressed. Zek and Ruiz turn. It is Taylor. Man Five comes over.
ZEK ANDERSON
Taylor?
MAN FIVE
You know this guy?
MYRON GOLDMAN
He was my friend.
Andrew comes by with some bottles of water. When he sees Taylor, he drops them. Zek turns to him.
ANDREW HOCKENBERRY
I was right. It wasn't a dream. I was right.
Zek walks over and holds him.
ZEK ANDERSON
At least we know where he is.
ANDREW HOCKENBERRY
If only he listened to me. If only he didn't go into the building.
MAN FIVE
He never made it into the building. We still can't find them. He was killed by the debris. We can't get to the others yet.
ANDREW HOCKENBERRY
It's all my fault. I should have made him listen. It's all my fault.
Andrew becomes hysterical.
ANDREW HOCKENBERRY
He's dead because of me. It's all my---
Zek slaps him. Andrew is stunned.
ZEK ANDERSON
I'm sorry son. It's the only way I knew to calm you down. Look at me.
He holds Andrew's head with his hands.
ZEK ANDERSON
Taylor is gone. There's nothing more we can do. He died in the line of duty, for his fellow man and America. It's what he would have wanted.
Andrew starts to cry and Zek holds him. He too is crying.
ZEK ANDERSON
And you guys think I didn't have children. This is my son. Doc may have made him; but I love him as if he were mine. Ruiz, get him out of here.
ALBERTO RUIZ
(touching Andrew's shoulder)
Let's go, kid. We still need to help the living.
Zek lets him go.
ANDREW HOCKENBERRY
I dropped the water.
ALBERTO RUIZ
There's more water where that came from. I'll get it. You go to the other side and take care of them.
ANDREW HOCKENBERRY
Yes sir.
Andrew leaves. The five men look at Taylor.
MAN FIVE
Who was he?
MYRON GOLDMAN
Detective Marcus Taylor of the Detroit Police department.
MAN FIVE
The author?
ZEK ANDERSON
It's not fair. It's not fair. I'm the oldest. You should be burying me. Why am I the one burying you? It's not fair.
Zek starts to cry as Goldman holds him. Ruiz and Johnson are crying lightly. Zek pulls away.
ZEK ANDERSON
I'm sorry. I don't know what came over me.
MARVIN JOHNSON
I didn't know you could cry, Sarge. You're always such a quiet man. You hide your feelings so well.
MAN FIVE
Excuse me, gentlemen. We still have to number and tag him.
MYRON GOLDMAN
I'll do that.
ZEK ANDERSON
Myron, don't cover his face. It will be covered soon enough.
Myron and Man Five walk away carting Taylor.
ALBERTO RUIZ
(numb)
I'll get your water.
CUT TO:
SCENE ELEVEN
INT. SONY WAREHOUSE. DAY. -- LATER
There is a pause in the action. Frank, Dr. Seymore, Charlie and Mayling are sitting catching their breath.
FRANK HOCKENBERRY
This day is unbelievable.
DR. SEYMORE
I won't think of New York the same way again.
FRANK HOCKENBERRY
How long are you staying?
DR. SEYMORE
Till they kick me out. They need doctors. How about you?
FRANK HOCKENBERRY
Till they kick me out.
DR. SEYMORE
I don't think so Frank. I'm speaking as your doctor now. I know your body in ways your wife couldn't imagine. You've been taking good care of it and you're back to normal. You are back, right?
FRANK HOCKENBERRY
Yes.
DR. SEYMORE
You can stand one day, maybe two but not three. You body went through a major shock. Your mind may have forgotten but your DNA hasn't. There's no need for you to stay.
FRANK HOCKENBERRY
They need me.
DR. SEYMORE
Your friends and family need you more. What is this thing with you?
FRANK HOCKENBERRY
I want to feel needed. These past years, I don't feel it. I'm just a paper pusher. I don't feel important anymore.
DR. SEYMORE
You are important. Everyday you fight for funding that keeps the hospital open and people working. That's very important. The longer we stay open, the more people we can help. You don't need to be on the front line anymore. Tell him, May.
MAYLING HOCKENBERRY
Frank, you're important to us, to me. I know you're frustrated. I see it in your eyes. I want you home. I love you.
FRANK HOCKENBERRY
(taking her hand)
I love you too.
Mc Kay and Dorn walk up.
JOHNNY MC KAY
There you are. I was looking for you.
DR. SEYMORE
We've been here all day. How bad is it out there now?
JOHNNY MC KAY
You don't want to know.
DR. SEYMORE
What are you doing here, Mr. Dorn?
MICHAEL DORN
Michael. Mc Kay and I have been flying and surveying the damage. We had made plans to fly today, but not like this.
DR. SEYMORE
You're a brave man.
MICHAEL DORN
Truth is, I wanted to be an astronaut, the real kind. NASA refused me because of my eye. This government has a TWO RULE policy when it comes to its pilots; two arms, two legs and two eyes.
JOHNNY MC KAY
That's why I got early leave. I didn't have to two legs.
MICHAEL DORN
I wanted to fly so bad, I went to Mc Kay's school. John's a good teacher.
JOHNNY MC KAY
He's a fine student. He kept the plane steady while I saved Mary.
MICHAEL DORN
How is she?
FRANK HOCKENBERRY
I got the glass out and sent her to the hospital.
JOHNNY MC KAY
I hope she has other family. Her parents were killed. Hey, Doc? Who's your friend?
FRANK HOCKENBERRY
This is Charles. He saved Jenny when the towers fell. He's been helping. Charles, this is a friend of mine, Johnny Mc Kay. We were in Nam together. His friend is a very famous Klingon on Star Trek, Michael Dorn.
JOHNNY MC KAY
(extending hand)
It's a pleasure to meet you, Charles. You saved a very special lady.
CHARLIE - WINO
It was nothing.
MICHAEL DORN
(extending hand)
Pleasure to meet you, Charles.
A group of people come by with a young man as their leader. He is DR. COLLINS.
DR. COLLINS
Excuse me. Which one of you is Dr. Seymore?
DR. SEYMORE
I am. Can I help you?
DR. COLLINS
Dr. Collins. We are your relief. How long have you been here?
DR. SEYMORE
(looks at watch)
Almost nine hours.
DR. COLLINS
You guys can go home now. The second shift is here.
FRANK HOCKENBERRY
We have no home. Our luggage does. The crash blew out our windows at the hotel.
DR. COLLINS
You don't know New Yorkers. They're probably fixed by now. There's a makeshift cafeteria in the school. Why don't you go refresh yourselves and go home?
FRANK HOCKENBERRY
That's not a bad idea. Thanks.
The group walks away. Frank reaches for his wallet and pulls out some bills and gives them to Charlie.
FRANK HOCKENBERRY
I keep my promises. This is for the flask. I'd rather you spend it on something else besides booze, like food. But, I can't make you.
CHARLIE - WINO
(taking money)
I'll think about it.
DR. SEYMORE
What are your plans?
CHARLIE - WINO
I'm coming back tomorrow to help.
DR. SEYMORE
Not in those clothes you're not.
CHARLIE - WINO
It's because I'm a wino, isn't it? People look at me and turn away. I'm invisible. I have feelings too. Nobody cares about me.
Frank starts laughing.
DR. SEYMORE
Charlie, I want to tell you a story. Almost twenty years ago, my husband brought home a wino. The man was in his platoon and had come on bad times. We took him in, dried him out, got him a job and helped him stand on his own two feet. To make a story short, he's married and has a family. He has a house and a good job. You know where he is right now?
CHARLIE - WINO
No.
FRANK HOCKENBERRY
It's me. I've been there. That's how I knew about the flask. I had one. Why don't you come back with us? My pants can't fit you, but I'm sure I can find you a top. It's a shame you aren't the same size as us.
MICHAEL DORN
I'm the closest in size. Come back with me. I'm a clotheshorse and I always over-pack. I'm sure I can find something. I may be able to get what you're wearing cleaned.
CHARLIE - WINO
You'd help a wino?
MICHAEL DORN
We Americans have to stick together. We'll go to my hotel so you can get cleaned up. Then I'll buy you dinner. How about it? That way these people can go home.
CHARLIE - WINO
Thank you.
MICHAEL DORN
We'll be going now. Mc Kay, will I see you tomorrow?
JOHNNY MC KAY
You can count on it.
MICHAEL DORN
Let's go, Charles. Call me Mc Kay.
They start to leave.
FRANK HOCKENBERRY
Charles?
CHARLIE - WINO
(turning)
Yes?
FRANK HOCKENBERRY
It's not too late to change. I did. I was lucky. I had three angels helping me; my sergeant, his wife and the lady who became my wife. But I also had extra help. I never saw his face but he was there. He gave me the strength to do it.
JOHNNY MC KAY
You saw Andrew's face.
FRANK HOCKENBERRY
I didn't mean Andrew, Mc Kay. I mean God. Let God in. He will help you.
CHARLIE - WINO
Are you a Jesus freak?
FRANK HOCKENBERRY
No, if anything I'm the opposite. You know how on Judgment Day God is going to have a file on all of us? Well, my file will be the size of an encyclopedia. I was no saint. But, I let him in. You can too. Remember that.
CHARLIE - WINO
I will.
FRANK HOCKENBERRY
Good luck, Charles.
CHARLIE - WINO
Good luck, Frank.
Charlie shakes his hand. Again Frank is pushed back. He walks off. Frank looks at his hand.
MAYLING HOCKENBERRY
What is it, Frank?
FRANK HOCKENBERRY
(smiling)
I think I know now.
Dorn walks off.
JOHNNY MC KAY
For awhile I thought you were going to tell him about you-know-who and company. I wonder where they are today?
FRANK HOCKENBERRY
(smiling at his hand)
Closer than you think. Andrew saw Andrew follow Taylor. He told me. I know Taylor's dead. I just don't know where he is. Let's go get something to eat. I'm hungry.
CUT TO:
SCENE TWELVE
INT. SCHOOL CAFETERIA. DAY. -- CONTINUOUS
It is a makeshift buffet. Various people are serving. Andrew is doing soup. Frank, Jenny, Mayling and Mc Kay enter and sit down. Frank sees Andrew and waves.
DR. SEYMORE
It's been a long day.
FRANK HOCKENBERRY
And it will only get longer.
Ruiz sees them and walks over.
ALBERTO RUIZ
You guys made it. How are you doing?
FRANK HOCKENBERRY
Exhausted. How about you?
ALBERTO RUIZ
Past exhausted.
FRANK HOCKENBERRY
Where are the others?
ALBERTO RUIZ
They're coming. Before they come, I need to tell you. They brought in Taylor.
FRANK HOCKENBERRY
Where is he?
ALBERTO RUIZ
The morgue. Andrew saw him and got pretty upset. Sarge had to calm him down. I finally got him away. Then Sarge started crying.
Goldman, Zek and Johnson enter and walk over. Jenny runs to Zek and hugs him.
ZEK ANDERSON
(rubbing her back)
Oh, baby. You're okay. I was so worried.
DR. SEYMORE
I'm fine.
ZEK ANDERSON
You're all white.
DR. SEYMORE
I went out for supplies and the tower fell. A man threw me into a Starbucks and saved my life.
ZEK ANDERSON
Don't you ever do that again. I love you, baby.
He kisses her.
DR. SEYMORE
I know about Taylor. Where is he?
ZEK ANDERSON
The next flight up, in the gym.
DR. SEYMORE
I'm going to pay my respects.
MAYLING HOCKENBERRY
I'll go with you.
FRANK HOCKENBERRY
I'd rather do it alone.
Jenny and Mayling leave. Goldman, Johnson and Ruiz go for food. Zek sits by Frank.
ZEK ANDERSON
How you doin', Doc?
FRANK HOCKENBERRY
You haven't called me that in years.
ZEK ANDERSON
I haven't seen Doc in years.
(takes his hand)
You have healer hands. You should have been a doctor. How come you never tried?
FRANK HOCKENBERRY
Too old and too drunk.
ZEK ANDERSON
What did you want to be when you were growing up?
FRANK HOCKENBERRY
I never knew.
Jenny and Mayling return.
ZEK ANDERSON
These hands belong to a healer.
FRANK HOCKENBERRY
I'm going to have to cut my nails short. There's no way to get the blood from under them.
ZEK ANDERSON
(squeezing Frank's hand)
And they're wonderful hands.
DR. SEYMORE
I knew you guys were close, but this? Is there something I should know?
ZEK ANDERSON
(taking hand away)
Jenny, it's not what you think?
DR. SEYMORE
I know. I saw everything.
She walks over to Frank and takes his hands.
DR. SEYMORE
He's right. I saw it today.
Goldman and Johnson return.
FRANK HOCKENBERRY
I'll go see Taylor now. Excuse me.
He leaves and walks over to Andrew.
FRANK HOCKENBERRY
I heard about Taylor.
ANDREW HOCKENBERRY
He never made it to the tower.
FRANK HOCKENBERRY
Let's go see him.
CUT TO:
SCENE THIRTEEN
INT. MORGUE. DAY. -- MOMENTS LATER
They enter. Body bags are everywhere.
FRANK HOCKENBERRY
Where is he?
ANDREW HOCKENBERRY
Number 74.
They walk among them looking at tags till they see one whose face is not covered. It is Taylor. They stop.
ANDREW HOCKENBERRY
Hey, Taylor, it's me. Why did you have to go inside?
FRANK HOCKENBERRY
It was his duty.
ANDREW HOCKENBERRY
I told him. He wouldn't listen.
FRANK HOCKENBERRY
That's what made him Taylor.
He bends down and kisses his forehead.
FRANK HOCKENBERRY
Good bye, brother.
He starts to cry.
FRANK HOCKENBERRY
I love you. Go with God.
He puts his hand on Andrew's shoulder.
FRANK HOCKENBERRY
Let's go, son. He's at peace now.
They walk off.
CUT TO:
SCENE FOURTEEN
INT. SCHOOL CAFETERIA. DAY. -- MOMENTS LATER
Frank and Andrew return. The others are eating. Frank walks over and kisses Mayling on the cheek.
MAYLING HOCKENBERRY
You okay?
FRANK HOCKENBERRY
(eyes tearing)
I'm fine. Isn't that Office Reynolds? Hey! Officer Reynolds!
Reynolds comes by.
OFFICE REYNOLDS
Hello, folks. How are you?
FRANK HOCKENBERRY
Tired and you.
OFFICE REYNOLDS
Past tired.
ZEK ANDERSON
Any news about your men?
OFFICE REYNOLDS
Not yet. How about your man?
FRANK HOCKENBERRY
He's number 74.
OFFICE REYNOLDS
I'm sorry. I never got a chance to talk to you. Here you are, tourists, and you end up working. Did you ever find your wife?
ZEK ANDERSON
(taking Jenny's hand)
She's right here. Jenny, this is Officer Reynolds. Reynolds, this is Dr. Jennifer Seymore-Anderson.
DR. SEYMORE
(shaking hand)
It's nice to meet you.
OFFICE REYNOLDS
Where are you guys from?
MYRON GOLDMAN
Too many states to mention.
OFFICE REYNOLDS
You guys here on vacation?
MYRON GOLDMAN
We were.
OFFICE REYNOLDS
Look, I'm nobody important, but I want to thank you for helping. You didn't have too. You could have left.
MYRON GOLDMAN
It's not our style.
OFFICE REYNOLDS
I better go. Nice seeing you again. I wish it were under better circumstances.
Reynolds walks away.
MAYLING HOCKENBERRY
Frank, go get something to eat.
FRANK HOCKENBERRY
I'll be right back.
Frank and Andrew leave. Dorn comes back running.
MICHAEL DORN
Hey, Mc Kay!
JOHNNY MC KAY
Dorn, what are you doing here?
Frank and Andrew return with plates.
MICHAEL DORN
I wanted to see you guys before you left. The craziest thing just happened.
FRANK HOCKENBERRY
Where's Charles?
MICHAEL DORN
Gone. He just disappeared. I brought him to my room. When I was looking for clothes, the room lit up. I turned and he was glowing. He said his job was done. Then he changed and became someone else, you, Frank.
FRANK HOCKENBERRY
Me?
MICHAEL DORN
And then he disappeared. At his feet were these new clean gloves and a letter. It was addressed to you.
(gives Frank letter)
What was he? What did I see?
Frank gives Mayling back her gloves.
FRANK HOCKENBERRY
Happy Birthday, Honey. They're like new.
ZEK ANDERSON
What does the letter say?
He opens and reads. The money is enclosed. He folds it. He gives the letter to Jenny.
FRANK HOCKENBERRY
Two lines. Read them out loud please.
DR. SEYMORE
(reading)
You do have healing hands. Thank you. Andrew.
MICHAEL DORN
Who's he?
FRANK HOCKENBERRY
A friend of mine. His name is Andrew, no last name. He always does that.
DR. SEYMORE
Charlie was Andrew, a wino? Why?
FRANK HOCKENBERRY
Jenny, do you remember when I was having problems? You kept saying I was seeing delusions. God knows how you feel about Andrew and his friends. God wanted to save your life; but he couldn't send Andrew as he was. So, he simply changed his form. How would you feel if you really saw him?
ZEK ANDERSON
He has a point Jenny.
FRANK HOCKENBERRY
My guess is, in their true form, they're pure energy. When they come down here, they need a form. He just borrowed mine, or did I borrow his? He did come first.
MICHAEL DORN
Where is Charles now?
FRANK HOCKENBERRY
Probably working out there again. We were just a stop.
MICHAEL DORN
Is he what I think he is?
FRANK HOCKENBERRY
Yes, and he's not alone. There's probably quite a few down here. He has partners.
DR. SEYMORE
You couldn't tell, Frank? You were friends for fifteen years?
FRANK HOCKENBERRY
It was only after I touched his hand a second time that I knew. I just didn't know who.
(to Dorn)
You were visited by a heavenly messenger. Don't question it. Just accept it. You ready to go, May? Our luggage is probably very lonely.
ZEK ANDERSON
That's not a bad idea.
MICHAEL DORN
Where are you staying?
ZEK ANDERSON
Our luggage is staying at the Hilton.
MICHAEL DORN
The emergency van is around the corner. I'll give you a lift.
(to Frank)
I really saw an angel?
FRANK HOCKENBERRY
Yes, and you and Mc Kay were one to one little girl. Angels come in all shapes and sizes.
CUT TO:
SCENE FIFTEEN
INT. HOTEL LOBBY. NIGHT. LATER
The group, minus Dorn, enters the lobby and approach the desk. The CLERK comes up.
HOTEL CLERK
Can I help you folks?
ZEK ANDERSON
We have rooms on the tenth floor. Our windows were shattered this morning.
HOTEL CLERK
We've been busy fixing windows all day. We even called in extra maid service to clean up the rooms. I could check if your rooms are ready.
ZEK ANDERSON
Don't bother. We'll take them as is.
HOTEL CLERK
Where have you been all day? You look terrible.
MYRON GOLDMAN
Ground zero. We've been working.
HOTEL CLERK
You and everyone else.
ZEK ANDERSON
Look, I know we're due to check out tomorrow; but we can't get a ride out of town. We need to stay a few more days. Could you adjust our bills so we can?
HOTEL CLERK
I can't. Your reservations have already been changed and paid for.
FRANK HOCKENBERRY
By who?
SENATOR BREWSTER
By the State of New York.
Senator Brewster walks up.
MYRON GOLDMAN
How long have you been here?
SENATOR BREWSTER
All day. This is my headquarters. Sir, I want these people transferred to my rooms.
HOTEL CLERK
The penthouse suite? What about you?
SENATOR BREWSTER
At the moment only my briefcase lives there. Send up three cots, soap and lots of towels. Whatever they need, give it to them. I'll come and see you people later.
MYRON GOLDMAN
Thank you, Colonel.
SENATOR BREWSTER
You deserve it.
ZEK ANDERSON
Well, let's go liberate our luggage.
CUT TO:
SCENE SIXTEEN
INT. PENTHOUSE SUITE. NIGHT. -- LATER
They walk in with their luggage and look around.
JOHNNY MC KAY
Now this is living. I could get used to this.
MYRON GOLDMAN
I'll check out the sleeping situation.
He walks out. The others go and look out the window. The skyline still can't be seen. All is smoke. It has started raining. Myron returns.
JOHNNY MC KAY
What have we got, Myron?
MYRON GOLDMAN
There's two separate sleeping quarters and a small kitchen with plenty of coffee. There is a bath and separate shower. If we double up, three people can bathe at once.
MARVIN JOHNSON
Who sleeps where?
MYRON GOLDMAN
We can give the two families the rooms for their privacy. We can take the cots.
Frank goes over to the couch and removes a pillow.
FRANK HOCKENBERRY
No need. The couch opens up. Two can sleep here.
MYRON GOLDMAN
Don't worry about us, Doc. We'll figure it out. Let's get cleaned up. Doc, your family can go first. Your room will be closer to the bathroom. The sooner we get cleaned up, the sooner we eat. Mc Kay, Johnson, let's open up the cots.
Time passes. Frank is the last one to come out. He is wearing pajama bottoms only. He looks at the bed and sees Mayling and Andrew asleep.
FRANK HOCKENBERRY
So much for dinner.
He gets into bed and hugs Mayling as he falls asleep.
FADE OUT:
END OF ACT
ACT THREE
FADE IN:
SCENE ONE
INT. PENTHOUSE SUITE. EARLY AFTERNOON. SEPTEMBER 12TH, 2001. NEXT DAY
Everyone has slept into the early afternoon. The door opens and Senator Brewster comes in. He sees everyone sleeping. He goes to the briefcase when he hears movement in the kitchen. He goes and sees Goldman sipping coffee.
MYRON GOLDMAN
(looking up)
Colonel?
SENATOR BREWSTER
At ease, Goldman. I just came for my briefcase.
MYRON GOLDMAN
Where did you sleep last night?
SENATOR BREWSTER
A lower floor. I have a great view of wood for a window.
MYRON GOLDMAN
You're not missing much. It's still raining. All that dirt is now mud.
SENATOR BREWSTER
Just like the old days.
MYRON GOLDMAN
Thank you, Colonel. The men and their families really needed the rest.
SENATOR BREWSTER
What about Taylor?
MYRON GOLDMAN
Johnson is taking the body back home. Problem is, we can't get a flight.
SENATOR BREWSTER
Nobody can. Let me arrange that.
Frank comes in. He is only wearing bottoms.
FRANK HOCKENBERRY
I knew I smelled coffee. What time is it?
MYRON GOLDMAN
About fourteen hundred hours. We've slept over eighteen.
SENATOR BREWSTER
Have you eaten?
MYRON GOLDMAN
We were sleeping.
SENATOR BREWSTER
I also came to invite you to dinner. It won't be much. I thought we'd try Ruiz's Italian place across town. I'll call Ruiz.
FRANK HOCKENBERRY
That would be nice. I wish Taylor could be with us.
MYRON GOLDMAN
He is Doc.
SENATOR BREWSTER
Does Taylor have family?
FRANK HOCKENBERRY
Not that we know.
MYRON GOLDMAN
He has a son from his last wife.
FRANK HOCKENBERRY
Why didn't he tell us?
MYRON GOLDMAN
He only told Johnson and Ruiz. It was after the funeral. His wife made him promise to stay away and he did. His stepfather is raising the boy. They've only just become friends. The boy doesn't know.
SENATOR BREWSTER
That's a rough one. Well, I better go. My aide will come and get you at nineteen hundred.
Goldman and Senator Brewster are trying not to stare at the scars on Frank's chest. He notices.
FRANK HOCKENBERRY
I'm sorry. I forgot. I'm so used to looking at it. I don't think anymore. The only time it bothers me is if I go swimming. I have to wear a T-shirt.
SENATOR BREWSTER
Where did you get the scars?
FRANK HOCKENBERRY
Nashville. I lived on the streets for ten years. The scars are from beatings. See this one.
(points)
That's a size twelve cowboy boot. The outside scars aren't bad. The internal ones hurt more. But they made me stronger.
SENATOR BREWSTER
Just like America. We've been outwardly hurt but it's only made us stronger. You overcame it, so will we. I'll see you men later.
MYRON GOLDMAN
Bye, Colonel.
Senator Brewster walks out. Myron hands Frank coffee.
FRANK HOCKENBERRY
I'm sorry if I make you uncomfortable. It doesn't bother my family. I'll put on the tops.
Mc Kay, Johnson and Zek come in.
ZEK ANDERSON
I smell coffee.
MYRON GOLDMAN
I have to make some more. Have a seat.
Mc Kay and Johnson notice Frank's chest and start staring.
MYRON GOLDMAN
I told Brewster about Taylor. He's going to try and get him out.
MARVIN JOHNSON
I just can't believe he's gone. I remember telling him about his son. Ruiz told him to get to know him. I told him to make his own memories before it was too late. I thought his son would go first, like mine. I never thought it would be him.
MYRON GOLDMAN
(taking book)
I picked up his new book and started reading it on the plane. I didn't think it would be the last thing he wrote.
FRANK HOCKENBERRY
(taking book)
He really helped me when I needed it. He found the men who attacked me and gave me back my wedding ring.
(starts to cry)
I can't believe he's gone.
(crying)
I miss him so much.
Mayling and Andrew enter. Zek puts his hand on Frank's shoulder. Everyone is crying or about too.
FRANK HOCKENBERRY
I'm sorry. I don't know what came over me. Crying is not considered macho.
MYRON GOLDMAN
Doc, you were never macho. From day one we knew how much you cared. We all care. That's why we're still here.
ZEK ANDERSON
And why me miss Taylor. He cared.
FRANK HOCKENBERRY
You're all looking at my chest. I'm sorry if it disturbs you. It's what I am now. I'll go get dressed.
Frank walks out.
JOHNNY MC KAY
Was it something we said?
MAYLING HOCKENBERRY
Its just Frank. He always feels out of place when it comes to his body. He'll be fine.
Mayling leaves.
MYRON GOLDMAN
Jenny still asleep?
ZEK ANDERSON
She could sleep through an earthquake.
JOHNNY MC KAY
You two saying behind?
ZEK ANDERSON
They still need doctors, and I'm retired. I almost lost her today. I don't want it to happen again. Ruiz said he would put us up at his place.
JOHNNY MC KAY
He said the same to me. They still need pilots. Dorn is even staying. It feels good working with him again. We could have used him with Charlie. Don't think just because he's an actor he's a softy. He's got what it takes.
MYRON GOLDMAN
Zek, go wake up Jenny. We all have to get ready.
All leave but Goldman who picks up the book.
MYRON GOLDMAN
Taylor, wherever you are right now, give them hell.
He leaves the kitchen.
CUT TO:
SCENE TWO
INT. ITALIAN RESTAURANT. NIGHT. -- LATER
The group, including Brewster and minus Dorn, are sitting at a round table. The restaurant is slow. People are somber. They are eating but no one is really hungry.
SENATOR BREWSTER
This is really good, Ruiz.
ALBERTO RUIZ
I only hire the best.
SENATOR BREWSTER
It's a shame you're loosing money. Business is slow.
ALBERTO RUIZ
I'm loosing more than you think. These people are all relief workers. I gave them a bill just so they know the total. They pay what they can. All I ask is that they tip the server what's owed them. I'm not alone. Other restaurants are doing the same. It's a two-day moratorium. We're all New Yorkers. We have to stick together.
SENATOR BREWSTER
Really?
He stands.
SENATOR BREWSTER
Excuse me everyone. May I have your attention? Thank you. My name is Senator Brewster from New York. I have been just been informed you are all relief workers. I would like to thank you for your help. We're all in this together. We are Americans. This is OUR country and we will get it back. Before I sit down, I would like to offer a prayer for all the men and women who died today.
He pulls out a paper from his pocket.
SENATOR BREWSTER
I always carry a copy of my favorite psalm.
(reading)
The Lord is my shepherd, I shall not want. He maketh me to lie down in green pastures. He restoreth my soul. He guideth me in straight paths for his name. Yes, though I walk through the valley of the shadow of death, I will fear no evil, for thou are with me. They rod and they staff, they comfort me. Thou preparest a table before me in the presence of mine enemies. Thou has anointed my head with oil. My cup runneth over. Surely goodness and mercy shall follow me all the days of my life, and I shall dwell in the house of the Lord forever.
The place is silent.
SENATOR BREWSTER
Thank you for your attention. The state of New York and the United States of America thank you for all your help in this emergency. God bless you and God bless America.
Everyone claps.
SENATOR BREWSTER
You may go back to your meals now.
MARVIN JOHNSON
That was beautiful, Colonel.
SENATOR BREWSTER
We must not forget God in these times.
FRANK HOCKENBERRY
Amen.
A SERVER brings them more drinks.
SENATOR BREWSTER
(to Jenny)
Goldman tells me you and Mc Kay are staying.
DR. SEYMORE
I'm still a doctor.
ZEK ANDERSON
And I'm retired.
(takes her hand)
I'm sure I can find something to do.
JOHNNY MC KAY
The fire department has asked me to look for more survivors where foot traffic isn't available. My partner and I will be getting a lot of flying on search and rescue. Then we'll work on ground duty at the site.
MYRON GOLDMAN
Seems you'll be the only ones flying. All planes are grounded. We all have to find ground travel to go home. I've tried renting a car. It's impossible. You have to know someone.
SENATOR BREWSTER
What am I, chopped liver? See my aide, Goldman. You'll get your transportation. I am a Senator. You people have given more than expected on the first day. As long as you continue, I will try to help.
FRANK HOCKENBERRY
I want to stay too. I am trained medical personnel.
DR. SEYMORE
Absolutely not, Frank.
SENATOR BREWSTER
I agree with Dr. Seymore. This is how I see it. Ruiz and I have to stay. We're married to New York. Dr. Seymore is a doctor. Her husband is retired. Mc Kay is a pilot. Everyone else is non-essential personnel. Goldman belongs back in school. Johnson belongs with HIS constituents, and you, Private Hockenberry are NOT a doctor. Your training is good in the short run, not the long run.
FRANK HOCKENBERRY
I need to feel needed.
SENATOR BREWSTER
Not this time. There will be other little girls who are scared and hurt. But someone else will have to sing Barney to them.
The server looks up.
SENATOR BREWSTER
Go home, Private. Hug your girls till they almost break. They need you more.
SERVER
Excuse me, I couldn't help overhearing. Are you the singing doctor? My niece, Mary, was hurt today. Her parents were killed. She said some doctor sang to her. He's all she talks about. She said he sang terribly.
ANDREW HOCKENBERRY
That's my dad, alright. He makes the dogs howl.
FRANK HOCKENBERRY
I did take care of a little girl. She was in a high-rise and suffered glass damage. Mc Kay and his partner got her off the balcony.
SERVER
You're the pilot?
JOHNNY MC KAY
Yes I am. How is she?
SERVER
She's still scared. She keeps talking about the three angels who helped her; the man in the apartment, the man from the balcony and the singing doctor.
JOHNNY MC KAY
I didn't see a man in the apartment?
SERVER
It must be the shock. She keeps saying a man came from nowhere, pulled her out from under her father and told her to go to the window. And then he was gone. She has a vivid imagination. She said he looked like the singing doctor.
All look at Frank.
SERVER
You two men saved her life. I wish I could repay you.
JOHNNY MC KAY
There's no need. We were just doing our job.
SERVER
If there's anything I can do, just name it.
FRANK HOCKENBERRY
I'd like to go swimming.
SERVER
Swimming?
FRANK HOCKENBERRY
Long story. I'm glad she's fine. Tell her I'm releasing my greatest hits next week. She'll be able to buy it in the stores and on bless you two. You're real angels.
JOHNNY MC KAY
One out of three ain't bad.
SERVER
I have to go back to work now.
The server leaves.
MYRON GOLDMAN
You still don't feel needed, Doc?
FRANK HOCKENBERRY
You're right.
SENATOR BREWSTER
Will you excuse me? I have a quick call to make.
Senator Brewster leaves.
MARVIN JOHNSON
Must be official business. I do that all the time.
ZEK ANDERSON
You think the man in the apartment was Andrew?
FRANK HOCKENBERRY
Probably. He did appear right before Charles.
Senator Brewster comes back.
MYRON GOLDMAN
That was quick.
SENATOR BREWSTER
I had a small matter to settle. You men and ladies have the pool from nine to ten tonight.
MYRON GOLDMAN
They closed the pool for security reasons.
SENATOR BREWSTER
It's been opened. Now hurry up and eat. You have some swimming to do.
CUT TO:
SCENE THREE
INT. INDOOR SWIMMING POOL. NIGHT. -- LATER
The group from dinner enters. All are in swimwear except Senator Brewster. There is a sign on the door. A man, JOSE the BARTENDER, stands waiting by a cart.
FRANK HOCKENBERRY
This has to be a mistake. The sign says private party.
SENATOR BREWSTER
No mistake. You are the party. Jose is at your service with a working bar. Enjoy.
He starts to leave and turns.
SENATOR BREWSTER
Oh, Hockenberry, loose the shirt.
Senator Brewster walks out. They all look at the pool.
MYRON GOLDMAN
Loose the shirt, Doc. That's an order.
Frank takes off his shirt.
ZEK ANDERSON
Last one in the pool pays for the drinks.
MYRON GOLDMAN
That's what you think, Zek.
They all run into the water.
CUT TO:
SCENE FOUR
INT. POOL DOOR AND HALLWAY. NIGHT. -- LATER
They are leaving. All are wet. Frank has his shirt on. They exit laughing and are confronted by the Server.
FRANK HOCKENBERRY
Oh, hello.
MYRON GOLDMAN
Can we help you?
Mary steps in front of the Server.
SERVER
I'm sorry to disturb your fun. Mary was so excited when I told her I found the singing doctor, she made me bring her here. She won't go to bed till she tells you something.
Frank kneels down to her.
FRANK HOCKENBERRY
What do you want to tell me, Mary?
MARY
I wanted to thank you two for helping me.
FRANK HOCKENBERRY
You're welcome.
JOHNNY MC KAY
We were just doing our job. I couldn't leave you there. I had to find you.
MARY
Where's the other guy?
JOHNNY MC KAY
Probably flying the Enterprise.
The Server is confused.
MARY
Are you angels?
FRANK HOCKENBERRY
No, sweetheart, we're not. I am a man. Someone have a knife?
Goldman gives him one.
FRANK HOCKENBERRY
See.
He makes a small cut in his skin.
FRANK HOCKENBERRY
I bleed, just like you.
JOHNNY MC KAY
(doing same with knife)
Me, too. I bleed. We're not angels.
MARY
What about the man in the house?
FRANK HOCKENBERRY
The man in the house was very special. He was sent to help you. Did he tell you his name?
MARY
Andrew.
FRANK HOCKENBERRY
Andrew is a friend of mine. He helped me when I needed it. I don't need him anymore, so now he helps others, like you.
MARY
Was he an angel?
FRANK HOCKENBERRY
Angels are everywhere. Even people like me and Johnny can be angels. We help when it's needed. So does Andrew. God sent him to help you.
JOHNNY MC KAY
Mary, you know you still have to pay us.
MARY
I have no money.
JOHNNY MC KAY
All I want is a hug.
He hugs her.
FRANK HOCKENBERRY
You owe me too.
He hugs her.
FRANK HOCKENBERRY
It's past your bedtime. You should go home.
He kisses her forehead.
FRANK HOCKENBERRY
Night, sweetheart.
JOHNNY MC KAY
Night, Mary.
He kisses her cheek.
JOHNNY MC KAY
Go get some sleep.
The men stand up.
SERVER
Thank you for helping her.
JOHNNY MC KAY
We were just doing our job.
SERVER
I don't mean the rescue, I mean the story. That's what the nurse at the hospital said to her.
ZEK ANDERSON
Did she have a name?
SERVER
It was Tess.
MYRON GOLDMAN
That was no story. It's true.
JOHNNY MC KAY
Myron?
MYRON GOLDMAN
Okay, I give in. I've seen too much to deny it.
SERVER
Let's go, Mary. These men need their sleep.
They walk away. Frank and Mc Kay wave at Mary.
MYRON GOLDMAN
Did you really sing to her, Doc?
FRANK HOCKENBERRY
Yes.
MYRON GOLDMAN
That was cruel and unusual punishment, and a very good idea. Just don't count on me to buy your greatest hits.
All walk to the elevator, except Mayling and Frank.
FRANK HOCKENBERRY
I want to go home, May. I want to see our girls. Let's go tomorrow.
MAYLING HOCKENBERRY
Okay, papa. We'll go tomorrow.
He kisses her lightly and puts his arm around her waist and joins them by the elevator.
FRANK HOCKENBERRY
Oh, Andrew, in all the excitement I forgot to tell you. You lost the bet.
The elevator door opens and they enter.
ANDREW HOCKENBERRY
No way.
MAYLING HOCKENBERRY
Yes way.
The door closes.
FADE OUT: