EXT. LLOYD HOUSE
OCTOBER 29TH 2010
IT'S A RAINY NIGHT, THE HOUSE IS ALMOST IN TOTAL DARKNESS, THE ONLY LIGHT ON IN THE HOUSE IS COMING FROM THE LIVING ROOM
INT. LLOYD HOUSE
DEREK LLOYD IS WATCHING TV
MARTHA LLOYD WALKS OUT OF THE KITCHEN AND SITS DOWN ON THE SOFA
ON THE TV IS NOSFERATU WITH A COUNTDOWN TO HALLOWEEN GRAPHIC AT THE TOP OF THE SCREEN
MARTHA:
I DON'T THINK ANY OF US NEED A COUNTDOWN TO HALLOWEEN
DEREK:
NOTHING BAD WILL HAPPEN THIS YEAR... I'M JUST GLAD WE CONVINCED HER TO STAY IN HADDONFIELD
MARTHA:
YEAH, THE BEST PLACE FOR HER IS AROUND FAMILY
DEREK LOOKS AT MARTHA WITH SADNESS
EXT. PALMER HOUSE
JASON PALMER, CHRIS PALMER AND DENISE REILLY ARE IN THE BACKYARD
JASON HAS A SHOTGUN IN HIS HANDS
JASON:
THIS IS GOING TO BE AWESOME
CHRIS:
DUDE, I DON'T SEE WHY WE SHOULDN'T JUST DO THIS SHIT NOW
DENISE:
DON'T BE A DUMB ASS, WE'VE BEEN PLANNING THIS SINCE MARCH
CHRIS:
TOMORROW NIGHT, MAN
DENISE:
EVERYTHING'S GOING TO CHANGE TOMORROW NIGHT
EXT. A STREET IN HADDONFIELD
OCTOBER 30TH
A COUPLE OF PEOPLE ARE IN THE STREET, A FEW CHILDREN ARE PLAYING AND LEAVES ARE BLOWING IN THE WIND
INT. LLOYD HOUSE
IN THE KITCHEN
DEREK AND MARTHA ARE HAVING BREAKFAST
AMANDA MYERS ROLLS INTO THE ROOM - SHE IS IN A WHEELCHAIR AFTER BEING STABBED IN THE BACK
AMANDA:
I'M GOING OUT WITH JULIE AND BETH
MARTHA:
OK, HAVE FUN
AMANDA GOES OUT OF THE HOUSE
EXT. LLOYD HOUSE
AMANDA ROLLS DOWN A RAMP AT THE FRONT OF THE HOUSE AND GOES DOWN THE STREET
AMANDA STOPS AT A HOUSE AT THE BOTTOM OF THE STREET, JUST AS JULIE HARTMAN WALKS OUT OF THE HOUSE
JULIE:
I ACTUALLY MADE IT OUT THIS TIME WITHOUT BEING PULLED BACK IN
AMANDA:
THEY MEAN WELL
JULIE:
I KNOW
AMANDA GOES DOWN THE STREET WITH JULIE FOLLOWING BEHIND HER
JULIE:
I JUST WISH THEY WEREN'T SO EMOTIONAL
AMANDA:
IT SHOULD STOP AFTER THIS STUPID HOLIDAY IS OVER
JULIE:
... YEAH IT SHOULD... ARE YOU OK
AMANDA:
WHAT DO YOU MEAN
JULIE:
ONE YEAR AGO
AMANDA:
I'M FINE
JULIE:
REALLY
AMANDA:
OF COURSE NOT
AMANDA SMILES
EXT. BLAKE HOUSE
AMANDA AND JULIE GO UP TO THE BLAKE HOUSE, AMANDA KNOCKS ON THE DOOR - NO REPLY
AMANDA KNOCKS ON THE DOOR AGAIN - STILL NO REPLY
BETH: (V.O)
STOP THAT
THE DOOR OPENS, BETH'S BROTHER CHRIS IS DRESSED AS A DEVIL AND IS STABBING BETH WITH A RED PLASTIC FORK
CHRIS GETS BORED AND RUNS INTO THE LIVING ROOM
BETH WALKS OUT OF THE HOUSE
AMANDA, BETH AND JULIE WALK AWAY FROM THE HOUSE AND DOWN THE STREET
BETH:
I HATE HALLOWEEN... ANYWAY I HEARD THEY'RE HAVING A PARTY IN THE OLD SHELBY HOUSE TOMORROW NIGHT
JULIE:
WAIT... THE SHELBY'S STILL LIVE THERE DON'T THEY
BETH:
THEY'RE HIRING THE PLACE OUT TO DON CLARKE
AMANDA:
THE DON CLARKE, THE ASSHOLE THAT PRACTICALLY OWNS HALF OF CARLLVILE
JULIE:
YEAH, THAT CREEPY GUY THAT OWNS CHORDS OF ROCK
BETH:
I LIKED IT BETTER WHEN IT WAS CHALLIS OF BLOOD... SO ARE YOU GUYS GOING TO THE PARTY
AMANDA:
I'M NOT
JULIE:
ME NEITHER, I JUST DON'T LIKE THAT GUY
INT. SMITHSGROVE SANITARIUM
A FEW GUARDS ARE WALKING DOWN A CORRIDOR
INT. DR. GREENE'S OFFICE
DR. JON GREENE IS SITTING AT HIS DESK FILLING OUT SOME REPORTS
SOMEONE KNOCKS AT THE DOOR
GREENE:
COME IN
A NURSE WALKS INTO THE OFFICE WITH A FILE IN HER HANDS, SHE PUTS THE FILE DOWN ON THE DESK
NURSE:
THAT'S THE FILE YOU REQUESTED
GREENE:
THANK YOU
THE NURSE WALKS OUT OF THE OFFICE AND GREENE OPENS THE FILE - THE PATIENT'S NAME AT THE TOP OF THE FILE IS MICHAEL MYERS
EXT. COFFEE SHOP
AMANDA AND JULIE ARE SITTING OUTSIDE THE COFFEE SHOP, DRINKING THEIR COFFEE
THE HARDWARE STORE IS BESIDE THE COFFEE SHOP - THE DOOR TO THE STORE OPENS AND TOMMY TYLER WALKS OUT WITH A SIGN STATING HALF PRICE ON SAWS, TOMMY SEES AMANDA, SMILES AT HER AND WALKS BACK INSIDE
JULIE:
SO HAS THAT BIG LUG ASKED YOU OUT YET
AMANDA SMIRKS
AMANDA:
I HAVE NO IDEA WHAT YOU MEAN
BETH WALKS OUT OF THE COSTUME SHOP ACROSS THE ROAD WITH A BAG IN HER HANDS AND WALKS OVER TO AMANDA AND JULIE
JULIE:
LET ME GUESS... A WEREWOLF WOMAN
BETH:
NOPE, SOME SORT OF DEMONIC WITCH THING
EXT. SMITHSGROVE SANITARIUM
THE SUN IS STARTING TO SET
A CAR DRIVES UP TO THE GATE, A SECURITY GUARD WALKS UP TO THE CAR - INSIDE IS JASON PALMER DRESSED IN A GUARD'S UNIFORM
JASON SHOWS THE GUARD HIS ID CARD
THE GUARD GOES BACK TO HIS BOOTH AND THE GATE OPENS
JASON DRIVES INSIDE
INT. SMITHSGROVE SANITARIUM - GROUNDS
JASON PARKS HIS CAR IN THE LOT JUST OUTSIDE THE MAIN BUILDING
CHRIS AND DENISE GET UP FROM HIDING IN THE BACK
CHRIS GETS OUT OF THE CAR AND OPENS THE TRUNK, JASON AND DENISE ALSO GET OUT OF THE CAR
JASON TAKES HIS SHOTGUN OUT OF THE TRUNK, DENISE TAKES OUT A REVOLVER AND CHRIS TAKES OUT A PISTOL AND CLOSES THE TRUNK
INT. OUTSIDE SMITHSGROVE SECURE WARD
THE DOORS TO THE SECURE WARD ARE GUARDED BY JAY DAVIDSON AND NOEL STEWART, JAY IS SITTING BEHIND A DESK AND NOEL IS STANDING
DR. GREENE WALKS DOWN THE CORRIDOR AND STOPS AT THE DESK, HE TAKES OUT HIS ID AND SHOWS IT TO THE GUARDS
JAY:
SORRY SIR, ONLY THE DOCTORS OF THESE PATIENTS CAN SEE THEM
GREENE:
FOR YOUR INFORMATION, I HAVE A PATIENT IN THERE
JAY TAKES A CHECKLIST OUT OF THE DESK
JAY:
WHAT'S YOUR NAME
GREENE:
JONATHAN GREENE
JAY:
AND THE NAME OF YOUR PATIENT
GREENE:
MICHAEL MYERS
JAY SCRIBLES SOMETHING ON THE CHECKLIST AND PRESSES A BUZZER AT THE BOTTOM OF THE DESK - THE DOUBLE DOORS OPEN
DR. GREENE WALKS INTO THE SECURE WARD
INT. SMITHSGROVE SECURE WARD
AS DR. GREENE WALKS AROUND THE SECURE WARD, HE SEES A WOMAN WITH TWO METAL CLAMPS HOLDING HER HANDS IN PLACE, A MAN WHO HAS BEEN STABBED REPEATEDLY IN THE FACE AND A MAN WITH MULTIPLE CUTS TO HIS NECK
AT THE BACK OF THE ROOM IS A MAN WHO IS NOT DISFIGURED OR VISIBLY INJURED, THIS MAN IS IN HIS EARLY TWENTIES AND IS LYING IN BED, THIS MAN IS MICHAEL MYERS
AS DR. GREENE APPROACHES THE BED, A NURSE CALLED PAMELA HARRIS WALKS OVER TO DR. GREENE
PAMELA:
I ASSUME YOU'RE HIS NEW DOCTOR
GREENE:
YES, JONATHAN GREENE
DR. GREENE HOLDS HIS HAND OUT TO PAMELA AND PAMELA SHAKES IT
PAMELA:
PAMELA HARRIS... AND THIS IS GOING TO BE THE PATIENT THAT WILL EITHER DRIVE YOU AWAY FROM THIS HOSPITAL OR MAKE YOU GIVE UP ALL TOGETHER
GREENE:
WHY DO YOU SAY THAT
PAMELA:
THAT'S WHAT HAPPENED TO HIS PREVIOUS DOCTORS, LOOMIS, BISHOP, O' ROURKE THEY ALL QUIT THIS JOB... MCKENZIE AND BAXTER THAT'S A DIFFERENT STORY
GREENE:
WELL MAYBE I'LL BE THE EXCEPTION
GREENE CHECKS MICHAEL'S CHART
GREENE:
HIS BRAIN ACTIVITY IS LOW
PAMELA:
IT'S BEEN THAT WAY SINCE HE CAME IN... BUT IT'S NOT LOW ENOUGH TO PULL THE PLUG, YET
INT. SMITHSGROVE SANITARIUM
A GUARD IS STANDING BESIDE THE DOORS TO THE GROUNDS, THE DOORS OPEN AND THE GUARD TURNS AROUND TO SEE WHO'S COMING IN
A BULLET HITS THE GUARD IN THE HEAD AND JASON, CHRIS AND DENISE WALK INTO THE BUILDING
ANOTHER GUARD RUNS AROUND THE CORNER AND GETS SHOT IN THE CHEST WITH A ROUND FROM JASON'S SHOTGUN - AN ALARM GOES OFF
INT. SMITHSGROVE SECURE WARD
PAMELA WALKS OVER TO HER DESK AND GRABS THE PHONE
PAMELA:
WHAT'S GOING ON... HELLO
PAMELA LOOKS OVER AT DR. GREENE
PAMELA:
NO ONE'S THERE
GREENE:
OPEN THE DOORS
PAMELA:
ARE YOU INSANE
GREENE:
IT'S PROBABLY THE FIRE ALARM
PAMELA:
THAT'S NOT THE FIRE ALARM... THAT'S SOMETHING ELSE
GREENE:
AND WE NEED TO FIND OUT WHAT IT IS
SOMETHING HITS THE DOOR OUTSIDE
DR. GREENE WALKS OVER TO PAMELA'S DESK AND PRESSES A BUTTON UNDER IT - THE DOORS OPEN REVEALING THE TWO GUARDS LYING DEAD, ONE WITH HIS FACE BLOWN OFF AND THE OTHER SHOT IN THE CHEST
DENISE: (V.O)
THAT SOUNDED LIKE THE DOORS
JASON, CHRIS AND DENISE WALK AROUND TO THE DOORS, CHRIS AIMS HIS PISTOL AT DR. GREENE
GREENE:
DON'T DO ANYTHING STUPID
CHRIS:
I WAS GONNA SAY THAT
JASON, CHRIS AND DENISE WALK INTO THE SECURE WARD
DENISE HOLDS HER REVOLVER TO PAMELA'S HEAD
PAMELA:
WHAT DO YOU WANT
DENISE:
MICHAEL MYERS
PAMELA:
... HE'S AT THE FAR END OF THE ROOM
DENISE WALKS OVER TO MICHAEL'S BED BUT MICHAEL'S GONE
DENISE:
WHERE IS HE
PAMELA:
HE WAS THERE
DENISE AIMS HER GUN AT PAMELA
DENISE:
TELL US WHERE HE IS
MICHAEL APPEARS BEHIND DENISE AND LIFTS HER UP BY HER NECK
JASON:
SHIT
MICHAEL SNAPS DENISE'S NECK AND LETS HER BODY FALL TO THE GROUND
JASON SHOOTS MICHAEL IN THE CHEST, MICHAEL FALLS BACK
CHRIS:
DENISE
DR. GREENE WALKS OVER TO MICHAEL'S BODY, MICHAEL'S CHEST STARTS MOVING AGAIN
GREENE:
HE'S
MICHAEL GRABS DR. GREENE BY THE THROAT AND CRUSHES HIS WINDPIPE
JASON TRIES TO SHOOT MICHAEL - BUT HE'S OUT OF AMMO
MICHAEL FINDS SCISSORS LYING BESIDE A PATIENT'S BED
CHRIS AIMS AT MICHAEL AND SHOOTS - HE MISSES
MICHAEL THROWS CHRIS INTO A TABLE AND BEFORE JASON CAN RELOAD, MICHAEL STABS HIM IN THE CHEST WITH THE SCISSORS
JASON DROPS THE SHOTGUN AND LOOKS DOWN AT THE SCISSORS EMBEDDED IN HIS CHEST, MICHAEL FORCES THE SCISSORS IN DEEPER AND JASON FALLS BACKWARD, HITTING HIS HEAD ON THE GROUND
PAMELA IS HIDING BEHIND ONE OF THE BEDS
MICHAEL LOOKS OVER AT THE BED PAMELA IS HIDING BEHIND, TURNS AROUND AND LEAVES THE ROOM
EXT. ROAD
TO THE SIDE OF THE ROAD, A CAR HASTILY PARKED
JEFF ANDERSON IS LOOKING UNDER THE HOOD OF THE CAR WHILE HIS WIFE GEMMA IS IN THE DRIVERS SEAT TRYING TO START THE CAR
GEMMA:
WHEN ARE THEY GOING TO GET HERE
JEFF:
THEY SAID THEY'D BE HERE IN 20 MINUTES
GEMMA:
YEAH, BUT THAT WAS HALF AN HOUR AGO
JEFF:
... IT'S BILL'S GARAGE NOT AAA
GEMMA:
WELL THIS IS STUPID, HOW MUCH DO WE PAY THEM
A TRUCK MARKED BILL'S GARAGE PULLS UP IN FRONT OF THE CAR
A MAN WEARING COVERALLS CALLED RICHARD WILSON GETS OUT OF THE TRUCK AND WALKS OVER TO THE CAR
RICHARD:
SORRY I'M LATE, WHAT SEEMS TO BE THE PROBLEM
JEFF:
I DON'T KNOW, I WAS HOPING YOU WOULD FIND OUT
RICHARD CHECKS UNDER THE HOOD
RICHARD:
... WELL EVERYTHING SEEMS TO BE OK, BUT
TWO HANDS ARE AROUND RICHARD'S THROAT, FINGERNAILS CUTTING INTO RICHARD'S NECK, RICHARD TRIES TO TURN AROUND TO SEE HIS ATTACKER BUT ONE OF THE FINGERNAILS SLIP AND CUT DEEPLY INTO HIS THROAT
JEFF TRIES TO GET BACK INTO THE CAR AS RICHARD'S DYING BODY FALLS ONTO THE GRASS REVEALING MICHAEL MYERS BEHIND HIM
JEFF FREEZES IN SHOCK AS MICHAEL WALKS OVER TO HIM
GEMMA:
GET INTO THE CAR
JEFF TRIES TO PUNCH MICHAEL BUT MICHAEL CATCHES HIS FIST, BREAKS JEFF'S ARM, THROWS HIM TO THE GROUND AND STANDS ON HIS HEAD - SLOWLY APPLYING MORE AND MORE PRESSURE TO IT
GEMMA TRIES TO START THE CAR AGAIN - STILL DOESN'T WORK, JEFF'S SKULL CRACKS OPEN, WITH BLOOD SPLATTERING AGAINST THE CAR
GEMMA STARTS SCREAMING, SHE PUTS HER HEAD IN HER HANDS AND STARTS CRYING
GEMMA LOOKS UP, MICHAEL'S GONE - SHE LOOKS ALL AROUND HER AS IT STARTS RAINING, MICHAEL IS NOWHERE TO BE SEEN
GEMMA:
...
A HAND SHATTERS THOUGH GEMMA'S WINDOW, THE FINGERS START PIERCING THROUGH HER EYES AND GEMMA STARTS SCREAMING AGAIN
EXT. SMITHSGROVE SANITARIUM
THE SHERIFF'S CAR PULLS UP OUTSIDE SMITHSGROVE, AN OFFICER IS STANDING IN FRONT OF THE OPEN GATE THAT IS CORDONED OFF WITH YELLOW POLICE TAPE
SHERIFF CHRIS FIELDING WALKS UP TO THE OFFICER
CHRIS:
TAKE THIS TAPE DOWN WE DON'T WANT REPORTERS SNOOPING AROUND
THE OFFICER TAKES DOWN THE TAPE AND CHRIS WALKS INSIDE
DEPUTY JOYCE GARLAND WALKS UP TO CHRIS
CHRIS:
IS THE MEDIA BLACKOUT STILL IN OPERATION
JOYCE:
YEAH, IT IS
CHRIS:
SOMETHING ON YOUR MIND, JOYCE
JOYCE:
WHY ARE WE TIPTOEING AROUND THIS, SHOULDN'T WE BE TELLING PEOPLE HE'S ESCAPED
CHRIS:
WHAT GOOD DID THAT DO LAST TIME... WE CONTAIN THIS AND WE'LL CATCH HIM BEFORE LUNCH TOMORROW
EXT. LLOYD HOUSE - MORNING
CHILDREN ARE PLAYING IN THE STREET DRESSED UP AS FRANKENSTEINS, WOLFMEN AND GRIM REAPERS, THE HOUSES ON THE STREET HAVE SKELETONS, PUMPKINS AND OTHER HALLOWEEN DECORATIONS OUTSIDE OF THEM
OCTOBER 31ST
HALLOWEEN
INT. LLOYD HOUSE
MARTHA IS SITTING AT THE TABLE IN THE KITCHEN
DEREK WALKS INTO THE KITCHEN GRABS HIS JACKET OFF THE BACK OF A CHAIR AND PUTS IT ON
MARTHA:
ARE YOU SURE YOU HAVE EVERYTHING
DEREK:
... YEAH
MARTHA:
USB STICK
DEREK:
RIGHT POCKET
MARTHA:
IDEAS FOR THE PROJECT
DEREK:
LEFT POCKET... DO YOU THINK AMANDA WILL BE OK TODAY
MARTHA:
SHES HAD A YEAR TO PREPARE HERSELF FOR THIS, 31ST WILL COME AND GO AND THAT NIGHT WILL BE A MEMORY
DEREK KISSES MARTHA AND THEN WALKS OUT THE FRONT DOOR
AMANDA ROLLS INTO THE KITCHEN
AMANDA:
MORNING
MARTHA:
GOOD MORNING
AMANDA REACHES UP AND GRABS A BOWL OUT OF A CUPBOARD, GETS A BOX OF CEREAL OUT OF ANOTHER CUPBOARD AND GOES OVER TO THE REFRIGERATOR
AMANDA:
YOU CAN ASK
MARTHA:
...
MARTHA SMILES EMBARRASSED
MARTHA:
SO WHAT ARE YOU DOING TODAY
AMANDA:
NOT MUCH PROBABLY JUST HANGING OUT WITH JULIE AND BETH, I'M NOT IN WORK UNTIL TUESDAY
MARTHA NODS HER HEAD
AMANDA:
I KNOW WHAT THE DATE IS... AND THAT'S WHAT IT IS JUST A DATE
EXT. LLOYD HOUSE
AMANDA ROLLS OUT OF THE HOUSE AND GOES UP THE STREET, CROSSES THE ROAD AND INTO ANOTHER STREET
EXT. MYERS HOUSE
AMANDA GOES UP THE STREET AND FINALLY STOPS AT AN OLD, ABANDONED HOUSE
AMANDA LOOKS AT THE HOUSE FOR A SECOND AND THEN TURNS AROUND AND GOES BACK THE WAY SHE CAME, UNKNOWN TO HER THE SIDE DOOR TO THE HOUSE OPENS AND MICHAEL WEARING RICHARD'S OVERALLS WALKS OUT OF THE HOUSE AND SEES HIS SISTER LEAVING
INT. HARTMAN HOUSE
JULIE WALKS DOWNSTAIRS AND INTO THE KITCHEN, NO ONE'S IN THE HOUSE EXCEPT FOR HER
JULIE GRABS A SNACK BAR OFF THE TABLE
THE DOOR BELL RINGS
JULIE WALKS OVER TO THE DOOR AND OPENS IT - IT'S AMANDA
JULIE:
IT'S GOOD YOU'RE HERE BETH HAS OFFICIALLY GONE CRAZY
AMANDA GOES INTO THE HOUSE
AMANDA:
WHATS SHE DONE NOW
JULIE:
SHE'S TRYING TO CONVINCE JACOB TO GO WITH HER TO THAT PARTY TONIGHT
AMANDA:
JACOB HARRIS
JULIE:
YEAH THE COP
AMANDA:
HE'S NOT A COP YET
JULIE:
WELL NEARLY A COP
AMANDA:
WHAT DID HE SAY
JULIE:
SOMETHING ALONG THE LINES OF, I HAVE BETTER STUFF I COULD BE DOING TONIGHT
INT. COSTUME SHOP
SALLY TARRANT IS BEHIND THE DESK OF THE COSTUME SHOP, SHE'S USING HER CELLPHONE AND DOESN'T NOTICE WHEN A SHAPE WALKS INTO THE SHOP AND WALKS DOWN INTO A SECTION DEDICATED TO MASKS
MICHAEL LIFTS ONE OF MASKS UP AND LOOKS AT IT - IT'S A PALE, WHITE EXPRESSIONLESS MASK
MICHAEL PUTS THE MASK ON
SALLY TAKES A PEN OUT OF A CUP AND STARTS WRITING SOMETHING ON HER HAND
MICHAEL WALKS UP BEHIND SALLY, SALLY TURNS AROUND, DROPPING THE PEN ON THE FLOOR
SALLY:
YOU HAVE TO BUY THAT FIRST
MICHAEL PICKS UP THE PEN
SALLY:
AH THANKS
MICHAEL STABS SALLY IN THE CHEST WITH IT, AS SALLY TRIES TO GET UP, MICHAEL PUSHES THE PEN IN DEEPER
SALLY FALLS BACKWARD TO THE GROUND – SHE TRIES REMOVING THE PEN FROM HER CHEST
MICHAEL GOES TO WALK OUT OF THE SHOP, HE STOPS AT THE DOOR, CHANGES THE OPEN SIGN TO A CLOSED SIGN AND THEN WALKS OUT
INT. CHORDS OF ROCK
AMANDA AND JULIE ARE IN THE CHORDS OF ROCK RECORD STORE, BEHIND THE DESK IS BRION WILSON
AMANDA PICKS OUT A CD AND BRINGS IT UP TO THE DESK
THE DOOR TO THE BACK OFFICE OF THE SHOP OPENS AND GINA PIERCE WALKS OUT
GINA:
YOU GIRLS GOING TO THE COSTUME PARTY TONIGHT
AMANDA:
NO WE CAN'T, WE PROMISED OUR FRIENDS WE'D GO TO THEIR PARTY
GINA:
WELL IF YOU HAVE TIME AFTER THEIR PARTY, MAYBE YOU COULD COME TO OUR PARTY
AMANDA:
WE'LL TRY TO MAKE IT
AMANDA GIVES BRION THE MONEY FOR HER CD AND HE GIVES HER THE CHANGE
AMANDA AND JULIE GO OUT OF THE SHOP
INT. SHERIFF'S OFFICE
CHRIS IS SITTING AT HIS DESK AND JOYCE IS STANDING ON THE OTHER SIDE OF THE DESK
CHRIS:
... RIGHT TO HELL THIS SECRET SQUIRREL BULLSHIT, WE START PAROLING THE STREETS AND WE GET OFFICERS TO STAKE OUT POINTS OF INTEREST
JOYCE:
SUCH AS
CHRIS:
THE MYERS HOUSE... THE LLOYD HOUSE AND THE HARTMAN HOUSE
JOYCE:
WHAT DO YOU WANT US TO SAY TO THE FAMILIES
CHRIS:
MAKE SURE THE CARS ARE CIVILIAN CARS SO IF THE FAMILIES ASK WHY THEY'RE THERE THEY CAN SAY THEY'RE WAITING FOR A FRIEND OR SOMETHING
JOYCE:
... OK
EXT. A STREET IN HADDONFIELD
AMANDA AND JULIE ARE GOING DOWN THE STREET AS THEY TURN A CORNER THEY SEE BETH WALKING TOWARD THEM
BETH:
I WAS LOOKING EVERYWHERE FOR YOU GUYS, WHERE WERE YOU
AMANDA:
IN CHORDS OF ROCK, WHY
BETH:
THEY JUST ANNOUNCED THAT A BUNCH OF CELEBRITIES ARE GOING TO THE COSTUME PARTY
JULIE:
WHO
BETH:
THEY DIDN'T SAY, BUT THERE ARE SUPPOSED BE SOME REALLY BIG BANDS
JULIE:
YOU'RE CRAZY
BETH:
YEAH, I GET THAT A LOT
EXT. RYAN HOUSE
THE RYAN HOUSE LOOKS DIFFERENT FROM EVERY OTHER HOUSE ON THE STREET, IT HAS NO HALLOWEEN DECORATIONS, THE HOUSE ITSELF LOOKS NEW AND THE GRASS ON THE FRONT YARD LOOKS LIKE IT'S BEEN CUT RECENTLY
THE SUN IS STARTING TO SET, MICHAEL WALKS UP TO THE HOUSE, HE OPENS THE DOOR AND WALKS INSIDE
INT. RYAN HOUSE
AS MICHAEL WALKS INTO THE RYAN HOUSE, ALMOST BLENDING INTO THE SHADOWS, HARRY RYAN WALKS DOWNSTAIRS, MICHAEL JUMPS OUT AT HARRY, GRABBING HIM AND SMASHING HIS FACE AGAINST THE WALL
AS HARRY SLUMPS TO THE FLOOR, MICHAEL GRIPS HIS NECK AND SNAPS IT
STACY: (V.O)
HARRY
UPSTAIRS A DOOR OPENS AND STACY RYAN WALKS OUT, SHE STOPS AT THE TOP OF THE STAIRS, LOOKING DOWN AT MICHAEL, SHOCKED
MICHAEL STARTS WALKING UPSTAIRS
STACY TAKES HER EYES OFF MICHAEL AND TRIES TO RUN INTO HER ROOM, SHE OPENS THE DOOR
MICHAEL GETS TO THE TOP OF THE STAIRS, HE CLOSES THE DOOR TO STACY'S ROOM, GRABS HER BY THE HAIR AND STARTS REPEATEDLY BANGING HER HEAD AGAINST THE DOOR, EVENTUALLY WITH THE FORCE MICHAEL IS DOING IT, STACY'S HEAD BREAKS THROUGH THE WOOD OF THE DOOR – MICHAEL FORCES STACY'S NECK AGAINST THE SPLINTERED WOOD
MICHAEL WALKS DOWNSTAIRS, INTO THE KITCHEN, MICHAEL OPENS A DRAWER AND TAKES OUT A KITCHEN KNIFE - HE STUDIES IT FOR A FEW SECONDS AND THEN WALKS OUT OF THE KITCHEN, MICHAEL STEPS OVER HARRY'S CORPSE AND WALKS OUT THE DOOR
INT. LLOYD HOUSE
DEREK WALKS INTO THE HOUSE, HE HAS TWO PLASTIC COATED COSTUMES IN HIS HANDS, MARTHA IS IN THE LIVING ROOM WATCHING TV
MARTHA GETS UP
MARTHA:
HOW WAS WORK
DEREK:
WORK WAS... FINE
MARTHA:
OH, I'M SORRY
DEREK:
NO THEY LISTENED TO MY IDEAS AND AGREED WITH THEM
MARTHA:
THEY DID
DEREK:
YEAH BY WEDNESDAY, IT SHOULD BE OFFICIAL
MARTHA:
SO WHY ARE YOU
MARTHA LOOKS DOWN AT THE COSTUMES
DEREK:
THEY SAID WE SHOULD COME TO THE COSTUME PARTY THEY'RE THROWING
THE FRONT DOOR OPENS AND AMANDA ENTERS THE HOUSE
AMANDA:
SORRY I'M LATE, BETH HAD US LOOK AROUND THE COSTUME PARTY THEY'RE HAVING AT THE SHELBY HOUSE
AMANDA SEES THE COSTUMES IN DEREK'S HANDS
AMANDA:
ARE YOU GUY'S GOING TO A COSTUME PARTY
MARTHA:
WE MIGHT BE... IS THAT OK
AMANDA:
YEAH, IT'S FINE... I'LL ASK JULIE IF SHE WANTS TO COME AROUND AND WATCH SOME HORROR MOVIES
MARTHA:
GOOD
MARTHA TAKES A COSTUME OFF DEREK AND OPENS THE BAG
MARTHA:
OH NO
DEREK:
I HAD TO GO TO CARLLVILE TO GET THAT
AMANDA:
WHY
DEREK:
COSTUME SHOP IN TOWN WAS CLOSED
EXT. LLOYD HOUSE
STANDING OUTSIDE THE HOUSE BESIDE A HEDGE IS MICHAEL, HIS MASK IS JUST ABOUT VISIBLE IN THE DARK
MICHAEL LOOKS INTO THE HOUSE SEEING DEREK AND MARTHA WALK UPSTAIRS
MICHAEL WATCHES AMANDA GOING INTO THE LIVING ROOM, UNAWARE SHE'S BEING WATCHED, SHE TAKES HER CELLPHONE OUT OF HER POCKET AND DIALS A NUMBER
AMANDA:
HEY, DEREK AND MARTHA ARE GOING OUT TO A COSTUME PARTY, YOU WANNA COME OVER AND WATCH SOME MOVIES... OK SEE YOU IN HALF AN HOUR
MICHAEL'S GONE
EXT. HARTMAN HOUSE
BETH DRESSED AS A WITCH WALKS UP TO THE HOUSE AND RINGS THE DOOR BELL - JULIE OPENS THE DOOR AND STARTS LAUGHING
BETH:
IT'S NOT FUNNY
JULIE:
I THOUGHT YOU SAID IT WAS A DEMON OR SOMETHING
BETH:
I SAID DEMONIC WITCH
BETH WALKS INTO THE HOUSE
INT. HARTMAN HOUSE
BETH IS SITTING ON THE SOFA WITH JULIE
BETH:
ARE YOU OK
JULIE:
YEAH, WHY
BETH:
I DIDN'T WANT TO SAY IT AROUND AMANDA, I KNOW THIS TIME OF THE YEAR IS DIFFICULT FOR BOTH OF YOU
JULIE:
IT WAS HORRIBLE BUT I TRY NOT TO THINK ABOUT IT OR THEM
BETH:
YOUR BROTHER AND ALL THE OTHERS
JULIE:
YEAH, IT WAS A BAD NIGHT BUT IT'S OVER
BETH NODS HER HEAD
EXT. HARTMAN HOUSE
THE FRONT DOOR OPENS AND BETH WALKS OUT, JULIE STANDS BESIDE THE DOOR
BETH:
SO WHAT ARE YOU DOING TONIGHT
JULIE:
I HAVE TO WRITE A THING FOR SCHOOL AND THEN I'M GOING OVER TO AMANDA'S TO WATCH SOME HORROR MOVIES, I GUESS
ACROSS THE STREET, MICHAEL IS STANDING BESIDE A TREE, STARING AT BETH AND JULIE
BETH TURNS TO LEAVE AND JULIE CLOSES THE DOOR, MICHAEL IS STILL ACROSS THE STREET STARING AT BETH
INT. LLOYD HOUSE
MARTHA WALKS DOWNSTAIRS DRESSED AS THE BRIDE OF FRANKENSTEIN
AMANDA IS AT THE BOTTOM OF THE STAIRS
AMANDA:
WOW
MARTHA:
I KNOW, IT LOOKS... WEIRD
AMANDA:
IT'S A CLASSIC COSTUME
MARTHA:
WELL I WAS NEVER A BIG FRANKENSTEIN FAN
AMANDA:
COME ON, BORIS KARLOFF
MARTHA:
I ALWAYS THOUGHT IT WAS CREEPY
DEREK WALKS DOWNSTAIRS DRESSED AS FRANKENSTEIN
MARTHA: (WHISPERING)
CASE AND POINT
THE DOOR BELL RINGS
AMANDA GRABS A BOWL OF CANDY OFF THE TABLE AND OPENS THE DOOR - ON THE OTHER SIDE OF THE DOOR ARE KIDS DRESSED AS WEREWOLVES, MUMMIES, BATMAN AND THE JOKER
AMANDA:
YOU GUYS LOOK REALLY SCARY
AMANDA GIVES THE KIDS THE CANDY
JOKER KID:
THANKS
THE KIDS RUN OFF LAUGHING AND DEREK AND MARTHA WALK OVER TO THE OPEN DOOR
DEREK:
OK, WE'LL BE BACK ABOUT ELEVEN THIRTY
AMANDA:
ALRIGHT, HAVE FUN
DEREK AND MARTHA WALK OUT OF THE HOUSE AND AMANDA CLOSES THE DOOR
EXT. SHELBY HOUSE
THE STREET IS FULL OF CARS, THE HOUSE ITSELF HAS FIVE PEOPLE STANDING OUTSIDE OF IT, LOUD MUSIC CAN BE HEARD FROM THE HOUSE
BETH WALKS UP TO THE HOUSE, OPENS THE DOOR AND WALKS IN
MICHAEL WALKS UP THE STREET, HE STOPS AND LOOKS AT THE HOUSE
INT. SHELBY HOUSE
THE ROOMS OF THE HOUSE ARE CROWDED WITH PEOPLE DRESSED IN COSTUMES
BETH IS STANDING TALKING TO MYRA DORAN, WHO IS DRESSED AS LITTLE RED RIDING HOOD
BETH:
DAMN, I DIDN'T THINK SOMEONE COULD MAKE MY COSTUME LOOK GOOD BY COMPARISON
MYRA:
HEY, IF I WASN'T YOUR FRIEND, I'D BREAK YOUR BROOMSTICK FOR THAT, AND ANYWAY AT LEAST I LIKE LITTLE RED RIDING HOOD
BETH:
HEY, I LIKE... WITCHES
MYRA:
YEAH OF COURSE YOU DO
EXT. SHELBY HOUSE
MICHAEL WALKS UP TO THE HOUSE JUST AS TWO PEOPLE WALK INSIDE, LEAVING THREE PEOPLE OUTSIDE, TWO MEN AND A WOMAN
MICHAEL GRABS ONE OF THE MEN, STABBING HIM IN THE STOMACH, THE OTHER MAN GETS UP AND THE WOMAN TRIES TO RUN AWAY
MICHAEL CUTS THE MAN'S THROAT AND THROWS HIM INTO THE WOMAN, KNOCKING HER OVER
THE WOMAN TRIES TO PUSH THE MAN OFF HER BUT HE'S TOO HEAVY, MICHAEL APPROACHES THE WOMAN WITH THE KNIFE IN HIS HAND
INT. SHELBY HOUSE
GINA WALKS OVER TO BETH AND MYRA
GINA:
ENJOYING THE PARTY
BETH:
YEAH, BUT WHERE ARE THE CELEBRITIES, THE BANDS AND STUFF THEY ANNOUNCED ONLINE
GINA:
THERE WAS... A BIT OF A MISTAKE ABOUT THAT
BRION WALKS OVER TO GINA
BRION:
GINA, I HAVE TO TALK TO YOU FOR A SECOND
GINA:
OK, I'LL BE BACK IN A MINUTE
BRION AND GINA WALK AWAY FROM BETH AND MYRA
MYRA:
I'M GUESSING THERE NEVER WERE ANY BANDS OR CELEBRITIES
EXT. SHELBY HOUSE
BRION AND GINA ARE MAKING OUT, ON THE GROUND ARE A FEW PUDDLES OF BLOOD, IN THE DARKNESS IT COULD BE MISTAKEN FOR WATER
UNKNOWN TO BRION AND GINA TO THE SIDE OF THE HOUSE JUST A FEW FEET FROM WHERE THEY'RE STANDING ARE THE CORPSES OF THREE PEOPLE, A CAN OF GASOLINE AND A SHAPE LURKING IN THE SHADOWS
GINA:
WE CAN'T STAY OUT HERE FOREVER
BRION:
I KNOW... JUST A LITTLE WHILE LONGER
MICHAEL WALKS OUT FROM THE SIDE OF THE HOUSE AND WALKS OVER TO BRION AND GINA
BRION AND GINA BREAK THEIR KISS TO SEE MICHAEL STANDING BESIDE THEM
MICHAEL GRABS BRION BY THE HAIR AND SLAMS HIS FACE INTO THE OUTSIDE OF THE HOUSE
MICHAEL SLAMS HIS KNIFE INTO GINA'S THROAT
INT. LLOYD HOUSE
AMANDA IS WATCHING TV
THE DOORBELL RINGS
AMANDA GOES INTO THE HALLWAY AND OPENS THE DOOR - IT'S JULIE
JULIE:
I REALLY NEED SOME OLD SCHOOL 80S HORROR
JULIE WALKS INTO THE HOUSE AND AMANDA CLOSES THE DOOR, JULIE AND AMANDA GO INTO THE LIVING ROOM
AMANDA:
WELL WE'VE GOT THREE MOVIES WE CAN WATCH, BUT WE ONLY HAVE ENOUGH TIME FOR ONE OF THEM
JULIE:
AW, WHAT ARE THEY
AMANDA:
SHRIEK OF THE MUTILATED, PROM NIGHT OR I SPIT ON YOUR GRAVE
JULIE:
WHY DO YOU OWN A COPY OF I SPIT ON YOUR GRAVE
AMANDA:
IT'S A CONVERSATION STARTER
JULIE:
DO YOU HAVE THE COPY THAT COMES WITH BARF BAGS
AMANDA LOOKS IN FAKE ANNOYANCE AT JULIE
JULIE:
WELL IT'S EITHER PROM NIGHT OR SHRIEK OF THE MUTILATED
AMANDA:
SHRIEK OF THE MUTILATED IT IS
INT. SHELBY HOUSE
BETH AND MYRA ARE TALKING TO MAX PRESTON AND JILL THOMPSON
JILL:
YEAH, WE'RE GOING OVER TO DILLON'S HOUSE IN ABOUT TEN MINUTES
BETH:
WE'LL WAIT FOR A LITTLE LONGER TO SEE IF ANY BANDS SHOW UP
MAX SHAKES HIS HEAD
MAX:
BRION TOLD ME EARLIER, IT WAS A HOAX BY THAT GUY DON CLARK
BETH:
FUCK
EXT. SHELBY HOUSE
MICHAEL ATTEMPTS TO LIFT BRION UP, WHEN A LIGHTER FALLS OUT OF BRION'S POCKET
MICHAEL LOOKS AT THE LIGHTER FOR A FEW SECONDS AND HE PUTS THE LIGHTER IN THE POCKET OF HIS COVERALLS
MICHAEL WALKS AROUND THE SIDE OF THE HOUSE, GRABS THE GAS CAN AND WALKS BACK AROUND TO BRION AND GINA'S CORPSES
MICHAEL POURS THE CONTENTS OF THE GAS CAN OVER BRION'S BODY, MICHAEL LIFTS BRION'S BODY UP MAKING SURE NOT TO GET ANY GAS ON HIMSELF AND THROWS BRION THROUGH ONE OF THE WINDOWS TOWARD THE FRONT OF THE HOUSE, BRION'S BODY IS CAUGHT IN THE LIVING ROOM CURTAIN AND FALLS TO THE GROUND - EVERYONE INSIDE THE HOUSE STOPS TALKING AND LOOKS NOT AT BRION BUT AT MICHAEL STANDING OUTSIDE
JILL:
NICE TRY, BUT IT DOESN'T MAKE UP FOR THIS SHITTY PARTY, WHO'S UNDER THE MASK, BRION?
JILL WALKS OVER TO BRION'S CORPSE WRAPPED IN THE CURTAIN AND TOUCHES THE CURTAIN, GETTING GASOLINE ON HER HANDS, SHE UNWRAPS PART OF THE CURTAIN TO SEE BRION'S FACE
MICHAEL TAKES THE LIGHTER FROM HIS POCKET, IGNITES THE FLAME AND TOSSES IT THROUGH THE WINDOW, WHERE IT FALLS ON BRION'S BODY - SUDDENLY BRION'S BODY IS ENGULFED IN FLAMES, JILL'S HAND ALSO CATCHES ON FIRE AND SHE STARTS SCREAMING
EVERYONE IN THE PARTY STARTS PANICKING AS THE FIRE STARTS TO SPREAD, EVERYBODY IS FIGHTING TO GET TO THE FRONT DOOR, JILL GETS PUSHED AND FALLS OVER A COFFEE TABLE
NOBODY NOTICES THAT MICHAEL IS GONE
A WOMAN OPENS THE FRONT DOOR AND EVERYBODY RUNS OUT EXCEPT FOR BETH AND MYRA WHO TRY AND HELP JILL GET TO HER FEET
MICHAEL WALKS INTO THE BURNING HOUSE THROUGH THE BACK DOOR AND WALKS BEHIND BETH, MYRA AND JILL
BETH TURNS AROUND TO LOOK AT MICHAEL
BETH: (SCREAMING)
WHAT DO YOU WANT
MICHAEL SLASHES INTO MYRA'S STOMACH WITH THE KNIFE, THE LOOK ON MYRA'S FACE IS OF SHEER TERROR AS SHE REALISES WHAT HAS HAPPENED AND SHE FALLS BACKWARD
JILL RUNS AHEAD, SHOCKED AND GRASPING HER HAND
BETH ATTEMPTS TO FOLLOW HER BUT TRIPS OVER SOMETHING AND FALLS TO THE GROUND
JILL LOOKS BACK TO SEE MICHAEL JUST A FEW FEET FROM BETH
JILL:
I'M SORRY
JILL RUNS OUT THE FRONT DOOR
BETH GETS TO HER FEET AND TRIES TO RUN BUT MICHAEL LUNGES AT HER, FORCING HER TO THE GROUND
BETH:
PLEASE... WHY
MICHAEL PUTS THE KNIFE THROUGH BETH'S THROAT – THE BLADE OF THE KNIFE EXITS THROUGH THE BACK OF BETH'S NECK AND DRIPS A STEADY SUPPLY OF BLOOD ONTO THE BEIGE CARPET
MICHAEL TAKES THE KNIFE OUT OF BETH'S THROAT, BETH MAKES A GARGLING NOISE BEFORE DYING AND MICHAEL WALKS OUT THE BACK DOOR
EXT. SHELBY HOUSE
THE TEENAGERS ARE STANDING OUTSIDE THE HOUSE, MOST OF THE SMOKE FROM THE FIRE IS VENTING OUT OF THE BROKEN WINDOW
JILL RUNS AWAY FROM THE HOUSE AND DOWN THE STREET
AS A FIRE TRUCK STOPS OUTSIDE THE HOUSE, A SHAPE WALKS DOWN THE STREET AFTER JILL
EXT. LLOYD HOUSE
OFFICERS MARK STEVENS AND CAROLINE KANE ARE SITTING IN THEIR CAR, DRESSED IN CASUAL CLOTHES
RADIO OPERATOR:
ALL CARS IN THE VICINITY OF BROOKE AVENUE PLEASE RESPOND TO THE SHELBY HOUSE, ARSON AND SUSPECTED MYERS SIGHTING, APPROACH WITH CAUTION
MARK:
THERE WE GO
MARK TURNS THE KEY IN THE IGNITION AND THE CAR STUTTERS TO LIFE
CAROLINE:
HEY THEY SAID SUSPECTED
MARK:
YEAH AND THEY'LL NEED HELP... ANYWAY BROOKE AVENUE ISN'T FAR
THE CAR DRIVES UP THE STREET
INT. LLOYD HOUSE
AMANDA AND JULIE ARE SITTING IN THE LIVING ROOM, WATCHING SHRIEK OF THE MUTILATED, THE CURTAINS ARE DRAWN AND JULIE IS DRINKING A CAN OF SOMETHING THAT LOOKS LIKE PEPSI
ON SCREEN A YETI IS RUNNING TOWARD A HOUSE
JULIE:
LOOK AT THE COSTUME
AMANDA:
YEAH, THAT'S PRETTY BAD
AMANDA GRABS A FEW POTATO CHIPS OUT OF A BOWL AND STARTS EATING THEM
JULIE:
WHERE THE HELL DID YOU GET THIS MOVIE
AMANDA:
IT CAME IN A YETI BOXSET
JULIE:
... THERE'S NOTHING I CAN SAY TO THAT
JULIE TAKES A SIP OF HER PEPSI DRINK AND SOMETHING HITS THE FRONT DOOR
JULIE:
WHAT THE FUCK
AMANDA:
PROBABLY KIDS
AMANDA ROLLS UP TO THE FRONT DOOR AS ON THE OTHER SIDE SOMEONE STARTS BANGING THEIR FISTS ON IT
AMANDA OPENS THE DOOR AND JILL RUNS INSIDE
JILL:
CLOSE THE DOOR
AMANDA CLOSES THE DOOR AND JULIE WALKS OVER, JULIE SEES JILL'S HAND
JULIE:
WHAT HAPPENED
JILL:
SOME GUY TORCHED THE SHELBY HOUSE... HE... HE KILLED BRION AND MYRA AND BETH
JULIE:
IF THIS IS A JOKE
JILL:
LOOK AT MY FUCKING HAND!
JILL HOLDS HER HAND UP – IT'S STARTING TO SWELL PRETTY BADLY
AMANDA:
WHAT DID HE LOOK LIKE
JULIE:
AMANDA
AMANDA:
WHAT DID HE LOOK LIKE
JILL:
HE HAD... A PALE WHITE MASK AND HE WAS DRESSED IN OVERALLS
JULIE:
IT CAN'T BE
AMANDA:
IT IS
JILL:
WHAT ARE YOU TALKING ABOUT
A JACK O'LANTERN SMASHES THREW THE LIVING ROOM WINDOW
JILL:
OH GOD
AMANDA:
SHUT UP
JULIE GOES INTO THE KITCHEN AND CHECKS THE TWO GLASS DOORS LEADING TO THE GARDEN
JULIE:
OK, WE CAN GET OUT THROUGH HERE
AMANDA:
NO
JULIE:
WHAT
AMANDA SLOWLY OPENS THE FRONT DOOR - NO ONE'S OUTSIDE
AMANDA:
HE'S WAITING BACK THERE, I CAN FEEL IT
AMANDA, JILL AND JULIE MOVE SLOWLY OUT THE FRONT DOOR
MICHAEL SMASHES THROUGH THE GLASS DOORS AS AMANDA, JILL AND JULIE EXIT THE HOUSE
EXT. LLOYD HOUSE
AMANDA, JILL AND JULIE ARE GOING DOWN THE STREET AS FAST AS THEY CAN
AS SOON AS THEY GET FAR ENOUGH FROM THE HOUSE THEY HIDE BEHIND A HEDGE TO THE SIDE OF A HOUSE
JULIE PULLS HER CELLPHONE OUT OF A POCKET AND DIALS 911
JULIE:
... POLICE, A GUY IS TRYING TO KILL US, NO THIS ISN'T A JOKE... MICHAEL MYERS... WE'RE ON PLEASENCE STREET... OK HURRY
JILL:
ARE THEY COMING
JULIE:
YEAH THEY SAID THEY WOULD BE HERE IN A FEW MINUTES... AMANDA ARE YOU OK
AMANDA:
YEAH
JULIE:
I DON'T UNDERSTAND, AFTER WHAT WE DID TO HIM HOW IS HE ABLE TO DO THIS
JILL:
WHO IS HE
AMANDA:
HE'S... MY BROTHER
JILL:
YOUR BROTHER
AMANDA NODS HER HEAD
JILL:
WHY'S HE DOING THIS
AMANDA:
IT'S TOO LONG OF A STORY, IF WE LIVE THROUGH TONIGHT, I'LL TELL YOU
JULIE:
SHH
MICHAEL IS WALKING DOWN THE STREET, HIS EYES ARE FIXED ON THE HEDGE HIS SISTER AND HER FRIENDS ARE HIDING BEHIND
MICHAEL TIGHTENS HIS GRIP ON THE KNIFE AS HE GETS CLOSER TO AMANDA AND THE OTHERS
A POLICE CAR DRIVES UP THE STREET, IT PULLS UP TO THE CURB IN FRONT OF AMANDA, JILL AND JULIE
MICHAEL STANDS WHERE HE IS AS TWO POLICE OFFICERS GET OUT OF THE CAR
COP 1:
EVERYBODY STAY WHERE YOU ARE... YOU DROP THE KNIFE
MICHAEL STANDS STILL DOING NOTHING
THE FIRST POLICE OFFICER DRAWS HIS GUN AIMING IT AT MICHAEL
COP 1:
I SAID DROP THE KNIFE
MICHAEL RUNS TOWARD THE OFFICERS, THE FIRST COP FIRES - HITTING MICHAEL IN HIS LEFT ARM (NOT EVEN SLOWING HIM DOWN)
MICHAEL STABS THE OFFICER IN THE CHEST, THE OTHER COP SHOCKED, DRAWS HIS GUN BUT DROPS IT WHEN MICHAEL LOOKS OVER AT HIM
THE BLADE OF THE KNIFE COLLIDES WITH THE SECOND OFFICER'S THROAT, HE LETS OUT A WHIMPER, CLUTCHES THE BLEEDING WOUND, FALLS FORWARD ONTO HIS KNEES AND THEN FACE PLANTS THE PAVEMENT
MICHAEL TURNS HIS ATTENTION TO AMANDA
AMANDA:
HELLO MICHAEL
AMANDA BOLDLY ROLLS OVER TO MICHAEL, MICHAEL RIPS HER OUT OF HER WHEELCHAIR AND THROWS HER ON THE GROUND IN FRONT OF HIM
JULIE:
LEAVE HER ALONE
MICHAEL TRIES TO GRAB AMANDA BY HER HAIR BUT SHE FORCES HER SELF AHEAD, GRABBING THE SECOND OFFICER'S GUN AND AIMING AT MICHAEL'S CHEST, SHE FIRES - MICHAEL FALLS BACKWARDS THE KNIFE FALLS OUT OF HIS HAND
AMANDA CRAWLS OVER TO MICHAEL'S BODY, PLACES THE GUN AGAINST HIS HEAD, MICHAEL GETS UP AS THE GUN GOES OFF, THE BULLET MISSES HIM
MICHAEL STANDS UP, GRABS AMANDA BY THE THROAT AND STARTS CHOKING HER, AMANDA TIGHTENS HER GRIP ON THE GUN, SHE FIRES - MICHAEL FALLS DOWN ONTO THE GROUND TAKING AMANDA WITH HIM
JULIE RUNS OVER TO WHERE MICHAEL DROPPED HIS KNIFE, SHE PICKS IT UP, SHE STABS MICHAEL IN THE CHEST WITH THE KNIFE, SHE DOES IT AGAIN AND AGAIN, OVER AND OVER THEN SHE FINALLY STOPS, RETRACTING THE KNIFE FROM HIS CHEST AND SLAMMING IT INTO HIS STOMACH
AMANDA PICKS UP THE GUN AND PUTS IT TO MICHAEL'S HEAD AGAIN, MICHAEL TRIES TO MOVE JUST AS SHE FIRES THE GUN, THE BULLET HITS MICHAEL'S NECK. BLOOD STARTS SPITTING OUT OF HIS NECK AS MICHAEL GRABS JULIE BY THE THROAT, AMANDA FIRES THE GUN AGAIN, THIS TIME HITTING MICHAEL IN THE STOMACH, MICHAEL FALLS BACKWARD, AMANDA CRAWLS OVER TO MICHAEL, SHE PLACES THE GUN TO HIS CHEST, WHERE HIS HEART IS AND FIRES
FADE OUT TO BLACK
EXT. PLEASENCE STREET (TEN MINUTES LATER)
CHRIS AND JOYCE ARE STANDING ON PLEASENCE STREET AS MICHAEL'S BODY IS BEING PUT IN A BODY BAG BY TWO PARAMEDICS (THE GUNSHOT WOUND TO HIS CHEST AND NECK CAN BE SEEN)
CHRIS IS TALKING ON HIS CELLPHONE
CHRIS:
OK... CALL THEIR PARENTS
CHRIS PUTS HIS PHONE INTO HIS POCKET
CHRIS:
THIS A FUCKING MESS
JOYCE:
AT LEAST THEY GOT HIM
CHRIS:
YEAH BUT HE GOT A WHOLE LOT OF OTHER PEOPLE
THE PARAMEDICS ZIP THE BODY BAG UP AND PUT IT INTO AN AMBULANCE
CHRIS:
I HOPE HE BURNS IN HELL
THE AMBULANCE DRIVES OFF
INT. AMBULANCE
THE PARAMEDIC IN THE PASSENGERS SEAT IS PLAYING WITH A TOY JACK O'LANTERN
PARAMEDIC 01:
AS SOON AS WE DROP THIS ASSHOLE INTO THE MORGUE, DO YOU WANT TO GET A PIZZA
PARAMEDIC 02:
YEAH SURE, IT'S GONNA BE A LONG NIGHT
IN THE BACK OF THE AMBULANCE IS MICHAEL'S BODY BAG, MICHAEL'S CHEST INSIDE THE BAG RISES AND FALLS AS HE STARTS BREATHING AGAIN