The script is based on an Aboriginal adolescent's fanfictioning, weaving dreamtime and contemporary stories through popular culture like pink plastic through traditional baskets. The main screen, a large cinema size, is the live version of C's online fantasies. The light, colour, sound and character on this screen change in sync with a staged video-blog (attached with headphones) on a smaller screen or on iphone of C (played by actor) in front a green screen, her face darkened and pixelated, like an interview on TV with an undisclosed identity. Inspired by website catalogues of TV and movie tropes, X explores a series of cinematic clichés, guided by a mysterious force emanating from her iPhone.

Small screen/iphone:

'X' picture is inlaid on top of Lockhart footage, hip-hop music mixed with Lockhart sounds

C: My dear, you are my princess and id like to keep you shut in an ivory tower for my private delectation.

Large Screen:

A collage of round cut out shapes, like Aboriginal painting patterns, weaving imagery of sea, trees, vignettes of Lockhart and close-ups of hair, skin and clothing of X. Text on screen (the text colour matches the colour of the shot): 'This is my latest stori, hope u like it, feedback welcome xoxo C 2k14'. Shot of red sand in Lockhart, cut to-

"We live in an empire ruled not by kings or even presidents, but images,"

Love disrupts our own storylines. We think we know what we want, how things

are going to be, then all of a sudden we feel something we were not expecting.

Awkward love story with gaps, silences, disruptions

X enters a club

Youre not looking hard enough – in darkness margins, can't see, sound

The sea continuously jerks off

Youth and tender identities, she's a vessel, a white canvas, an alien who is hopeless (white skin, Under the Skin)

Red hair and desert sand

A girl, a boy with a wig, a fusion

Virtual body simulated camera

X constructs her reality from haptic and sensual experience

Alternative forms of communication

X/Y explores fan fiction as a site for playing with identity, where people sculpt and edit popular material

The woman as a site for colonial perversion

Multi-authorship

"I want everyone I know and don't know to sit down and watch, think about me the way they'd think about a character in a movie. Think about me as though I have a chance,"

My dear, you are my princess and id like to keep you shut in an ivory tower for my private delectation.

Theodore Zeldin writes that:

1

The particular histories of the people

of Cape York Peninsula are connected to shared human experiences of love and

relationships, through the universalising themes of philosophy and poetry and

the empathic identification of the reader.

colonialism left behind its legacy, ―modern‖ infrastructure, its educated elites trained

in the colonial value system, and an

What happens when an adoelscent with Aboriginal mythological ancestry plays with Hollywood mythology via .net?