HUBBARD STREET
DELUSIONS
BY
HENRIETTE MOUSTAKIS
ACT ONE
FADE IN:
SCENE ONE
INT. FRANK'S BEDROOM. NIGHT
FRANCIS DOC HOCKENBERRY and his wife MAYLING HOCKENBERRY are in bed sleeping. He is tossing and turning and speaking while in a cold sweat.
FRANK HOCKENBERRY
No, no. Please don't. It will kill me. No, please. Take it away. NO!
He wakes up screaming and breathing heavily. She gets up and grabs him.
MAYLING HOCKENBERRY
Frank, are you okay?
FRANK HOCKENBERRY
(catching his breath)
I had that dream again.
He runs his fingers through his hair and drops his head.
FRANK HOCKENBERRY
I saw their faces. Every time I close my eyes, I see their faces.
MAYLING HOCKENBERRY
(holding him)
It's all over. They can't hurt you anymore.
(pulls him away)
Frank, you have to get help. You can't go on like this.
FRANK HOCKENBERRY
Why did my memory have to come back? I'll never have peace. I'll never have sleep.
MAYLING HOCKENBERRY
Frank, look at me.
(He does.)
Go back to Dr. Seymore. She can help you.
FRANK HOCKENBERRY
Maybe she can give me something to make me sleep. I would kill for a full night's sleep.
MAYLING HOCKENBERRY
I didn't mean sleeping pills. You need professional counseling. Pills won't do a damn thing if you can't work it out.
FRANK HOCKENBERRY
I don't need a shrink...anymore.
MAYLING HOCKENBERRY
You did once. She helped you. She can help you now. You're a crime victim. It's normal. You were almost killed.
FRANK HOCKENBERRY
It's funny. I saw people die every day in the war. I had to help the ones I could. Most missions, my clothes were so bloodied, I couldn't believe they were ever clean. It never affected me like this.
MAYLING HOCKENBERRY
This time you were the victim. Please see her.
FRANK HOCKENBERRY
(holding her)
I will. When I think of what I almost lost, I don't know what to say.
(putting face to his)
I love you.
MAYLING HOCKENBERRY
And I love you.
He continues to hold her and they both drop back into bed. He starts staring at the ceiling.
MAYLING HOCKENBERRY
Feel better now?
FRANK HOCKENBERRY
Yes. I just wish I could close my eyes and they would go away.
MAYLING HOCKENBERRY
They will. Get some sleep.
She starts to fall asleep as he strokes her hair.
FRANK HOCKENBERRY
You know what I don't understand?
MAYLING HOCKENBERRY
(falling asleep)
What?
FRANK HOCKENBERRY
Why God wanted me to die? What did I do wrong? Andrew was there and he didn't lift a finger to help me. Why is that, May---May, are you asleep?
(looks at her)
I'm glad one of us can sleep.
He kisses her forehead and closes his eyes.
CUT TO:
SCENE TWO
INT. DR. SEYMORE-ANDERSON'S OFFICE. MORNING
DR. JENNIFER SEYMORE-ANDERSON is at her desk when she hears a knock. She is Zek Anderson's wife. They met in Vietnam and they married after he left the army.
DR. SEYMORE-ANDERSON
Come in.
Frank comes in.
FRANK HOCKENBERRY
Got a minute, Jenny?
DR. SEYMORE-ANDERSON
Sure, Frank. Have a seat. What can I do for you?
FRANK HOCKENBERRY
I've been having trouble sleeping. I thought you might give me something.
She comes from behind the desk and pulls out a small flashlight from her pocket.
DR. SEYMORE-ANDERSON
Stand up.
He does and she flashes the light in his eyes.
DR. SEYMORE-ANDERSON
Your eyes are bloodshot. If I didn't know any better, I'd sweat you were drinking.
FRANK HOCKENBERRY
I don't drink anymore. I just can't sleep. They won't let me sleep. Every time I close my eyes, I see their faces. Ever since I remembered, I haven't had one night's rest. Can you help me?
She walks over to her desk, pulls out a card and gives it to him.
DR. SEYMORE-ANDERSON
I'll do what I can, but pills are not the total answer. This is a group that meets every Tuesday night. They're all crime victims. You need to work this through.
FRANK HOCKENBERRY
You won't give me pills?
DR. SEYMORE-ANDERSON
I'm not hot on pills. I feel they're a cop-out. But, if you really need them, I will.
She writes out a prescription and gives it to him.
DR. SEYMORE-ANDERSON
No refills, for any reason. I want constant supervision. We're to begin our sessions again. With the help of the sessions and this encounter group, they'll go away. And if they don't, you'll learn how to handle it. As for the pills, take one before you go to sleep.
FRANK HOCKENBERRY
(reading prescription)
You only gave me five?
DR. SEYMORE-ANDERSON
That's five too many. Pills are not the answer, Frank. They're only a crutch. You should know that. You're in AA.
(sitting on desk)
Now tell me what's really bothering you?
FRANK HOCKENBERRY
Now? I'm interrupting your work.
DR. SEYMORE-ANDERSON
Patients are my work. Paperwork is an after thought. Spit it out, soldier.
FRANK HOCKENBERRY
You really believe in getting to the point. Zek taught you well.
DR. SEYMORE-ANDERSON
Leave Zek out of this. It's you and me. Speak, private.
FRANK HOCKENBERRY
With the trial coming up, I've been trying to help the police. They had me hypnotized.
DR. SEYMORE-ANDERSON
You were hypnotized? And I wasn't told? I'm your doctor.
FRANK HOCKENBERRY
I didn't think you had to be told?
DR. SEYMORE-ANDERSON
(angry)
Looks like I have to have a few words with the police department. Go on. What happened?
FRANK HOCKENBERRY
I remembered and now I can't forget. Every night, I relive it. I see the bottle. I remember how it felt going down my throat. I'm looking for help and no one comes. I even see Andrew. He's sitting there watching. He's my friend and he's sitting there watching them kill me.
DR. SEYMORE-ANDERSON
Him again? You and Zek get really weird when HE comes up.
FRANK HOCKENBERRY
You know what he is.
DR. SEYMORE-ANDERSON
I know what YOU and ZEK believe he is. I see just a human.
FRANK HOCKENBERRY
Just ask Zek. He saw him as he really is.
DR. SEYMORE-ANDERSON
My husband has a vivid imagination. At the time he, supposedly saw him, he was shot and going into shock. What he saw was some chemical brain reaction. It happens all the time. It's called a near-death experience. Everyone sees angels.
FRANK HOCKENBERRY
You don't believe in them?
DR. SEYMORE-ANDERSON
I am a scientist and a doctor. I live in the world of reality, not fantasy. Angels are up there with fairies and Santa Claus. Anyone who sees them is having a delusion.
FRANK HOCKENBERRY
Is God a delusion?
DR. SEYMORE-ANDERSON
He is not part of this discussion, or is he? Tell me what's really bothering you, Frank?
FRANK HOCKENBERRY
I don't understand why God wanted me to die like that. I don't understand why my friend, his angel--
DR. SEYMORE-ANDERSON
Andrew again?
FRANK HOCKENBERRY
Was willing to let me suffer. I thought God loved me. I'm doing his work. HE asked me to help the less fortunate, or at least I was. Ever since the attack, all I am now is a paper pusher.
DR. SEYMORE-ANDERSON
Do you resent loosing that part of your job?
FRANK HOCKENBERRY
Yes.
DR. SEYMORE-ANDERSON
Why? Tell me, honestly. Why did you start working Hubbard Street?
FRANK HOCKENBERRY
I wanted to help give them back their lives.
DR. SEYMORE-ANDERSON
Why?
FRANK HOCKENBERRY
If you need to ask that, where were you sixteen years ago? I lived under your roof for months.
DR. SEYMORE-ANDERSON
Answer the question, Frank. Why? Did you do it for you, or for your...God?
FRANK HOCKENBERRY
What are you getting at?
DR. SEYMORE-ANDERSON
If you did it for you, I can help you. If you did it for God, I can't. You were attacked because of a manmade problem. You took a stand and paid for it. If you're wondering why God wanted to die, then go see a priest. I can only help your head, not your spirit.
FRANK HOCKENBERRY
What about Andrew? He was an---
DR. SEYMORE-ANDERSON
Angel? So, I've been told by you and Zek. That's your mutual delusion. Every time he brings it up, I bring him back to reality.
FRANK HOCKENBERRY
Speaking as a doctor, not a friend, what should I do?
DR. SEYMORE-ANDERSON
Get this behind you. Come back to the real world. As a friend, see a priest. You always had some strange God trip I could never understand. But that's you and so far you've been able to live with it. Only now, it seems like it's taken you over. See the priest. Talk it out before it's too late and you loose all sense of reality. Maybe then, you'll be able to get some sleep. You're becoming a religious fanatic.
FRANK HOCKENBERRY
That's not true.
DR. SEYMORE-ANDERSON
Yes it is. In the meantime, I want you to go to these meetings. Bring Mayling. Family is invited and in some cases, gladly accepted. This looks like such a case.
(picks up calendar)
Can you make it Wednesday morning at ten?
FRANK HOCKENBERRY
I'll check my schedule. If I can't, I'll make time. After all, it's only paper.
DR. SEYMORE-ANDERSON
Good. I'll be anxious to hear about your encounter. Have I been of any help?
He stands and walks to the door.
FRANK HOCKENBERRY
Not much.
DR. SEYMORE-ANDERSON
And I won't until you answer the questions I asked today. It's up to you, Frank. See you later.
He leaves. She goes to her desk file and pulls out a file. She picks up a small tape recorder and starts speaking.
DR. SEYMORE-ANDERSON
Case 12023. Francis Hockenberry. Date, April 13th. Had preliminary session with patient after several years of non-professional involvement. Patient is a recent crime victim and is now suffering from delusions. He believes in. angels. Will begin new sessions immediately.
She turns off the tape-recorder.
CUT TO:
SCENE THREE
INT. CAFETERIA. MORNING
Frank is sitting drinking a cup of coffee and attempting to read a report. He is very tired and easily distracted. Two young attractive women, scantily dressed sit at the next table. He looks up at them and smiles happily. As he does, he starts to daydream. THIS INFORMATION IS FROM THE THANKSGIVING SHOW IN THE THIRD SEASON. Dr. Seymore comes in and sees him with a glazed look in his eyes. He is smiling slightly. She buys a coffee and sits right across from him at the table blocking his view.
DR. SEYMORE-ANDERSON
Enjoying the view, Frank?
FRANK HOCKENBERRY
Huh?
DR. SEYMORE-ANDERSON
I couldn't help noticing. Tell me, Frank? What did they look like with their clothes off?
FRANK HOCKENBERRY
Was I that obvious?
DR. SEYMORE-ANDERSON
Like a sledgehammer. Just what were you thinking about?
FRANK HOCKENBERRY
An old memory.
DR. SEYMORE-ANDERSON
Was it Nam?
FRANK HOCKENBERRY
Yes.
DR. SEYMORE-ANDERSON
Want to tell me about it? It's off the record. You won't be charged.
FRANK HOCKENBERRY
I'd rather not. You're a lady.
DR. SEYMORE-ANDERSON
Oh, that type of memory. Tell me. I like a good story.
FRANK HOCKENBERRY
Well, it was halfway through my tour and my girl left me, long distance.
DR. SEYMORE-ANDERSON
Dear John letter?
FRANK HOCKENBERRY
Dear John phone call. I had told her I was going to be monogamous. She wasn't.
DR. SEYMORE-ANDERSON
And that upset you?
FRANK HOCKENBERRY
Me and all the other guys over there. One day, I was sitting outside a bordello. I was reading and drinking. Those were the days I could drink.
DR. SEYMORE-ANDERSON
Go on.
FRANK HOCKENBERRY
As I sat, I would see the faces of the men leaving. They were very happy. So, I went in. At that time I knew the girls professionally. We had an epidemic of VD and I was inoculating them. To make a story short, I was put into this tall bathtub with soap up to my chin. It felt so good. One girl was cleaning my neck and shoulders from behind me, while...do you really want to hear this?
DR. SEYMORE-ANDERSON
This is getting good.
FRANK HOCKENBERRY
Another one joined me in the tub.
DR. SEYMORE-ANDERSON
Why, Frank? I don't believe you're blushing?
FRANK HOCKENBERRY
I can't. You're Zek's wife.
DR. SEYMORE-ANDERSON
And your doctor. Please, go on.
FRANK HOCKENBERRY
She asked me if I had a girl back home. I told her she left me. She said SHE would make me forget. At first I reminded her of our relationship. She didn't care. She said she'd give me a freebie.
DR. SEYMORE-ANDERSON
And did you forget?
FRANK HOCKENBERRY
My girl and my professional relationship. It's at that point the other girl got in.
DR. SEYMORE-ANDERSON
Why Private Hockenberry? If I didn't know any better, I'd say you were bragging. Two girls?
FRANK HOCKENBERRY
I was alot younger and healthier. I miss that.
DR. SEYMORE-ANDERSON
The girls?
FRANK HOCKENBERRY
No, me. That was before I changed. I was young and innocent.
DR. SEYMORE-ANDERSON
If that story was true, you were NEVER young and innocent.
FRANK HOCKENBERRY
You don't believe me?
DR. SEYMORE-ANDERSON
Actually I do. Zek told me how you were at the end. He never saw you sober. And as for the girls, he always knew where you were.
FRANK HOCKENBERRY
They were my only REAL friends.
DR. SEYMORE-ANDERSON
So friendly, you need penicillin yourself.
FRANK HOCKENBERRY
And plenty of it. They showed me things I would never ask my wife to do. Mayling is a REAL lady.
DR. SEYMORE-ANDERSON
And that bores you?
FRANK HOCKENBERRY
No, I love her that way. I wouldn't trade her for the world. What else did Zek tell you?
DR. SEYMORE-ANDERSON
Things I wouldn't publish in the Reader's Digest.
FRANK HOCKENBERRY
You know, towards the end, I didn't even recognize myself. Somewhere, I got lost. I went from innocent to a drunk being beat up in an alley. Now, I'm no longer a drunk. I don't know who I am. I go through my regular routine and not even know why anymore. You know, the day I bought Mayling...I can't say it.
DR. SEYMORE-ANDERSON
Say it.
FRANK HOCKENBERRY
I knew she was only fifteen, and even though I bought her to get everyone's goat, I was going to do it. I stopped caring about myself and others. I never told May. Thank God I stopped.
DR. SEYMORE-ANDERSON
(taking his hand)
The other you never died, Frank. He just grew up.
FRANK HOCKENBERRY
I often wonder what I would be like if I hadn't gone to Nam. Maybe I would be fine in Canada. I would be normal. I probably would be a grandfather by now. Instead, I started late in life. A man my age should not have babies. Between their nights any my nightmares, I never get sleep and peace.
DR. SEYMORE-ANDERSON
When was the last time you felt peace?
FRANK HOCKENBERRY
Is this becoming professional now?
DR. SEYMORE-ANDERSON
I'll let the clock ride for now.
FRANK HOCKENBERRY
It's not so much a time, but a relationship.
DR. SEYMORE-ANDERSON
I'm confused.
FRANK HOCKENBERRY
When Andrew was here we would talk.
DR. SEYMORE-ANDERSON
Your son?
FRANK HOCKENBERRY
The other one you don't believe in. I knew what he was but he made me feel safe. Don't look at me like that? I'm not crazy. He IS an angel. And so is Tess.
DR. SEYMORE-ANDERSON
The nurse in ICU?
FRANK HOCKENBERRY
Yes. If you don't believe me, check their personnel records. They have no last name. Just check their ID's.
DR. SEYMORE-ANDERSON
I don't have to. I'm looking at yours and all I see is your picture and first name. You have to give me something more to go on.
FRANK HOCKENBERRY
I bet they have no addresses and their references are false. You hired Andrew. Didn't you check out his?
DR. SEYMORE-ANDERSON
I don't remember. That was sixteen years ago. Look, if it makes you feel better, I will check with personnel.
FRANK HOCKENBERRY
And if I'm right, will you believe in angels?
DR. SEYMORE-ANDERSON
I am a scientist and a doctor. Science does not believe in angels.
FRANK HOCKENBERRY
You think I'm crazy.
DR. SEYMORE-ANDERSON
I don't think you're crazy.
FRANK HOCKENBERRY
(standing)
Yes, you do. Admit it.
DR. SEYMORE-ANDERSON
(rising)
Frank, keep your voice down. I told you once before see a priest. I really mean it now. There's more than your mind at stake; there's your soul. Go find one before it's too late.
FRANK HOCKENBERRY
What for? He won't believe me either. No one does.
He leaves. Dr. Seymore sits down again.
DR. SEYMORE-ANDERSON
You're wrong, Frank. I want to.
CUT TO:
SCENE FOUR
INT. HUMAN RESOURCES DEPARTMENT. MORNING. -- CONTINUOUS
Dr. Seymore approaches a CLERK who looks up.
CLERK
May I help you?
DR. SEYMORE-ANDERSON
I'm Dr. Seymore, from psychiatric.
CLERK
Yes, I know. How can I help you?
DR. SEYMORE-ANDERSON
I'd like to see two personnel files. One was employed some months back as an ICU nurse, and the other, a long time volunteer. Try the nurse first.
CLERK
What's their name?
DR. SEYMORE-ANDERSON
Her name was Tess. I don't know her last.
CLERK
If you give me some information, I can narrow it down. Age?
DR. SEYMORE-ANDERSON
Over sixty, Afro-American.
CLERK
I'll funnel it for a year.
He does with no response and tries again.
DR. SEYMORE-ANDERSON
What's wrong?
CLERK
Sorry, Doctor. No match found. What about the volunteer? Name?
DR. SEYMORE-ANDERSON
Andrew. No last name.
CLERK
Description?
DR. SEYMORE-ANDERSON
He looks like Frank Hockenberry.
CLERK
Oh, that Andrew! I knew him. He should be easy to find.
(attempts)
That's odd. There's no match.
(tries again)
That can't be. He was here for years. I'll try again.
DR. SEYMORE-ANDERSON
Don't bother. Thanks for trying.
CLERK
I've never seen this before. We have records on everyone.
DR. SEYMORE-ANDERSON
Not on these two. It's like they appeared out of thin air.
CLERK
I can keep trying.
DR. SEYMORE-ANDERSON
No need. Thanks for your time.
She leaves.
CUT TO:
SCENE FIVE
INT. FRANK'S OFFICE. MORNING. -- CONTINUOUS
He is at his desk trying to work but is falling asleep. There is a knock.
FRANK HOCKENBERRY
Come in.
Dr. Seymore comes in. He looks up.
FRANK HOCKENBERRY
Jenny?
DR. SEYMORE-ANDERSON
I did as you asked, and you were right. There was nothing there.
FRANK HOCKENBERRY
Now you believe me?
DR. SEYMORE-ANDERSON
No. I just said there was nothing there. Who and whatever they were, we have no records.
(looks at Frank)
Christ, Frank! You look terrible. You drive home like that; you'll have an accident.
FRANK HOCKENBERRY
I'm so tired.
DR. SEYMORE-ANDERSON
You need sleep. I will be out of my office for a couple hours. Go take a nap on my couch.
FRANK HOCKENBERRY
It's only 10:30.
DR. SEYMORE-ANDERSON
I don't care what time it is. I'm your doctor, so do as I say. I'll even break down give you something.
(comes and grabs his arm)
Come on.
FRANK HOCKENBERRY
I have a budget to do.
DR. SEYMORE-ANDERSON
What good are numbers when you can't even read? I will be gone for at least two hours. I'll instruct my secretary to leave you alone.
FRANK HOCKENBERRY
I can't.
DR. SEYMORE-ANDERSON
It's either my office or a hospital bed. I will admit you if I have to.
FRANK HOCKENBERRY
Okay.
She lets go of his arm.
DR. SEYMORE-ANDERSON
As for your angels, the jury is still out. Let's go, soldier.
They both leave.
CUT TO:
SCENE SIX
INT. OUTSIDE DR. SEYMORE'S OFFICE. MORNING. -- LATER
It is two hours later. Her secretary ANN is at her desk trying to work. She hears moaning. She tries to concentrate but can't. Dr. Seymore enters and sees she is annoyed.
DR. SEYMORE-ANDERSON
What is it, Ann?
ANN - SECRETARY
It's Frank. He's having a bad dream. Maybe you should wake him?
DR. SEYMORE-ANDERSON
Turn on the intercom. I want to hear what he's saying.
She does. Dr. Seymore's face drops as she listens.
DR. SEYMORE-ANDERSON
I've heard enough. I'll wake him.
CUT TO:
SCENE SEVEN
INT. DR. SEYMORE-ANDERSON'S OFFICE. AFTERNOON -- CONTINUOUS
Frank is in a cold sweat, again. She approaches and gently shakes him.
DR. SEYMORE-ANDERSON
Frank? Frank? Wake up, Frank?
He opens his eyes.
FRANK HOCKENBERRY
It didn't work. I saw them again. When will they go away?
DR. SEYMORE-ANDERSON
Soon. We'll make them go away. Now get up. You have somewhere to go.
FRANK HOCKENBERRY
Where?
DR. SEYMORE-ANDERSON
Church.
FRANK HOCKENBERRY
He won't believe me.
DR. SEYMORE-ANDERSON
How do you know till you try?
FRANK HOCKENBERRY
Why are you doing this?
DR. SEYMORE-ANDERSON
Because you're not only my patient, you're my friend. I've invested too many years to loose you now. You may not be a caseworker since the attack, but you are still valuable to me, Zek and this establishment. Now, go to church. That's an order, soldier.
FRANK HOCKENBERRY
(saluting)
Yes, ma'am.
He leaves. She goes to her desk and pulls out the tape recorder.
DR. SEYMORE-ANDERSON
April 13th. Had very disturbing morning with Hockenberry. He truly believes in angels. The problem is worse that I thought. I've sent him to a priest hoping this will resolve his questions. I just hope I didn't make them worse.
(turns off recorder)
Please, God. If you are listening, don't make me regret this.
CUT TO:
SCENE EIGHT
INT. CHURCH. AFTERNOON. -- LATER
Frank goes in and sits down on a pew. He looks up at the cross and takes a deep breath.
FRANK HOCKENBERRY
Hey, God. It's me, Doc. Remember me? I've come to ask you a few questions and I hope you'll answer them.
FATHER HANNON comes behind and listens.
FRANK HOCKENBERRY
I don't have to tell you I've been having trouble sleeping. Ever since I remembered, all I see is the attack. I have many questions, God. Why were you prepared to let me die that way? I thought you needed my help. Have I failed you? Please tell me and I'll fix it. Why have you given me a life I love just to take it away again? Why do you want me to die?
Father Hannon puts his hand on Frank's shoulder. Frank turns and sees him.
FATHER HANNON
You ask hard questions, my son. Can I be of help?
FRANK HOCKENBERRY
You wouldn't believe me.
FATHER HANNON
Try me. I have some time. Let's got to my study. Well have more privacy there.
(to cross)
Sorry, God. I don't mean to interrupt but maybe I can help on this plane. If I can't, I'll give him back to you.
(to Frank.)
Let's go son.
CUT TO:
SCENE NINE
INT. FATHER HANNON'S STUDY. AFTERNOON -- CONTINUOUS
They enter. Father Hannon goes to a teapot. Frank sits down.
FATHER HANNON
Care for some tea? I always have some around now. If not, I do have something stronger.
FRANK HOCKENBERRY
Tea is fine. I'm in AA.
FATHER HANNON
A wise choice.
(pours two cups)
I hope you like Earl Grey?
FRANK HOCKENBERRY
(taking his)
Yes, I do.
Father Hannon sits across from Frank.
FATHER HANNON
Now, before we start, we should introduce ourselves. I'm Father Hannon, and you are?
FRANK HOCKENBERRY
Frank Hockenberry.
FATHER HANNON
Good strong German name. Are you part of my flock?
FRANK HOCKENBERRY
No, I belong to St. Jerome's.
FATHER HANNON
Presbyterian? Then why are you here?
FRANK HOCKENBERRY
I work nearby at the VA. Is there a problem?
FATHER HANNON
No, not at all. So, Frank, give me the Reader's Digest version. Why does God want you dead?
FRANK HOCKENBERRY
I don't know where to begin.
FATHER HANNON
At the beginning.
FRANK HOCKENBERRY
For the past sixteen years, I've been a caseworker for the VA. I work on Hubbard Street.
FATHER HANNON
Tough area. Why Hubbard?
FRANK HOCKENBERRY
I lived there for ten years after I came back from Nam.
FATHER HANNON
Define LIVED?
FRANK HOCKENBERRY
I was a drunk.
FATHER HANNON
I knew you looked familiar. You're obviously not one now. I can tell from your appearance. What have you been doing for sixteen years?
FRANK HOCKENBERRY
Some people found me and helped me. It was my sergeant and his wife. She is my doctor and the reason I'm here.
FATHER HANNON
She sent you to a priest? Why?
FRANK HOCKENBERRY
This is the part you won't believe.
FATHER HANNON
Try me.
FRANK HOCKENBERRY
There was another being helping me. He looked like my twin, only fresher and cleaned up. His name was Andrew.
FATHER HANNON
Is he a relation?
FRANK HOCKENBERRY
You're going to think I'm crazy. He's...He's...an angel. His real title is "Angel of Death."
FATHER HANNON
You've met the Angel of Death and he looks like you?
FRANK HOCKENBERRY
It's only a coincidence.
FATHER HANNON
And how did Andrew help you?
FRANK HOCKENBERRY
The first time he told me who and what he was, I had a gun to my head. He talked me out of it.
FATHER HANNON
How?
FRANK HOCKENBERRY
He told me just because I was having a bad day that wasn't fair to the maid. She'd have to clean it up. I was at a hotel at the time.
FATHER HANNON
The Angel of Death has a sense of humor? That's a good one. How did he get out of Hubbard Street?
FRANK HOCKENBERRY
He said God had a mission for me. He wanted me to help others like me, by telling my story. To do that, I'd have to clean up my act. Well, I have. I'm married, have a family, a home and the all-American dream. Andrew stayed around long enough to get me on my feet and then he left. So, for fifteen years I have been working the street. I try and help the residents get back into society.
FATHER HANNON
I've heard of a man who does that. They call him the Hubbard Street Angel. You wouldn't know who he is?
FRANK HOCKENBERRY
It's me. I hate that title. I'm just a man doing God's work.
FATHER HANNON
You feel you owe him?
FRANK HOCKENBERRY
Yes.
FATHER HANNON
So, what has changed?
FRANK HOCKENBERRY
My son got involved with the wrong crowd. At his school, some students like to go and beat up the drunks. It's some type of initiation rite. He went with them and when he saw what they were doing, he ran but not for help. The man died. My son, Andrew--
FATHER HANNON
You named him after the angel?
FRANK HOCKENBERRY
Why not? He was my friend. My son helped the police. The other boys went to juvenile hall and he was put on community service. He spent all last summer with me, working Hubbard Street.
FATHER HANNON
Did he learn his lesson?
FRANK HOCKENBERRY
Yes, he did. The day he went back to school I was there, alone. Two men grabbed me and made me drink till I collapsed. The last thing I remember was seeing Andrew, the angel, watching. He didn't lift a finger to help me. He was waiting for me to die, and I did, three days later in the hospital.
FATHER HANNON
But you're here?
FRANK HOCKENBERRY
The doctor's brought me back. After the attack, my activities became restricted. I'm now only a paper pusher. I'm no use at all, to anyone. I can never go back to casework. And lately, ever since I remembered, I relive the attack.
FATHER HANNON
You need professional help. I can't help you.
FRANK HOCKENBERRY
You can help me understand why God wanted me dead.
FATHER HANNON
You think I can call him on the phone? You're asking a question that can't be answered in five minutes. No one knows what his plan is, not even me.
FRANK HOCKENBERRY
I didn't think you could help. You probably don't believe in angels.
FATHER HANNON
Yes I do.
FRANK HOCKENBERRY
Have you ever seen any?
FATHER HANNON
Angels are everywhere. Perhaps, you're asking the wrong question. Maybe you should ask why he didn't let you die? As for God wanting you to die, no one can answer that. We all have our time to go.
FRANK HOCKENBERRY
What about Andrew watching?
FATHER HANNON
He was waiting for instructions. He has a job too, you know. Which brings me back to your job. It seems you are very confused. You don't know why you're doing it. Is it for you or God? Why did you want to help these people in the first place?
FRANK HOCKENBERRY
Because someone helped me.
FATHER HANNON
And did they do it for God?
FRANK HOCKENBERRY
He had nothing to do with it. Zek was my sergeant in Nam. He came looking for me.
FATHER HANNON
I'm beginning to see why your doctor sent you here. I can only help you if it's a spiritual problem. She can only help you if it isn't. It's up to you to figure that out.
FRANK HOCKENBERRY
What about God?
FATHER HANNON
What about him? He gave you another chance. Don't waste it by questioning his motives. Have I helped you any?
FRANK HOCKENBERRY
I'm just as confused.
FATHER HANNON
And you will be for awhile. In the meantime, go home. Your life is not over. You have a family. Go home and love them.
FRANK HOCKENBERRY
Thank you, Father Hannon.
FATHER HANNON
If you're ever in the neighborhood after work, please come and see me. I'm always free at this time. I could use the company. Tea is much more enjoyable when you're not alone.
FRANK HOCKENBERRY
I will.
Frank leaves. ANDREW THE ANGEL appears behind him. He turns to him.
FATHER HANNON
You think he believed me?
ANDREW - ANGEL
No, but you tried.
FATHER HANNON
Wouldn't it be easier to talk to him yourself?
ANDREW - ANGEL
I can't. I have specific orders never to see him again until it's his time. There will be other angels for him.
FADE OUT:
END OF ACT
ACT TWO
FADE IN:
SCENE ONE
INT. CAFETERIA. MORNING.
Frank is in line with a tray in front of him. He waits patiently as his food is given to him. He puts the plate on the tray. As he waits to pay, he feels a sharp pain in his stomach. He rubs it. He pays and walks away. As he does, it grows stronger and his vision gets blurred. He puts the tray down just as it gets worse. He doubles over and collapses, grabbing the tray, causing it to fall to the floor. He is breathing heavy and doubled over. A DOCTOR runs in.
DOCTOR
What are you feeling?
FRANK HOCKENBERRY
I can't breathe. Get Dr. Seymore.
DOCTOR
Orderly!
(man comes over)
Get me a wheel chair stat and get this man to ER.
(to Frank)
You'll be fine. Just relax and try to breathe easy. Is it your heart?
FRANK HOCKENBERRY
I don't know.
The ORDERLY comes with a wheel chair. The Doctor puts Frank in it.
DOCTOR
ER, stat!
FRANK HOCKENBERRY
I want Dr. Seymore.
DOCTOR
They'll call her in ER.
The orderly takes Frank out of the cafeteria.
CUT TO:
SCENE TWO
INT. ER HALLWAY. MORNING. -- CONTINUOUS
Dr. Seymore rushes in. She goes to the nurse at the desk. The ER DOCTOR stands with his back turned.
DR. SEYMORE-ANDERSON
What room is Hockenberry in?
ER - DOCTOR
(turning)
Are you Dr. Seymore?
DR. SEYMORE-ANDERSON
My patient was just brought in.
ER - DOCTOR
Room two. He suffered an anxiety attack. He first came in with stomach complaints. We checked his heart and that's fine. His blood pressure was elevated but it's stable now. I see no reason to hold him any longer.
DR. SEYMORE-ANDERSON
Let me see the chart.
ER - DOCTOR
Sure.
(gives her chart)
As far as I'm concerned, he can go home.
DR. SEYMORE-ANDERSON
(giving back chart)
You're new here?
ER - DOCTOR
I started last week.
DR. SEYMORE-ANDERSON
Then you don't know Mr. Hockenberry is not a well man. He died months ago and is now experiencing trouble sleeping. He's staying overnight.
ER - DOCTOR
Dr. Seymore, it's only an anxiety attack. I have no precedence.
DR. SEYMORE-ANDERSON
Yes, you do. I know my patient.
(looks the doctor in the eyes)
I am not questioning your knowledge or authority. I just know Frank.
(gives back chart)
You were concerned about his mental state, so you called me in. After all, I am his doctor. I saw him and read the chart and suggested he stay the night. If there are any questions, they will be aimed at me, not you. Do I make myself clear?
ER - DOCTOR
(annoyed)
Yes, doctor. I'll put that in the notes. What reason will you tell him?
DR. SEYMORE-ANDERSON
I'll think of something. With his recent problems, this is an excellent chance to observe him. You did say room two?
ER - DOCTOR
Yes.
She leaves and enters the room.
CUT TO:
SCENE THREE
INT. ER ROOM TWO. MORNING. -- CONTINUOUS
Frank is getting dressed as she enters.
FRANK HOCKENBERRY
(looking up)
I was wondering when you'd get here.
DR. SEYMORE-ANDERSON
I was with a patient.
She grabs the blood pressure gauge and approaches him.
DR. SEYMORE-ANDERSON
Off with the jacket.
She grabs his arm and applies it.
DR. SEYMORE-ANDERSON
You're not leaving yet.
FRANK HOCKENBERRY
What is it with you guys? My arm is turning blue.
DR. SEYMORE-ANDERSON
Shhh!
FRANK HOCKENBERRY
Sorry.
DR. SEYMORE-ANDERSON
(taking off gauge)
Open the shirt. I need to check your heart.
He does and she checks. Frank starts to button up.
DR. SEYMORE-ANDERSON
What do you think you're doing?
FRANK HOCKENBERRY
Getting dressed. Why?
DR. SEYMORE-ANDERSON
You're not going anywhere. Your blood pressure is doing a roller-coaster ride. You're spending the night till it stabilizes. I don't need you to collapse again.
FRANK HOCKENBERRY
I can't. May is coming to get me.
DR. SEYMORE-ANDERSON
I'll talk to Mayling.
Mayling enters and runs to him.
MAYLING HOCKENBERRY
Frank, are you okay?
FRANK HOCKENBERRY
Not according to Jenny.
MAYLING HOCKENBERRY
May, could I see you outside?
They leave.
CUT TO:
SCENE FOUR
INT. ER HALLWAY. MORNING. -- CONTINUOUS
Mayling stands by Dr. Seymore.
MAYLING HOCKENBERRY
What's wrong with him?
DR. SEYMORE-ANDERSON
He's had an anxiety attack. He'll be fine. I'm keeping him for one night.
MAYLING HOCKENBERRY
Why?
DR. SEYMORE-ANDERSON
That will give me a chance to observe his sleeping problems. I can see what I'm dealing with firsthand.
MAYLING HOCKENBERRY
Then he's fine.
DR. SEYMORE-ANDERSON
Yes, I gave him a story about his changing blood pressure. It's the only lie I could think of. I need you to go along with me, for his sake.
MAYLING HOCKENBERRY
Of course. Can I go in now?
DR. SEYMORE-ANDERSON
Go ahead. I'll call admitting. Don't worry. We'll get him sleeping yet.
She walks away as Mayling enters the room.
CUT TO:
SCENE FIVE
INT. HOSPITAL ROOM. LATE AFTERNOON. -- LATER
Frank is asleep in bed. A half-eaten meal tray lies on the table. He is having dreams again. Dr. Seymore enters carrying his chart. She opens it, observes him and starts writing. She closes the chart and approaches the bed.
DR. SEYMORE-ANDERSON
You had to be hypnotized. You couldn't remember on your own pace. Not even your delusions can help you now.
TESS the ANGEL and Andrew appear.
TESS - ANGEL
I resent being called a delusion.
Dr. Seymore looks surprised.
TESS - ANGEL
I am very real.
DR. SEYMORE-ANDERSON
How did you two get in here?
TESS - ANGEL
WE don't need doors.
ANDREW - ANGEL
Hello, Dr. Seymore. Long time no see.
DR. SEYMORE-ANDERSON
Hello, Andrew. What do you want here?
ANDREW - ANGEL
The same thing you want, to help this man.
DR. SEYMORE-ANDERSON
Not so loud. He'll hear you.
TESS - ANGEL
He doesn't hear a thing. He's having his own private nightmare.
DR. SEYMORE-ANDERSON
What do you want?
TESS - ANGEL
We have a bone to pick with you. To start, WE are not delusions. WE are real and exactly what Frank says we are. WE are here to help Frank.
DR. SEYMORE-ANDERSON
What can you do that I can't? I'm his doctor.
TESS - ANGEL
And a fine one indeed. You're doing everything right. You told him about the encounter group, limited his use of drugs and suggested private professional sessions.
DR. SEYMORE-ANDERSON
So, what's the problem?
TESS - ANGEL
You have tried to destroy this man's soul. God wants you to heal his mind. He knows you can do it. He also knows you care about ALL your patients. You're a fine doctor. But, don't your dare touch his soul. That belongs to God. Go ahead, Andrew.
He approaches the bed and puts his hand on Frank's head.
DR. SEYMORE-ANDERSON
Don't touch him. Your touch is death.
ANDREW - ANGEL
I only want to bring him peace. His body needs rest. Do you want a repeat of today?
DR. SEYMORE-ANDERSON
No.
TESS - ANGEL
Then let him help him, please.
DR. SEYMORE-ANDERSON
What will he do?
ANDREW - ANGEL
(shining)
All I'm going to do is let him sleep. He will not forget what happened to him, but he will be able to set it aside for a few days. There.
He takes his hand away.
ANDREW - ANGEL
Now he'll be able to continue your therapy in peace.
Frank relaxes and starts to sleep peacefully.
TESS - ANGEL
Are you a religious woman, Dr. Seymore?
DR. SEYMORE-ANDERSON
No. I have always left God out of my work.
TESS - ANGEL
He hasn't left you out of his. He loves you, and he wants your help to heal this man. But, you have to let him. He gave you the skill. All he asks is that you work with him.
DR. SEYMORE-ANDERSON
And with you? You DO realize you're part of the problem? I can heal his body. But, he's asking questions I can't answer. You, Andrew, stood and watched as HE was being attacked. What type of Angel are you?
ANDREW - ANGEL
I am the Angel of Death. It is NOT my job to stop a murder or suicide without orders. I'm only there to bring the person home
DR. SEYMORE-ANDERSON
Then you tell him that.
ANDREW - ANGEL
I can't.
DR. SEYMORE-ANDERSON
Why not?
ANDREW - ANGEL
I have been given specific orders he is NEVER to see me in a waking state. I have involved myself already too much. The next time he sees me will be his last. You must not tell him we were here, especially me.
DR. SEYMORE-ANDERSON
How can I tell him something--
(looks at Frank)
That doesn't exist.
She looks up and the angels are gone.
DR. SEYMORE-ANDERSON
Well, Frank, I've seen your angels. Question is, did I see them because you say they're real, or did I see them because they really are? Sorry, Frank, the jury's still out on that one.
(touches his hand)
Sleep well.
She leaves.
FADE OUT:
END OF ACT
ACT THREE
FADE IN:
SCENE ONE
INT. FRANK'S LIVING ROOM. SUNDAY MORNING
He is looking out the window. It is a beautiful day. His whole family comes down the stairs dressed for church. He is not. Mayling notices.
MAYLING HOCKENBERRY
Honey, you're not dressed. You'll be late for church.
FRANK HOCKENBERRY
I'm not going.
MAYLING HOCKENBERRY
You feel sick?
FRANK HOCKENBERRY
I'm fine. I'm just not going.
MAYLING HOCKENBERRY
That isn't like you. You're usually the first one out the door.
FRANK HOCKENBERRY
Then I've changed. I'm not going and that's final.
MAYLING HOCKENBERRY
Okay! Let's go, kids. We want a good seat. Reverend Vick will be speaking on faith and the lack of it.
FRANK HOCKENBERRY
Always the last word, May? Admit it? You want to argue.
MAYLING HOCKENBERRY
(annoyed)
We'll discuss that later. Let's go.
They all leave. He watches them drive off. He then walks to the bar, grabs a dusty bottle and opens it, grabs a glass and pours a drink. Tess appears.
TESS - ANGEL
You don't really want that, do you?
He turns and sees her.
TESS - ANGEL
Remember what happened the last time you drank?
FRANK HOCKENBERRY
They forced me.
TESS - ANGEL
And who's forcing you now?
FRANK HOCKENBERRY
No one. It's a game I play. Zek started me on it years ago. After he found me, he and his wife let me stay and dry out in their spare room. He would take me to Charlie's, sit me on my favorite stool, buy me a drink and leave me alone. If I didn't touch it, that meant I really wanted help. The first time he did it, he said he'd be gone a few minutes. After he left, I stared at the drink. I put it to my nose and smelled it. I massaged the glass and cleared the frost. But I didn't drink it. I waited for Zek.
TESS - ANGEL
How long was he gone?
FRANK HOCKENBERRY
Almost an hour. He was surprised to see the drink full. If he had come in one minute later, it wouldn't be.
TESS - ANGEL
That's a dangerous trick.
FRANK HOCKENBERRY
Now, whenever I feel stressed, I play his game. So far I haven't failed, till now. I could really use this.
TESS - ANGEL
You take that drink and you loose everything you have, everything you worked for.
FRANK HOCKENBERRY
Why shouldn't I? God wants to take it away. HE did this to me. HE watched as I was attacked.
TESS - ANGEL
HE did not. Andrew did. That's who you really are mad at. Angels are only messengers, even him. He couldn't defy orders just like you couldn't do in Nam.
FRANK HOCKENBERRY
I did plenty of times.
TESS - ANGEL
And Zek always protected you.
FRANK HOCKENBERRY
Your point being?
TESS - ANGEL
You were discharged early, an honorable discharge.
FRANK HOCKENBERRY
So?
TESS - ANGEL
Maybe it's time you knew the truth. Look at your glass, what do you see?
FRANK HOCKENBERRY
Scotch.
TESS - ANGEL
Look again and not with your eyes.
He looks at the glass and starts to see images appear in the liquid.
FRANK HOCKENBERRY
(looking up)
Are you doing this?
TESS - ANGEL
Shut up and look.
He looks in.
CUT TO:
SCENE TWO
INT. GOLDMAN'S VIETNAM OFFICE. DAY
LIEUTENANT MYRON GOLDMAN is at his desk looking at a paper. MARCUS TAYLOR and ALBERTO RUIZ are also there. The door opens and SERGEANT ZEK ANDERSON enters.
ZEK ANDERSON
You wanted to see me, L.T.?
MYRON GOLDMAN
Yes.
ZEK ANDERSON
(seeing Taylor and Ruiz)
Is there a problem?
MYRON GOLDMAN
Yes, it's Doc.
ZEK ANDERSON
What happened?
MYRON GOLDMAN
You've been on patrol for a week. You don't know. This letter came to my desk today. It's his early discharge. It claims "unprofessional behavior with a national". I think you better read the rest.
Zek takes the letter.
ZEK ANDERSON
Statutory rape? No way, L.T. I admit Doc's been screwed up lately, but he would never hurt a child.
MYRON GOLDMAN
Read the name.
ZEK ANDERSON
(reading)
He knows her. We all do. This can't be true. He would never hurt Mayling.
MYRON GOLDMAN
Tell him, Taylor.
MARCUS TAYLOR
I was there. Ruiz and I both were. We were having a few beers. As usual, Doc was alone. The local pimp walked in with Mayling. He had just bought her from her father. He was proud to have one of us initiate her. We all refused, all except Doc.
ZEK ANDERSON
I can't believe that.
ALBERTO RUIZ
It's the truth. We couldn't believe even HE would do that.
MARCUS TAYLOR
As they walked past, I grabbed his arm to stop him. He told me to kiss off and left.
ZEK ANDERSON
You didn't try and stop him?
MARCUS TAYLOR
You know what he's like when he's drunk. He does what he damn well pleases. I ran after him and they were gone.
MYRON GOLDMAN
He broke curfew that night and never came home.
MARCUS TAYLOR
And when he did, he looked like death warmed over.
MYRON GOLDMAN
The army wants to press charges but they can't find Mayling. She's disappeared. That will do men. You can go. Zek, you stay.
Taylor and Ruiz get up and walk to the door.
MARCUS TAYLOR
You get him Sarge. This time he's gone too far.
The two leave.
MYRON GOLDMAN
There's something else in the letter. Since we cannot press charges without a victim, they're recommending a dishonorable discharge. All they need is my signature.
ZEK ANDERSON
What do you want from me?
MYRON GOLDMAN
I need you to talk me out of it.
ZEK ANDERSON
Do you think he's guilty?
MYRON GOLDMAN
Yes.
ZEK ANDERSON
Let me see the letter.
(gets letter)
There's another name here, Major Ryan.
MYRON GOLDMAN
He's bringing the charges.
ZEK ANDERSON
What about Mayling's father?
MYRON GOLDMAN
As far as he's concerned he sold her and doesn't care, and all for a six months supply of rice. I don't know what sickens me more, her father or Doc.
ZEK ANDERSON
I don't believe he did it. I don't know where she is, but he didn't do it. I can feel it in my gut.
MYRON GOLDMAN
And my gut says he did. The man's never sober. He's that close to a court-martial. Just ask the doctors in the infirmary. We've had to send in another medic to give the prostitutes shots because he has long since lost his professionalism.
ZEK ANDERSON
I had no idea it had gotten so bad. Even so, I don't think he did it.
MYRON GOLDMAN
Then where is she?
ZEK ANDERSON
(giving back letter)
I don't know. How long before you have to sign it?
MYRON GOLDMAN
Tomorrow.
ZEK ANDERSON
I'll make you a deal. I'll convince the Major to change his mind and retract the complaint. If I succeed, you don't sign it.
MYRON GOLDMAN
And if you don't?
ZEK ANDERSON
Then you follow your conscience. Doc is a grown man, and if he really did this, he will have to pay. I'll make sure he does.
Zek leaves.
MYRON GOLDMAN
(looking at letter)
You do that Zek.
CUT TO:
SCENE THREE
INT. INFIRMARY BACK ROOM. DAY. -- LATER
Frank is trying to sleep on a bunk. He has a bad hangover. Zek enters. Franks sees him.
FRANK HOCKENBERRY
Sarge?
ZEK ANDERSON
Stand up and salute when you see an officer, private.
Frank staggers up and salutes.
ZEK ANDERSON
At ease, Private.
(hands him letter)
These are your discharge papers, soldier. You're getting out early. You finally succeeded Hockenberry. The army heard you. Read it.
Frank does.
ZEK ANDERSON
Your original papers said dishonorable. I fought to make it honorable so you could get your benefits.
FRANK HOCKENBERRY
Thank you.
ZEK ANDERSON
I just want to know if I did the right thing? You bought Mayling, didn't you?
FRANK HOCKENBERRY
Yes.
ZEK ANDERSON
What happened after you left?
FRANK HOCKENBERRY
I can't remember.
ZEK ANDERSON
I want to believe you're not the pervert they say you are. I have seen lots of scum come through this unit, but I NEVER believed you could be one of them. Don't prove me wrong? Did you rape her?
FRANK HOCKENBERRY
I don't know. That whole night is a blur.
ZEK ANDERSON
Is that all you have to say for your defense? I don't know?
FRANK HOCKENBERRY
Yes.
ZEK ANDERSON
Maybe Goldman was right. He should of signed those original papers. You ship out in two days. Get your things together. For God's sake, at least try and be sober.
(starts to leave)
And don't expect anyone to see you off. Your kind is lower than dirt here.
Zek leaves.
FRANK HOCKENBERRY
So what else is new, Sarge?
CUT TO:
SCENE FOUR
INT. FRANK'S LIVING ROOM. MORNING. -- CONTINUOUS
He looks up from the drink. Young Andrew comes in and hides. Andrew the Angel appears behind Frank.
TESS - ANGEL
The truth hurts. Zek never wanted you to know.
FRANK HOCKENBERRY
They were all out there the day I left. As I passed them, they turned their backs, even Zek. That's when I realized I lost the only real family I'd ever known. When I got home, the world had changed. My girl was pregnant and living in a commune. My male friends who didn't go to Canada called me a deserter and a baby killer. I even went home, but the letter from Major Ryan beat me. My father believed it. He called me a disgrace and threw me out. I had no job and no place to live. So, I took a room at a flophouse on Hubbard Street. One day I found Charlie's and I never left.
TESS - ANGEL
You made a good point of disappearing. Only God knows where you were.
FRANK HOCKENBERRY
I planned that. I don't have to tell you how surprised I was to see Zek again. I couldn't believe he had a change of heart.
TESS - ANGEL
Andrew changed his mind.
FRANK HOCKENBERRY
I'm about to tell you something only May knows. You know those three days I was unconscious, I heard voices of all the people I loved except one, my father. I needed him to hold me and tell me everything would be fine. I guess that's why May and I get along so well. Our fathers both deserted us. I swore the day I got married, if I ever had children, I would believe and stand my them. I would not be my father. I want to feel loved.
TESS - ANGEL
The Father feels the same way about his children.
FRANK HOCKENBERRY
Don't tell me about him. He gave up on me a long time ago.
He grabs his coat and puts down the drink.
TESS - ANGEL
Where do you think you're going?
FRANK HOCKENBERRY
This conversation is getting stale. I need some air.
He goes to the door.
TESS - ANGEL
I'm not finished with you.
FRANK HOCKENBERRY
Well, I am.
He opens the door.
TESS - ANGEL
Francis Hockenberry you come back here.
FRANK HOCKENBERRY
I make it a point never to argue with a delusion.
TESS - ANGEL
You can't leave.
FRANK HOCKENBERRY
Watch me.
He does. Tess is angry and about to strike.
ANDREW - ANGEL
(grabbing her)
Tess, NO!
TESS - ANGEL
Did you hear him?
ANDREW - ANGEL
It's his anger talking. Let his doctor deal with it. We have to send in the heavy artillery.
The angel puts his hand on young Andrew's shoulder.
ANDREW - ANGEL
Right, Tess?
TESS - ANGEL
(smiling)
I see what you mean?
ANDREW HOCKENBERRY
What are you two talking about?
TESS - ANGEL
You Andrew.
ANDREW HOCKENBERRY
Me? What can I do? I'm just a kid not a shrink.
ANDREW - ANGEL
You're his kid. Tonight you learned a deep secret. Maybe you could use it.
ANDREW HOCKENBERRY
How?
ANDREW - ANGEL
Go to him and do what you do best, love him. He lost his father, but you still have yours. Give him what he needs.
ANDREW HOCKENBERRY
I don't even know where he went.
ANDREW - ANGEL
When he was on disability, he would sit in the park by the pond and the hot dog lady. Go there and look for the hot dog man. He'll probably be sitting on a bench. Go and find Sam.
ANDREW HOCKENBERRY
Is he like you?
ANDREW - ANGEL
Go and find Sam. Give your dad a few minutes first.
ANDREW HOCKENBERRY
Okay.
He goes to the door and turns back.
ANDREW HOCKENBERRY
Why do they always do that?
He leaves.
CUT TO:
SCENE FIVE
EXT. PARK. MORNING. -- CONTINUOUS
Frank is sitting on a bench where SAM THE ANGEL is pushing a hot dot cart approaches him. Frank ignores him. Two people come by and buy some dogs. Sam looks at Frank who is lost in thought.
SAM - ANGEL
Beautiful day, isn't it?
FRANK HOCKENBERRY
What?
SAM - ANGEL
It's a beautiful morning.
FRANK HOCKENBERRY
Yes it is.
SAM - ANGEL
I just love the park this time of day. The world is just waking up. The birds are singing. The squirrels are running. Everything is right with the world.
(looks at squirrel)
That squirrel seems to know you. He's braver than most. Just look at him stand up and beg.
FRANK HOCKENBERRY
I used to feed him. He would play tricks for me. We had a regular routine.
SAM - ANGEL
When was that?
FRANK HOCKENBERRY
I was on disability after I was a crime victim. For awhile my diet was restricted. It still is. One day I brought the dogs and sat here. A hot dog lady, Ruth, started talking to me, just like you.
SAM - ANGEL
It gets lonely out here. What's your name, son?
FRANK HOCKENBERRY
Frank.
SAM - ANGEL
My name's Sam. Tell me about Ruth.
Young Andrew approaches and stands behind a tree listening.
FRANK HOCKENBERRY
She would sell me a dog. The meat would go to the dogs and the bun was split between me and the squirrel. He probably wants me to feed him.
SAM - ANGEL
You look like a man with alot on his mind. Want to talk about it?
FRANK HOCKENBERRY
You sound like Ruth. You're not a---
SAM - ANGEL
A what?
FRANK HOCKENBERRY
You wouldn't believe me. You're just a hot dog man, right? Nothing else?
SAM - ANGEL
Just a hot dog man. Why do you ask?
FRANK HOCKENBERRY
If you were more, you'd be another delusion.
SAM - ANGEL
So, what's troubling you on such a beautiful day?
FRANK HOCKENBERRY
I have questions I can't answer.
SAM - ANGEL
Like what?
FRANK HOCKENBERRY
Why God let me almost get killed? What did I do to deserve it?
SAM - ANGEL
You got a family, Frank?
FRANK HOCKENBERRY
Yeah.
SAM - ANGEL
Got any pictures?
FRANK HOCKENBERRY
(grabbing wallet)
Right here.
(shows him)
That's my wife, my son and four daughters.
SAM - ANGEL
And do you love them?
FRANK HOCKENBERRY
(putting away pictures)
Very much.
SAM - ANGEL
You are a good man and bad things happen to good people. It's a way of life and it can't change. There will always be some person who has gone astray and thinks nothing of hurting another person. It seems to me, the question you should be asking is not why you were hurt, but why you survived. God loves his children and he does everything he can to help them survive.
FRANK HOCKENBERRY
You sound like Ruth.
Young Andrew comes in.
ANDREW HOCKENBERRY
Hey, dad.
FRANK HOCKENBERRY
Andrew, why aren't you at church?
ANDREW HOCKENBERRY
I came home because I forgot something.
FRANK HOCKENBERRY
What?
ANDREW HOCKENBERRY
You. Now will you buy me a hot dog or do I have to salivate like one of Pavlov's dogs?
FRANK HOCKENBERRY
Sure, son. Sam, a dog with the works. My son has a strong stomach.
ANDREW HOCKENBERRY
With lots of sports peppers.
SAM - ANGEL
Coming right up.
FRANK HOCKENBERRY
So, you've discovered my secret hiding place.
He pays Sam and gives Andrew the dog.
FRANK HOCKENBERRY
For a few weeks I had a torrid affair with another woman.
ANDREW HOCKENBERRY
Who?
FRANK HOCKENBERRY
Ruth, the hot-dog lady. Course, she was an--
ANDREW HOCKENBERRY
What about him?
FRANK HOCKENBERRY
He assures me all he does is sell hot dogs.
Frank has his back turned as Andrew looks at Sam who winks. Andrew smiles.
ANDREW HOCKENBERRY
Let's go for a walk, dad.
They start to walk while Andrew eats his sandwich.
ANDREW HOCKENBERRY
I found your drink. You tried that game again, didn't you?
FRANK HOCKENBERRY
I needed to today.
ANDREW HOCKENBERRY
One day you're gonna loose dad.
Andrew turns around and starts walking backwards. Sam has disappeared.
FRANK HOCKENBERRY
I can't. I have a smart-ass kid to raise. Do you intend to moonwalk all the way, Michael?
ANDREW HOCKENBERRY
I just wanted to look around.
FRANK HOCKENBERRY
And what do you see?
ANDREW HOCKENBERRY
Nothing. Absolutely nothing.
Andrew turns around again. Frank puts his arm around his shoulders.
FRANK HOCKENBERRY
I'm breaking the first rule of fatherhood by saying this, but as a friend, you're my idol. I knew the first moment I held you, you would be special. You are the best part of me. When I see you, I see myself a long time ago. If I haven't said "I Love You" lately, I'm sorry.
ANDREW HOCKENBERRY
I know you've had alot on your mind lately. Dad, could I ask you a question?
FRANK HOCKENBERRY
Sure, shoot.
ANDREW HOCKENBERRY
We have a project at school. We're tracing our family roots. I don't know anything about mine. Mom won't talk about hers. Can you tell me about yours?
FRANK HOCKENBERRY
What do you want to know?
ANDREW HOCKENBERRY
Tell me about your parents.
FRANK HOCKENBERRY
Well, your grandmother is dead. She was a real free-spirit, like me.
ANDREW HOCKENBERRY
Dad, you're a stuffed shirt. You haven't been a free spirit in years. Tell me about her.
FRANK HOCKENBERRY
She ran a dance school, impressionistic dancing. She was a hippie before there were any.
ANDREW HOCKENBERRY
And grandpa?
FRANK HOCKENBERRY
He's still alive.
ANDREW HOCKENBERRY
What's his name?
FRANK HOCKENBERRY
Gunther Wilhelm Hockenberry II.
ANDREW HOCKENBERRY
At least there wasn't a third.
FRANK HOCKENBERRY
There was, my brother. He died before I was born, in Germany. I'm first generation American. Dad was a refugee after WWI. He came here right before Hitler took over. He had to. My mother was Jewish.
ANDREW HOCKENBERRY
We're Jewish?
FRANK HOCKENBERRY
One quarter.
ANDREW HOCKENBERRY
But we're Presbyterian?
FRANK HOCKENBERRY
My father was Presbyterian, and in the old days, Christians won in inter-religious marriages. Your grandparents were rare for their time.
ANDREW HOCKENBERRY
What was he like?
FRANK HOCKENBERRY
Strict, GERMAN, Deutchland all the way, and a perfectionist. If you made a mistake he had a way of reminding you, every chance he could. He wasn't always like that. When your grandmother was alive, he was kind and very loving.
ANDREW HOCKENBERRY
Did you love him?
FRANK HOCKENBERRY
Of course, he's my father. I never stopped.
ANDREW HOCKENBERRY
Where is he?
FRANK HOCKENBERRY
He still lives in our old house in Memphis.
ANDREW HOCKENBERRY
Why don't you see him?
FRANK HOCKENBERRY
We had an argument. When I came back from Nam, he believed I did something wrong. When I tried to defend myself, he wouldn't listen. As far as he was concerned, I was guilty. I couldn't prove it then. I can now.
ANDREW HOCKENBERRY
Then tell him. He's your dad.
FRANK HOCKENBERRY
I can't. It would involve hurting someone else I love. Sometimes, the truth injures people instead of helping them.
ANDREW HOCKENBERRY
Did you ever try?
FRANK HOCKENBERRY
Yes. I invited him to the wedding. I had plans to tell him everything. He never came. Instead he sent back the invite in pieces. That told me all I needed to know. As far as we're concerned, we're all alone.
ANDREW HOCKENBERRY
What about grandma's family?
FRANK HOCKENBERRY
After the war ended, dad tried to find them. They were all killed in the camps. We are the only Hockenberrys left.
ANDREW HOCKENBERRY
So, you feel your father deserted you?
FRANK HOCKENBERRY
I know he did.
ANDREW HOCKENBERRY
And you feel God has deserted you?
FRANK HOCKENBERRY
How do you know that?
ANDREW HOCKENBERRY
I hear you and mom arguing. I hear everything that happens in your bedroom.
They stop by the church.
ANDREW HOCKENBERRY
Did you ever think you are transferring your feelings for your dad to God?
FRANK HOCKENBERRY
(looking at church door)
You planned this, didn't you?
ANDREW HOCKENBERRY
I am your son, and don't change the subject. You always do that when you get uncomfortable. Answer the question dad.
FRANK HOCKENBERRY
Maybe you're right, Dr. Freud. How much do I owe you, Dr. Seymore?
ANDREW HOCKENBERRY
You can't pay me with money. But, there is something you can do for me.
FRANK HOCKENBERRY
I'm afraid to ask. What is it?
Andrew starts to climb up the stairs and extends his hand.
ANDREW HOCKENBERRY
Come inside with me. Just because your dad left you, doesn't mean this father did.
FRANK HOCKENBERRY
You sound like Tess.
ANDREW HOCKENBERRY
I'm only repeating what YOU told me. Take my hand dad, please. If you love me, you'll do it.
Andrew looks behind Frank and sees Andrew the Angel, Tess and Sam. They are eating hot dogs. Frank starts sniffing the air.
FRANK HOCKENBERRY
Do you smell hot dogs?
ANDREW HOCKENBERRY
You're changing the subject again. Give me your hand.
Frank goes up the stairs and takes his hand. They enter the church.
SAM - ANGEL
And a child shall lead. That's what I call heavy artillery, Tess.
TESS - ANGEL
You got another hot dog, Sam?
SAM - ANGEL
You're not listening, are you?
TESS - ANGEL
This time, pile on the unions.
CUT TO:
SCENE SIX
INT. CHURCH. AFTERNOON. -- CONTINUOUS
Andrew and Frank enter and go into a pew. Mayling and the girls see them. Frank sits by Mayling. She smiles and holds his hand. Andrew gets a pen out and writes down the name "Gunther Wilhelm Hockenberry II - Memphis."
FADE OUT: