EVERYTHING IS, NOTHING IS

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Three: Paprika

Three items sit on my desk. My laptop, currently running simulations of a dream I'm constructing for Bella. The oxblood vial of my new compound. And a cephalopodian arrangement of wires, leads, and sensors. The second two items don't officially exist.

I try to focus on the computer, on my life's work. My study. Which has become almost entirely my study of Bella.

The dream is innocuous enough. She dines at a beautiful restaurant with a man who adores her. He has eyes like mine, hair like mine, a body like mine, but he's not me. He can't be me, because Bella has no memory of me to recall in her dream state. We've never met. All I have are interviews performed by other doctors, her medical history, and my machine. That plate of one-way glass remains as impenetrable as a lead shield.

My hands tremble and my eyes flicker, once again, to my latest creations—the vial and the device. Unethical. Immoral. Wrong.

But I so very much want her to dream of me.

The simulation program beeps, signaling completion. I tsk and shake my head. The computer model suggests a level 3 electrical impulse on lead 6 to trigger a feeling of warmth and satiation after her meal. I know that Bella will need at least a level 5 impulse. Something within her psyche resists those emotions—it took me months to perfect the dancing dream.

I make my notes for the evening, and planned updates for the simulation program. The red vial burns an afterimage into my peripheral vision; I see it everywhere I look. When I pick it up, it feels like much more than a few grams. The unrequited has its own gravity.

I put the vial in my pocket. I'll keep reminding myself I can never use it. It's only a matter of time until I cave.