The Phantom of the Opera falls in love with a soprano named Olivia Henderson, A showgirl named Jade Smith, she falls for Ryan Salvatore, but he is in love with Olivia, and Olivia is in love with Ryan, Jade feels jealousy towards her, Jade and Erik become friends and allies to separate at the lovers

Gerard Butler as the Phantom of the Opera

Another day dawns and are rehearsing for the Work, Jade does very well the role of Carlotta, have spent hours, it is the night of the gala, Everyone is behind the scenes, they are making up, now Ryan is like an old, like Thalia, she has a blonde wig

Start Of The Work

PROLOGUE STAGE OF THE PARIS OPERA, 1905

(The content of the Opera is being auctioned.'s AUCTIONEER, PORTERS, BIDDERS, and RAOUL, seventy years, but still with a twinkle in his eyes. Comienzacon action a hammer AUCTIONEER.)

AUCTIONEER: Sold. Does your number sir? Thank you. Lot 663, ladies and gentlemen: a poster for this theater laproducción "Hannibal" of Chalumeau.

PORTER: There you have it.

AUCTIONEER: I have ten francs? Then five. Five I offer. Six, seven. Against you, sir, seven. Eight. Eight once. Eight at two. Sold ...
(Hammer Strike)

Raoul, Vicomte de Chagny. Thank you very much sir. Lot 664: A wooden gun and human trescráneos 1831 production of "Robert le Diable" by Meyerbeer. Ten francospor this. Ten, thank you. Ten francs yet. Fifteen, thank you. Fifteen offer me. It will porquince.

(Hammer Strike)

Does your number sir? Lot 665, ladies and gentlemen: a music box paper mache forms of organ. As an accessory, the figure of a monkey touching robed Persian dishes. This item, discovered in the cellars of the theater, still functioning

PORTER:
(holds up)
Is shown here.
(He starts to move)

AUCTIONEER: Should I start with twenty francs? Come on, ladies and gentlemen. Fifteen then? Fifteen, thank you. Yes, twenty of you sir, thank you very much.

GIRY (Thalia): Twenty

AUCTIONEER: Twenty-five to my left, thank you ma'am. I offer twenty. Thirty? It will then portreinta francs. Thirty one, thirty two, sold for thirty francs Vicomte de Chagny. Thank you again, sir.

RAOUL (Ryan): Part is collectible, the details as she said ... She often spoke of you ... your velvet and lead the fashion plate And when no one will touch stay here?

AUCTIONEER: Lot 666, then: a chandelier in pieces. Some of you may remember the extrañoasunto Phantom of the Opera: a mystery never fully explained. We have been dichoque this is exactly the same chandelier featured in the famous disaster. Nuestrostalleres have been restored and parts of the wiring for the new electric light, for quetengamos an idea of how it will look when it reassembled. Alespectro ahuyentemos Perhaps many years ago with a little enlightenment, gentlemen?

OVERTURE

ACT: 1
SCENE 1
TESTS "ANIBAL" BY CHALUMEAU

We join the opera near the end of the great aria of ELISA (CARLOTTA). She is alone holding, a gift from ANIBAL approaching a bleeding head)

CARLOTTA (Jade):
(In the climax of a bizarre cadence)
The award of the heroes, heroes from Rome we arrived!

FEMALE CHORUS: With festivals with dance and canciónla crowd cheers, and salvation comes, proclaims his arrival.

MEN'S CHORUS: Trumpets of war cry aloud! Rome defeats Carthage! Step and drum redobladTODOS: Hannibal tremble as is!

(Piangi enters as ANIBAL)

Piangi:
(ANIBAL)
Sad find my beloved home and threatened by Rom Imperia

REYER
(Interrupts)
Lord ... if you do not mind: "Rome". We say "Rome" no "Rom".

Piangi:

Yes, yes, Rome, not Roma. It is very difficult for me.

(practicing)

Rome. . . Rome. . .

(Enter LEFEVRE, the manager soon to retire from the Opera, with M. FIRMIN and M. ANDRE, who are the just sold)

Reyer To Piangi: Then again if you please, Signor: "Sad to return ..."

LEFEVRE
(to ANDRE and FIRMIN)
Over here gentlemen, this way. As you can see, the tests are designed for the new production of "Hannibal" of Chalumeau

LEFEVRE: Ladies and gentlemen, perhaps some of you already know to M. Andre, M. Firmin ...

(the new managers are politely greeted when REYER interrupts)

REYER
Sorry, M. Lefevre, we are rehearsing. Would you mind waiting a moment?
LEFEVRE
My apologies, M. Reyer. Proceed, proceed ... REYER Thanks, M.
(returns his attention to piangi)
"Sad to return ..." Signor ...
LEFEVRE
(in a low voice to ANDRE and FIRMIN)
M. Reyer, our chief of trials. A tyrant, I fear.
(trial continued)

piangi
(ANIBAL)
Sad find my beloved home and threatened by Rome ImperialMañana end slavery, and on my return I hailed.

(THE DANCERS begin their dance. LEFEVRE, ANDRE and remain the center FIRMIN delescenario watching ballet. Follow their path. Ballet continues under following dialogue.)
LEFEVRE
(pointing to piangi)
Piangi Lord, our main thrust. He acts very well next

. GIRY (Thalia)
(exasperated by their presence, whipping his cane on stage.)
Gentlemen, please! Would you be so kind to move to one side?
LEFEVRE
My apologies, Mme. Giry.
(leading ANDRE and FIRMIN aside)
Mme. Giry, our ballet teacher. I must confess, M. Firmin, do not regret the rid of this blessed business.

FIRMIN
I insist on asking, monsieur, exactly because it is removed?

LEFEVRE
(ignoring this, turns his attention to ballet continued)

We are particularly proud of the excellence of our ballets ..

(MEG stands out from the other dancers)
ANDRE: Who is this lady, Lefevre?

LEFEVRE
Is she? Meg Giry, Madame Giry's daughter. A promising dancer M. Andre, very promising ..

(CHRISTINE stands. Absent She lost by step)

GIRY ( Thalia )
( discovering it , hits his stick again)
You ! ChristineDaae ! FocusMiss !

MEG ( Dalilah
( quietly , to CHRISTINE )
Christine . . . What happens ?
FIRMIN ? Daae ? Funny name .

LEFEVRE : Swedish.
ANDRE : Any relation to the violinist ?

LEFEVRESu daughter , I think. I'm afraid that is always in the clouds.

( The ballet continues until suclímax and ends . CHORUS resumes )

CHORUS
Welcome guest boozy without Hannibal , bring elephants here Dido guide sentus !
( enters the ELEPHANT , mechanical replica size. PINAGI is alzadotriunfalmente on the back . )

CARLOTTA ( Jade )
( ELISSA )
Back to my arms volviómi love
( HANNIBAL )

Back to your heart rindiómi love elephants Bramadbramad !Rome defeats Carthage ! Step drum to shake redoblady Hannibalis !
LEFEVRE : Ladies and gentlemen , Madame Giry , thank you, I have your attention please? As you know , in recent weeks there have been rumors of my imminent retirement.

Now I can tell you is true and it is a pleasure to introduce you to the two gentlemen who now sonpropietarios of the Opera Populaire , M. Richard Firmin and M. Gilles Andre .

( Applause friendly . Few caravans CARLOTTA makes her presence is perceived . )

Gentlemen, Signora CARLOTTA Giudicelli , our leading soprano now in its fifth season

ANDRE
Of course , of course. I enjoyed all his great roles , Signora .

LEFEVRE
And Signor Ubaldo Piangi .

FIRMIN
An honor , Signor .
ANDRESi I recall, Elissa has a fine aria in the third act of " Hannibal " . I wonder , Signora , if, as a personal favor , we would be happy with a interpretaciónprivada ? ,

CARLOTTA ( Jade ) My Manager directs ... M. ? Reyer ?
REYER My Diva orders ... Will two bars enough introduction ? FIRMINDos bars are but suficienteREYER

(ensuring that CARLOTTA this list)

Signora ? ? CARLOTTA Master.

( The piano plays the intro)

CARLOTTA
Think of me , think up tender goodbye was not more time instead Recuérdamede it hará promises from leaving you free and you When you 're not here , if you find a moment think about it in my .
Think of me
I resigned ...

( As CARLOTTA is singing a curtain falls violently to the floor separándolade half the cast . )

MEG ( Dalilah ) / DANCERS / CHORUS
It's the Phantom of the Opera has arrived appeared . . . 's Him, Phantom of the Opera
I'm already appeared . . .

ANDRE
By God!Show a little more education!

FIRMIN
(Meg)
Mademoiselle, please!

piangi
(Looking up, furious)
Idiots!

(Runs to CARLOTTA)

Face!Face! Did you hurt yourself? LEFEVRE Signora! Right?Buquet! Piangi Does not anyone care about our Prima Donna? LEFEVRE Where is Buquet? Bring that man here!
(to ANDRE and FIRMIN)

The head of curtains. The ezel responsible for this ..
(The curtain has been lifted enough to show up on the stage to a Viejotramoyista, JOSEPH BUQUET, holding a piece of string that looks almost like a nudode rope to hang.)

LEFEVRE Buquet! For God's sake, man, what's going up there?
BUQUET
No monsieur, I do not see me, God knows, not coming to my monsieur, there's nobody here, and if so it will be a spectrum.

MEG (Dalilah)
(looking up)
It's the Phantom of the Opera ...

ANDRE
Signora no!
FIRMIN
For God has never seen such insolence here!

ANDRE
(A CARLOTTA)
These things like that happen.

CARLOTTA (Jade)
Are things like that happen? You've been here five minutes What do you know? Yes, ASI estascosas pass ... all times. Three years ago these things like that happen.
(A Lefevre)
And you did something to stop this from happening? No!
(A FIRMIN and ANDRE)
And you ... Sontan you bad as him. "These things like that happen!" Well, until you do these things well nopasen, This thing does not happen! Ubaldo! Andiamo!

(Piangi obediently takes his coat between legs)

Piangi
Fans!

LEFEVRE
I think there is not much else I can assist you gentlemen. Good Luck. If you both need me, I will be in Frankfurt.

(He steps back. The COMPANY looks anxiously at the NEW MANAGERS)

ANDRE
The Carlotta returns .

GIRY ( Thalia )
Is that what you believe , messieurs ? I have a message from the spectrum of the Opera

( The LADIES fret and fidget scary)
FIRMIN
God! They are all obsessed !

GIRY ( Thalia )
He simply welcomes its opera house and orders them to continue to let elPalco number five unoccupied for use and reminds them that their wages owed
FIRMIN
Does your salary?
GIRY ( Thalia )
Monsieur Lefevre paid him twenty thousand francs a month . Perhaps you can afford more nowWhat the Viscount de Chagny is your sponsor

( Reaction to this from the DANCERS . CHRISTINE MEG is supported nervously )

ANDRE
(a GIRY )
Madame , I wish to make that announcement I mismoGIRY

(a FIRMIN )

Will the Viscount in the show tonight , monsieur?

FIRMIN
In our palcoANDREMadame , who is the understudy for this role ?

No substitute REYER , monsieur , production is new

MEG ( Dalilah )
Christine Daae could sing it, sir.

FlRMIN

Does the choir ?

MEG (Delilah)
(A FIRMIN)
She has been taking lessons from a great maestroANDRE Who?

CHRISTINE (Olivia)
(Restless)
I do not know sir. . .

FIRMIN
Neither should you!
(Turning to ANDRE)
Can you believe it? Full and we have quecancelar Theatre! Can you believe it?

GIRY (Thalia)
Let her sing for you, monsieur. I have taught you well.

REYER
(After a pause)
From the beginning of the aria, mam'selle.

CHRISTINE (Olivia)
Think of me, think up tender goodbye was not more time instead Recuérdamede promises you will.

FIRMIN
Andre, this is not helping my nerves

ANDRE
Do not complain Firmin.

CHRISTINE (Olivia)
At the beginning and leaving you free
When you're no longer here, if you find a moment think about it in my.
(Transformation to the Gala. CHRISTINE shown with full costumes)

True, since before it was true, I would end asíy if you still remember me think a little. Think of a summer splendor
Do not think about whether it could be better ... Think of me quietly resigned and love, think of me and my pain

trying to forget. Think of me, If you can think of me And even though you do not know, never the day will come that you do not think twice.

(Applause, bravos. Foremost among the brave, are those of the young RAOUL in the balcony MANAGER)

RAOUL
Can it be?
Can it be Christine?
Bravo!
(raises his glasses opera-binoculars)
Long ago, It was so long ago, Young candor that one day I felt!, Maybe she did not I her self recuerdepero

CHRISTINE
our love
That between the two grew
I felt sad and withered, but promise me you'll think of me sometimes