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TERMINATOR

THE RESISTANCE FIGHTERS CHRONICLES

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EPISODE 13

"No One Is Ever Safe"

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Written by
Sirapop Nualnimnoi

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This fan-produced fiction is a screenplay based on the science fiction drama television series developed for the Fox by Josh Friedman, Terminator - The Sarah Connor Chronicles. This is done in the spirit of fan fiction - to have fun and enrich the total fan experience beyond the limitations of the official story vehicle. This fan-made screenplay is being created available for entertainment purposes of the loyal fans of the show. This story follows the characters of Sarah Connor and more or all characters from TSCC after the events of the episodes "Crack of Doom", "The Good Handkerchief", "Old Data Never Die", "Kiss of Death", "Epoch", "Resurrection", "Strongest Power", "Ghost Whisperer", "A friend in need is a friend indeed", "Twanton" and "New hope coming" (earlier episodes of this fan-made screenplay series)

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TEASER

WE OPEN ON:

EXT. CITY RUINS – NIGHT

It is a landscape in Hell. The cars are stopped in rusted rows, still bumper to bumper. The skyline of buildings beyond has been shattered by some unimaginable force like a row of kicked-down sandcastles. Wind blows through the desolation, keening with the sound of ten million dead souls. It scurries the ashes into drifts, stark white in the moonlight against the charred rubble.

SUPERIMPOSE: "45 Days after Judgement Day"

ANGLE ON a heap of fire-blackened human bones. Beyond the mound is a vast tundra of skulls and shattered concrete. The rush hour crowd burned down in their tracks.

JOHN (V.O.)
7 billion lives ended on December 21st, 2012.
The survivors of the nuclear fire called the
war Judgment Day. They lived only to face a
new nightmare, the war against the Machines...

WE DISSOLVE TO a playground... where intense heat has half-melted the jungle gym, the blast has warped the swing set, the merry-go-round has sagged in the firestorm. Small skulls look accusingly from the ash-drifts. WE HEAR the distant echo of children's voices... playing and laughing in the sun. A silly, sing-songy rhyme as WE TRACKS SLOWLY over seared asphalt where the faint hieroglyphs of hopscotch lines are still visible. CAMERA comes to rest on a burnt and rusted tricycle... next to the tiny skull of its owner.

JOHN (V.O.) (cont'd)
Skynet, the computer system which blew up the
world, sent machines out there and hunted our
human lives. They will never stop. We too.

A metal foot crushes the skull like china.

TILT UP, revealing a T-500 with shotgun on left arm and a machine gun on right arm.

EXT. BATTLEFIELD – NIGHT

THE BATTLE. Human troops is desperate combat with the machines for possession of the dead Earth. The humans are a ragtag guerrilla army. Skynet's weapons consist of T-500s, Centurions, and HK-drones with missile launchers and guns.

A gunner is an armored personnel carrier fires a LAW rocket at a pursuing Aerial HK, bringing it down in a fiery explosion.

A TEAM OF GUERRILLAS in a intense fire-fight with T-500s in the ruins of a building. Three T-500s advance, firing rapidly.

IN A BLASTED GUN EMPLACEMENT at the edge of battle, a negroid watches the combat with night-vision binoculars. He wears the uniform of a guerrilla general, and a black beret. He is still amid running, shouting techs and officers.

C.U. NEGROID, pushing slowly in as the battle rages O.S. He lowers the binoculars, revealing YOUNGER JUSTIN PERRY(F03EP12).

JOHN (V.O.) (cont'd)
We won't stop even we lose everyone we love,...

We push in until his eyes fill frame, then...

DISSOLVE TO:

EXT. FIELD – EVENING

CLOSE ON THE TOMB. The name was written in both Thai and English: "Warapop Pichitchai"(English name is under Thai). The annals under the name says, "We won't forget you. The people will remember you forever, Stefan".

JOHN (V.O.) (cont'd)
...even we lose a lot of our heroes.

WE PULL OUT, revealing General John Connor, Colonel Cameron Phillips, Major Nevlin Glau, Major Nelson Dekker, Kyle Reese and Derek Reese are standing peacefully in front of the tomb in the same field in F03EP04. All wear black suits. John puts a nosegay down nearby the tomb as his tears trickle down his cheek.

JOHN
This is for him. It's almost a year.

Cameron touches on John's shoulder. He turns and smiles to her and she always smiles back.

CAMERON
Yes, it's almost a year. He'll be in our
memory forever. He was a hero.

JOHN
Yes, a hero and good friend.

John exhales and wipes his tears.

JOHN
What about the virus? It's three weeks.

CAMERON
Catherine and her son helped us on Oregon problems.
The vaccines have been being disseminated. Commodore
Flores and her Jimmy Carter are sending them to Perth.
Bainbridge the frigate and Commander Corbin are sending
them to Bangkok and they will come back with the new
Asian leaders and some troops.

JOHN
Allison and what the General's name again?

CAMERON
General Enigma 'E.' Boykins.

John gets attention at the name.

JOHN
His name looks weird. Isn't he a Thai?

CAMERON
We don't know yet. But something's very weird.
Allison got married with him and led their men
against Skynet and destroyed the central core.

JOHN
If Stefan knew that his wife got married with
someone very strange, he would rise from his
grave to kill that General himself.

John and Cameron both laugh.

INT. INDIVIDUAL RECOVERY ROOM – DAY

CLOSE ON E. BOYKINS as he sits up from his bed and sneezes. Around his body, there are bandages around his arms and his chest. A few plasters on his cheeks.

SUPERIMPOSE: "BSD - ASIAN RESISTANCE BASE, JUNE 2nd, 2028"

The doctor goes to him with a case file. He glances at it and starts to report.

THE DOCTOR
(in Thai)
"Your body is okay. Heart, lungs, brains,
circulatory system, all your body cooperation
work normally. Everything recovers so fast."

E. Boykins looks happier.

THE DOCTOR
(in Thai)
"But your muscles around your chest, they still
have a little bruising. I can advice you to not
to run, no lifting, no singing, and absolutely
no gun fights. I'll give you pain killers."

E. BOYKINS
Ooh! No funny.

E. Boykins purses like a kid. He realizes something.

E. BOYKINS
(in Thai)
"Hey! Please don't tell my wife."

ALLISON (O.S.)
It's too late, Stefan. I know all before you.

E. Boykins turns to see Allison who walks toward him with Sittipong on her arms. The doctor smiles and leaves them. Allison has just a few plasters on her cheeks. She looks fine. E. Boykins looks happier when he sees his son. He stretches his hands out, wanting to hold his son.

E. BOYKINS
Let me see him closer, please.

Allison gently sends Sittipong into his hands and he looks down at his son, his happy time is really so happy. Allison sits down on the edge of his bed.

E. BOYKINS' POV.: Sittipong's eyes are pretty black ones. The son seems to be happy on his arms. We can see Sittipong more clearly through E. Boykins' POV. The eyes are like father's, hair's like father's, cheeks, noses, chin, and mouth are like his mother's. The skin is light as a half-caste between American and Thai.

E. BOYKINS
Every time I see him, I feel better.

His fingers play with the son on his arms. Allison smiles happily. This picture looks like in her dream. It's what she's wanted for a long time. Happy family. Father. Mother. And son.

Allison hits on E. Boykins' shoulder so softly, calling him as a best friend. E. Boykins looks up at her with a small smile.

ALLISON
Hey! How is your chest, Stefan?

E. BOYKINS
I still feel constriction and sometimes
I feel pain especially when I sit up.

ALLISON
The doctor said that you need time to
relax very much. So I have to let you
sleep here alone. It's better for you.

He shakes his head.

E. BOYKINS
Oh! No, no, no. I want you both stay here.
Please stay here with me, Allison.

ALLISON
That's very okay, Stefan. You indulge me a lot.
This is my turn to indulge you. Fair enough.

E. Boykins talks to Allison as he is playing with his son.

E. BOYKINS
How are they?

ALLISON
You meant about those leaders?

E. BOYKINS
Yes, how are they? Do they intend to stay with us?

ALLISON
Jennifer, Jasper, Inbedga and absolutely Wang
intend to stay with us. Their people too.
Dimitri and Branden, they worry about their
people and their lands. They said goodbye.

E. BOYKINS
Did Emma fix Wang's leg and Lampage's arm?

E. Boykins looks up.

ALLISON
She did. I still don't understand why you
are worried about Wang's leg. He's just
reprogrammed. He can't be trusted.

E. BOYKINS
I never said that Wang is reprogrammed. If you can
remember, Skynet Wang's chip was blasted by me. So
this Wang is my own AI like Lampage and Nguyen Tuan.

E. Boykins looks down to his son in his embrace.

INT. ELLISON'S OFFICE – EVENING

The office is efficient. A wooden desk, bookshelves, credenza, couch, small meeting table, and a mini-fridge.

John and Cameron both sit on a couch.

JOHN
One of those surprises I got from Ellison was he
dug up Cromatie's body and sent it to Catherine for
John Henry. What does he dig for us now?

Cameron laughs, more human-like right now.

CAMERON
I think now it mayn't be like that.

ELLISON (O.S.)
This is what I want to give you.

Ellison enters the office with a big box. THE BOX(12cm x 12cm x 11cm) is made of strawboard, looks more like a big carton. Ellison puts the box onto the table. John and Cameron stand and walk toward the table.

JOHN
What are in this box?

ELLISON
Sarah said that I should give you this box.

Ellison opens the box. First, he picks another box up and hands it to John who looks at it.

ELLISON
This is what your mom reiterated me to give you.

JOHN'S POV.: THE BOX (12cm x 8cm x 1cm) is made of various metals and composites which give it a slap-dash appearance. A touchpad

lock is inlayed with a clear cover so that it is flush with the surface.

John looks up at Ellison.

JOHN
What's the password?

ELLISON
She said you know it as well.

CAMERON
You have to be sure. If you're wrong,
the contents of the box are destroyed.

John thinks about it quickly, but then smirks.

JOHN
I'm sure. Judgement Day.

ELLISON
December 21st, 2012.

JOHN
No. Ellison. I meant Judgement Day from
bible. The old prediction. May 21st, 2011.

John pries the clear cover off the keypad and presses the keys he knows are correct. CLICK...the box opens. John takes out the watch Cameron made for John almost a year ago. Sarah kept it with her for her son and now she sends it back to her son again through James Ellison who she always never trusted. Cameron looks at it with a small smile on her face.

JOHN
I remember this thing.

John tries to hand it to Cameron who doesn't take it yet. John smiles so friendly. His eyes are full with trustworthiness, love and camaraderie. Trust between John and Cameron seems to be more than that.

JOHN
You gave me this but I don't have to use it anymore.

Cameron looks in his eyes, senses things she never found in this John Connor. She takes it as her eyes still look at him. He smiles together with blushes.

JOHN
Please assume that it's a word between us, Cameron.
I trust you. I won't have to blast your chip anymore.

CAMERON
What are you thinking to do, John?

John holds her hands with his. Ellison exits the office.

JOHN
I love you, Cameron.

CAMERON
You know that I was modeled after Allison Young.
All my personalities and my face are from her.
I'm just a machine, John. I'm not real.

JOHN
No. Cameron. I love you not because of your face...

John touches her face so gently.

JOHN (cont'd)
Not because of your identity, Cameron. When I saw
Allison, I didn't fell in love. I felt disappointed
because she wasn't you. I don't care what you are.
Charley warned me but I don't care that now.
Do you really love me, Cameron?

CAMERON
I don't know, John. But from what I think, I can't
let you get hurt, I want to take care of you all
the time if I can, I want to watch you become the
good leader, I want to help you to do things
every time. Is this love, John?

John seems to be blushing after she said so. Then what is his answer right now.

JOHN
Apparently yes.

Cameron smiles together with blushes, all terminator-beings have lost from her chip. They all lost from the chip and maybe lose from her silicon brain forever. John looks at Cameron and notices her expression of absolute certainty.

JOHN
Please destroy it or keep it safe.

Cameron looks down at the watch for awhile. She looks up at John and tries to hand it back at him.

CAMERON
You should keep it. If you love me, you should keep
it. It's like my heart, John. You gave me your heart
and I give you my heart right now.

John thinks about it, so quickly. He bends down a little, letting and offering her to put it on him like he did before. Cameron learns John's reaction, understanding his desire.

Cameron smiles like a girl. She slowly and carefully puts the watch on John's neck, giving him her heart. John looks up at Cameron as his hand grabs the watch and hides it behind his shirt and as his hand slides out of his shirt, a small wedding rings box falls from his pocket onto the floor.

It's very sure Cameron is faster than John, she quickly bends down and grabs it. Cameron holds it firmly in her hand.

John looks a little afraid.

CAMERON
What is this, John?

John can't answer that question. His hands totter. He breathes fast as his fear is going up.

Cameron smiles understandingly. She opens the box. The pair of wedding rings are inside it. The wedding rings look so beautiful.

CAMERON
What does this mean, John? What are these for?

JOHN
They're the...

CAMERON
Wedding rings. I know. What are these for?
Why are you having them, John?

John exhales, trying to control his mind. It's not hard for John Connor, just say what he really wants to say. He passes many stories, this is just an easy thing.

JOHN
Okay. Will you marry Cameron? I know I'm just
eighteen. I'm very young, too young for...

Cameron silences him by a quick kiss on his cheek, stunning him.

CAMERON
You need a priest, John. And we have one.
He's worked as a minister for our people.

John suddenly pulls Cameron into his embrace and kisses. This foray is really surprised. Cameron closes her eyes, she seems to be enchanted with that. Her terminator characteristic is hidden by her for him right now. But we won't wait until the long moment of this deep kiss ends, we CUT TO:


CREDIT:

. TERMINATOR .
.THE RESISTANCE FIGHTER CHRONICLES.


ACT 1

(Mare of the psychic)

INT. INDIVIDUAL RECOVERY ROOM – DAY

E. Boykins sleeps on the bed, the sleeping Sittipong swaddled beside him. Allison's fallen her face down on the edge of the bed, sleeping on her arms that have crossed to be like her pillows. SARAH CONNOR and A THAI WOMAN (32, 5'5", black hair) stand to the side, watching. Sarah looks exactly the same as we last saw her in 2012. E. Boykins opens his eyes and startles after he sees Sarah and the woman. E. Boykins turns to his son and his wife.

SARAH
They won't wake. Now only just us.
I, you and your mom.

Mom? That woman, she's MRS. PICHITCHAI. This may surprise us.

MRS. PICHITCHAI
(in Thai)
"It's been very long."

E. Boykins looks at his mother. Tears are streaming down his face. His mom gets closer and a finger touches the tear trickling down his cheek.

MRS. PICHITCHAI
"You are soldier, Stefan. Don't cry."

E. BOYKINS
"I love you, mom."

E. Boykins quickly hugs her. It's very long E. Boykins hasn't hugged his mom, really long. You can feel it. E. Boykins hugs his mom more firmly and closely. He knows it's just a dream but it's valuable very much for him, every moment counts for him.

E. BOYKINS
"I love you very much, mom."

MRS. PICHITCHAI
"I love you too."

E. BOYKINS
"You are here to take me, right?"

Mrs. Pichitchai turns to look at Allison who is still sleeping. Then she looks back at her son. E. Boykins turns to look at Allison then his son and then turns to look at his mom. She shakes her head and smiles.

MRS. PICHITCHAI
"No, we won't. You have wife and son. We know how
it feels like when wives lose their husbands and
when sons lose their fathers."

E. BOYKINS
"I'm sorry for that, mom."

He turns to look at Allison who is still sleeping. He smiles so happily just before he turns back to his mom. She smiles to him like every mom always does. She strokes his hair and chucks on his head.

MRS. PICHITCHAI
"Nothing to be sorry for, Stefan. You did well.
You do the good thing. You choose the true choice.
So don't be sorry for that. We'll have time
together too much, Stefan, it's since you was
born and ends when I died."

E. BOYKINS
"In Tripitaka, Buddha released from the round of
rebirth. Buddha left everything and everyone who love
him and faced happiness on the heaven forever."

MRS. PICHITCHAI
"And?"

E. BOYKINS
"Mom, you know it as well. Our family believe
that the lord Buddha was the great psychic.
We do a lot of things after his teaching."

MRS. PICHITCHAI
"But somethings we don't, we didn't."

E. BOYKINS
"Buddha once left his wife and his son to find the
truth of the human life before he enlightened."

Mrs. Pichitchai shakes her head. When Mrs. Pichitchai talks in English, her skill is very wonderful. She can speak English like her own mother language.

MRS. PICHITCHAI
Don't think like that, Boykins.

E. BOYKINS
"E. Boykins is just my alias, mom. Please call me
Stefan as you ever did before."

MRS. PICHITCHAI
So why don't you want to be with your family as before?

E. Boykins considers that speech.

MRS. PICHITCHAI
No one is perfect, Stefan. You don't enlighten.
You can't leave them so you have to live with them
and do everything you need to for your people.

E. BOYKINS
But mom, I already destroyed Skynet core in Russia.

Mrs. Pichitchai stands up. In a flash, Mrs. Pichitchai is standing across the room. Pinning him with an accusing gaze.

E. BOYKINS
We are safe now.

SARAH
Follow us.

With that, E. Boykins flashes a glance at Sarah who gives him a small smile. Sarah walks toward Mrs. Pichitchai. Their eyes are still looking at E. Boykins who stands up and hesitates. A part of him still worries about his family as another worries about his mom and Sarah Connor who was like his aunt.

MRS. PICHITCHAI/SARAH
Don't worry about them. Just come with us.
We need to show you something.

They turn to the door.

E. BOYKINS
Mom! Aunt Sarah!

They go out the door. E. Boykins jumps from the bed. Yanks the door open. Follow them out.

INT. CORRIDOR – DAY

E. Boykins staggers from his room. Sarah and Mrs. Pichitchai are already, impossibly, a hundred feet away, striding down the dim corridor. A silhouette in a long dress, disappearing around a corner. E. Boykins runs after them, his bare feet slapping the cold linoleum. His hospital gown floats out behind him as he dream-runs along the seemingly infinite corridor. He reaches the corner. They lead him to a door. They go through together. Emerging into...

A BEAUTIFUL SUNLIGHT MORNING. THAI CHILDREN are playing nearby... sliding down slides, clambering through a jungle gym. They look up to the sky and...

THE SKY EXPLODES into WHITE LIGHT. Everything is seared by the unholy glare, hotter than a thousand suns. The children ignite like match heads. E. Boykins, Sarah, Mrs. Pichitchai and the hospital are in the island of the atomic storm. E. Boykins looks fearful and he is agape.

E. BOYKINS
What is this?

MRS. PICHITCHAI/SARAH
Always remember. No one is ever safe.

They both are burning, no screams, they look peaceful. Their bodies explode into black leaves of ash and swirl away. E. Boykins stand there and his eyes look really fearful. In b.g., the long corridor, Allison Pichitchai and five-years-old Sittipong Pichitchai walk toward him. Her hand gently falls on his shoulder as the son grabs his hand, these turn him to face them and suddenly the whole hospital explodes into black trees of ash and swirl away. He and his family are there in the center of the atomic storm.

E. BOYKINS' POV.: In the distance behind Allison and Sittipong, the T-1000, T-1111, SKYNET V2(F03EP10), Richard Ellison and Jack Van Meter walk in through the storm. Their skins are on them, incredibly. They aim their guns toward him and his family.

E. Boykins suddenly pulls Allison and Sittipong back and protects them by himself.

SLOW MOTION

The enemies open fire and all bullets get through E. Boykins like he is unsubstantial. The bullets get through his body like he's just a motion picture, no blood, no pain and no wound. E. Boykins touches on his chest and nothing he can feel. E. Boykins' breath becomes faster with fear as he recalls something. He turns and sees both his wife and his son, only two he loves and has this time, only two persons he never betrays, never forgets, never harms and never thinks they are his problems. Now they are killed by his enemies and he can't protect them.

BACK TO NORMAL.

Silence. Then he screams, drops to his knees and cries. He wants to die but he can't die. Those enemies walk toward him, watching him with triumph. His tears never stop until he realizes that they are very close. His emotion changes to be wrath.

As he turns to them with non-human speed, Skynet grabs his throat, stopping his power. E. Boykins' life is in its hand but he doesn't feel fearful, his tears fall as his eyes look intense. He stares hard at those enemies. It's awhile before he closes his eyes and Skynet squeezes its hand.

INT. INDIVIDUAL RECOVERY ROOM – EVENING

He wakes up. He turns around, Allison and Sittipong are not here. He closes his eyes, his power may still senses her and his son. He quickly takes a quick breath just before...

KNOCK! KNOCK! KNOCK!

E. Boykins smiles happily as his brain still thinks about his daydream, his mare.

E. BOYKINS
Allison, come in.

He stretches his right hand toward the door as his mind power opens it, letting Allison with a food tray come in his recovery room. Allison wears modern sundress, looks just like a pretty teenage girl. Her skirt part is very short, come-hither. Her smile looks angelic.

ALLISON
Our dinner is ready. I'm happy you wake up
at the same time it's ready.

E. BOYKINS
Where is Sam, Alise?

ALLISON
Emma is taking care of him. Now it's
our time together. Just a while.

Allison takes a few steps before she stops in front of his bed. His telekinesis quickly pulls the dinning table from the left corner and stops it beside him. Allison puts the tray on the table just before his mind calls a chair for her.

ALLISON
Thank you.

E. BOYKINS
Let's see what you have.

E. Boykins moves himself toward the edge of the bed, sits closer the table so slowly and carefully. Allison sits opposite side of him and smiles at him, completely melting him.

E. BOYKINS
Honestly. You look very beautiful and sexy.

Allison smiles from ear to ear.

ALLISON
Thank you once again.

E. Boykins uncovers all those plates. Wow!

CLOSE ON PLATES. They are all Thai. A bowl of clear soup. Steamed garlic shrimp. Chicken stir-fried with ginger. A bowl of boiled egg fried with tamarind sauce. Two plates of steamed rice. Wow! They all look appetizing.

E. Boykins looks at Allison with a proud smile.

E. BOYKINS
You made all these?

ALLISON
Yes. I think these all may be delicious for you.
I made all these with all my ability. The doctor
told me you shouldn't have any piquant dishes.

E. BOYKINS
I know it but I never knew you can made any
Thai foods. Who taught you?

Allison purses like a kid and crosses her arms over her chest, looking exactly like she is a little sulking.

ALLISON
You don't ever think I did these myself.

E. BOYKINS
I kidded.

Allison smiles shyly together with one of her hands hits on his chest, causing E. Boykins to wince. Inadvertence.

ALLISON
Oh! I'm sorry, Stefan.

E. BOYKINS
Never mind, Allison.

Allison shakes her head.

ALLISON
But I hurt you, I shouldn't do that. It makes your
symptom worse. It...

So quickly, his fingertip stops her not to say more than that. He shakes his head then slowly bends closer her and kisses on her forehead, making a happy smile on her face.

E. BOYKINS
I said. Never mind.

Allison smiles more widely.

E. BOYKINS
I think I'm so hungry. Let's eat.

E. Boykins looks down at his plate of rice, picks a spoon, starts scooping an egg up from the bowl of boiled eggs fried with tamarind sauce, and puts an egg down on his plate. Allison this time, looks at him like he ever did when they had first date. E. Boykins cuts an egg into pieces by his spoon and eats one piece with a bite of rice. He gently chews it, graciously.

ALLISON
This is the best honeymoon, right?

Quickly, E. Boykins swallows it down and looks up at Allison.

E. BOYKINS
What?

ALLISON
This is the best honeymoon, right?

E. Boykins looks confused.

E. BOYKINS
How is that so?

ALLISON
You brought me here. You brought me to see everything
so wonderful and aflutter. This land has made me happy
and I never felt this happiness before I came here. I
think this is my best honeymoon, Stefan. I love this
land as well as I love my Palmdale.

E. Boykins smiles perceptively.

E. BOYKINS
And I love you more than I love everything in this
world, Allison. I can do everything for you and our
family. No one can kill you if I am still alive.

ALLISON
Don't say about your life like this again, Stefan.
Every time you said like that, you was gonna risk
your life to do something.

E. BOYKINS
Not anymore, Allison. Let's eat.

They smile to each other then they start eating their dinner together. We slowly zoom out as the picture of their happy lives run naturally. Real love looks very wonderful, it's very real.

EXT. USS BAINBRIDGE – EVENING

SUPERIMPOSE: "USS BAINBRIDGE(DDG96)"

SUPERIMPOSE: "SOMEWHERE IN GULF OF THAILAND"

Speed:10 knots, Arleigh Burke-class guided missile destroyer on the water of Gulf of Thailand. Coordinate: 9.833567, 101.085205. The frigate slowly reaches the POV.

INT. USS BAINBRIDGE BRIDGE – EVENING

COMMANDER NICK CORBIN(F03EP05) walks into the controls, hurriedly. He walks toward CAPTAIN PHOTON (F03EP05) who sits on the main controls, driving the ship. Captain Photon looks exactly more like human as she turns to face him with a friendly smile.

NICK CORBIN
Where are we now?

PHOTON
19 miles from the shore in my database.

NICK CORBIN
Because Thailand has fallen down underwater.

Photon turns back and gets her attention at the controls in her hands. Nick crosses his arms over his chest.

PHOTON
We have a problem. Our power is almost emptied.
We have to drive slower and slower in every hour.

NICK CORBIN
Do what you think it'll work, Captain? We need to
arrive BSD over water port tonight.

PHOTON
From the result of my calculation, it tells me
we can go there within tonight at the same time
our power will be emptied. Right on time.

NICK CORBIN
Will there be a problem?

PHOTON
I can't tell but General Connor said, no one is
ever safe. We may find something before we reach
there, commander. So be prepare.

NICK CORBIN
Okay. I'll tell my crew.

INT. JEWELLER – EVENING

TIGHT ON BROKEN GLASS COUNTERTOP as many engagement rings are laid inside. Only just one is very beautiful. A hand enters frame and picks that ring out.

John puts the engagement ring onto Cameron's finger, so gently.

EXT. MEGA-CHURCH – EVENING

Cameron pulls up in her dune buggy across from a mega-church, resplendent in its architectural piety as it has been repaired by both humans and nature. Mega-church is guarded by T-ZM endos in every meter like it's very important place. Their weapons are RSB-80 plasma machine guns.

Cameron, John and UNCLE BOB walk across the run-down street toward the mega-church. Uncle Bob looks very like their bodyguard, his plasma shotgun is ready to fight.

INT. MEGA-CHURCH – EVENING

The inside of the church is HUGE! It's mostly empty. A few CLEANING CREW and a few BELIEVERS in well-worn clothes, are praying. FATHER ARMANDO BONILLA is doing the worship for a poor family at the big font on the stage in front. He looks exactly like last time we saw him in 2027. He's both the fighter and the priest, his back always carry a Westinghouse M-27 phased plasma pulse rifle as his left hand holds a bible. He is the real demon fighter. He hunts machines as he hunts real world demons together with propagates gospel as he hunts the demons that oppose the God. Good priest in this apocalyptic future world.

John and Cameron get in the church, followed by uncle Bob. They walk through the place nonchalantly and attracts no attention until they reach nearby the font.

Bonilla smiles to the family as he finishes worship. The family leave him. He looks up and sees John and Cameron standing in front of him.

JOHN/CAMERON
Buenas noches, father Bonilla.

BONILLA
(to John)
Buenas noches, General Connor,
(to Cameron)
Colonel Phillips.
(to both of them)
What brings both of you here?

John and Cameron flash a look at each other just before they face Bonilla again. He holds her hand so firmly in his hand. He looks shy, Cameron can say but she doesn't want, she wants him say it before...

Bonilla looks down at their hands and...

BONILLA'S POV.: Through Bonilla's vision, we see a SPANKING NEW ENGAGEMENT RING ON HER FINGER. It's very new for this priest and not too new for this world. This isn't the first time we see a human is gonna get married with a cyborg but this time they just know what each other is. Not like Vick and Barbara Chamberlane.

Bonilla smiles as he understands what they want.

BONILLA
I think I know what you want.

JOHN
Not a military marriage, father. We talked and
we intend to get married as common people and
we want to wait for our friends.

BONILLA
Okay. Maybe I can manage it for you.

Bonilla feels like he's gonna do the wrong thing, his face always display his feelings. His look is are-you-sure-you-want-this.

JOHN
I know it's hard for you to understand
but this girl isn't just a machine.

Bonilla shakes his head, controlling his feelings. He smiles understandingly.

CAMERON
Is this a problem?

BONILLA
I think it's not, lady.

Cameron smiles to Bonilla so friendly, almost making him think that she is just a girl.

BONILLA
Hmm! Okay. Mr. General. I'll do it. It may be better
if you confirm this to me when you both are ready.
This church always welcomes every couple. This really
makes me feel like I were Saint Valentine.

Both Bonilla and Cameron laugh funny.

CAMERON
3rd century Christian martyr in whose honor Valentine's
Day was originally celebrated. It's according to church
tradition St. Valentine is considered the patron
saint of lovers.

JOHN
Dark age of Rome, the king sent the death warrant
to his men to end Valentine's life on 14 February.

CAMERON
Valentine's execution is my another kind of story.

They all laugh but still keep the voices very low.

INT. INDIVIDUAL RECOVERY ROOM – EVENING

Allison and E. Boykins finish all plates with joyfulness. He gropes on his own stomach and smiles.

E. BOYKINS
They're really delicious.

ALLISON
I made them with love. That's gimmick.

E. BOYKINS
Every cook said so. Every chief said so. But those
people never make anything delicious like you did.

E. Boykins stares at Allison caressingly and he sees...

E. BOYKINS' POV.: A few pieces of food hanging on her hair. This looks familiar, very familiar. This event ever happened.

E. Boykins smiles so happily and then he giggles.

ALLISON
What's wrong?

E. BOYKINS
Hey! Allison, you are very filthy, aren't you?

Allison frowns.

ALLISON
What?

E. BOYKINS
Just few things hanging on your hair.
Maybe you need to get them off.

ALLISON
Where are they?

E. BOYKINS
Left side, about three or four centimeters
down from your ear.

E. Boykins smiles and tries to get them off but she always miss them. E. Boykins softly laughs at her.

E. BOYKINS
Ha ha ha, you always miss them.
(beat) Come on. Let me help you.

Allison stands up and leans her head to him. He gently pulls them out of her hair together with keeps look on her face, her hair, her beauty. His breath becomes faster then.

She looks up and they look each other in the eyes so deeply they can have seen to each other's soul. They freeze in that manner for a moment before they slowly close their eyes and lean to kiss each other.

It's not like their first date. He doesn't pull himself back but he can't stop his emotion to giggle. That quickly stops them and they giggle so happily.

He sits back on the edge of the bed. Allison stands up. His eyes and his attention quickly look after her.

E. BOYKINS
Where will you go?

She smiles shyly as her face blushes.

ALLISON
You have to take a shower and clean your teeth.

E. BOYKINS
I think so.

Allison walks toward the door and opens it. Looking back at him and captivating him with only just her nature.

ALLISON
I'll come back as fast as I can, sweetie.

E. BOYKINS
I'll wait. Oh! Hey! If you see Kim and Hikura, please
call them for me. I wish to give someone a mission.

ALLISON
I will.

Allison blows him a kiss before she turns and exits.

E. Boykins rests his head on his pillow, does a two-fingers-to-temple gesture, using telepathy abilities to do something.

END OF ACT 1


ACT 2

(Nick Corbin arrives in Bangkok)

INT. INDIVIDUAL RECOVERY ROOM – NIGHT

E. Boykins has rested his back against the head of the bed, talking to COL. KIM YOUNGCHUN, COL. HIKARU CHINTAI and COL. WANG PICHAO /*T-Wang*/, all dressed up, sitting on the sofa.

E. BOYKINS
Protect them here. You understand?

Everyone nods.

E. BOYKINS
Okay. You can go. I want to get some rest.

They walk off the room. T-Wang closes the door after he exits.

E. Boykins frets for a few seconds. He smiles better and stretches his palm out at the door, staring hard at the door. He opens it by telekinesis power and Allison comes in, her arms are laden with clothes, towels and tooth brushes.

Allison walks toward him and puts all her burdens down at the edge of the bed nearby him. She sits down beside him.

E. BOYKINS
You are late.

ALLISON
I'm sorry.

E. BOYKINS
Let's go. Bathroom is waiting for us.

Allison smiles so happily.

INT. BATHROOM – NIGHT

Allison and E. Boykins get in the bathroom. Allison puts those clothes and towels on the shelf nearby the door.

E. BOYKINS
Do you want to go home, Allison?

Allison hands him his toothbrush and a tube of toothpaste with a warm smile on her face together with saying:

ALLISON
Wherever has you, is my home and I'm at home.

E. BOYKINS
I call the shots. I'll live in Palmdale with you.

Allison exchanges a look.

ALLISON
Why, Stefan?

E. BOYKINS
You want your home. I know even I can't read your
mind like I read my people but I know your feelings.
You're getting homesick. I can't let you be sad with
this feeling. I determined. I will never change.

The tears of pride come off from one of her eyes. E. Boykins puts his toothbrush and toothpaste on the sink. His finger gently touches the tear trickling down her soft cheek.

E. BOYKINS
Palmdale is your homeland, land you was born.
No one can't forget the homeland. I know.

ALLISON
What about you, Stefan?

E. BOYKINS
I won't forget this land too but I can't live with
the homesick wife forever. Nowhere is as wonderful
as home. I'll live with you in Palmdale and work
as an ambassador after the war against machines.

Allison looks happier, she jumps into his warm embrace. Allison cries with pride. She never got this indulging from anyone else, she displays that feeling of hers through her eyes, embrace, tears and her face.

E. Boykins caresses around her soft back so gently. He smiles proud as his nose smells her silky brown hair. He gently breaks the embrace and slides his hand on her hair. His hands then clear her hair out of her face. She looks better.

INT. SERRANO POINT HALLWAY – NIGHT

Derek Reese walks with JASON GROSS and the T-1000. Derek doesn't know what happened to Jason and what the T-1000 is. They walk and talk so humanly.

DEREK
You're like ghosts come back.

T-1000
I think I should be sorry about our troops.

DEREK
That's enough. It's just the past. It's good
we get you back alive. Don't say anything about
it again. Our doctors will take you.

Derek leads them toward the...

INT. INFIRMARY – CONTINUOUS

...and meet with the doctors. DOCTOR#1 comes to take the T-1000 with two nurses. DOCTOR#2 is working on an unconscious soldier.

DEREK
Take care of them.

Derek leaves. Doctor#1 turns to face the T-1000 who gives her an emotionless smile. The doctor smiles back but so warmly.

DOCTOR#1
What will we do first?

T-1000
(calmly)
Who will die first?

Doctor#1 looks confused.

DOCTOR#1
What?

INT. BATHROOM – NIGHT

Naked E. Boykins and dressed Allison, soaking, is romping around the turned on shower. Allison laughs as a kid. E. Boykins runs until he stumbles on his own feet, falling down and his head attacking on the sink. We didn't hear the voice when his head attacked on it but he lies on the ground, unconscious. Allison stops running and turns to see him. Her happy look quickly changes to be worried look. She suddenly runs to him. We see his head is normal, no bruise and no bleeding. He just lie there.

ALLISON
Stefan?

Allison quickly scoops his head up on her lap as she tries to wake him up, so worried.

ALLISON
Stefan. Please. Wake up.

Allison looks tearful and she almost cries or maybe she already cries. We are confused which is her tear, which is the water that flow from the shower. But his hands grab both of her hands firmly, stopping her cry.

E. Boykins smiles happily and slowly opens his eyes.

E. BOYKINS
I got you. You lose.

Allison shakes his hands off and hits on his shoulder with high anger. It's not fun and not surprised for her. She suddenly stands up from him, leaving him lie there alone. She walks toward the door but she can't open it, it's not locked but it can't be opened by her.

ALLISON
(angrily)
Stefan, open the door. I'm going to go.

E. Boykins suddenly stands up and hugs her in his embrace, obstructing her from getting out. He pulls him back under the shower head.

E. BOYKINS
I'm sorry, Allison. I won't do it again.

Allison tries hard to get out of his embrace.

ALLISON
(angrily)
Let me go.

E. BOYKINS
I love you, Allison. Please. You don't have to do this.

Allison smiles, she's satisfied. She just pretends to wriggle as he hugs her more firmly, trying to reconcile her. She can't tease him for a long time. She sighs and turns to face him.

E. BOYKINS
Please don't go.

Allison smiles happily as one of her hands touches his cheek, caressing. They look each other in the eyes.

ALLISON
I just bluffed. I love you too, Stefan.

E. BOYKINS
Fair enough.

The water has darkened and smoothed her curly brown hair as well as make her lush feminine curves glisten wetly. He has seen her for awhile and hasn't thought anything about that until now. They lock eyes, looking each other as they are being in the desert even they are in the area under the shower head. Their hearts melt as she gets closer and then they kiss under the shower head. Even the water that falls onto them can't decrease their vehemency of the kiss. He gently pushes her against the wall backward before they break their kiss, looking each other in the eyes. Allison thinks for a few seconds as her hands roam down through his chest and his torso, his strong muscle. They lean and kiss once more.

He probes hungrily and insistently between them with his tongue until she opens her mouth and his tongue can invade it and duel fiercely with hers.

ANGLE ON THE HEM OF ALLISON'S DRESS.: Her undies is slid down through her legs by his telekinesis power. She doesn't notice it, she lets him do that.

Allison breaks the kiss as they both breathe faster and harder. Their bodies are like two pieces of magnet, they attract together. His hands slowly grabs the waistline as his face falls on the crook of her neck and her arms wrap around him, doesn't want him to leave her. Her eyes slowly closes as her arms rise, letting him gently pull her dress off over her head. Now it's her bras there. She puts the bras off herself, revealing the body that he saw it seven months ago. Her nudity is still the same even she has become a mother. She's still beautiful and will be always beautiful for him forever.

One of his hand grabs both of her hands and locks them at the wall behind her. Another hand slides along her curve, both of her breasts(but doesn't squeeze them), and then down to her clitoris between her thighs, making her let out a soft groan and breathes harder. Her eyes look in his, as one of his fingers finds her entrance and quickly slide in and out. She sobs together with writhes. It's a while before he releases her hands, letting her slide one of her hands reaches down, and grasps the base of his cock to steady it. They slowly lie on the floor that has flooded, he is always on top of her.

They look each other in the eyes as his hands lean on flooded floor and she steadies his cock, tugging him toward her. They groan at the same time they start having sex. Then the tip of his cock is sliding through her slippery folds and she guides him to her entrance. She draws up her legs and they slide along his sides, her toes tickle the outside of his thighs. He grabs her legs and spreads them, maneuvering them past and then over his shoulders, her calves and heels rest on his back. He thrusts forward, and at the same time let his weight shift forward and down, pressing her thighs back and her knees toward her chest. Their sex is always hot even the water and flooded floor is very cool, it's always like that. Her tight embrace is warm for him when he slides in and out of it. Their eyes lose strength as their sexual intercourse still continues so passionately. Her sex grips him like a velvet covered vice, which he forces apart in order to forges a tingling, sparking trail of delectable friction to her snug, molten core.

He looks at her making sure she's okay and slowly slides himself in her. She gasps as his hotness penetrates her. He stops staying inside of her though looking at her. She smiles at him.

He leans his head into the crook of her neck, his breathing becomes heavy as he slides himself in and out of Allison harder and faster. His power and his strength still can control his dick to rub her vagina continually. He slides himself in and his dick penetrates her like a drill that is piercing through a wall. It won't stop easily. Her arms caress around his back, increasing his strength to slide in and out of her vagina harder and harder in every moment. The shadow then is turned off by his telekinesis power at the same time he rolls over, pulling her on top of him. Their bodies never disconnect, they are one. She sits up on his full length dick, going deep inside of her. Allison sobs and leans down to kiss him.

His hands grab both of her hands, tilts his head up a little, crosses their hands under his wet head and quickly overlays his head onto those hands, locking her hands and she has to rock against him and sobs from the penetration. She writhes, sobs, cries, groans every time she falls on him. He releases her hands as he pushes himself up to kiss her. They keep their kiss hard but they can't keep it long because when he penetrates her harder, she breaks the kiss and cries out loud. Her flesh fights his invasion with the sweetest of resistance, clutching and squeezing at his rock hard shaft, adding to the friction of his passage as he fills her and she stretches to accommodate him.

He gently pushes her back on to the flood floor together with his back arching and his head dropping back and he drives into her once more and so fast, so powerfully, then he groans. She draws her legs up and wraps them around him as his pelvis meets hers and he is buried completely in her intimate core. It's very damn moment as it is near indescribable state of paradise, their climax is at ready. He drives in her faster and she cries louder for a moment. His arms wrap around her and lifts her up against him four times before he penetrates her one last time and they cry loudest. He drops his head as he forces himself to relax, panting heavily with the effort as his balls boil with the need for release. They both then collapse with exhaustion.

DISSOLVE TO:

INT. INFIRMARY – NIGHT

The infirmary is full of blood. All nurses and doctors are dead. The T-1000 grabs ZYKES(S02EP22) by throat then squeezes his hand, killing her as the last one in the infirmary. Jason has stood watching like a robot, his eyes look emotionless. The drug seems not to be ineffective easily as we ever thought.

The T-1000 walks through those corpses and we see our friends - Albert Auldridge, T-Kaplan, Victoria, Nelson Dekker and LIEUTENANT PYLE(S02EP05). Some were stabbed at the heads, some at the abdomens and hearts. Lieutenant Pyle was stabbed at the abdomen.

T-1000 and Jason exit the infirmary.

PAN AND ZOOM IN AT PYLE as his eyes open and he starts to move, one of his hands presses on his wound at the abdomen. He tries to stand up and then he falls on the ground.

INT. INDIVIDUAL RECOVERY ROOM – NIGHT

TIGHT ON E. BOYKINS AND ALLISON in each other's arms. Lying across his chest, she surveys his face as his eyes close drowsily. They both wear nightwear. He wears just a long pants, she wears a beautiful nightdress.

She begins running her fingertips along the sides of his chest, under his arms. E. Boykins looks down, puzzled.

E. BOYKINS
What are you doing?

ALLISON
You'll beg for mercy in a second.

E. Boykins smiles happily. Then he's laughing, trying to escape but she won't let him, and they collapse, laughing together.

E. BOYKINS
I like this. Okay. Stop it, sweetie.

Allison gazes at his grin and lies her head on his arm.

ALLISON
I see the water level is decreasing everyday.

E. BOYKINS
I know that. My people will work hard to clean
our land. Skynet is no more in this land but if
we let Skynet in other places stay alive, we'll
lose our people again, sweetie.

ALLISON
That must be why you want to go back LA.

E. BOYKINS
Our friends are coming. Your old boyfriend too.

Allison gazes at him after he said that. Allison smiles at him.

ALLISON
Not anymore, Stefan. Nick's just my friend now.

E. BOYKINS
He's your first kiss, isn't he?

ALLISON
Yes. But it ends, Stefan. And my first sex
isn't him, it's you. I love you very much.

She looks in his eyes, being worried about her answer. E. Boykins smiles to her so warmly.

E. BOYKINS
Forget it. Twelve days ago, I sent the Morse code message
to Los Angeles. They got it and sent another message back.
Skynet had new bio-weapon but they could find the way to
stop it. The vaccines are coming here.

ALLISON
Twelve days ago, we were still at Baikal Lake.

E. BOYKINS
Yes. A little help from Dimitri.

Allison looks up at the ceiling.

ALLISON
You said that you would tell me every secret.

Allison turns back to look at him.

E. BOYKINS
It's not secret, Allison. I just want to surprise you.

Allison smiles playfully. E. Boykins stretches his another hand out and Allison's uniform flies on to his hand. He hands it to Allison with a warm smile.

E. BOYKINS
Get dressed. They are here.

ALLISON
Who?

E. BOYKINS
Your old boyfriend and...

Allison interrupts him by a pinch at his another arm with a little anger. She's really little angry.

ALLISON
Don't say this again. I love only just you. You are
my present and my future. He was just my past.

E. BOYKINS
I'm sorry. I just worried about it because no one
can forget the first kiss, Allison.

ALLISON
Who do I have a child with, you or him?

E. BOYKINS
Yeah! It's me.

ALLISON
So don't worry about that. I always love my
son's father. I will love my son's father
forever. And that guy is you.

E. Boykins smiles and relieves. Allison rolls onto him and kisses him. He hugs her in his embrace firmly and kisses her back. Their relation has been still the same since their marriage, and it won't change easily. Their kiss is kept hard by them as their feelings still keep up.

EXT. BSD CONVENTION CENTER – NIGHT

We see Bangkok Sunken Dome Convention Center. Now there not are many Asian guards but we see T-888 endos around this place too.

INT. BSD CONVENTION CENTER – NIGHT

Captain Photon and Commander Nick Corbin is sitting on their seats in the meeting room. The door opens and they both quickly jump to attention as Col. Hikaru, Col. Wang, Col. Kim, Colonel Inbedga(Inbedga was promoted), Allison and E. Boykins, get in. They are all dressed up. Allison and E. Boykins walk toward Nick. Allison and Nick exchange a warm hug. When Nick hugs Allison, Nick shows more than friend.

NICK CORBIN
It's been much too long, Allison.

E. Boykins has stared hard at them. E. Boykins is a little leery of Nick for a moment, but that disappears as soon as Allison gives him her undivided attention.

Nick lets her out of his warm embrace. Nick looks a little confused after he sees E. Boykins' face. But by the military manner, he and Captain Photon stand straightly and salute to E. Boykins who salutes back to them.

NICK CORBIN
Commander Nick Corbin and Captain Emily Photon
salute to General Enigma Boykins, sir.

E. Boykins smiles more friendly.

E. BOYKINS
Welcome to Thailand, Commander Corbin and Captain
Photon. You should salute to Allison too, Commander.
She's the second in command.

ALLISON
Never mind, Boykins. He's my friend. He won't have to.

E. Boykins looks exactly not like a good man this time. Allison seems a bit disappointed. E. Boykins looks at Allison for awhile, sensing her anger inside her eyes that has been looking at him.

E. Boykins exhales and relieves. He turns to look at Nick and gives him an affected friendly smile.

E. BOYKINS
Okay. Commander. The vaccines are ready?

NICK CORBIN
Yes. Our men are distributing to your people.

CAPT. PHOTON
General, sir.

Everyone looks at Photon.

CAPT. PHOTON
Are you and your men ready, sir?

E. BOYKINS
We're going to go tomorrow, Captain. Prepare
your boat and we'll get ready at 8 am tomorrow.

ALLISON
Photon, how is Cameron? Is she still alive?

Photon smiles so friendly.

CAPT. PHOTON
She's good. She helped us and we won't go bad anymore.
Now General Connor and Cameron are planing to get
married. They will marry when you get there.

Both Allison and E. Boykins look happier.

ALLISON
Good news.

EXT. MAIN GATE - BSD CONVENTION CENTER – NIGHT

Two T-888 endos with common M249 machine guns, are guarding the big main gate of the convention center. Close on the left one as its eyes glow red.

INT. BSD CONVENTION CENTER – NIGHT

Everyone just as we saw them last time.

E. BOYKINS
300 strong Thais, 200 Koreans, 300 Japaneses and our
all 200 reprogrammed machines including HKs and endos
with three ships, ten subs, and air force.

ALLISON
Will these slow our transports?

E. BOYKINS
Good question. I think it's not.

NICK CORBIN
Three ships?

E. BOYKINS
Yes. Commander. Just three. HTMS Phutthaloetla Naphalai.
HTMS Phutthayotfa Chulalok. ARFS Hai Kage Ninja.

Note: "HTMS" means His Thai Majesty's Ship. "ARFS" means Asian Resistance Fighters' Ship. "Hai" is third level tone mark pinyin for Chinese word that means "Sea". "Kage" is Kunyomi reading for Japanese word that means "Shadow".

NICK CORBIN
AS Hai Kage Ninja. What's the ship?

ALLISON
Former USS Sea Shadow. Your Rear Admiral gave Asian
resistance fighters before he died. I remember that.

Nick understands that.

NICK CORBIN
What about Bainbridge?

ALLISON
You have to leave Bainbridge here. We have not
enough fuel and power to give it and we have not
much time for transfer.

Nick looks more serious. Captain Photon puts her hand onto his shoulder, turning him to face her and she gives him a small smile, encouraging him. He smiles back so friendly just before they both turn back to face E. Boykins and Allison.

CAPT. PHOTON
Can we choose the ship we will drive?

E. BOYKINS
Only just two. HTMS Phutthaloetla Naphalai and HTMS
Phutthayotfa Chulalok. Colonel Inbedga and his Captain
already booked ARFS Hai Kage Ninja. It's not hard for
you, Captain. Phutthaloetla Naphalai is former USS
Ouellet and Phutthayotfa Chulalok is former USS Truett.
They both are Knox-class frigates Royal Thai Navy bought
from United State a long time before Judgement Day.

Captain Photon considers that.

INT. MESS HALL - BSD CONVENTION CENTER – NIGHT

The mess hall is basically another in a sequence of poorlylit rubble-filled rooms in what used to be a mall hallway before it was modified but we still can see the structure of mall. Escalators and elevator have been turned on. Our pan view see the areas that the rubble has been fashioned into tables (more or less). About a dozen Asian resistance SOLDIERS are here: a group of three, a group of five, and three sitting alone. They are all humans. Other people in this place are just common people, children, disabled people and women.

We pan and look pass several family groups. Kids are huddled around an old TV SET. Nearby a kid has a LARGE RAT cornered and is whacking it with a stick.

ANGLE ON THE INNER SENTRY POST.: Two human sentries guarding the post with a common M3 shotguns. A T-888 endo with a common M249 machine gun, walks in robotically. SENTRY#1 walks toward it.

SENTRY#1
Hey! You endo, guard outside. The inside is ours.

The endo talks with an androgynous voice.

T-888 ENDO
Hey! You endo, guard outside. The inside is ours.

Sentry#1 looks a bit angry. He aims his M3 at the endo head, thinking to blow its head up. The endo suddenly kicks the shotgun down as its eyes glow red. It opens FIRE the flat-footed soldiers, sentries and people. It's running forward. Machine gun bullets rip into the crowd.

MOVING WITH A SOLDIER, running toward the endo together with firing his M3 shotgun.

RAPID CUTS: Gasholders EXPLODE among the fleeing people as the endo fires. MACHINE GUN FIRES sear the darkness.

INT. BSD CONVENTION CENTER – NIGHT

Everyone in the room, hears and senses the explosions under them. The sounds of gunfire but not the plasma blasts.

NICK CORBIN
What the hell is going on?

The door opens and a Thai soldier enters, hurriedly.

END OF ACT 2


ACT 3

(You are an advanced model infiltrator)

INT. 2ND FLOOR CORRIDOR – BSD CONVENTION CENTER – NIGHT

SLOW MOTION

An endo walks onto the second floor corridor through the escalator. Soldiers are trying to fight but their weapons are just shotguns and pistols. The people run with fear. The endo enfilades its machine guns on them. Everyone dies.

BACK TO NORMAL

As it walks and continues firing at those soldiers. They duck.

AT ANOTHER ESCALATOR. E. Boykins, Nick, Allison, Inbedga, T-Wang, Kim, Hikaru and Captain Photon run down the escalator, hurriedly.

The endo turns and fires at them.

They duck and jump out of the range. When E. Boykins jump off, he grabs Allison with him. Nick picks his pistol up and fires it at around the neck of the endo. He empties his pistol at it but it can't defeat the endo who looks at Nick and...

ENDO'S H.U.D.: Get recognition of Commander Nick Corbin. Display shows mission override: "TERMINATE".

E. BOYKINS
(shout)
Nick.

Suddenly, E. Boykins leaves Allison and jumps to barge Nick out of the range just before Captain Photon jumps into the range and gets the bullets for E. Boykins.

SLOW MOTION again.

ON PHOTON, as the machine gun blast hits her arms and around her chest and she FIRES, simultaneously.

E. Boykins quickly looks down and sees a Glock laid on the floor about two meters. He reaches his hand at it and it suddenly flies on to his hand.

Photon is lying on her back at the same time E. Boykins aims his gun together with does a two-fingers-to-temple gesture. He fires and we track over the bullet as it goes through the small space between two endoskeleton parts on the neck, goes through and goes through until it reaches and cuts a big wire inside its neck.

E. Boykins lowers his pistol at the same time the endo falls on the ground. It's deactivated.

E. Boykins touches on around his chest as if he was shot. Allison and the other walk to join him. They all look confused. Nick, Allison and E. Boykins look down at Photon who still lies there.

E. BOYKINS
Captain, stand up.

CLOSE ON PHOTON'S EYES.: The cyborg's closed eyes have a blue glow beneath the eyelids before opening. The blue glow disappears almost immediately after opening.

Photon sits up and slowly stands up.

Incredibly, E. Boykins walks toward Nick and politely reaches his hand toward him, offering to help him up. The last thing Nick ever expected to see from a frosty man for him. Nick considers E. Boykins' offer for awhile, hesitates. This guy caught Allison's heart from him and never did this to him. This guy just helped his life seconds ago. Nick relieves all those things then Nick smiles friendly and takes E. Boykins' hand that lifts him up to his feet.

NICK CORBIN
Thank you for saving my life.

E. BOYKINS
(grudging)
Never mind.

They then walk toward the endo.

CLOSE ON ENDO'S EYES as their lights come back.

ENDO'S H.U.D.: The display shows: "SYSTEM CONFIGURATION". The low angle shot as E. Boykins and his friends stand surrounding the endo. "ALTERNATIVE POWER CONDUCTOR" and then it looks up at E. Boykins. "HUMAN. UNKNOWN. THREAT 85.3" E. Boykins opens the blade of his automatic knife and hands it to Allison who rushes to us.

Allison, kneels down and opens the port cover by the blade. She pulls the chip out so easily.

CLOSE ON THE ENDO'S EYES as their lights disappear once again.

Allison still sits on her heels, looking down at the endo that lies in front of her. Only Nick, Photon, Allison and E. Boykins don't look surprised about what just happened.

NICK CORBIN
This is what happens when they go bad.

Allison stands up, closes the blade and hands it back to E. Boykins. Allison looks up at Inbedga.

ALLISON
Colonel, destroy it.

Inbedga salutes at Allison so militantly.

INBEDGA (cont'd)
Yes, sir.

Allison tosses the chip onto the deactivated endoskeleton. And they then turn and leave this place.

INT. LONG CORRIDOR – NIGHT

Allison, E. Boykins and Nick walk through long corridor.

ALLISON
Hey! How did you know that the girl
who was with John Connor wasn't me?

Nick giggles.

NICK CORBIN
Okay. First time, before you came here. I mean. I met
Cameron Phillips in the battlefield and you were on Jimmy
Carter with Jesse Flores. You remembered that, right?

Allison nods.

NICK CORBIN (cont'd)
Cameron didn't come to hug me like you did every
time you meet me. She did as she never know me.

Allison laughs and doesn't notice E. Boykins who scowls.

ALLISON
Ha, ha, ha. That's my fault. I never told her
I had you as an old friend.

E. BOYKINS
Or more than that.

Allison and Nick both look at E. Boykins, knowing his feelings. E. Boykins looks up and they reach at the canteen.

E. BOYKINS
(Off their looks)
Okay. We arrive the canteen. No one works here this
time but I still can make something for you, Commander.

E. Boykins pushes open the door and then they get in.

INT. CANTEEN – NIGHT

The canteen is still the same one we saw in F03EP06. E. Boykins' table is at the center of the canteen. Allison sits beside him as Nick sits opposite side of them. Nick is looking down at a small plate of Som tam(spicy salad made from shredded unripened papaya) on the table in front of him.

E. BOYKINS
Just eat it. It's your dinner.

NICK CORBIN
It looks untrustworthy.

E. Boykins and Allison look at him. E. Boykins seems a bit artful. His eyes stare hard at Nick like he wants to burn him.

E. BOYKINS
It'll be delicious. I made it for you. All my
ability. Eat it and you will feel it's a good one.

Nick looks up at E. Boykins as he changes his look before Nick can see his craftiness. Nick turns to Allison who looks at him, her eyes are cheering on him.

ALLISON
Eat it. It's not what you thought.

NICK CORBIN
I'll eat it. Okay.

Nick looks at it. As he picks a fork up, he hesitates. Nick fights with himself for awhile and then he quickly eats it just one bit. He opens his mouth, his cheeks suddenly redden and his tongue swings like a dog.

NICK CORBIN
(moaning)
It's too racy...a lot racy.

He quickly runs out the canteen. His chair falls and he doesn't interest in anything. We hear a lot of laughter from E. Boykins who looks satisfied with what has been happening.

E. Boykins laughs at Nick as his plan is complete. Allison turns to E. Boykins who still laughs so happily. She glances sideways at him and he slowly stops his laughing. She shakes her head.

E. BOYKINS
Is it too much, Allison?

ALLISON
(discontented)
We need to talk.

INT. INDIVIDUAL RECOVERY ROOM – NIGHT

Allison ushers E. Boykins into the room. They speak in hushed tones, but not whispers.

ALLISON
I thought we cleared about Nick.
So what was that, Stefan?

Allison stares at E. Boykins long and hard. Long and hard. He knows a part of her is anger but another part is trying to relax.

E. BOYKINS
Just too much guinea-pepper. Are you angry, Alise?

ALLISON
Am I angry? Yes. I'm a bit angry. You don't answer my
question yet. I asked you. What was that?

E. BOYKINS
You didn't know anything. You don't know anything.

E. Boykins looks more serious as his voices louden in every second he says. He is becoming a quick-tempered. It's not him, not his real characteristic. But what the hell is going on?

E. BOYKINS (cont'd)
You don't even know what he think, what he thought.
If you knew what he thought, you wouldn't say to me
like this. If you saw what he did when he hugged you,
you wouldn't say to me like this. If you were me and
you saw another one hug your wife as if she was his
own love, what would you do, leave to the chance or
try every way to tell that guy "this is my wife"?

Allison is stunned from his words, from what he just said.

E. BOYKINS (cont'd)
You don't know how hard for me to heard his thought
that was trying to catch my heart from me. You don't
know what I felt like when you hugged him and let him
hugged you without comradeship but with sexual desire.

Allison shakes her head.

ALLISON
No. Not like that, Stefan. I know what you felt like,
what you feel like. But you know me as well. I will
never leave you for him.

Allison shows her left hand to his look as she indicates the ring on her finger.

ALLISON (cont'd)
Look at this, Stefan. This is all answer. I love you.
I will love only just you and I will love just you
forever. This is our promise. You know it.

E. Boykins bends his face down with guilt. He drops down on floor. Allison keeps her eyes at him, relaxes and gets down to him, squatting in front of him. Her left hand touches on his shoulder as another cups his chin up to face her, knowing that he's crying. She shakes her head and she says:

ALLISON
I left him for you, Stefan. Even after you had died,
I never betrayed you, I came to this land for you.
I came to this land and thought that living like you
ever did would make me better. I love you.

E. BOYKINS
I'm sorry for didn't trust in you. I did the mistake.

Allison flashes a kiss at his left cheek, stopping his tears and locking his eyes at hers.

ALLISON
Everyone can do the mistake thing.

Allison leans and kisses him.

INT. SKYNET FACILITY, OREGON – NIGHT

OLIVER WEAVER and ten T-ZM endos arrive at the Skynet facility front gate. The endos are with their Westinghouse M-27 phased plasma pulse rifles. Everything looks the same as we saw this place in F03EP11. Oliver looks around then he nods to his team and leads the team enter the facility.

INT. SKYNET FACILITY, OREGON – NIGHT

Oliver and his team walk into the cracked egg of a factory. The same spot Jason and CWO William Sunder ran from the T-1000. Oliver walk and his team walk through this area easily.

OLIVER
This place looks really empty. Please beware, brothers.

Oliver and his team walk and stop next to a culturing tank large enough to hold a large endo. Those endos' blue eyes always swivel around to find enemies.

OLIVER
This way, brothers.

Oliver starts running as he hears some thing. The endos suddenly follow him.

INT. ANOTHER AREA - SKYNET FACILITY, OREGON – NIGHT

TRACKING WITH THE FEET. With each step, the pattern on the tile floor "invades" its lower legs. Fades as the foot is lifted. Returns as it is set down. The foot is trying to meld with the floor. The chameleonic function is out of control.

TILT UP, revealing another FEMALE T-1000(5'8", caucasoid, 24) turns around and sees silhouettes of Oliver and the team is nearby her. She suddenly MORPHS down, becoming like the floor.

WE PAN and we see Oliver and the team arrive the intersection in front of us. Oliver sends the signal and indicates two ways just before all endos separate to two ways. Oliver heads toward us.

ANGLE ON FLOOR as Oliver's feet walk pass, the floor becomes life, Female T-1000 pulling in to form shiny black shoes. The shoes detach with a faint sucking sound from the real floor as the female T-1000 takes her first step.

Oliver now is turning around to find enemies but no one in front of him but behind him, the female T-1000 slowly changes her right arm to be a sword-like spike. She walks calmly closer Oliver and stabs her arm through his chest. The blood immediately flows from his wound like it's real. His life looks emptied as those humans but you know Oliver isn't a human.

The female T-1000 pulls her arm out so rapidly, letting Oliver fall on the ground. Female T-1000 doesn't bat an eye as the spike smoothly changes shape and color, transforming back into a hand.

The female T-1000 walks across Oliver's dead body and walks out of the sight.

CLOSE ON OLIVER'S EYES. They become life once more.

ANGLE ON OLIVER'S WOUND. The blood becomes liquid metal and slowly rejoins the main mass, disappearing into the "wound". The chest regenerates and his shirt comes back like it never was cut.

Oliver stands up.

OLIVER
(calmly)
You are careless, girlie.

Oliver walks off the same way the female T-1000 walked off.

INT. OUTSIDE JOHN'S ROOM – NIGHT

John and Cameron walk toward the room together. John looks tired. Derek Reese and Kyle Reese walk to join them from another way. John smiles to them so friendly.

JOHN
Good evening, Major Reese.

Kyle and Derek smile back.

CAMERON
What's your business, Reese brothers?

They look at Cameron. Only just Kyle gives her a friendly smile. Derek never befriend Cameron even his previous future. His eyes still look distrustful. Derek looks at John.

DEREK
We got William and Jason back. They are at the
infirmary. Do you want to meet them?

JOHN
How are they?

DEREK
They are safe. Jason has some bruises but don't
worry about him. William told me that they were
attacked by the T-1000 prototype. Everyone in the
team is dead and only just them survive.

CAMERON
How can they arrive? Why didn't they send any signals
or any message back to us?

DEREK
They told me that the radios were destroyed.

John and Cameron turn to look at each other. John shakes his head. They turn back to Derek again.

CAMERON
Both of you, tell them that we need their report and
then you get some sleep for tomorrow. I and John
will go to face them tomorrow.

Derek seems don't want to do as her command.

JOHN
Do what she said, Reese.

DEREK
Yes, sir.

Derek and Kyle salute at John and walk off the way John and Cameron came from. John and Cameron smile to each other and enter the room together.

Derek and Kyle walk through the corridor.

KYLE
Why didn't you befriend Colonel Phillips?

DEREK
She's not our side, Kyle. Don't forget this.

KYLE
But she never kills our people.

DEREK
She's still a machine, Kyle. I don't care
what she did, what she does, what she will do.

Derek and Kyle stop at the ladder. Derek looks discontented.

DEREK
I want to warn you, Kyle. Don't trust those things even
they are our alliances. I never trust them. You know
today they are our friends but it doesn't mean tomorrow
they will be still our friends. Maybe they can change
their thoughts and will become our enemies.

KYLE
Past is past, Derek. I think you worry too much.

DEREK
Okay. Kyle. I already said but I think it'll happen
someday when they change and kill us all like Skynet.
Then after that we can kiss goodbye our human race.

Kyle checks his watch.

KYLE
Oh! This is 9 PM. And we don't eat anything yet.
So we should find anything for dinner before we
go to tell them what Connor wants us to tell.

DEREK
I think so.

Derek and Kyle walk up the ladder.

INT. JOHN'S ROOM – NIGHT

Cameron serves a dinner on a romantic table with candle and roses on a glass vase. The room has dim light. Cameron's plate has a small piece of steak, John has a normal portion with a side of potatoes. John starts his meal with a healthy appetite, and then he notices that Cameron is taking small bites and pausing, looking intently into her plate. John observes for a while, and Cameron seems to be lost in herself.

JOHN
Earth to Cameron.

Cameron looks at John and gives him a small smile.

JOHN
What's wrong, Cameron? Are you going to think
that you were Allison Young once again?

Cameron shakes her head.

CAMERON
I just was wondering. It doesn't matter, John.
You have a lot of things to think about. Please
don't be serious with my problem. I can handle it.

JOHN
They are arriving here then just think we are gonna
become husband and wife. We are gonna be the same
person. So your problem is my problem too.

CAMERON
Do you remember that I'm an advanced model infiltrator?

JOHN
Yes. I know. You're...err...advanced model like T-888.
But I really want to say you aren't them, your design
isn't for combat other machines as them. You are not
designed to do things like them. You are different.

Cameron smiles proud. John smiles back and he starts eating his meal again. He says carefully as he is biting his food.

JOHN (cont'd)
You are not just a machine, Cameron. You can learn
and do what human can learn and do. You are...

CAMERON
That's because of the neural net processor that
make us think and learn like every human but we
are still a machine. Software and hardware.

JOHN
So am I. I have bones and meats as hardware and
I have the soul as the software. You said so.

CAMERON
Do you really love me, John? Are you sure to live
the rest of your life with a machine, John?

JOHN
When we accessed into Vick's visual memory in his chip,
I saw what he did to her. I saw she could live and think
that he's a human. We know everyone have skin and face
as mask. You too. Me too.

CAMERON
I don't understand.

JOHN
If I thought you are a human, you were a human.
I know you are a machine inside the living tissue.

CAMERON
And?

JOHN
So am I. So are we. We are human but when we have
no skin, we don't have anything beautiful, handsome
and things like that. We are like you.

CAMERON
Okay. We clear this question. Then what if you
want to have a child, John? Most of all families
always have children.

JOHN
But some not. Some families couldn't have children.
I can think that we have problems about giving birth
but they still can live with it and live until they
age and die together from their senescence.

CAMERON
But I never age.

JOHN
You have a day your power source are emptied.
That's the end of you, Cameron.

CAMERON
However, you will die before I will become
naturally deactivated. How shall I be when
you are from this world, John?

JOHN
It's the future, Cameron. It's not set. You know that
we can live. We can love. We know the future is tomorrow
and tomorrow will never come.

Not smart words but he's got her. She nods apprehend. She smiles and looks down to eat her only one piece of steak.

JOHN
And I will love you until tomorrow comes, Cameron.

CAMERON
So will I, John.

John finishes his meal and looks up at Cameron. Gives her a warm smile. She blushes so naturally. It's real emotion, looks very like a real girl.

JOHN
Hey! You once trained to dance?

CAMERON
Yes.

JOHN
Do you want to dance, now?

CAMERON
Dance? Ballet? You mean about ballet dancing, right?

JOHN
Yes. It's a language of the soul. I wish to watch
my love dance on our date. Can you dance for me?

CAMERON
You mean now? This time?

JOHN
Not this so when? These days Skynet hasn't been
attacking us. It's the right time for us to do
what we want before we will confront the big
problems. Please Cameron I really wish to
watch you...

CAMERON
Okay. John. That's fine. You are the John Connor and
I said I will always follow the John Connor's command.
I will dance for you.

John smiles and applauds. He looks very happy today.

FADE OUT.

END OF ACT 3


ACT 4

(No one is ever safe)

FADE IN:

INT. INDIVIDUAL RECOVERY ROOM – MIDNIGHT

E. Boykins is sleeping with a white blanket, the sleeping Sittipong swaddled beside him. Allison is sleeping curled up on the sofa without any blanket. E. Boykins opens his eyes and turns to look at Allison, making sure she is deep. E. Boykins looks at his son. He's deep too.

E. Boykins then stands up and walks toward Allison. He gently carries her up on his arms by all his strength that time. He walks back to the bed and gently puts her down on his bed. He lays her legs and her arms for her comfortable sleep. He covers his blanket on her.

E. Boykins sits on the edge of the bed beside her. He bends down and gently fondles her head, clearing her hair out of her face. He looks down at her, locking his eyes at her pretty face. He whispers to her and hopes she won't hear anything he says.

E. BOYKINS
I'm sorry about what just happened yesterday evening.
But you know what? I can't let anyone do anything to
you with affair. No one can even me. I can't let Nick
behave like your boyfriend. I know I was jealous.

E. Boykins gently kisses on her hand.

E. BOYKINS (cont'd)
I love you very much and I can't lose you to anyone else.
I can't let it happen. I can't let anyone grab you from me.
I'm sorry about that. I will try not to let it happen again.

E. Boykins then kisses on her forehead.

E. BOYKINS (cont'd)
I promise. I love you. Good night, my heart.

E. Boykins stands up and walks toward the sofa. He lies down and sleeps on it without a blanket.

INT. JOHN'S ROOM – NIGHT

John sits on his bed and keeps his eyes on Cameron who are ready to dance. She smiles to him bashfully. The music begins.

Cameron dances a few steps, and then launches into the most difficult and famous part of Pas de chat. It looks easily for her at this moment.

SEVERAL ANGLE ON CAMERON'S FOOTSTEPS. Cameron looks really like a cat with each step. Her motion looks real, more like human.

John looks at Cameron who dances the step of cat so easily and she dances it flawlessly. John gapes at Cameron amazedly in every step and every grace. Cameron always smiles and looks like a happy girl when she dances. Her flexibility and her imagination has been already developed, we can see the different when she steps and her upper body looks natural and flexible. It's better and quicker than last time we saw she trained to dance.

John slowly stands up when the music nearly ends.

Cameron steps and rolls herself like a cat, turning to the end of the Pas de chat at the same time the music ends.

Cameron stands up and looks at herself before she turns and faces John who has already stood nearby her. She looks up at his eyes.

CAMERON
How was it, John?

JOHN
You are such a talented ballet dancer, Cameron.

Cameron smiles bashfully as her cheeks display flushes. John looks in her eyes as his arms slowly wrap around her waists. He is pausing for awhile, knowing that she won't attack him but a half part of him is trying to stop what he's thinking about. They lock eyes. Bond. Affection.

JOHN
(whispering)
Thank you for that.

Cameron touches his arms. Cameron can sense John's emotion this time. His heart rate and respiration are elevated. She looks in his eyes as she's still staying in his embrace. They whisper:

CAMERON
John, do you want to have sex?

JOHN
How did you know?

CAMERON
You have an erection, your heart rate and respiration
are elevated as well as your pheromone level. If you
want, I can do it for you, do it with you.

John leans closer and answers everything by his action. As his eyes are closed, John doesn't notice when Cameron's eyes briefly glows blue. After her eyes return to normal, Cameron opens her mouth, allowing John to deepen the kiss.

Cameron pays close attention to the movements of John's tongue, and soon begins to copy them with her own, then improvise new ones. As they kiss, Cameron moves her hands up so that they are holding John's sides through her sweater.

After a moment, John's hands move as well. His left comes down to the base of Cameron's neck, his thumb resting directly above her collarbone. His another hand trails down Cameron's side until it comes to the hem of her shirt. Sliding under the thin cotton, John's hand moves north again going over the Cameron's stomach and ribs until his fingertips are gently pressing against the soft warm mound of a breast.

John cups Cameron's bosom and later, begins to rub the tight nipple at its center. Cameron rolls her shoulder, pressing the supple globe of flesh more firmly into John's hand. John ends this kiss and straightens while looking down at Cameron, who is starring back at him with wonder. Cameron's eyes still keep at John's as he breathes faster. His hand yanks out from beneath Cameron's shirt.

JOHN
(moaning)
How does it feel like? Can you feel it?

CAMERON
I feel and it's good.

JOHN
(moaning)
So let's continue it.

With foray, John suddenly strikes Cameron by a passionate kiss. Their eyes close as they fall on the bed together. John keeps the kiss hard. As they kissed, John's left hand comes up to cup the back of Cameron's skull, as his right hand goes down to squeeze the cyborg's firm ass. The cyborg, Cameron wraps her arms around the John's torso, pulling his body more firmly against her body.

After almost a minute, John is finally forced to end the kiss for want of fresh air. John breathes faster and is trying to turn his breathing to be normal, defying the nature in his body. As that time, he looks up and down at Cameron who locks her eyes at his together with pulls her own shirt off and his hands come to put her bras off.

Cameron throws the shirt away as John throws her bras away. She looks in John's eyes, learning his need as her hands slowly grab the sides of his shirt. He lifts his arms at her urging and she drags shirt off over his head. He cups her cheeks and pulls her lips back to his. Her breasts flattened against his chest.

They gently fall on bed again as they are ready to kiss again. He bends follow her and then they meet on the bed, his lips falling on hers and continuing their interrupted kiss. Keep the kiss hard as his one of his hands leans on bed nearby her head, keeping his own chest away from her nipples just for a millimeters, while another hand slides through her slim dancer's body toward her trousers. They break the kiss as he still breathes fast. Her eyes gaze his hands at her trousers are pulling it off. She suddenly help him to pull it off her legs and then she rolls on top of him, bends her head together with pulls off her hair that has fallen to conceal her face, and she kisses him, letting her hands slide down through his strong chest toward his jeans.

They break their kiss and she reaches over and undoes his belt, the button of his jeans and pulls down his zipper without looking. He lets out a soft groan, his eyes half-closing with the sensation of her warm, smooth hand fishing him out of the fly of his boxers. His cock pulses against the grip of her fist as she skims it lightly along his length.

CAMERON
Is this good, John?

John nods. Cameron pulls his jeans and his underwear off at the same time, one of her feet kicks them away from the bed. John slides his hands down and pulls her undies off. And now they are free, nothing conceal them. Cameron lets him roll over her and then he's on top of her. He caresses her body with his hands, trying to keep control. He kisses her forehead, traveling down to her ear lobe. She can hear his breathing become faster.

JOHN'S POV.: John looks at Cameron, her face is melted with fear that she may hurt him. Her eyes swivel with fear.

JOHN
I'll be okay, Cameron. Don't be afraid about me.

Cameron smiles warily.

Then they kiss each other. She slides her hands over his body and gasps when his hand caresses the skin of her breast. It looks real but that's just a simulation. John parts her legs and slides his hand beneath the tight confines of the leggings and touches her. She shivers as he starts driving into her, falling his weight together with sliding his cock into her entrance. As he slides in her deeply, she lets out a soft groan like a common girl and he's really surprised from that. He looks at her and when he says to her, his voice looks like a groan.

JOHN
You feel it.

CAMERON
I have sensation, John. I have it for you.
We can have sex now. Do me a favor. Fix it.

John nods as he slides out and re-gathers his strength again before he slides in her slowly. She lets out more soft groan. John slides out and then slides in once again but faster. Cameron gasps as John penetrates her, trying to make him finish this as well as a man finishes sexual intercourse with a woman. He can feel her heat on his cock, just as he has against his face and then the tip of his cock is sliding through her slippery folds.

Her thighs are silky as she draws up her legs and they slide along his sides, her toes tickle the outside of his thighs. John penetrates her with all power he has as Cameron always help him and urges his sexual emotion by her cries and her reactions. He thrusts forward, and at the same time lets his weight shift forward and down, pressing her thighs back and her knees toward her chest. She lets out a groaned cry as he slides into her tight embrace. It's really good for a terminator and a man who is having sex with a terminator for the first time.

Cameron smiles, melting his face down into the crook of her neck as his penetration never stops. He smells her skin and it smells good, it powering him up and he penetrates her harder and faster without any anxieties. He already forgets that she's a machine, he deletes all his fears and drives himself into her like a common girl. His feelings from the first meeting come and it erects him up a lot more. He starts the real hard penetration, all his power and all that the John Connor can do.

John pushes himself deeper and deeper, faster and harder inside Cameron's fake vagina that can feel like every woman's vagina. A movement that is never missed by John. But he doesn't stop, he grasps her arms with very little pressure.

CAMERON
(moaning)
Harder, John. You can do it harder.

His hands grip her harder as he fucks her harder. His face moves up to hers, his tongue caressing her lips and the inside of her mouth. She closes her eyes, tightly grabbing and scratching at his fragile back.

John rolls over, pulling her on top of him and she lets it happen carefully. Their bodies never disconnect. She sits up on him and his full length dick is going deep inside of her. She groans and leans down to kiss him. Cameron grabs both of his hands, locking them beside his head and starts rocking herself against him. He always cries out painfully when she does so.

Cameron rolls him on top of her once again when he cries out loud as if he is gonna be killed. John doesn't stop yet, he still slides himself inside of her. It's better than when she was on top of him, John looks better. His pain decreases a little just before it's slowly increasing again in every second. Her sex grips him like a velvet covered vice, which he forces apart in order to forges a tingling, sparking trail of delectable friction to her snug, molten core.

His balls are already boiling, his control hanging by a thread. Her hands reach for his face and he intercepts them, grasping her wrists firmly. Her hands don't stop and she resists him as he pushes against him. The struggle shifts him inside her and he grits his teeth, showing painful, as the shiver of pleasure, the simple shift causes snakes up his spine. He quickly pushes harder and suddenly, her resistance vanishes and he presses her wrists and arms onto the bed like she's a common girl who gives in him.

John is breathing heavily. His climax is searing across his nerves, overloading his senses and causing his world to shrink to the single pinpoint of overwhelming sensation. His chest and his muscles are on fire and his heart feels like it will burns as his dick convulses and he pumps his seed into Cameron in heavy, draining spurts. His loud cry becomes a series of grunts connected to each of those spurts, her sex squeezing against him as he expands before each one. After a moment, John grunts loudest as his penis releases his pain, his hot liquid semen, his emotion and his strength into her like she has pumped all his power into her own body. Her fake cry of the fake climax looks very real. Then John collapses on top of Cameron, panting, desperate for breath, twitching as stray electric charges of enjoyment makes muscles misfire. His eyes are automatically closed, his face buries in her hair above her shoulder. Her skin and her hair smell really good for him. He never felt it much like this time. Fragrance of her hair scents mixing with the aromatic smell of her skin.

Cameron gently lifts him off her and rolling set him on the bed. He groans as he slides free of her. She rises and she checks around his body, making sure he is okay.

JOHN
(sobbing)
Cameron, what are you doing?

CAMERON
Do you still feel pain, John? Are you okay?

John looks tired, really tired. He looks at her and gives her an I'm-okay smile. Cameron smiles back and suddenly stands up.

JOHN
Where are you going? Please lie with me.
I will feel better if you lie next to me.

Cameron tilts her head and then she smiles. She walks to another side of the bed and lies down next to him. Cameron looks at John who smiles to her so weakly.

JOHN
Can I cuddle you, Cam?

CAMERON
Do what you want, John. I'll be with
you until you fall asleep.

Cameron moves herself closer him, letting him lie and cuddle her in his warm embrace. She can feel it and she knows what he's doing. John rises his head up a little, kisses on her shoulder, smells its fragrance. Then he kisses on her hair.

We slowly zoom out as the naked betrothed are still lying and cuddling on the bed together. Does she love him? The answer of this question is what we is seeing this time. We are with them for a short moment and then we DISSOLVE TO:

INT. MAZE OF MACHINERY – SKYNET FACILITY, OREGON – NIGHT

A T-ZM ENDO with a Westinghouse M-27 phased plasma pulse rifle, scuttles like a rat through the gut of the smelter. Above it, vast machines churn untended.

It crawls out of the shadows. Onto a landing next to one of the SMELTER CRUCIBLES. Molten steel glows bright orange in the crucible of the furnace. Heat shimmers the air, giving everything a hallucinatory quality. The endo walks and turns around to find its enemy. The endo runs as it sees something.

BEHIND THE ENDO. A silver figure of the female T-1000 appears behind it and slams it falls on the ground, stealing its plasma rifle in a non-human speed and pulls the trigger, head-splatting the endo so quickly.

FEMALE T-1000
So these are Zeira model. They're really weak.

Female T-1000's arm immediately swords behind her.

We track along her metal arm until we see another T-ZM, with its head splattered, impaled against the wall. The blue eyes become deactivated. Its plasma rifle falls and the mimetic poly alloy withdraws. Then the T-ZM falls on the ground.

We get back to the female T-1000. She walks and scans around through this area, finding for another enemy.

The female T-1000's feet are melded with the floor, sucking and fusing with the tiles as she walks. They have the color and pattern of the tiles up to the knees.

ANGLE ON HER HAND. The hand that is holding a plasma rifle. Her hands are melded with the handle and the trigger, sucking and fusing with it too. A hand from backward enters frame and grabs the cock of the plasma rifle.

Oliver Weaver who has already stood behind the female T-1000, quickly pulls the rifle from her hand. She quickly turns back and punches hard at his face and it becomes hole, holding her fist inside the firm hole. And Oliver's head morphs in a split-second into a hand which grips female T-1000's wrist, and the head "emerges" somewhere else, the geometry shifting faster than we can follow. Oliver is stronger, he throws her away toward the edge of the pit of MOLTEN STEEL.

The female T-1000 looks a little surprised from his abilities.

FEMALE T-1000
Who are you? Why? What? How can you?

Without the answer, Oliver walks toward her and then appraise each other for a second.

FEMALE T-1000 AND OLIVER size each other up. Female T-1000 moves first. She grabs Oliver in her hands but Oliver snaps back with a counter-grip. Mighty Oliver grabs female T-1000 up to the air and throws her out of the edge but...

Female T-1000 so fast, grabs the edge of the pit by her left metal arm and she looks up as her life is almost ended.

CROSS FEMALE T-1000'S SHOT.: Oliver with a plasma rifle on his right hand and two T-ZM endos with their plasma rifles, walk toward the edge, entering the view.

OLIVER
Hasta la vista, baby.

Oliver checks magazine, cocks the slide, aims right at the female T-1000's left hand and pulls the trigger. PLASMA BLASTS THE HAND before the female T-1000 topples into the molten steel and...

The female T-1000's head and upper body reappear above the molten steel. She is screaming. A terrifying, inhuman siren of a scream. It's awhile before The T-1000 screams and slips beneath the surface of the molten steel. We see liquid silver running in dissipating whorls over the superheated surface...until it vanishes, swirling into nothing.

Oliver is staring into the pit.

OLIVER
How many are the rest?

T-ZM#1 turns around and it finds its four friends walk to join from backward. They are all powerful. No wound and no burn. T-ZM#1 turns and reports...

T-ZM#1
(male voice)
We are six, sir. Four deactivated.

OLIVER
Let's find what my mom want and blows up this
place. Everything in here has to be destroyed.

Oliver then leaves the edge of the pit. His T-ZMs tail him.

INT. TERMINATOR FACTORY – SKYNET FACILITY - NIGHT

This TERMINATOR ASSEMBLY PLANT is an intricate, multi-leveled clockwork maze of moving CONVEYORS and INDUSTRIAL ROBOTICS. ELECTRONICS and HYDRAULICS are ROBOTICALLY SOLDERED in place. STEEL PRESSES stamp out TERMINATOR PARTS- TORSOS, FACE PLATES, SPINAL COLUMNS, LIMBS. Partially-completed PARTS are moved by CONVEYOR to ASSEMBLY STATIONS, where LIMBS and HEADS are JOINED to TORSOS, elaborate OPERATIONS carried out by INDUSTRIAL ROBOTS, like the industrial robots in present-day.

OLIVER (O.S.)
This way, brothers.

The successful endoskeleton shows that it's a T-950.

An INDUSTRIAL ROBOT ARM picks up a CPU from a DRY-ICE CONTAINER. The CPU features the distinctive, linked rectangles familiar from the earlier films. The arm lifts this gingerly to a T-950 ENDOSKELETON and INSERTS IT into the PORT, SCREWING A SEAL over.

The T-950 walks and faces Oliver and his team. Too late. Oliver is already on it. The blow is lighting fast and the T-950 drops like a bag of sand. On Oliver's hand, he grabs an "energy pack".

Oliver and the team walk through this area toward the big heavy door at the dead end of this factory zone.

OLIVER
Get inside the door.

The team stop as Oliver notices the secured door. Oliver MORPHs his right hand to be like an USB 3.0 interface and he plugs it into the port. His eyes close and in a few seconds later, the door opens. The team enter the next room. Oliver pulls out his hand and enters just before the door closes behind him.

INT. MIMETIC POLY ALLOY RESEARCH LAB - SKYNET FACILITY – NIGHT

OLIVER AND HIS TEAM walk toward the center of the lab and we can see everything in this lab now.

It looks like a kind of NASA small laboratory we always saw in many movies. And it's like in we saw in many animation/manga, we see the dense capsules arranged in row along nearby the wall with the number and model of ten MPA TERMINATORS. Only just four capsules were opened. They are T-1000 -1, T-1000 -2, T-1000 -3 and T-1000 -4. We turn to see the computers and...

ON THE MONITORS above the long row of chambers- colorful 3-D IMAGES of the MPA structure including physical research simulation, common combat simulation and molecule structure. They all look like some kind of high technology things in the world of chemistry and nanotechnology physics. The metal cell molecule 3D programming IDE and the secret of MPA. We realize all this in time just before Oliver turns around and he sees something.

OLIVER
We found it.

Oliver and his team walk toward the largest capsule at the dead end of the lab. And we see and recognize this one, the label on the capsule says...T-1001...We remember that both Catherine and Oliver Weaver are the T-1001s. This might be why John and Cameron sent the team here earlier and now Oliver has led the team here himself. Oliver stares hard at it, thinking about what to do.

The door opens and three Jack Van Meter's clones with their Westinghouse plasma rifles, enter. The team turn. Too late. Jacks blasts four of six heads as Oliver transforms to be a metal snake and slithers to them so fast. Two T-ZMs quickly blasts two Jacks' head just before two plasma blasts from the rest Jacks head-splat the last two T-ZM endo. Now Oliver is alone. He appears behind the two Jacks.

OLIVER
What are you looking for?

Jacks turn and want to aim but Oliver kicks those guns away from them. Oliver grabs JACK#1 and slams his metal arms into the forehead of Jack#1 before he throws his away. JACK#2 grabs him and hurls him with awesome force against the opposite wall of the small lab. In less time than he would take to turn, Oliver morphs trough himself, front to back...face emerging from the back of his head. He comes off the wall straight at Jack#2 and pushes Jack#2 against wall before he punches Jack#2's head and pulls out two things that soaked with blood, they are the wafer T-800-like CPU and the human thalamus. That makes Jack#2 immediately die. Oliver turns back and...

Jack#1 has stood up with a plasma rifle, he has been aiming the gun at Oliver. Jack#1 pulls the trigger and the plasma blast rushes toward Oliver who silvers himself in a split-second and flows down just before the plasma gets through the area he stood.

Oliver slithers toward Jack#1 faster than Jack#1 aims and fires at him. Oliver steels the gun from Jack#1 and then he transforms to be his human-form before he stabs his steel needle through the back of Jack#1's head around the CPU location and pulls it out, letting the Jack#1 fall on the ground.

OLIVER
Stupid Van Meter.

Oliver then turns to look at the T-1001 capsule and stares hard at it before he walks toward it and pulls all four USB 3.0 cables out of the capsule as we starts hearing John's voice over.

JOHN (V.O.)
When we win the games, we won't stop playing until
we are sure our enemies won't wake and backbite us.

Oliver sprouts out the same style four USB 3.0 cables from his MPA body and plugs it into the ports, replacing those cables.

JOHN (V.O.) (cont'd)
Sometimes our enemies never stop until they die.

EXT. ASIAN RF. NAVAL HARBOR - MORNING

SUPERIMPOSE: "ASIAN RF. NAVAL HARBOR –- UBON RATCHATHANI"

AERIAL SHOT. The harbor, basically the big ship factory and the sea port in the large area, contains RADAR station, navy yard, bunker, anti-air missile stations, warehouses, the port. Around the port, we see many Japanese and Korean submarines. The ships that are mooring at the port, are the HTMS Phutthaloetla Naphalai, HTMS Phutthayotfa Chulalok and ARFS Hai Kage Ninja. On the lime area of the port we see many dune buggies, cars, trucks and a group of a few hundred people group there.

JOHN (V.O.) (cont'd)
Sometime they just wait until they get a chance.

ZOOM IN AT THE PORT. Allison and E. Boykins with baggage beside them, they wear just their privates. A woman with bandage on the face, is standing behind them and carrying Sittipong on her right arm carefully. Col. Kim and Col. Wang walk toward the HTMS Phutthayotfa Chulalok. Col. Inbedga and Jennifer walk toward the ARFS Hai Kage Ninja. Lampage Moore stands nearby the woman, guarding her like she is an important person. The people in front of them look really sad. A Thai girl runs out from the crowd and hugs Allison as she and E. Boykins turn to leave.

Allison looks at the girl with confusion. E. Boykins looks at her and the girl with a small smile that is fading on his face. Another dirty woman gets out from the crowd and takes the girl from Allison before she hugs her back. Nick and Capt. Photon walk toward E. Boykins and Allison in b.g.

WOMAN
I'm sorry, lady. She's my daughter. She never
saw a kind woman like you before. She just wants
to hug you. I'll castigate her later.

ALLISON
It's fine. She is the first girl who hugs me like that
in this year. Please don't castigate her. Your English
is really good, why don't you want to go with us?

WOMAN
I can't leave this land as well as some of us, lady.

Allison's tears stream. The woman and the girl too.

ALLISON
(crying)
Me too but I have to go. I love this land. Everyone
here is so kind. People helped me a lot. I think I'll
be here sometimes after the war ends.

WOMAN
(crying)
We hope so, lady.

E. BOYKINS
(in Thai)
"We shall be back. I promise my people."

The woman tries to hand Allison a big present box.

ALLISON
What's this?

WOMAN
We all tried to find this thing for you. This is
from everyone here. We want to thank you.

Allison smiles with tears and takes the present from the woman. E. Boykins, Allison, Lampage and the unknown bandaged woman walk toward the HTMS Phutthaloetla Naphalai.

CLOSE ON CAPT. PHOTON AND NICK. Photon walks after them. Nick doesn't follow yet, his eyes look at E. Boykins. His emotion this time is wrath.

JOHN (V.O.) (cont'd)
The game can change. Maybe our friends can become enemies.

E.C.U. NICK'S FIST. It becomes a palm.

C.U. NICK'S FACE as he cancels everything, he pauses and thinks about what he got from E. Boykins, when E. Boykins helped him. Those images come, showing in his mind and showing to us as a dissolve montage in b.g. Nick smiles and lets himself on it. He then runs after them.

JOHN (V.O.) (cont'd)
But sometimes enemy of our enemy is our friend.
Sometimes the closest enemy can become a friend.

INT. JOHN'S ROOM – NIGHT

Cameron, all dressed up, walks out from the bathroom and heads toward John who is still sleeping deep on the bed. Cameron kisses on John's forehead. He still sleeps...

JOHN (V.O.) (cont'd)
Sometimes the rules of the computer game can be changed.

DISSOLVE TO:

INT. MIMETIC POLY ALLOY RESEARCH LAB - SKYNET FACILITY – NIGHT

Oliver stands alone in the lab. He has been connecting with those capsules. It's like he's reprogramming those T-1000s and the T-1001 himself, like he's teaching them. All computers were turned off. Monitors are blank.

JOHN (V.O.) (cont'd)
...by trainers or mods or hacking software or even
your own programming abilities to change it.

DISSOLVE TO:

INT. OUTSIDE JOHN'S ROOM – NIGHT

Cameron gets out with her plasma XM1014 shotgun. As she looks down at the ground, she sees many drops of blood that leads her to somewhere.

JOHN (V.O.) (cont'd)
But it doesn't mean those programs or hack tools
never create "bugs" and make you lose the game.

DISSOLVE TO:

INT. INFIRMARY – NIGHT

Derek and Kyle get in the infirmary and they look confused after they see many people died in this place.

DEREK
What the hell was going on?

PYLE (O.S.)
(weakly)
Reese. Reese.

Derek quickly runs after the voice as Kyle turns around to find another survivor. Derek helps Pyle up onto the bed. Pyle looks dead, he's fighting against himself, trying to keep himself stay alive. Pyle looks at Derek with a near dead look.

PYLE
(weakly)
Reese. I'm dying.

DEREK
What happened?

PYLE
(weakly)
Jason and William...the...they are S...S...Skynet.

Pyle stops breathing. He's dead. His eyes still open. Derek slowly closes his eyes and turns to Kyle who looks down the floor. Derek leaves Pyle and walks to join Kyle. They look at...

Blood. Drops of blood. This leads them to the direction their enemies have gone. They are a man's traces. It's not from the T-1000 but you know it's from Jason.

JOHN (V.O.) (cont'd)
Like my mom ever said...

Kyle and Derek quickly run after those trails.

JOHN (V.O.) (cont'd)
Like my mom ever taught...

INT. HTMS PHUTTHALOETLA NAPHALAI BRIDGE – DAY

Captain Photon works calmly at her controls. Nick stands beside her seat. E. Boykins and Allison sit on the command seat. Two T-888 endos work at the Radar Absorbent Material. Lampage is a temporarily sonar man.

JOHN (V.O.) (cont'd)
We can't live easily if our enemy is still our enemy.
We can't live peaceful if we are with people because...

The bandaged woman enters the bridge with Sittipong who is crying for his mom. She walks toward Allison and hands Allison her son. Allison gives her a smile before she looks back at her son. He stops crying when he's on his mom's embrace. He's smiling.

JOHN (V.O.) (cont'd)
We know the truth of life.

ALLISON
Thank you, Emma. When will we arrive there?

Emma? You didn't hear the wrong thing, the woman is Emma. More surprise after she pulls the bandage out of her face, revealing her new face. In fact, it's not new, it's the old. Now she has the same face we saw it first time when she showed it as her motion picture, this face is from the real EMMA AKAGI.

EMMA
We'll arrive LA tomorrow morning.

Allison looks down at her son so happily. E. Boykins too, he steps closer Allison, looking at the son. This is very beautiful picture of a warm family during the war.

Nick stands watching them. He smiles happily as he sees this picture. His Captain turns to Nick and touches one of her hands on his shoulder as her another hand still clutches the controls.

CAPT. PHOTON
Do you still want to get Allison back as your
girlfriend, Commander? Did you see that?

Nick turns back to his Captain who quickly turns her hand back at the control. Nick shakes his head.

NICK CORBIN
No. Not anymore, Captain. Who can destroy
this warm family? I think I can't.

CAPT. PHOTON
I need to meet the General. Can you hold this?

NICK CORBIN
(smiles)
Yes, I can.

Capt. Photon stands up and Nick sits on her seat, working there for her. As Capt. Photon takes a few steps from Nick, he turns back at her.

NICK CORBIN
Thank you, Captain.

CAPT. PHOTON
For what?

NICK CORBIN
For always warn me not to do the wrong thing.

CAPT. PHOTON
Never mind.

Capt. Photon walks to join E. Boykins. Nick looks back at controls. E. Boykins, Allison and Emma look up at Photon. But they don't say anything. There is a quake interrupt them.

ALLISON
What's going on?

Another quake. Sittipong immediately cries after that, Allison quickly cuddles him, trying to soothe him. E. Boykins turns to the endos that are working on radar.

E. BOYKINS (cont'd)
(shouting)
Officers!

CLOSE ON THEM. They turn and we see no enemy in radar. Not just that we find we are getting into the area in North Pacific.

T-888 ENDO
(male voice)
No target found, sir.

E. Boykins looks more serious. Another quake. E. Boykins turns left at Lampage.

E. BOYKINS
Lampage, turn on comm. Tell our friend.
We have new enemy. It has radar camouflage.

BRIGADIER GENERAL JASPER, hurriedly runs into the bridge.

JASPER
General Boykins, we got a...

E. BOYKINS
A Flying Dutchman, I know.

JASPER
But you know this battleship class would always
stations in around North Atlantic Ocean and the
Caribbean sea. This is very weird.

E. BOYKINS
Skynet knows we are here. It knows we are heading
to the America main land. This is freaking it out.
It's afraid of us. Be prepare. We are confront the
big battle ship.

E. Boykins turns to Allison who reaches her hand to hold his. E. Boykins gives her a warm smile.

E. BOYKINS
Take care of Sam. It will be okay. Trust me, Allison.

ALLISON
I trust you.

E. BOYKINS
Emma!

Emma responds with a smile.

EMMA
I'll take care of them.

E. BOYKINS
Thank you.

E. Boykins nods to Jasper. Allison hands Emma her son and she takes a quick step toward E. Boykins before she flashes a kiss on his cheek. E. Boykins quickly turns to face her.

ALLISON
Come back for me and our son.

E. BOYKINS
I will. I love you.

ALLISON
I love you too.

Allison nods to Emma. E. Boykins and Jasper run off. Allison and Emma suddenly walk in another room.

INT. CORRIDOR – NIGHT

ANGLE ON DOOR. We see the drops of blood on the brass doorknob.

JOHN (V.O.) (cont'd)
The truth that says...

WE PAN TO ANOTHER WAY. Cameron with her plasma shotgun, ready to fight, walks toward us alone.

JOHN (V.O.) (cont'd)
...No One Is Ever Safe.

Cameron walks after the blood until she reaches the door.

As she reaches her hand at the door, carelessly, a thunder bolt attacks her and the shock pushes her on the floor. It turns her into the reboot period. 2 minutes time or more for Cameron.

E.C.U. CAMERON'S FACE. Her eyes close. Looks peaceful. It's like she's sleeping. We see two silhouettes of men are near. One of them kneels down and then in a few seconds later, we hear the sound of the port cover is opened.

FADE TO BLACK:

SUPERIMPOSE: "TO BE CONTINUED..."

FADE OUT.

END OF ACT 4

THE END (OF SEASON)


Please review this episode, it's the last one of this season. The anonymous reviews are always welcome. Please, please...review it.