'April said that the series could possibly work as advertising' KITT mentioned after a long day's shooting. 'So far, we only extended our 'vacation' by a month, and we still didn't recieve a mission.'

Michael Knight was just as troubled as his car, but he didn't want to show.

'Do you think it's advertising?'

'Compared to an advertisement, our TV show gives no way of interaction.'

'You are the script writer, Pal. Modify the script for our next episode so that our phone number can be included.'

'As you wish, Michael.'

'Thanks, Pal. I'm tired of being an actor while I should be working for FLAG!'

'We are working for FLAG.'

Michael had a serious doubt about it.

'I was thinking about our first vacasion together. For the next episode, would you mind writing that?'

'You climbing White Rock and playing chicken with the Scorpions?'

'Yes, KITT.'

'I was always proud not being a motorcycle.'

Michael and KITT might have been bored with filming, but KARR enjoyed being a stunt. He did most of the jumping scenes, and KITT sometimes teased him with the idea of being driven by a human.

'Never again.' KARR pretended to be adamant on this. 'You do the human scenes. Since we don't plan any causalties during filming, you have to handle that.'

'What is it?' the producer asked. He was still amused by the two talking cars, and had the bad habit of overhearing them whenever he was given a choice.

'I just stated that I prefer the humans on the outside, if they have to be somewhere.' KARR explained.

'Which makes me remembeer, you need to get a dye soon' KITT said, as if he was smiling. He was originally black, and, thanks to the molecular bonded shell, his blackness stayed as it was. But KARR was dark blue mostly, with some silvery white on his underbody. His shell kept this pattern, and usually, he really liked it. Simlpy, he didn't want to be mistaken for KITT. Those who stood in the way of the black Trans-Am were smiling and trying to get a photo taken with the black beauty. But when they saw the dark blue KARR approaching, they knew they had to get out of the way and not to mess with somebody stronger than them.

The black paint wasn't easy to use on the shell, and came off too easily. While shooting on a dusty road, half of KARR's blackness disappeared. If the camera was in the wrong place, the amber scanner could also be spotted, and even the statists could tell which shot was made with the real KITT and which one was made with his man-hating brother.

'Nobody will ever pause the video frame by frame, and check if they saw a silver or a black underbody' the producer said. 'And, what if? Filming is not about reality, tricks are more than allowed in our job.'

KITT only hoped that no-one will ever watch the show frame by frame, and start asking where did the blackness go during the motorbike chase.