Taking the paper from Sharon's hand, Andy puts his glasses back on, and reads the words to himself once, then twice. Sharon watches him, and breathes deeply in an effort to calm her racing heart and mind.

Looking up and shifting his gaze back and forth between the two women, he asks, "What does this mean?"

"I did a quick Google search right before the two of you walked in here," says the detective. "Herodotus is considered "The Father of History." He wrote a book titled The Histories; it was published in 440 BC, and is the only book he ever wrote, but it's considered a masterpiece. In his time, he was thought of as an investigator because of the analytical way he collected and organized information. The words you just read are from the first story in his book. It's an ancient, but true story about beauty, obsession, and murder."

"But, I'm not Sharon's husband," Andy remarks.

"I think the person who wrote the note, and owns the backpack, is using the story from The Histories figuratively more than literally," says the detective. "At any rate, it's my opinion that you'll both need police protection until we catch this guy."

Standing up from behind his desk, Captain Martinez says, "This is all very interesting, but we need to get busy." Andy and Sharon get up and start to walk to the door when the phone on the desk rings; Martinez picks it up and listens for a few seconds before telling the caller, "They'll be right there." Hanging up, he says, "That was Buzz. He has done all he can to enhance the recordings from the hallway and parking garage. He's waiting for the three of you in the electronics room. Please, Detective Nelson, keep me apprised of any new developments."

Andy is anxious to talk to Sharon alone to find out what she's thinking and how she's feeling. He can't do that standing between the two women in the elevator on the way to electronics. He can't even put his arm around Sharon to reassure her, so he keeps glancing at her tense face. She isn't looking at him; she's staring at the elevator doors with a furrowed brow; her lips are set in a grim line, and her mind is focused on shaking the feeling of being watched in her own home. Detective Nelson is eyeing both of them. She is still coming to grips with the fact that she's the lead detective on this case. Unbeknownst to Captain Sharon Raydor, the detective has admired her career and tried to emulate her for the seven years she has been on the force. She is working hard to be the consummate professional on the outside, but on the inside she's nervous to be working in such close proximity to her idol. The three people in the elevator are all lost in their own thoughts. It feels like it takes an hour for the elevator to slow to a stop and for the doors to open.

Entering the Murder Room first, Sharon is surrounded by her team members all talking at once. "Wait … just wait," Sharon impatiently declares while pausing for Andy, with his twisted ankle, and Detective Nelson to catch up with her. The entire entourage quietly trails Sharon into electronics. Entering the small room full of equipment, she says, "Buzz, please show us video from the hallway first." He hits a button and the image of a man wearing tan coveralls and a backpack fills the monitor. The man is running hard down the hallway, away from the camera. He appears to be wearing a baseball cap, and is nimbly dodging a few people who are walking in the corridor. After several seconds, Andy can be seen entering the hallway with his gun drawn. People are moving out of the way with startled looks as Andy lowers his arms, and pursues the man down the hall away from the camera.

Sharon asks, "Is that the only angle we have?"

"Yes," Buzz answers.

"Lets see it again, and please slow it down," Andy says. They watch it again at a slower speed.

"I think there's printing on the back of his coveralls," says Detective Nelson, "but it's hard to see because of the backpack." Buzz rewinds the recording, and they watch frame by frame until Nelson says, "Stop … stop it right there. The backpack is blocking most of his back, but I definitely see printing. I just can't make out each individual letter. Buzz, can you zoom in closer on his back?"

"No, the resolution isn't high enough. If I zoom in closer it's too pixelated," answers Buzz.

"Please speak English," says Provenza. Buzz just shakes his head, and gives Provenza an irritated look.

"Play it again," Andy says. "I want to look at the people in the hallway." Buzz rewinds it, and plays the recording for the fourth time. "Stop," says Andy while pointing at the screen. "See that man there? I think I've seen him before." They all stare at a large, blonde man wearing glasses. "Buzz, lets watch it again. I want to see if that man is limping." Buzz complies with Andy's request. He rewinds the recording back to a minute before the perp runs out of Sharon's condo. There's the blonde man walking toward the camera with a slight limp in his right leg. "Yes," Andy says. "I'm certain that's the man I saw in your lobby over a week ago, Captain. Do you remember me describing him to you while we ate dinner? I asked you if you had seen him before."

"Yes I remember, but this is the first time I've ever laid eyes on him," Sharon answers while leaning in and squinting at the screen for a closer look.

"Keep watching him," Andy says. "Lets see what he does after I run by him." The blonde man immediately turns after Andy runs past him in the hall, and walks quickly away from the camera towards the elevator. "Now that's weird," Andy says. "He's walking toward the camera, and then he suddenly turns around, and walks in the opposite direction after I run past him."

"It's possible he could live on my floor," Sharon says. "I don't know every person who lives around me. Buzz, please rewind the recording, so we can see how the man in coveralls gets in my condo," Sharon says. Buzz rewinds to the spot in the recording showing the man in coveralls and a baseball cap letting himself into Sharon's condo with a key. They watch it several times; then, he forwards ten minutes to the spot in the recording showing Andy entering her condo; approximately six minutes goes by before the perp is seen on the video running out the front door with Andy in pursuit. "How did that man get his hands on a key to my home?" Sharon asks no one in particular.

"That's a damn good question," says Detective Nelson. "Buzz, lets watch the recording from the parking garage."

Buzz turns to another computer; touches a button, and the image of a mid-size car appears on the screen driving at a high rate of speed towards the camera. There's an indistinct blur rolling across the bottom of the screen; then the car stops abruptly; the driver's side door opens, and the car begins to roll backwards. Due to the angle of the camera, it's impossible to see what's happening inside the car. Suddenly, it pulls forward; the door closes, and the car speeds out of camera range.

"I was able to perform a screen capture on this video," Buzz says. "I got a pretty clean image of the front license plate."

"I've already done the search," Tao says. "The plates were reported stolen two weeks ago. I'm still trying to contact the owner of the stolen plates for more information."

"Now, if we can please clear the room," Detective Nelson says, "the captain and I have more video to review."

"Do you want me to stay?" Andy asks Sharon.

"No. I want you to give our team an update on what has occurred since yesterday afternoon."

Following orders, Andy reluctantly leaves the room while Buzz scans both flash drives. Determining they are free of viruses and safe to view, he follows Andy out the door.

"Are you ready to begin?" the detective asks Sharon.

"Yes, lets get this over with," Sharon says.

The flash drive, marked MINE, contains five folders. Detective Nelson clicks on the first folder; an image of Sharon fills the screen. She looks tired as she slowly enters her bedroom wearing her work clothes; sitting on the bed, she removes her heels and massages her feet and calf muscles with a look of bliss on her face and a hum in the back of her throat. Next, she stands, stretches her arms out in front of her, rolls her neck, and begins to remove her clothes. Placing each piece of clothing on the bed, she turns and walks out of camera range into the bathroom. The sound of running water can be heard before the video stops.

Sharon feels nauseous sitting beside Detective Nelson in front of the bank of computer monitors. She's visibly pale, and the detective asks her if she needs a break. Shaking her head no, Sharon crosses her arms in front of her. The detective clicks on the second folder. The image is much darker. It's Sharon's bedroom; the lamp on her bedside table is providing the only light in the room. Sharon approaches the bed in her nightgown. She sets a glass of water down on the bedside table, touches a button on the alarm clock, removes several small pillows from the bed, and turns the covers back before sliding in. The sound of her silky gown smoothly gliding against the sheet sounds very loud in the quiet of the electronics room. Leaning into the light with her eyes half closed, her hair falls forward and obscures her face. Her arm reaches up; the light clicks off and the screen is completely dark.

The third folder contains footage of her doing yoga on the floor in her bedroom. She's breathing heavily as she works through several complicated poses in a tank top and yoga pants. Studying her own image on the screen, she realizes how provocative some of the poses look. After a couple of minutes of watching herself, she says, "Can we just fast forward through this?"

The detective touches the computer keyboard and the video speeds up for a minute, then stops. Detective Nelson would really rather be just about anywhere but here; however, she has a job to do and she intends to be as professional as the woman she's sitting next to. "Captain, I know this is hard, but we're almost finished." Opening the fourth folder, they see Sharon still in her yoga clothes slouching on the couch and sipping a glass of white wine. The TV is on; the sound of a man's voice fills the room; "The first person voted out of Survivor, Second Chance is Vytas. You need to bring me your torch." Sharon's laughter can be heard over the TV. She sits up, puts the glass to her lips and downs the remainder of the wine; she then picks up the remote and turns off the TV. Rising from the couch, she walks out of the living room and out of camera range. A few seconds later, she walks back in the room, and sits back down on the couch. Reaching for her cell-phone on the coffee table, she presses a button with a huge grin on her face. "You owe me dinner," she says into the phone. "I told you he would be the first one voted out." After a brief pause, she says, "Don't try to weasel your way out of it. You're going to buy me dinner at Serve, and I'm going to wear my new dress." Her face is flushed as she laughs into the phone. Ending the conversation with a smile on her lips, she softly says, "Good night, Andy, I'll see you tomorrow." The video stops.

The final folder on the flash drive contains the five pictures they've already seen. "I need to take a quick break," Sharon tells the detective before walking out of the room.