Terminator The Across Time Chronicles

by F.S.N. Stefan

This is the sequel of Terminator The Resistance Fighters Chronicles. John, his family and his amazing friends will go back to stop J-Day after all. The whole is written in script format. Sorry about that but please think that the original TSCC was also written in script format before filming. Read and review it as before. Rated M for sexual contents. The last episode was uploaded.

7. EP07 : Pain can be Controlled

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Terminator:
The Across Time Chronicles

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F05E07

"Pain can be Controlled"

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Written by
Stefan1994

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This document is fan-produced fiction based on the television series, Terminator - The Sarah Connor Chronicles, and a fan-made season of fan fiction, F03 and F04 Terminator - The Resistance Fighters Chronicles, written by Stefan1994, eyeshieldTe and Mario28. This is done in spirit of fan fiction, to have fun and enrich the total fan experience beyond the limitation of the original story vehicle. In that spirit, and holding to the long tradition of free promotion. This story is being made available to the show fans for entertainment purposes.

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TEASER

WE OPEN ON:

EXT. STEFAN JR'S TENT – NIGHT

There is a guard here, he's a wounded T-800 cyborg with one RSB-80 on his arms. He looks around, insuring against dangers.

KYLE (V.O.)
When I was just 20, I found a man. He was Thai,
he's a good soldier. He could endure with pain
and he taught me that pain can be controlled.

A T-950 endo and a T-888 endo get out from the tent and join him as we slowly close on and...

KYLE (V.O.) (cont'd)
He told me that every pain is up to our mind.

FADE TO:

INT. STEFAN JR'S TENT – NIGHT

Inside of the tent looks a bit like the inside of drill station, there are only one large size ironic balustrade elevator and a floor lantern.

KYLE (V.O.) (cont'd)
If we think that it's painful, it'll be painful.
If we don't, it'll be just nothing. That's why
we humans can control our pain.

Our camera zooms and moves to look down the elevator shaft. There are many sub-basement stories down there. Like some kind of air raid shelter.

KYLE (V.O.) (cont'd)
I hadn't believed that yet.

WE ZOOM INCREASINGLY, DEEPER INTO THE HOLE OF ELEVATOR SHAFT: We pass many sub-basement stories and at last, we stop at the elevator box.

KYLE (V.O.) (cont'd)
But when I tried to do after this teaching once.

FADE TO:

INT. SUB-BASEMENT 4 – NIGHT

We zoom out from the elevator and turn to the passage way where leads us to an only one room in this sub-basement.

KYLE (V.O.) (cont'd)
It's the truth. It's helped me. It always.

CLOSE ON THE DOOR: there is a label say its owner; "Mr.& Mrs. P." This may mean Mr. and Mrs. Pichitchai's room.

INT. MR. AND MRS. PICHITCHAI'S ROOM – NIGHT

This is like a room in an apartment but it has no windows and it has a lot of light bulbs around such as on the walls, on the ground and in the corner. Some room dividers separate the room into a big living room in the center, a bedroom, a bathroom, a secured area with a computer, a built-in vault/armory, and a simple kitchen. Next to the front door is a reinforced wall for a "Host Area" with some easily reached small arms. The walls aren't painted. One wall is dominated by a built-in flat screen monitor. All electric appliances uses the power from a power generator in the armory near the kitchen, connecting with sockets.

KYLE (V.O.) (cont'd)
Pain or comfort, it's up to our thought.

STEFAN aka E. BOYKINS is cooking something inside the kitchen while ALLISON PICHITCHAI is feeding her daughter with nursing bottle- JIRACHAYA PICHITCHAI or other name: ORWELL, in the bedroom. Her son, SITTIPONG PICHITCHAI or other name: SAM, is next to her, sleeping on the only one small clean worn-out bed inside the bedroom.

KYLE (V.O.) (cont'd)
It's completely true.

Orwell falls asleep slowly after Allison has lulled and fed her with love and angel look. She hasn't shown any sadness.

Allison so gently, pulls out the nursing bottle when Orwell's eyelids close. Allison smiles happily.

ALLISON
(whispering)
Really hard kind of sleeping, Orwell.

Allison kisses on her forehead softly.

ALLISON
(whispering)
Good night, my girl.

Allison calmly moves and slowly puts Orwell on a cradle nearby. Allison opens the door. She looks back at her son and smiles again. The bed is very small and only Sam can sleep on it. Allison may decide to sleep on a sofa in the living room.

Allison exits the bedroom and walks to a big wooden table in the living room at the same time E. Boykins exits the kitchen on his wheelchair that has been controlled to move by his mind. His hands are laden with a covered tray of their foods.

E. BOYKINS
These are all what I can do for us.

E. Boykins sets it on the table where Allison sits down.

E. BOYKINS
I'm sorry for this, Allison.

Allison suddenly looks at him. And he uncovers the tray. There are one bowl of veggie soup, one plate of something looking like pork omelet, two plate of long loaf for both of them, one plate of fried rat(if you can remember the color) and two cups of tea.

E. BOYKINS (cont'd)
I'm sorry for these junk foods.

Allison glances at them then gives him a small smile.

ALLISON
No, Stefan. This is good enough. I can't be
angry of you. This is really the best foods
during the situation like this.

E. Boykins pumps closer into the table.

E. BOYKINS
Situation like this?

ALLISON
I can eat all these.

E. BOYKINS
I'm so sorry, Allison. You should be angry at me.
I ever promised that I'll take care of you well.
But this, I'm gonna give you these junk foods.

E. Boykins looks conscience-stricken. Allison shakes her head.

ALLISON
No, Stefan. I'm so happy with all these.

E. BOYKINS
I promise. It won't be like this again after all.

ALLISON
Okay. You can promise it. So please also ruin this.

E. BOYKINS
I can't, Allison. This is my fault.

ALLISON
Why can't you just read my mind already?
It's so inconvenient to be a mental mute!

His eyes widen a little bit.

E. BOYKINS
That's a new one. You love that I can't read your mind.

ALLISON
Not tonight.

E. BOYKINS
Why?

ALLISON
Because all this angst would be unnecessary
if you could see how I feel right now!

Allison exhales hard.

ALLISON
Okay. Forget it. Let's have dinner together.
If you really want punishment, you should be
punished with doing after my command tonight.

E. Boykins realizes that, he stares at Allison. He decides to accept it.

E. BOYKINS
That seems fair enough. Okay. What's the first?

ALLISON
Have dinner with me, Stefan. And forget about this.

Allison smiles as she is about to spoon-feed him some soup.

ALLISON
Start with this, sweetie.

E. Boykins smiles happily and accepts feeding. He looks quite happy when Allison does that to him. Then he also does the same. Allison eats it and gives him a happy smile. Then they both smile to each other and giggle so happily.

E. BOYKINS
I think your command is good.

ALLISON
Like you did many years ago.

They giggle again.

WE SLOWLY ZOOM OUT while they're having their dinner together so happily. Since their kids were born, they have had only few times like this, so this may be so valuable moment for them.

WE TILT UP AND FADE TO:

INT. SUB-BASEMENT 3 – NIGHT

...we move up to the passageway where looks a bit like in the sub-basement 4. On this, we can see the room of John's and Cameron's. CAMERA MOVES TOWARD THE ROOM and...

INT. THE CONNORS' ROOM – NIGHT

This room looks like in E. Boykins' and Allison's room. But it's smaller. The bathroom is bigger. Cameron rushes away from the dinning table where John is, into the bathroom. They haven't had their dinner much yet.

JOHN
(after Cameron)
Cam, what's wrong?

John wonders that.

JOHN
It can be.

John quickly runs after her into the bathroom where Cameron vomits onto sink and opens the tap. John suddenly moves toward her and gently caresses her back while she's vomiting hard.

JOHN (cont'd)
What is happening with you, sweetie?

Cameron looks over shoulder to him, brushes her hair away from her face and wants to answer but she quickly turns and vomits again. Only one thing John can do, is just caressing up and down on her back.

๋CAMERON
(murmuring)
I don't know. Maybe food poisoning.

JOHN
Really. Just veggie soup. What's wrong, Cam?

Cameron stops it, turns on the tap to clean the sink.

John steps toward her, holds her anxiously, keeping her hair out of her face waiting till she can breathe again.

CAMERON
(moaning)
I really don't know.

JOHN
Are you alright?

CAMERON
(panting)
Fine. It's just that. I think you don't
need to see this. Go away. Go and eat.

JOHN
Not likely, Cam.

CAMERON
(moaning)
Go away.

He helps her gently, ignoring the weak shoves she aims at him. After her mouth is cleaned, he helps her back to the table and sits her down carefully, supporting her with his arms.

JOHN
I don't think about food poisoning.

CAMERON
But it can be.

John puts his hand on her forehead.

JOHN
It's nothing.

CAMERON
Let's continue our dinner. I think you
may be so hungry right now, John.

John smiles and sits down opposite her.

A sharp pain hits Cameron's stomach again when she moves. She lurches away from him, her hand tight over her mouth. She runs to the kitchen sink.

He holds her hair again.

JOHN
Maybe we should meet Nevlin or some cyborgs who can
scan or even check you. For the good of yourself.

Cameron is rinsing her mouth.

JOHN
I don't wanna see you like this.

She shakes her head.

CAMERON
No. I'll be fine.

After that, Cameron leaves John and enters the bathroom. She searches through her suitcase inside the bathroom for a little first-aid kit.

John is still outside, so worried about her.

Cameron doesn't find what she wants, she just stares at the suitcase. Then she starts counting softly.

CAMERON
Once. Twice. Again.

The knock startles her.

JOHN (O.S.)
Are you well, Cam? Did you get sick again?

CAMERON
Yes and no.

JOHN (O.S.)
Cameron, can I come in, please?

CAMERON
Okay.

He comes in and appraises her position, sitting cross-legged on the floor by the suitcase, and her expression, blank and staring. He sits next to her, his hand going to her forehead at once.

JOHN
What's wrong?

Cameron looks down at her own belly.

CAMERON
John, my period is almost a month late.

His facial expression doesn't change.

CAMERON
I don't think I have food poisoning.

He doesn't respond. He has turned into a sculpture.

CAMERON
Sleeping so much. All that food. Temperamental.
The dreams. This weird feelings. Oh. Oh. Oh.

John's stare seems glassy, as if he can't see her anymore. Reflexively, almost involuntarily, her hand drops to her stomach.

CAMERON
Oh! Impossible.

John's still shocked.

CAMERON
John!

John's mind comes back and he looks at her.

JOHN (cont'd)
We should check it.

CAMERON
Yeah. I think.

JOHN
But first, you have to endure it and try to have
dinner with me this time. We'll meet Nevlin or
maybe that psychic afterward.

CAMERON
I think it's a good idea, John.

JOHN
I'll feed you.

CAMERON
Thank you.

JOHN
Never mind. You're my wife.

John helps her gently, ignoring the weak shoves she aims at him. After her mouth is cleaned, he helps her back to the table and sits her down carefully, supporting her with his arms.

They start their dinner. Cameron looks like she's trying to do what she hates to do but he always stares at her every bites. After Cameron's eaten for few bites, John starts eating his food.

Cameron can eat her food for awhile, she can endure it. She looks up at him and sees that he's eating those foods hungrily and filthily.

CAMERON
John.

John quickly looks up.

CAMERON
John, do you still wanna have children?

John cleans his lips with tissue and looks at her again. Her look is very serious. John just pauses.

CAMERON
John, if I'm pregnant, will you still...

JOHN
However, I'll still love you and also our kids.

That's very clear. John smiles and touches her left hand on the table, he caresses it so gently. Cameron still looks agonized.

CAMERON
John, will it be very painful to give birth?

John sighs.

JOHN
Oh! For me, most mothers can endure it. I think
you may be able too. Don't forget what my dad
taught my mom; pain can be controlled.

Cameron considers that.

JOHN
And it's in the future, Cam.

Cameron thinks about it and then she smiles better. Then they both continue their dinner.

WE SLOWLY ZOOM OUT and...

FADE OUT:

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ACT 1

(Maggie's mind)

INT. MR. AND MRS. PICHITCHAI'S ROOM – NIGHT

Allison and E. Boykins both is washing the plates and bowls together in the kitchen.

ALLISON
They were so good.

E. BOYKINS
They? You meant? These foods?

ALLISON
Yes. All these foods. They tasted good.

E. BOYKINS
I don't know how to save everybody if we
don't kill the hybrids four of Skynet.

ALLISON
Ellison, Van Meter, Brooks and Victor.

E. BOYKINS
Yes. I don't wanna kill Richard Ellison
and Ginyu Brooks as well. They helped us
to destroy Skynet after they'd repented.

ALLISON
You're so benevolent, Stefan.

E. BOYKINS
I never want to kill repented persons.

ALLISON
Their next timeline selves are out of this case.
However, if we really need to, at that time you
may have to do it for the good of world.

E. BOYKINS
So I won't be a brick.

ALLISON
No, Stefan. It's not bad to do. You're still
good for me. You will do it for other bricks.
I think it's a good sacrifice.

E. BOYKINS
Okay. Thank you. I clear about this.

E. Boykins gives her a small smile. Allison looks at him and also smiles. She then laughs a bit happily as she finishes washing.

ALLISON
(with a giggle)
I hear these words many times.

E. Boykins smiles again.

E. BOYKINS
Are you bored with them?

ALLISON
No. I don't think so.

Allison steps toward him, she drops to his level. Slowly, she closes her eyes and leans closer him.

ALLISON
(whispering)
'cause I never bore you.

He stares with a little fear but anyway, he closes his eyes and does the same.

E. BOYKINS
(whispering)
So do I.

They kiss each other softly for a moment, and then they both chuckle. His hands hold the both side of her neck, keeping her face still close to his.

E. BOYKINS
I was all braced for the wrath that was going to
put grizzlies to shame, and this is what I get? I
should infuriate you more often

ALLISON
Give me a minute to work up to it.

E. BOYKINS
I'll wait as long as you want.

His fingers knot in her hair. Her breath is becoming uneven.

ALLISON
Maybe tonight.

E. BOYKINS
Whatever you prefer.

ALLISON
(as his lips pressing under her jaw)
I'm glad you are gonna do after my command.

E. BOYKINS
I'm doing you favor.

ALLISON
That's a very good thing.

Then they kiss again.

DISSOLVE TO:

INT. MR. AND MRS. PICHITCHAI'S ROOM – LATER

They both are sitting on a sofa. She whips her top off and dropping it to the floor to bare her breasts. Allison is straddling his lap, her hand winding roughly into his hair at the back of his head and then tightening to pull it back, angling his face so that she can lower hers to capture his lips in a hungry, almost bruising kiss. Her always surprising warmth and mixture of hard musculature and soft femininity presses against him as she uses his mouth opening to protest to let her tongue storm the ramparts of his teeth and duel with his. His hands hover on either side of her shoulders.

Allison's other hand slides down between them and she lifts herself slightly, making him groan as she runs her hand down and then back up along his cloth-restrained length with heat and pressure. She continues to kiss him and he kisses her back, soon breathing hard through his nose while his hands settle on the backs of her shoulders and then slide down the silk of her back.

He groans again, but this time with relief as her dexterous fingers undoes his belt, undoes his pants and pulls down his zipper without any difficulty or even looking. His hands have settled on and cupped her ass and a small part of him registers that the thin material of her skirt is the only thing between his skin and hers.

She finally eases up and relinquishes his lips.

E. BOYKINS
(panting)
Allison, are you sure about this?

ALLISON
You accept to do after my command tonight.
Soldiers must do after their promises. You
were soldier and I thought that you should.

E. BOYKINS
So be it.

He grunts, his hips bucking and driving his dick into her hand without his command as she expertly fishes him out of the fly of his boxers. The hem of her skirt brushes across his dick as she slides her knees a little further forward on the sofa while rising higher. She grasps the base of his cock, positions herself and then sinks down all in one precise and fluid motion.

E. Boykins barely has time to register the steamy heat that confirms that she wears nothing under her skirt before that same heat envelops him.

E. BOYKINS
(panting)
Oh! Allison, you doesn't wear any...

But her action interrupts his speech.

Her sex rapidly surrounds him with liquid heat and pressure and draws a fast, delicious trail of buzzing friction down his length. Her slick, buttery flesh, pulses and flexes around him in an erratic massage and the small of his back twitches and tightens, making his hips thrust up to drive him into her. He lets out an explosive breath as the wave of pleasure radiates from his crotch to light up the rest of his nerves. He squirms as she slowly circles her hips to settle onto his lap and he massages her ass.

E. Boykins takes and releases deep, deliberate breaths to bring his suddenly churning balls and racing heart under control. Each time his chest expands he can feel the hot little coals of her nipples pressing into his skin through the thin material of his shirt as he flattens her breasts.

He can feel her breath hot against his lips and he opens his eyes to find hers just inches away.

E. BOYKINS
(groaning)
I'll endure for you.

ALLISON
(groaning)
I like this, Stefan.

He licks his lips and sighs as she rocks slowly back and forth, her molten core shifting around his length and massaging it with a velvet-vice grip caress. The pink tip of her tongue makes a slow circuit of her lips as well, leaving them glistening as they part. He can't stop his hips from undulating to match her as she slowly starts to rise and fall along his length with a slow blink of her long lashes. All his telekinesis have always been under his control but this time it's quite doing after his need.

ALLISON
Oh! Stefan! Good. Good. Good.

Her head tilts slightly and then straightens.

E. BOYKINS
The whole of my body is yours.

...and he finds himself raising an eyebrow.

He hisses as she circles her hips to corkscrew around him, her already snug flesh tightening and squeezing around him to intensify the stimulation and sends jolts of delight arching into him like lightning bolts. He catches a flutter in her eyelids and the slightest shudder run through her as she holds him like that inside her for a moment or two, not quite as unaffected by her actions as she wants to seem, before resuming her slow rise and fall and the more constant, but less intense sensation it creates.

He groans as he grips her hips and grits his teeth, his shaft pulsing against tight embrace and making him want to simply start pumping his hips to release the contents of his now churning balls. He is so close it will be easy to just slip over the edge, but for some reason he doesn't.

ALLISON
Do it with all your strength.

He grunts, and sucks in a sharp breath before he grits his teeth as she continues to rise and fall on him, her rhythm steady and unwavering along with the pleasure she creates. He lets out his breath slow trying to remain in control of his rampant desire.

She feels really good as she continues to ride him and he doesn't really want it to end yet.

ALLISON
(groaning)
Please strengthen yourself for me.

She speeds up slightly and remarkably, her already snug channel seems to tighten around him even more, increasing the heat, pressure and friction. The relentlessness of her pace, her little adjustments that intensifies her stimulation of him, edging it with pain, but falls just short of pushing him over the edge. Is this really a punishment from Allison?

He has to bite back a cry as the velvet grip of her sex squeezes and then ripples around him.

His head presses back into the back of the sofa behind him as her movement continues to build the sweet, torturous tension in his groin. Allison arches her back and he slides one of his hands from her hips up over her ribs to capture her slightly swaying breast. His fingers flexes around her firm globe.

His mind works feverishly to process the shock waves of sensation that inundates his body. He blinks, both at the surges of pleasure from Allison and the surprising conclusion he comes to.

He almost shakes his head, the growl of frustration becoming a drawn out groan as she circles her hips and grinds down on him, her slick sheath stimulating his entire length and sending lightning strikes of delight arching through his system.

He acquiesces to her less-than-gentle urging he runs his tongue up along the valley of her cleavage before circling his tongue along the curve of her left breast until he finds and latches onto the tube of her nipple with his lips, tasting some small drops of milk from them. He may love it much. He starts to thrust up in sync with her by his telekinesis to control his cripple legs for support as she lowers herself onto him. He feels her breathing change as he suckles at first one and then the other her taut nipples and her pretense of unaffectedness slips further as little sounds of delight drip from her lips and she massages the back of his head. She sinks down on him, meeting his rising pelvis and then continues to bear down until he is settled fully back on the sofa before slowly circling his hips. E. Boykins can't stop his eyelids from fluttering and his ass clenching as her sex swirls, flexes and contracts around him while she grinds down on his balls.

He can't hold back anymore as the continuous jolts of delight combine into a powerful, roiling charge that finally breaks free and bursts across his senses as his hips jerk and his semen rockets up his length to erupt into her, welcoming, rippling sex. He grunts and isn't quite able to pull his mouth off her breast fast enough, his teeth clamping down on her nipple as he tenses under the electric assault of his climax. His hips jerk with each spurt, his cock expanding against her tight embrace as he drives up into her with all power. E. Boykins forces his jaw to unclench so that he can throw his head back to gulp in air and expel a rumbling growl of release.

His eyes snaps open and he cries out as she suddenly and rapidly bounces up and down on him.

E. BOYKINS
(groaning)
Allison...

His jaw once again clenches, his teeth grit to stifle his cries to grunts as she rides him hard and fast. His pleasure turns to pain as she already overloads nerves, her welcoming sex now a scorching furnace. His hands clutch at her hips in a futile attempt to stop her.

With a loud cry, Allison convulses and then collapses on top of E. Boykins, who continues to kiss her and stroke her sweaty brow.

ALLISON
(quietly and weakly)
I love you, Warapop Pichitchai. I love
you with all my heart. My good husband.

E. BOYKINS
(panting)
I love you too, Allison Pichitchai.

E. Boykins holds her in his arms for the longest time, enjoying the warmth of Allison's body against his as she snuggles against him. They both lie together on this sofa without the uncomfortable feeling.

ALLISON
I really want to be in your embrace all night.

E. BOYKINS
I also want to hold you like this all night.

They lie there and don't wanna get off each other. He touches around her body and kisses on the back of her head, smelling the fragrance of her hair. They both slowly fall asleep.

INT. UNDERGROUND LAB – NIGHT

Two soldiers run down a tunnel...we hear them coming. They run into the large lab where dozens of men are working, including Nevlin. They're working only for the small chamber of new version TDE we've never seen. Stefan Jr. sits and watches.

Maggie Moon moves to join him from behind.

MAGGIE MOON
I think you are up late.

STEFAN JR.
I don't care myself, Maggie. This mission
must be completed by us. We have to do it
with all our abilities.

MAGGIE MOON
But you have to sleep. I know you are a psychic
but isn't a psychic human? Aren't you a human?

Stefan Jr. thinks about it.

MAGGIE MOON (cont'd)
I think about all these a lot, Stefan. I left my
family, my friends and my dystopian fate for you.
So please you sleep for yourselves. Uncle Nevlin
would be very proud if he could see you sleeping.

STEFAN JR.
But the T-2000 will...

MAGGIE MOON
I know but you have to sleep. You can't fight
even just a T-600 if you don't get some sleep.

STEFAN JR.
Uh! That sounds bad.

She's got him. Shape woman. Stefan Jr. gives her a small smile and slowly stands.

STEFAN JR.
Thank you for that. It's very worth that
I've tried to pull my telepathic abilities
away from your brain.

MAGGIE MOON
You can read it more than when you want.
Use your mind to read not your own brain.

STEFAN JR.
Yeah. I should do all that.

MAGGIE MOON
How is your another ability?

Stefan Jr. looks confused.

STEFAN JR.
Which one?

MAGGIE MOON
The one you never show me.

STEFAN JR.
Maybe I think I should read your mind.

MAGGIE MOON
Okay. Let you see it.

Stefan Jr. does the two-fingers-to-temple gesture and gently touches her brain, this bringing him deeper into her mind.

-IN MAGGIE'S MIND

They both jump onto the bed together, kissing and quickly undressing each other. She whips her top off and dropping it to the floor to bare her breasts. They kiss each other again as well as their hands that softly touch each other's back. Their hot and sexual kissing look quite good.

Later in her mind deeper, she smiles as he slowly and gently slides himself into her. She groans as well. That's all the good picture beneath the need of her mind, her love for Stefan Jr. She never wants to be just his fiancee.

BACK TO PRESENT

...as Stefan Jr. gets his hand back and smiles.

STEFAN JR.
I know what you want.

MAGGIE MOON
Can you just do so for me?

STEFAN JR.
I should be able for that. Maybe this will
help closing my eyes to sleep tonight.

She smiles happily and they walk together down the underground passageway into the darkness.

Back at Nevlin as he turns and looks after them, he smiles. Then a scientist calls his name and he turns to join him. That scientist turns to the light and we can see the red glow beneath his eyeballs, revealing that all here may be cyborgs.

Nevlin walks to join and looks into a small screen on the cyborg's hands.

CYBORG
We have not enough power to recharge it up.
I think we might need pretty much power for
the quick jump through time.

NEVLIN
I knew about all this already.

CYBORG
So, what do you think?

NEVLIN
I think we have to meet them all tomorrow morning.
Before that, I think we should fix and remake some
functions to be automatic shutting because we may
have to shut some down for greeter of one travel.

CYBORG
Sir, yes sir.

The cyborg leaves him toward a computer at the corner of the chamber. Nevlin walks to look at the big power generator which connecting to seven hydrogen fuel cells on a big power storage.

NEVLIN
I hope that this may help us a lot.

Nevlin grabs up a knife and then puts it down again at its place.

INT. CHALANGE ROOM – DAY

2080 Again; The room is dark-flat black.

SUPERIMPOSE: "MARS, 2080"

FOOTSTEPS from both shoes and metal feet ring out. A chair in the center of the darkness is under a light. A computer terminal plus scanner is positioned close in front but to the side.

Jupiter leads a T-950 ENDOSKELETON. The T-950 stops outside the lighted area. Light reflects from the T-950's shiny metal. Smoothly, Jupiter passes his wrist-the one that shows a BARCODE across it just under the palm-over the scanner, and stands in front of the terminal and chair.

AN ANDROGYNOUS VOICE
Confirm your I.D.

When Jupiter speaks, his voice has a subtle electronic undertone to it.

JUPITER
Kaliba system model 103. This is New Skynet.
The King of Earthlings and of the solar system.

Jupiter stands patiently.

AN ANDROGYNOUS VOICE
Accepted. Begin. Your majesty.

Jupiter now walks around the terminal to the chair.

JUPITER
I'm sorry about that, my friend. It had been
stolen from Thailand by those resistance men
then they used it as power source and then they
destroyed it when my people got to their base.
It exploded and everything's become big hole.

AN ANDROGYNOUS VOICE
I have heard the report. You failed saving the
cathode of our Adoptagonium. My people share
their ideas into my head that they will forgive
you if you come here to join us. We have one
last way to bring it back to all of us.

JUPITER
What is it?

AN ANDROGYNOUS VOICE
We shall answer back the signal soon, your majesty.

JUPITER
Thank you for understanding us. Good bye.

Jupiter smiles and walks off. The T-950 follows him.

FADE TO:

MIA (V.O.)
I don't think this may work.

INT. JOHN HENRY'S LAB – NIGHT

John Henry's lab is high tech and also is an underground lab. JOHN HENRY is sitting on a chair and MIA is plugging a big cord into...

JOHN HENRY
It will work. It always have.

JOHN HENRY'S HEAD where all MPA leaves, revealing big port for that cord.

JOHN HENRY (cont'd)
I must try this for my mom. It's only me
who can get in and take control over the
whole systems of hers without long time
coding. I can do all this faster than
every computer in here.

The cord's been being connected with a big frozen box via monitors and computers.

MIA
This is madness.

JOHN HENRY
I'll do it anyway.

MIA
Okay, let's start. I'm gonna connect you to
all connections. If she tries to take control
yourself, please tell me, I'll pull this out.

JOHN HENRY
I'm gonna try all my best, ma'am.

MIA
Are you ready?

JOHN HENRY
Anytime.

Mia goes to one computer and hits a couple of keys. The monitor shows connection confirmation dialog box. Mia clicks on "OK".

JOHN HENRY
Good to feel all this, Mia.

MIA
Start it, master.

John Henry closes his eyes, his concentration is taken for the reprogramming of Catherine Weaver.

INT. MAGGIE'S AND STEFAN JR'S ROOM – NIGHT

Maggie and Stefan Jr. both collide with the edge of bed in their dim unpainted bedroom, kissing passionately and so hot. Their organs are binding each other as they stand and keep this as long as their emotions can control them to do. A few seconds later, they separate, panting also.

MAGGIE MOON
(panting)
I love you.

STEFAN JR.
(panting)
I love you too.

She smiles when she sees that their joined shadows are casting about on the walls of the room. The harsh lighting from the unclosed door connecting to another zone of their room, highlights their movements, making their bodies appear in caricature: their bodies stretch and entwine together sensuously in the light.

They are panting as they talk:

STEFAN JR.
My grandfather taught me that I shouldn't have
sex with a woman whom I never get married with.
Women should be virgins until they find their
real love. I think we shouldn't do...

Maggie touches a finger over his lips.

MAGGIE MOON
Shh! I think we should. I'll never be sorry to
let you deflower me tonight. However, sex is
the only one way for the beautiful creature.

She strokes his forehead and kisses it, just like she was comforting a child, also hoping that this will change his mind.

STEFAN JR.
But...

MAGGIE MOON
Life is very short, Stefan. As you told me before,
relationships are just as important as rest and food.

Stefan Jr. starts to say something but she stops him, placing her fingers against his lips again.

MAGGIE MOON
You helped me a lot. You did it without any
desires to clutch at me and my body. You
never do. I trust you. I want you to do it.
(with a giggle and a smile)
Or you are a gay?

Stefan Jr. quickly shakes his head.

STEFAN JR.
No. I'm not.

MAGGIE MOON
So please do that to me. I have waited all
this for almost ten years. One day I'll be
completely yours with both mind and body.

Stefan Jr's mental walls finally begin to break down. He feels both honored and scared.

STEFAN JR.
I'm sorry. I just wanted you to freak out from sex.

MAGGIE MOON
In this time and place, this is slow. One of
us could be dead tomorrow, not that I would let
anything happen to you, nor do I think you'd let
anything happen to me. But I don't want another
day to pass, not when we have this time alone.
This is the first time for me and I want it to
be with someone special. You have no idea how
long I've waited for this moment and I want it
to be with you. I love you.

Maggie Moon waits for the answer.

END OF ACT 1

---

ACT 2

(Junior real loves)

INT. MAGGIE'S AND STEFAN JR'S ROOM – CONTINUOUS

Stefan Jr. looks into her expectant face as she waits those brief seconds while he thinks. With nothing left to say, with no more arguments to offer, Stefan Jr. does the only thing he can do and kisses her.

STEFAN JR.
Okay.

He gently caresses her lovely face.

STEFAN JR.
If you love and trust me this much.

MAGGIE MOON
I do.

She kisses him. They kiss each other for several seconds before their hands begin exploring the other's bodies. He runs his fingers through her tresses and down her back, feeling her body heat through his hand.

Stefan Jr and Maggie Moon unbutton their shirts and remove them. She then removes a tank top she had on underneath in place of a bra. Bared to the waist, they continue kissing each other. Stefan Jr's hands wander, gently caressing Maggie Moon's soft skin until they find her breasts. With a soft moan, she presses her breasts into his hands. He squeezes them gently and brings another soft moan from her as he rubs his thumbs over her nipples. They lie back on the bed. She begins kissing his bare chest.

As Stefan Jr and Maggie Moon continue their kissing and explorations of each other's bodies with their hands, she begins to tug at his waistband. Stefan Jr. reaches down and pushes her hands away and undoes his belt and slides his pants off. Maggie Moon stands and chucks off her own pants, revealing a small pair of shorts that she also removes.

Stefan Jr. takes a moment to breathe in her beautiful form. A vision of Aphrodite can't be lovelier. He draws her closer to him and places kisses on her chest and abdomen, while squeezing her buttocks in his hands.

Maggie Moon gasps as Stefan Jr's mouth and hands find her clitoris. She holds tightly onto his shoulders as waves of pleasure shoot through her. After a few minutes, unable to take anymore, she guides him around and slides onto the bunk so that she is under him.

MAGGIE MOON
(groaning)
Please do me favor.

They kiss as Stefan Jr slides an arm under her neck. His other hand goes to her chest, caressing each of her breasts. Then he moves lower, gliding over her stomach until his hand is poised at the top of her slit.

Maggie Moon places her own hand on top of Stefan Jr's. They look at each other for a moment, then Maggie moves his hand lower, guiding his fingers through her slick nether lips. She slowly moves his fingers up and down the length of her pussy, allowing him to catalog every detail of her sex. Finally, she positions his index finger so that it is at the entrance to the womanhood.

MAGGIE MOON
(breathing hard)
Trust me, please.

Stefan Jr nods. Then she gently pushes it in. Her vagina surrounds his finger with moisture and scalding heat. Her muscles flex around his digit, squeezing him gently. He curles his finger, pressing it against her walls, and she let out a low moan. Stefan Jr a bit worries about her pain but...

STEFAN JR.
Is this really good?

MAGGIE MOON
Of course.

STEFAN JR.
And you like it?

MAGGIE MOON
You can read it and I know you know how I feel.

After a moment Stefan Jr nods. As his finger continues to move within her, Maggie will let out the occasional gasp or moan. Finally Stefan Jr removes his hand from her sex and moves it up to cup her face.

STEFAN JR.
You ready?

Maggie Moon nods.

STEFAN JR.
Okay.

His hand goes down to her side, holding her ribs as he lowers his body to hers, his dick pressing against her crotch, her pussy hot and wet against his sex. Maggie raises her legs, her thighs pressing against his hips. She wraps her arms around his torso, her hands running up and down his back. Stefan Jr. repositions himself, his cock and balls sliding against her folds, then raises his pelvis up just enough to move his hand from her stomach to his member, maneuvering his penis so that its tip sits at the entrance to her vagina. He moves his hand back up to her side and they just look at each other for a long moment. Then Stefan Jr pushes down and forward, sheathing himself inside her.

As gently as he can, Stefan Jr pushes through. They each gasp as Stefan Jr fills her. On instinct, Stefan Jr pulls part way out again, only to thrust back into her. As he moves within her, he marvels at the feeling of her sex around his cock, the way she clutches at him, bathing his penis in liquid heat.

Maggie grabs Stefan Jr's shoulder with one hand, her other going down to clutch his ass. She rocks her hips in time with his thrusts, letting out a low grunt every time he bottoms out inside her. Stefan Jr kisses her, their tongues sliding against each other. He moves the arm beneath her, holding her chest against his, feeling her breasts press against him. His other hand moves to grasp her thigh, steadying her pelvis as he increases the power and speed of his thrusts. Their kiss ends and Stefan Jr buries his face in the crook of her neck, her hand on his shoulder coming up to hold his head.

They kiss each other to muffle their groan or even cry. She gives him a control of the passionate kiss as their lips slide and suck at each other, the tip of her tongue fencing with his until she grant it access to her mouth where they wrestles in a sensuous massage while he has been still penetrating her. One of her hands worm into his hair, cupping the back of his head and he mirrors her action as he tries hard not to hurt her too much. His fingers find her hair, lustrous, soft and silky as they slide through it. His other arm wraps tighter around the small of her back, pulling her tighter against him, her nipple hard, hot little points that pokes against his chest, surrounded by the soft warmth of her breasts. She tugs lightly at his hair and he breaks their kiss.

She stares down her body, seeing his attack. She groans afterward. She starts to groan louder then cries but she buries her face against his chest to muffle her cry.

They move together as one but she can't muffle her cry so long. Stefan Jr groans, his back arching and his head dropping back as he drives into her. The smooth skin of her inner thighs slide along the outside of his as she draws her legs up and wraps them around him as his pelvis meets hers and he is buried completely in her intimate core. He drops his head as he forces himself to relax, panting heavily with the effort as his balls boiled with the need for release.

MAGGIE MOON
You should think of baseball statistics.

...and he bites his lip as the vibration of his chuckle shifts him in the tight embrace of her sex. He places a finger lightly over her lips...

STEFAN JR.
Shhhhhhh.

She opens her mouth and sucks his finger into her mouth before he can remove it. It's wet warmth matched, yet can not equal the deliciousness of her sex, but it doesn't help his composure as his dick twitches and the small of his back tightens.

MAGGIE MOON
You know I haven't yet.

STEFAN JR.
Yes, I can control it.

Her hands leave his buttocks and strokes lightly up and down his back in a light, soothing touch. He lets his forehead rest lightly on her chest as he concentrates on his breathing.

STEFAN JR.
I can do it.

Stefan Jr inhales, exhales, concentrating and accessing into the controls of his lungs, his heart and his neural network. Successfully, he extends limitation of his climax. He turns to be like he has just entered her for the first time. She cries satisfactorily as he thrusts in and out of her sex.

After that first moment of an immediate sexual intercourse rebooting, Stefan Jr begins making love to Maggie Moon again with full power like a computer that was just turned on. Her flesh fights his invasion with the sweetest of resistance, clutching and squeezing at his rock hard shaft, adding to the friction of his passage as he fills her and she stretches to accommodate him. Her flesh drags along his shaft with molten heat and massaging pressure.

MAGGIE MOON
(groaning)
Oh! I like all this.

The aroma of her arousal hits his nostrils and they flare as he inhales deeply. Her thighs are silky as she draws up her legs and they slide along his sides, her toes tickle the outside of his thighs. He grabs her legs and spreads them, maneuvering them past and then over his shoulders, her calves and heels rest on his back. He thrusts forward, and at the same time let his weight shift forward and down, pressing her thighs back and her knees toward her chest. He doesn't even attempt to stifle the groaned cry as he slides into her tight embrace. Her sex grips him like a velvet covered vice, which he forces apart in order to forges a tingling, sparking trail of delectable friction to her snug, molten core.

She smiles up at him and her hands slide down his back; her fingertips leaving tingling trails that make his muscles twitch. Her fingers find the tense globes of his ass cheeks and clench around them, pulling him toward her. He grunts and it mixes with her sharp gasp as he thrusts forward and slides into her.

His breathing becomes heavy as he slides himself in and out of her, he is gonna near the climax. She sees him grunt, groan, cry and gnash but she likes this much.

MAGGIE MOON
Oh! Fuck me harder, please.

Her hands reach for his face and he doesn't know if his control will withstand her touch, so he intercepts them, grasping her wrists. Her hands don't stop and she resists him as he pushes against her.

MAGGIE MOON
(screaming)
Oh! Fuck me harder.

He does as asked.

STEFAN JR.
(whispering)
Oh! Are you near it?

MAGGIE MOON
(murmuring)
Yes, yes. Do it.

Maggie Moon pinches on the bed as he hardens and fastens the penetration, pushing himself deeper inside of her. She flinches biting her lip to keep from gasping because a movement that is not missed by Stefan Jr but he does not stop, he grasps her arms with very little pressure.

MAGGIE MOON
(moaning)
Harder!

His hands grip her harder as he fucks her harder.

His face moves up to hers, his tongue caressing her lips and the inside of her mouth. She closes her eyes tightly, grabbing and scratching at his back.

Stefan Jr rolls over, pulling her on top of him. Their bodies never disconnect. They are one. She sits up on him, his full 9 1/2 inches going deep inside of her. She sobs and leans down to kiss him.

STEFAN JR.
(whispering)
It's okay.

He takes her hips firmly in his hands and bounces her up an down. Maggie sighs happily.

STEFAN JR.
I love you, Maggie. I still hope that
this may give you the most happiness.
I love you more than my life.

She smiles. Stefan Jr's hands let her go. But then he rolls over, pulling her onto bed again.

His balls are already boiling, his control hanging by a thread. Her hands reach for his face and he doesn't know if his control will withstand her touch, so he intercepts them, grasping her wrists. Her hands don't stop and she resists him as he pushes against him. The struggle shifts him inside her and he grits his teeth as the shiver of pleasure the simple shift causes snakes up his spine. He pushes harder and suddenly her resistance vanishes and he presses her wrists and arms onto the bed.

Stefan Jr is breathing heavily through his nose, his face poises over hers, her eyes half-lids and partially hiding her usually intense and unwavering stare.

With, a grunt, he starts to pound into her. His strokes are short, fast and powerful. He sees her pearly white teeth dig into her lower lip so hard, he is surprised she doesn't draw blood as her back arches, pressing her torso up to meet his. His flesh collides with hers in a staccato beat so fast the shock wave of one-collision merges with the next. The sound merges with the rhythmic creak of the bed and their cries and his fingers slide from her wrists to link and tangle with hers.

Then it happens, she cries out in pain so loud. She is very close to that point and doesn't want this to end unsuccessfully. So, she lifts her hips up to meet his fast and strong pounds.

He doesn't strive for control, but simply strains for release and it isn't long in coming. Stefan Jr feels his hips stutter with fast rapid-fire thrusts stabbing at her sweet core, grinding against her trying to get deeper.

INT. OUTSIDE OF MAGGIE'S AND STEFAN JR'S ROOM – SAME TIME

SARAH REESE and KYLE REESE walk down the corridor together.

SARAH
This isn't too hard for me, Reese. At this point,
I won't be more surprised with all these miracle
scientific things. What do you think?

KYLE
Hard to say. The man and woman from the future
can be very good soldiers along this mission.
If they are right to travel back, maybe this
will be what I was supposed to do at first.

SARAH
Oh! Kyle. You just reminded me of what happened
to your other previous self. He died protecting
me from a terminator sent back to kill me.

KYLE
And you don't want that happen?

SARAH
Yes. I love you. I always have.

Kyle holds his hand up, he's being sworn in.

KYLE
I love you too, my princess. I swear to God.

Sarah starts to chuckle with that.

KYLE (cont'd)
I will build up a warm family with Sarah Reese and
live with her forever. If I reverse my oath of
calumny, please kill me with what I should be by.

Sarah chuckles happily and locks her eyes with his.

SARAH
I think you won't reverse it. I trust you.

Then they kiss each other happily and gently.

KYLE
Let's go. It's time for sleep.

SARAH
Yeah, I think so.

They start walking together again.

They stop outside the couple's room and hear unmistakable sounds coming from inside. A few grins ensue amongst them and they look embarrassed as they hear the cries and moans and the squeak of a bed inside.

KYLE
(funny)
What's happening in there?

But Sarah quickly shoves Kyle down the corridor.

SARAH (cont'd)
It will be happening in our room too.

And they laugh.

INT. MAGGIE'S AND STEFAN JR'S ROOM – SAME TIME

Maggie Moon screams painfully, sexually, happily and completely. She climaxes and lets out liquid that makes him swerve into her harder, faster and stronger.

He throws his head back and bellows with the white hot surge of pleasure that blazes through him like a napalm inferno that tenses his back into a taut bow, his vertebrae grinding together with the tension while his hips continued to buck. His climax sears across his nerves, overloading his senses and causing his world to shrink to the single pinpoint of overwhelming sensation. His chest was on fire and his heart feels like it will burst as his dick convulses and he pumps his seed into Maggie in heavy, draining spurts. His cry becomes a series of grunts connected to each of those spurts, her sex squeezing against him as he expands before each one.

Stefan Jr collapses on top of Maggie, panting, desperate for breath, twitching as stray electric charges of ecstasy tweaks overloaded nerves and makes muscles misfire. His eyes are closed, his face buries in her hair above her shoulder, it's almond and honey scent mixing with the musk of sex. Her fingers go slack, but it takes him a moment to realize the significance and do the same. She is so perfect with this.

MAGGIE MOON
I love you too.

Stefan Jr moves his face up, smiles and bends down again to kiss around her face. A few tears of happiness run from her eyes. Stefan Jr kisses the salty tears from her cheeks and slides off of her. He lies down behind her on the bed, but she rolls onto her side to face him. They continue to hold onto each other.

STEFAN JR.
Maggie, I...

MAGGIE MOON
No.

She puts her fingers to his lips.

MAGGIE MOON
Don't say that you feel sad to do all this.
Don't think that you was hurting me. It was
what I have waited...

STEFAN JR.
But I...

MAGGIE MOON
Shhh! I wants to sleep. We both are tired.

Stefan Jr smiles.

STEFAN JR.
Okay, sleep.

Stefan Jr just pulls her closer to himself placing a kiss on her lips. They lie naked on this small bed, holding each other.

INT. PREECHA'S BUNK – NIGHT

PREECHA SINGHMAK bunks in a one-time closet about the same size of John's Holding Room in F03E01 is. There are two small bunks and one trunk. Only one bunk has bedding on it and the bedding is MICHAEL SINGHMAK(2), Preecha's son. The trunk is painted black with panther eyes.

Preecha loads a clip and chambers a round in his well-worn Glock (or other semiautomatic pistol). There is a knock on door, so he puts down the gun and turns to it.

PREECHA
Come on in.

The door is opened by E. Boykins.

E. BOYKINS
(in Thai)
"You look better."

PREECHA
"It's really hard to manage."

E. BOYKINS
"Yeah. I understand you."

Preecha nods and smiles faintly.

PREECHA
"I can do this, Stefan. At first, my sister,
Prapada was killed by machines. Micky was with
me, encouraged me and strengthen me. But now,
she's dead and I can't help her. I can't help
all my sister, my parents and even my own wife.
I can understand all this. It's usual."

E. BOYKINS
"I heard her case from the doctor. There is
a way to cure but there were so many people
want it. She told the doctor that she never
wanted it anymore and she wanted that doctor
to cure those people before. You should be
proud of her. This is a good sacrifice."

A couple of tears stream from Preecha's eyes.

PREECHA
(sadly)
"I know."

E. Boykins sits down beside him.

E. BOYKINS
"And if I were her, I would never want to
see you crying with sadness like this. The
life is to be continued. You must continue
living because you still have your son. The
innocent boy who has been on world just for
2 years, he still needs his father. His mom
is dead so please don't let his father die."

Preecha quickly looks at E. Boykins who gives him a small smile.

PREECHA
"How did you know I want to?"

E. BOYKINS
"I'm sleeping, my friend. My soul is strong during
sleep. I can keep watching your activities here.
I apologize, Colonel. I have been watching you."

PREECHA
"Hmm! Thank you so much."

Preecha reaches his hand and grabs the gun.

E. BOYKINS
"Pull it out. Everyone here needs you.
Your son needs you. You have to live."

Smart man. He's got him. He nods, reluctantly. He pulls a magazine out of the gun and hands it to E. Boykins.

PREECHA
"Okay. Thank you so much, buddy."

E. BOYKINS
"From now on, you change."

E. Boykins throws a gun away toward the corner of room.

E. BOYKINS (cont'd)
"Nice to meet you, new Preecha Singhmak.
Maybe I should introduce myself at first."

Preecha smiles funny.

E. BOYKINS (cont'd)
"My name is Warapop Pichitchai. Nickname's Stefan.
I am also known as Enigma E. Boykins. I'm 27 years
old. My fater's name is Anongsak Pichitchai and my
mother's is Yonlada Pichitchai. What about you?"

Preecha stares at E. Boykins' happy look. Then he chuckles.

PREECHA
(happily)
"Okay. I am Colonel Preecha Singhmak. Nickname's
Pond. My sister is dead, her name is Prapada.
My mother's name is Penpitcha Singhmak and my
father's is Thunyaboon Singhmak. I'm also 27."

And then they shake hands and smile to each other.

PREECHA
"Nice to meet you, Mr. Pichitchai."

E. BOYKINS
"Nice to meet you too, Colonel."

And they both laugh again but still keep their sounds low because Michael's sleeping.

PREECHA
"What do you think to do after we win Skynet?"

E. BOYKINS
"Why are you so sure we're gonna win?"

PREECHA
"I don't know but I just think that we should. Skynet
ends. That robot won't birth and we'll be safe."

E. BOYKINS
"Skynet had so many cores installed around the world.
It was ready before Van Meter presented it to USAF."

PREECHA
"So be it. How could we win it?"

That question convulses with E. Boykins' thought. He's got new idea, he looks at Preecha with a smile. Preecha smiles back.

E. BOYKINS
(gladly)
"Oh! Thank you a lot, my friend. Do you really wanna
tell me that we can win it with co-operations around
like Skynet did?"

PREECHA
"No. But your idea is very resemble to mine.
And I think yours will be better."

E. BOYKINS
"And we still need a mimetic poly alloy."

PREECHA/E. BOYKINS
Weaver.

They laugh again but this time, they get cocky. Their sounds completely wake Michael up. He cries. They quickly turn.

E. BOYKINS
"I think I should go."

E. Boykins stands.

PREECHA
"You also make him cry. Help me."

E. Boykins gives him a friendly smile one last time as his image slowly fades in the air. It's like many agglomerate molecules separate, shrink, and then dissolve in the air.

PREECHA
(murmuring)
"Friend indeed."

Preecha shakes his head and turns to his son, trying to lull him with a fatherly hug and a song.

INT. MR. AND MRS. PICHITCHAI'S ROOM – NIGHT

E. Boykins opens his eyes. Allison lies beside and slightly on top of him. Her head resting on his shoulder and one hand laying above his heart. E. Boykins reaches up and casually runs his fingers through her brown locks of hair on her head.

E. BOYKINS
"How can I say, my heart? I'm so proud of you.
Only one girl has no hard feelings to me."

E. Boykins smells a lock of her hair. He feels it so fragrant.

E. BOYKINS (cont'd)
"I know you have been thinking much about how
to protect me, how to be so useful to me and
how to become a great wife of mighty psychic."

E. Boykins gently puts her down to the sofa and stands up, out from her.

E. BOYKINS
"I just wanna say that you don't have do
anything for all those because you are so
useful to me. You are my heart already."

He controls his legs with his mind to kneel down in front of her and his wheelchair slowly moves toward him from the corner of room. Yes, he controls it.

E. BOYKINS
"My good wife, thank you."

As quietly as he can, E. Boykins puts on the clothing he hastily removed the previous early night. Pulling on his shirt, E. Boykins looks at Allison sleeping peacefully. She looks so beautiful in her slumber. At absolute peace.

E. Boykins clears her hair out of her face and gently places a soft kiss on her forehead. He stands and sits down on his wheelchair, pumping it out of this area.

END OF ACT 2

---

ACT 3

(Sarah's last sexual intercourse)

INT. MR. AND MRS. PICHITCHAI'S ROOM – CONTINUOUS

He pushes forward, pumping the wheel of his chair to the outside of bedroom. When he reaches that room, the door opens and the light is turned on by his mind for him. He pumps into room. He continues toward his son and his daughter sleeping peacefully. Their breathings are normal. Nothing bad happens to them both.

E. Boykins fondles Sittipong's little soft black hair. He is so happy to do this. His eyes turn to focus Orwell as well. He so gently touches her cheek. Never want to wake them both up. His love for them never changes. He loves them more than his life. Seconds he's lived here makes him happier. He smiles, sighs and gently kisses on Sittipong's then Orwell's forehead.

He reaches out to grab a blanket near Sittipong's head and puts it to his lap.

E. BOYKINS
(whispering)
"Good night, Sam. Good night, Orwell."

He turns the wheelchair and pumps out of the room where the door slowly and softly closes behind him. The light dims and then switches off.

He pumps toward where Allison sleeping peacefully. He gives her a quick kiss on her cheek and slowly blankets her. He caresses her face as he keeps his eyes on her. One hand, touches her hair.

E. BOYKINS
"Good night, Allison."

E. Boykins crosses his arms over the edge of the sofa, bends his back and drops his head to sleep near her.

INT. APARTMENT - NIGHT

The room is a tiny CUBICLE, prison cell meets 747 bathroom. Narrow cot, wall-screen droning away in the B.G. -

THAI NEWSCASTER
"Today, our new king, Jupiter Godon had first
meeting with Dr. Art-ong Jumsai Na Ayudhaya.
He inserted piece of metal into the scientist
then the meeting got pass easily. Our king said
before he went that: "we will control everybody
around the world. I will bring freedom to all of
you. Good luck to everybody around here."

COLONEL KIM YOUNGCHUN laboriously pulls his pants off. He looks serious with that news. COLONEL HIKARU CHINTAI and COLONEL WANG PICHAO walk from the bathroom, shutting the television down.

KIM
I hate this metal.

WANG
We have to search for our psychic General.

KIM
Are you sure that he hasn't been hypnotized yet?

HIKARU
I'm very sure. Our agents report that Colonel
Preecha, E. Boykins, John Connor and friends
could run from Jupiter and also capture Weaver
back with them. There were a man and a girl
helping them. We should find them before.

Kim steps forward.

KIM
What if we turn to another place else?

HIKARU
What?

KIM
We're in Chiangmai, right? What if we go
abroad our ships to our lands for more men
and go to USA for another plan?

HIKARU
Which plan?

KIM
Plan to travel back with TDE there.

WANG
Why are you so sure that they don't destroy
every TDE for the good of our world?

Both look at Wang.

KIM
Why don't you think that they may learn how
to build a TDE before destroying them all?

WANG
Good idea.

KIM
So we should go up to our land.

HIKARU
I'll tell my men. You both tell yours. We must
get through the Lao border line today. I hope
that Wang's men are still near beach for our
transporters. We may have to go before this
morning as well, my friends.

WANG
They are all ready. Your Japanese and
my Chinese soldiers have been waiting.

KIM
So. We gotta go.

Kim, Wang and Hikaru get out of the apartment.

INT. MR. AND MRS. REESE'S ROOM – NIGHT

Their bodies collide before the door even clicks closed. Her hands are quickly pulling his shirt over his head. Their lips part and...

SARAH
(hissing)
I need you.

He tugs her hair back gently, gaining access to her neck.

KYLE
I want you.

He nips at her flesh. His other hand makes its way into her pants and slips between her folds.

She gasps at how rough he is being this time. He has always been so tender, so attentive.

SARAH
(whispering)
Don't stop.

Her body is on fire and she aches for him.

He slips a second finger into her. His pants are becoming unbearable tight, but taking care of her is the first thing on his mind. He pushes her back against the wall as his fingers assault her.

Her nails dig into the flesh of his shoulders as she fights to keep her legs from buckling. She can feel herself reaching the edge. This aches need for a man to be inside her.

SARAH
(hissing)
Want you...

He silences her with a hard kiss. His tongue slips past her teeth, tangling with hers. He grunts into her mouth. He growls as she tightens around his fingers.

SARAH
That's it, baby.

Lights explode behind her eyes as she comes hard. Her legs are trembling with her release, but he doesn't stop. She feels his body pull away from hers only to tug her jeans and panties down her legs.

Once he's rid her of them, he is on his knees. His mouth and tongue lapping at her juices. He flicks his tongue across her sensitive, throbbing nub. Her hands are now in his hair, tugging gently at first. He smiles against her folds.

Her hands move to the back of his head, pushing him against her warm, wet center. He pulls back and looks up into her eyes. Seeing the need there, he moves his mouth back to her, sucking gently.

Moments later, unable to fight the bulge in his pants any longer, he moves his mouth quickly up her body until his mouth collides with hers once again.

She can taste herself on his lips and she bites his lip in ecstasy. She can feel him fumbling with his zipper on his jeans. Reaching out to help, he catches her hand and moves it above her head. She smirks.

KYLE (cont'd)
What?

He lifts her leg against his hip.

SARAH (cont'd)
Nothing.

She draws his mouth back down to hers. She feels him thrust into her with one hard push. She growls low in her throat:

SARAH
Fuck.

He then buries his face into her neck as he pounds into her. Her other leg is now around his hip as his thrusts become slower. The pace changes. He slips his hands behind her back and moves them slowly onto the bed, still sheathes deep inside her depths.

And as quickly as the fast, intense heat has started, he is now making love to her with every intention of giving her everything she has ever expressed enjoying when they has been intimate like this.

Unable to contain himself any longer, he slowly nudges her legs further apart with his thighs and withdraws his dick with a flourish. The look on her face must have been reminiscent of taking candy away from a baby, because he chuckles, before slamming back inside her with an earth-shattering intensity. Her breath hitches as he pulls completely out again, before crashing back into her. Kyle repeats this maneuver fifteen times before he slowly slips his fingers into her inner lips as moans of pleasure emit from her in her pleasure-filled haze. All his touches are like the older Kyle ever did to Sarah, this one has been going so differently and yes, she likes those sexual activities.

He slides his cock all the way inside her again, slowly caressing her clit as she quivers from his touch. Kyle completely fills her and his thrusts has stopped as his fingers glid over her cunt. She is reflexively huntching against his fingers. She is on cloud nine. And Kyle is smiling down at her with a look of love unequals in their year of acquaintance.

KYLE
Are you happy having sex tonight?

She blinks once in response which illicits a mad, glorious thrust from him and before long, he is wildly moving inside her. A major orgasm overtakes her as he releases inside her. They can't move for a few moments, content to lie in their own bodily fluids, gasping for breath. They automatically curl together as their bodies recover from their amorous activities. Kyle sighs.

SARAH
What?

KYLE
Vaginal parfait.

She raises up on one elbow and looks down on his smirk.

SARAH
Excuse me?

He shifts his body until his lips are lightly kissing along her thigh as his finger again finds and slowly caresses her pussy lips. As his mouth reaches her suddenly pounding and throbbing, still moist pussy, he spreads her wide with his fingers as the tip of his tongue encircles her clitoris. After several long seconds later, she has no concept of time, he slides his tongue down and inside her pussy to taste her essence.

Kyle pulls away for a moment.

KYLE
Your sweet nectar, a veritable 'vaginal parfait'.
I can't live without you, darling. I need you
with me for all time.

Then his tongue delves deeper into her pussy. Kyle's dexterous fingers diligently rub her clitoris a little faster and harder as Sarah tightens muscles, cumming once again all over his tongue.

He gently cleans her juices with his tongue, then raises up and slips his body between her legs as the head of his cock rests at the opening to her pussy. He leans down and kisses her deeply. Sarah tasts her own.

SARAH
vaginal parfait.

...as he has dubbed it, on his mouth and tongue. She can taste the essence of him mingles in her own as well.

She is totally surprised he is ready to go again. But then Kyle always has the stamina of a horse, but this time it feels different, unlike older Kyle in motel room with Sarah that night. His desire seemingly is ferocious and feral. And Sarah can never get enough of him.

He slides his cock all the way into her again and she raises her hips to meet his.

A wicked scream of pleasure escapes her throat as they kiss, they move together as the head of his cock hit the deepest depths of her, both of us driven to ecstasy, feeling as if we has become one with each thrust and tightening of muscles. Sarah moans and racks her nails across his back in sheer pleasure as he leans down to take one of her nipples into his mouth, sucking, nibbling it as they move together toward completion of our erotic dance.

Waves of orgasms wash over them and they come in an explosion together. Sarah may feel as if they are floating off on another cloud, then as the throbbing of his cock subsides, Sarah slowly returns to Earth finding herself in the love of her life's arms. As he's slowly slipped himself from her pussy, they are laying on the bed as Sarah kisses his chest, slowly moving downward to his awaiting cock as she licks their combined moisture from him.

Sarah begins to suck him into her mouth, but his hand stops her.

KYLE
(murmuring)
No more, my love...Pleasure overload.

She slithers back up his body settling in the crook of his arm. Sarah lies her head on his hairless chest and her hand caresses his gently sloped stomach. Kyle sighs again as they both smile.

SARAH/KYLE
You are wonderful, my love.

They both chuckle. Then as we slowly zoom out, they both fall asleep.

EXT. PSYTECH CORP – NIGHT

A car pulls up next to two soldiers.

Around them people are stacking and sorting weapons. Crews of Soldiers are standing in formation.

Getting out of the car...

JUPITER
Lead me, soldiers.

SOLDIER
Yes, sir.

Two soldiers lead Jupiter the way into the building of Psytech Corp. The one looks a bit like Zeira Corp, only few things are different. It has Psytech logo, just 14 stories and the whole building doesn't look very modern like Zeira Corp.

INT. PSYTECH COMMUNICATIONS - NIGHT

The communications room is at one time the motor pool and has Psytech logo on walls. Two stacks of equipment dominate one wall. There are chairs and a table allowing for conferencing on the air. CAPTAIN TRIPOOM mans one of the equipment stacks. CAPTAIN SUWAN waits impatiently as two gaurds and JUPITER enter.

JUPITER
What do you have tonight, Captain?

They both quickly turn and salute at Jupiter.

CAPTAIN TRIPOOM
We got an emergency communication message
half an hour ago, sir. Our men found their
sentries. We can consider their location.

JUPITER
Where are they?

CAPTAIN TRIPOOM
Only guess, sir. Ranong, southern Thailand
near the border line to Tanintharyi, sir.

JUPITER
The border line?

CAPTAIN SUWAN
Myanmar and Thailand.

JUPITER
No. I didn't mean that. I already knew it.

CAPTAIN TRIPOOM
Your majesty, according to the message we
got, there are still men serving under them.

JUPITER
Men? How could have they?

CAPTAIN SUWAN
6 months after the last battle on Asian lands,
some of men and most of all cyborgs who weren't
with General Boykins in USA were conscripted to
repair and continue the construction of big dam.

JUPITER
So some men and cyborgs have been from all this?

CAPTAIN TRIPOOM
Not just that, sir. After the battle, some
machines have still survived and regrouped
around Mon state and Dawei. They might be
captured and reprogrammed by them.

There's a slight pause.

JUPITER
So prepare me all forces you have. All humans
attack the sentries. Cyborgs and endos go
directly toward their location. Go.

They both quickly salute.

CAPT. TRIPOOM/SUWAN (cont'd)
Sir.

Then they leave the room.

CLOSE ON JUPITER as he smiles subtly.

FADE TO BLACK:

EXT. STEFAN JR'S TENT – EARLY MORNING

The sun is rising in the east. There is a guard here, he's a wounded T-800 cyborg with one RSB-80 on his arms. He looks around, insuring against dangers.

INT. MR. AND MRS. PICHITCHAI – SAME TIME

Allison wakes up and sees him sitting asleep near her. This is a bit surprised for her this morning.

ALLISON
Stefan.

He looks up, still sleepy.

E. BOYKINS
What's wrong, Allison?

ALLISON
What happened? Have you slept?

E. BOYKINS
Just a few hours before you wake. Orwell
cried every three hours. I needed to wake
and calm her down before you would wake.

Allison's expression changes to one of sympathy.

ALLISON
Oh! Stefan, I'm sorry.

E. BOYKINS
No. I just don't want you to be tired.

More concern and sympathy are etched on her face.

ALLISON (cont'd)
And what about yourself? You look so tired.

E. BOYKINS
I've not been dead yet, Allison. It's blow-off.
You'd have slept for yourself. You lost around
30 millilitres when you are on your period and
you need rest and good food. Yesterday, you had
eaten junk food. So I should let you sleep much.
Your body wouldn't be so tired.

ALLISON
But not like this, Stefan. I'm your wife, not
a goddess. You shouldn't have had to do this.

E. BOYKINS
I'm a man. I have durability. Okay, forget it.
I'll have slept for another hour before. If you
really wanna help, please make sure everything
is packaged into the leather bags.

ALLISON
Okay. So sleep.

Allison stands from the sofa and is about to move but E. Boykins grabs her left hand, keeping eyes to hers.

ALLISON
What?

E. BOYKINS
I think you forget something.

Allison thinks. E. Boykins still looks into her eyes. With just ten seconds, she can realize it and then she gives him quick pecks on both side of his cheeks. He smiles happily.

E. BOYKINS
That's what I want.

He lets her go. He moves onto the sofa and lies on it while she is moving into the bedroom.

INT. THE CONNORS' ROOM – SAME TIME

John and Cameron lying together, John holds her in his arms for the longest time, enjoying the warmth of Cameron's body against his as she snuggles against him. John opens his eyes, feeling today is so amazing. In his embrace is really the one he loves and have come to this future and have tried hard to be her pride, making her returning to him.

JOHN
Oh! My cyborg, you are so beautiful.

Cameron doesn't wake. He just wants to look at her, doesn't wanna leave from her embrace. John kisses on her shoulder then up to her right ear and then her right cheek.

JOHN
I'm sorry for that day I left you for Riley.

John kisses on her temple.

JOHN
It's my mistake. I just didn't know how you really
felt to me, it was a computer game or the logic
error in the core of your chip that created you
the thing call 'love'. Stefan was right. I'm very
selfish. I hadn't cared about you when you needed
me so much like that. I'm so sorry.

John casually runs his fingers through her brown locks of hair on her head. In fact, she doesn't differ Allison. But he still feels difference. However, he never feel anything with Allison like he feels with Cameron. This is very good and Stefan wouldn't have to kill John to get Allison's heart, it's fair enough. John thinks and he slowly kisses around her body during her deep slumber.

Finally, when he is about to kiss the crook of her neck, she wakes up and turns to look at him with a good-morning smile.

JOHN
Good morning, Cam. How's your night?

CAMERON
It's moving in my belly.

JOHN
What?

CAMERON
John, I'm very sure I'm pregnant but it
seems weird. I can't explain at all but
it has been moving in here.

Cameron's hand flows to her stomach. Eyes on John. John slowly reaches his hand, his hand moves to the belly and gently rubs the spot where it must have kicked her. John smiles oddly. He feels very amazing.

JOHN
Moving.

CAMERON
As I said, right?

JOHN
Yes. It's so gentle. But there must be
something so wrong. The baby must not
have grown as fast as this.

CAMERON
Or anything else inside me?

JOHN
Can't really tell, Cam. We have to go.
Maybe Stefan or even that psychic can
help us. We need an scientific advice.

John releases his hand from her belly.

JOHN
Get dressed, Cam. I'll make you sandwich.

CAMERON
Okay, John.

They both immediately stand up.

INT. JOHN HENRY'S LAB – SAME TIME

John Henry's lab is high tech and also is an underground lab. John Henry still has his cord connecting to the back port. John Henry and Mia are staring at the monitor showing the scan of Catherine Weaver's system. The whole is all blue, only some spots are red but they slowly disappear.

MIA
How much time?

JOHN HENRY
In a few minutes. Then I'll recheck it. I can access
it all but we have to override the whole before it...

MIA
...restores itself on again.

JOHN HENRY
Yes, this is only one way to reprogram her.
Because of this body I've possessed, I have
been able to program and delete anything on
the mimetic poly alloy quantum neural system.

MIA
Why don't you do this to that metal? Jupiter?

JOHN HENRY
Jupiter can't be reprogrammed and can't be
destroyed. I did a research with liquid metal
for years, so I know how they work. MPA of my
body is the same type with Weaver but Weaver's
code isn't strong enough. Skynet ever planned
to reprogrammed her with this avatar.

MIA
But what I have seen now you are...

JOHN HENRY
We have to delete the whole liquid metallic cells
for the consummation of this advanced coding. I'm
recovering at the same time too. Please stay quiet,
Ms. Mia. I'm getting close to the central core cell.
I need to sleep some functions to get all my memories
and processors to work for only it.

MIA
Yes, sir.

John Henry closes his eyes. The monitor running pictures and applications so fast. Mia is standing like a statue, keep her eyes on monitor just before it is shut down by John Henry's system after all.

A minute after John Henry has closed his eyes, the whole room sparks. It sparks again. Mia quickly looks around before looks back at John Henry, his eyes still close.

MIA
Mr. Henry?

No response. The metal capsule of Catherine Weaver sparks.

MIA
(louder)
Mr. Henry?

WE SLOWLY CLOSE ON JOHN HENRY'S EYES...

MIA (O.S.)(cont'd)
Mr. Henry, did you hear me?

JOHN HENRY'S EYELIDS move a bit before they open.

JOHN HENRY
Lucky!

FULL SHOT: Both John Henry and Mia turn around to find the capsule's door slowly and automatically openning, revealing a silver female mimetic poly alloy figure sitting inside with tubes connecting around the mercury liquid body.

C.U. THE SILVER FIGURE: her body changes rapidly to be CATHERINE WEAVER, the mother of John Henry. She is pleased. Looks quite like the former CEO of Zeira Corp.

CATHERINE
I'm back.

They all smile happily.

END OF ACT 3

---

ACT 4

(Sarah's surprised death)

INT. JOHN HENRY'S LAB - DAY

John Henry and Mia are working on Cameron's pregnancy check. John Connor is sitting beside her and holds her hand firmly in his. Mia draws blood from Cameron's other arm onto a small glass plate which she hands to Weaver who watches it through the microscope. Catherine starts to drop solution for test on the plate and look through microscope.

JOHN
(to John Henry)
If she is pregnant, why is it so fast?

JOHN HENRY
I don't know.

CATHERINE
Maybe because of the way that Cameron
was ever in the eugenic experiment.

JOHN HENRY
Possibly.

JOHN
I thought that it would be good to Cameron.

Catherine drops another and looks through it again.

CATHERINE
Cameron!

Cameron sits up and everyone looks at her. Catherine leaves her microscope and stands. She gives Cameron and John a big smile of real felicitation.

CATHERINE
Congratulations! Cameron, you are pregnant.

With that, both John and Cameron look so glad. Especially John, he turns and hugs her closely and gladly.

JOHN
(so exultingly)
Hooray! Cameron, you are pregnant. You pregnant.
My wife's been gestating. My love is pregnant.

Cameron starts to feel cramped of his firm hug.

CAMERON
Oh! John, I think you should let me go. Oh! My
love, let me go first. I can't breathe now.

JOHN
Oh! Sorry.

John stops and lets her go. They look at each other, keep their eyes to each other's. John gently touches her cheek, breathing fast with gladness.

JOHN
Oh! Cameron, I'm so proud.

CAMERON
So am I, John.

JOHN HENRY
But...

They quickly turn to John Henry.

JOHN HENRY (cont'd)
But about Cameron's weird symptom?

CAMERON
We need ultrasound.

E. BOYKINS (O.S.)
Said who, Cam?

Everybody turns to find E. Boykins with Orwell and Allison with Sittipong entering the lab. MARCUS YOUNG, Sarah Reese, Kyle Reese, Maggie Moon and Stefan Jr follow them. Their expressions are all congratulations.

E. BOYKINS
We don't need any ultrasound because
we already have had super scanners.

CAMERON
Super scanners.

E. BOYKINS
My mind can get through everything. It won't
effect your belly or even your baby inside.

JOHN
Sounds great.

STEFAN JR.
And I can too. Don't worry, Mrs. Connor.
We shall do it with all our abilities.

E. BOYKINS
(to John)
John, I'm not gonna take liberties with your wife.
(to Allison)
May I touch other girl?

Allison and John chuckle at E. Boykins' concern.

ALLISON
(with a laugh)
This case is exception. Never mind, Stefan.

JOHN
Do what you need to do.

E. BOYKINS
Okay. John, come and get Orwell.

John nods, steps forward and gently holds Orwell from E. Boykins' embrace. Everybody gets their attention at what E. Boykins and Stefan Jr are gonna show them.

STEFAN JR.
Grand, you first, sir.

E. BOYKINS
Exactly.

E. Boykins steps closer Cameron but he still concerns it anyway.

E. BOYKINS
Cam, may I?

CAMERON
As your wish.

E. Boykins lies his hand on top of hers, over her stomach. Allison stares hard at them. Cameron can see a bit jealousy beneath her eyes but Allison can handle it, she breathes. E. Boykins slowly and gently pushes Cameron's hand out of her stomach. He kneels down in front of Cameron and keeps one of his hand on Cameron's stomach. He looks up at Cameron.

E. BOYKINS
I'm sorry for this.

CAMERON
Never mind. You just do it for us. Please continue.

E. Boykins does the fingers-to-temple gesture, staring hard to the belly and concentrating his mind. He closes his eyes, feeling the inside of Cameron's stomach.

E. BOYKINS
(murmuring)
Interesting. Hmm! Very interesting.

JOHN
What's in there?

E. BOYKINS
(murmuring)
Just wait. Almost done.

He inhales and exhales hard. Clears his mind.

E. BOYKINS
(murmuring)
Clearer vision.

E. Boykins nods.

E. BOYKINS
(murmuring)
Hmm! I understand them now.

CAMERON/JOHN
Them?

E. Boykins opens his eyes, releases his hand from Cameron and from his temple, and he stands up, turning to face both John and Allison who have stood behind him.

JOHN HENRY
What did you see?

E. Boykins smiles over his shoulder to John Henry.

E. BOYKINS
They're very interesting.
(to John)
You have twin daughters. Strong and fast-growing.
They are now like second month of pregnancy. Their
brains are being developed. I have never seen this.

STEFAN JR.
This is what it happened. And this is why you
all would go back to Los Angeles faster in the
timeline I and Maggie left.

JOHN
So this wil happen but you never told.

STEFAN JR.
Sometimes I forget things so easily. My brain
works and overwrites itself very fast but I
can recover all data as fast as I want too.

JOHN HENRY
We have heard that a lot.

Eyes glance at E. Boykins.

E. BOYKINS
Yeah, I did say.

CAMERON
Anything else we should know?

STEFAN JR.
(to Cameron)
You will give birth in around three or four
months after this. I can't remember it all.
Oh! And you will eat like a sumo fighter.

JOHN HENRY
Everybody, wait.

That gets everybody's attention.

CATHERINE
What's wrong, John Henry?

John Henry's fear rises. He's agape. Stefan Jr's face also betrays a sort of fear/surprise. E. Boykins changes to be very serious.

JOHN
What's happening?

E. BOYKINS
They are getting close.

STEFAN JR.
Our men just lost first level sentries.
We should speed up charging of the TDE.

JOHN HENRY
We must have plan for defence.

John hands Orwell back to E. Boykins. They exit the room. John only can support Cameron very carefully.

INT. MEETING ROOM – DAY

Everybody sits at a table in this austere room. In b.g stands a T-888 endo with a one-of-a-kind chest plug about the size and shape of a stack of eight U.S. quarters; and an R2D2-sized UTILITY HK.

On the table are laser pointers and wireless mouses. The wall has three large displays with a number of dead and stuck pixels. On one of the displays: a map of Bangkok with Thai military movements marked; another display shows a regional map of their positions from the dam to out in the mossy towns; the third, largest monitor shows the area around the dam. Marked are Stefan Jr's defenses as well as some of hypnos troops at the very edge of the screen.

STEFAN JR.
Jupiter is very confident that this will be
a decisive victory. We have only few hours
to travel back but every jump needs time.

KYLE
This place is going to be a slaughter. He will
send wave after wave. There's nothing we can do.

STEFAN JR.
We can't think that way because it's three days.
We have had our force enough to resist the army.
I and Mr. Young and John Henry have regrouped
Thai reprogrammed force for almost two days.

E. BOYKINS
No one here can kill that 2000?

STEFAN JR.
I have planned, grand. My design of TDE has
been upgraded from the same one uncle Glau
and future scientists invented for our travel.

E. BOYKINS
Explain. I know what you think but other need an
explanation. What's the plan? What's the point?

That makes Stefan Jr become a deer in a spot light. He breathes.

STEFAN JR.
Okay. My plan isn't that easy but if that
T-2000 comes here, it will be killed by my
TDE. Its liquid metal will be secluded and
can't be joined perfectly anymore. According
to older model, the electromagnetic power
increases the abilities to work to all cells.
These also resurrect dead but it'd be so
dangerous about mind-blowing. It's not same
where different when as before. If the time
traveler don't have connection to each other,
they'll appear in different where but still
same time. Only one way I can explain more
about it, that old also can't send MPA back
through time like other previous versions.

E. BOYKINS
And you have redesigned it.

STEFAN JR.
I already have. But we don't have much enough
power to unlock the most powerful functions.

JOHN HENRY
So, the mimetic poly alloy is able to.

STEFAN JR.
Yes. If my calculations aren't wrong, at last set
of time traveling, we will unlock and open the TDE
with all full functions. Our bombs will work then.

SARAH
So do it as you've planned to do.

STEFAN JR.
Anybody else have any questions?

No one wants to ask.

E. BOYKINS
I think we should go.

STEFAN JR.
I'll go to slow them down.

NEVLIN
I'll turn on the TDE.

C.U. STEFAN JR'S FACE as he smiles.

STEFAN JR.
It's our turn to attack hypnoses back.

EXT. MOSSY BATTLEFIELD – DAY

A T-850 has a smoking and glowing T-850 fuel cell in his hand.

T-850
W-M-D!

T-850 throws the device as far as he can into the midst of the endos.

EVERY HUMAN and REPROGRAMMED ducks for cover.

BIG EXPLOSION that results in a small non-nuclear mushroom cloud.

Endos and Hks and hypnotized soldiers in the central blast are vaporized.- Those a bit farther out are fragmented but dangerous in that I'm-still-a-terminator-and-I-never-stop way. Those farther out still were knocked around, but quickly renew their attacks.

The T-850 looks at a T-888 endo near him.

T-850
That was fun.

T-888
Go and join the fight.

T-850
You radio to Henry?

T-888
I did.

T-850
So go.

Then they move. The force behind them rise with their weapons, running into the great battle.

FULL SHOT: A plasma-streaked battle is fully engaged. Three dozen T-888s fire on twenty REPROGRAMMED and humans in the relatively open ground near the east battlefield.

Both sides sustain a lot of body damage, as chip-targeting-especially by the T-888s- isn't a prime strategy.

The battle turns under the belt. Hypnoses come more than reprgrammed. The fightings are so furious with plasma blasts and explosions. T-888s fight with each. T-850s rake their plasma rifles to the new coming force. Then the Thai air force has come and the whole battle squad of reprogrammed is destroyed by missiles and bullets.

A squadron of Fairchild AU-23A Peacemakers bomb around the sentry posts in this big mossy field.

The squadron of Thai air fighters flying lower, fire and head-splat machines on ground to clear the way.

BINOCULAR VIEW: The T-888s gather up weapons, the fallen Reprogrammed, and any detached parts. The T-888s carry the Repurp endos, traveling in single-file, west, away from us. The air force comes and binocs are lowered...

OVER HEAD, the squadron of Fairchild AU-23A Peacemakers bombs the whole place.

Many reprogrammed units has come from the south, firing plasmas up to defeat some air units of the hypnoses'.

Half of all new coming endos run into hand-to-hand fightings with the hypnotized units. Punches, raking, kicks, weapons using are useful and make all this to be the good delay.

EXT. MOUNTAIN CHAIN (AERIAL) – DAY

Below is the general battlefield in front of the Mountain. Several PLASMA CANNONs are FIRING into the valleys. Some are in stand-by.

In quick succession one, two, three PLASMA CANNONS EXPLODE with some very PYROTECHNIC SECONDARY BLASTS. The triangle of PLASMA CANNONS on the west side, on the other side of the mountain, and the PLASMA CANNONs stationed above the main entrance are now dead.

Still active at high hills are the PLASMA CANNONS on the east side of the mountain, and one on the opposite side of mountain.

EXT. SOUTHERN THAILAND BEACH – DAY

THE BIG SQUADS of reprogrammed endoes are fighting against a formation one of Royal Thai Navy with all weapons they can find. But the navy can win easily with their HTMS ships firing missiles onto the coast guards.

BOOOM! BOOM! The missiles attack around the posts. Everyone is running for their lives together with firing back but Navy air units and paratroopers with plasma guns terminate them all.

EXT. MOSSY BATTLEFIELD – DAY

The land is lush. Near the lake are large patches of flowering plants. In the distance, the PLASMA CANNON fires PLASMA ROUNDS down into the valley on the opposite side of the lake.

Hypnoses are running toward the battle stations of reprogrammed without fear and hesitation. They're very crazy.

The air forces are being cut down by a squad of Type 47 Nana-yons that the reprogrammed have gained controlled.

EXT. TOP OF RIDGE - DAY

Dozens of Endoskeletons have a marvelous view of a pitched battle.

In all three slopes up to this position, ENDOSKELETONS of all T-8xx models face off with reprogrammed troops climbing up from east mossy hill. The fight on the right is currently closequarter fighting between Endoskeletons and REPROGRAMMED.

TROOPS and BODIES are scattered on the floor of the Wilderness on the opposite side of the lake. They look like a colony of ants crossing in the valley. The ground is blackened starting from the lake shore-a PLASMA CANNON rains down

BOLTS into the hypnoses. Beyond East Land, heading toward the forest, reprogrammed have formed a thus-far impenetrable barrier to the advance.

On the mountain slope leading to the PLASMA CANNON, small groups are ascending. Glints of metal near the Plasma Cannon hint at the ENDOSKELETON SQUAD protecting the cannon.

At our current location on top of the ridge, the Endoskeletons don't descend into the thick of battle- they spread out.

EXT. EAST SLOPES - DAY

The fighting between reprogrammed and hypnoses is fierce. Metal vs Metal. Metal vs hypnotyzed humans. Think of the best Cameron vs Terminator fights and make it twenty times bigger.

There are few plasma shots. It's mostly hand-to-hand.

Many Cybrogs have very torn-up organic layers. A lot of their own endoskeleton shows. Some occasionally even flash BLUE eyes. Conversely, some of the Endoskeletons flash RED eyes.

Reprgrammed don't quite hold their own. While some T-8xx are defeated, more reprogrammed are incapacitated...and decapitated.

EXT. MOSSY RUINED CITY – DAY

The sun shines, telling that it's noon. The hypnos army walk in but then the buildings around them explode as traps.

Another squad of reprogrammed come from the south and get into a big fight of plasma gun firing, hands-to-hands and explosions.

Over head, a bomber comes and is about to bomb the places but it stops and falls onto ground nearby. And the new comer flying over head, Stefan Jr fires his plasma rounds down to enemy force before he faces two air bombers come...

STEFAN JR.
(telepathy)
The situation seems worse than I ever expected.
I'll buy more time, Maggie. Send back first group.

He spins in the air and rushes through them and they explode, down to the fiery explosions on a squad of hypnos army below.

INT. UNDERGROUND TDE CHAMBER – SAME TIME

This is the same where with underground lab but the whole TDE is complete. Humans and cyborgs are surrounding the chamber. Four are at controls, working with 4D calculation workshop. Everyone wears leathers and has their leather packages. Only Catherine and John Henry have nothing. Maggie Moon has been doing the fingers-to-temple gesture.

MAGGIE MOON
Just like that. Okay.

Maggie Moon lowers her hand, turn to find Catherine Weaver, John Henry and Preecha(with Michael) standing at ready.

MAGGIE MOON
You go first. We'll send the rest in four minutes.

Catherine Weaver, John Henry and Preecha(with Michael) move onto the chamber platform.

MAGGIE MOON
For safety, we have to send you first with low power.
I figure that you will appear in the same place. Your
liquid metal cells won't be destroyed. So please
don't worry. Good luck. Bye and see you later.

Maggie Moon walks toward the main control and pushes on the green button. The bubble warps into shape around them, cradling the them in a sphere of possibilities.

SCIENTISTS
Time jump in one, two...

EXT. MOSSY RUINED CITY – SAME TIME

Stefan Jr is on ground. He grabs a metal plate and throws it toward one T-888 endo, cutting its head off. Two endos come and punch him who quickly evade and kick one away. Stefan Jr pushes another with his mind power. Then he does gesture.

STEFAN JR.
Maggie, how is it, right now?

The battle still continues in the north.

MAGGIE MOON (V.O.)
The first group have traveled back.
I'm waiting for the system reboot.

STEFAN JR.
Well.

Stefan Jr. lowers his hand. He continues his fight. Two endos join him, fighting with hypnoses who come. Stefan Jr stares hard at a man who running toward him. That man falls asleep and drops. Stefan Jr. looks around and he drops when an air fighter lowers and fires around his way.

STEFAN JR.
That's more like it.

Stefan Jr flies up into the air and quickly rushes toward the two fighters, his hands wave, his mind distracting their systems, causing them fall to the ground below. Stefan Jr returns but he stops as he sees...

...a large SQUAD fifty meters away who are making their way to the ruined city, asorbing small squads of reprogrammed machines around the land.

STEFAN JR. slowly lands on the roof of a small building, looking the view with an agape mouth. He rises his hand and does the gesture.

THE INTERCUT STARTS: UNDERGROUND CHAMBER AND STEFAN JR.

The Stefan Jr's team is about to fall back. He is flying back to the tent in the distance. Maggie Moon already sent Catherine Weaver, John Henry and Preecha(with Michael)back through time, now she's sending E. Boykins, Nevlin(with Sittipong) and Allison(with Orwell) back.

STEFAN JR.
Maggie, I'm falling back.

MAGGIE MOON
I'm sending them back. Two groups here.

STEFAN JR.
I can't buy you more time.

MAGGIE MOON
We'll fasten it.

STEFAN JR.
Maggie, if I...

MAGGIE MOON
No. It won't happen.

STEFAN JR.
I'm getting inside our base.

Stefan Jr. lands on the ground near the tent. All guards get out and prepare their resistance.

STEFAN JR.
(to a T-800)
Destroy everything and everyone out here.

T-800
Yes, sir.

Stefan Jr. enters just before two squards run into view. The defence system starts. T-800s quickly rake their guns around them. T-888s fire back plasma-blasts.

A chopper comes. Jupiter jumps onto ground. He leads the way to battle all T-800s guarding this tent.

There are few plasma shots. It's mostly hand-to-hand.

INT. ELEVATOR SHAFT - MOMENTS LATER

An elevator rushes down. It's going fast.

INT. UNDERGROUND TDE CHAMBER – LATER

With sirens blaring, there is not much time for them all. John, Cameron, Mia, Kyle and Maggie are standing on the platform.

Sarah, Marcus Young and Stefan Jr. come in the chamber.

STEFAN JR.
Jump us back.

The scientist pushes on the button. The TDE starts working.

SARAH
Let's go.

MARCUS
Go.

The time bubble struggles to maintain its shape around John, Cameron, Mia, Kyle, Stefan Jr and Maggie.

JUPITER (O.S.)
You can't go anywhere else.

SLOW MOTION as SARAH and MARCUS are gonna step to the platform, two big silver tails stab through their chests. Their blood flow like waterfall. The tails are pulled back, revealing they become arms of Jupiter.

KYLE/JOHN/CAMERON
(shouting)
NOOOOO!

Kyle is about to run toward Sarah but Mia, John and Cameron quickly hold his arm. His tears are streaming down.

KYLE
(to them)
Let me go. I'm helping her.

JUPITER
How is it like to lose the one you love?

C.U. JOHN AND CAMERON both look angry and sad. Their tears flow.

C.U. STEFAN JR. as his anger is up. We hear metal stabbing from the outside.

STEFAN JR.
You are too bad.

The room sparks. Jupiter looks around as the time bubble is near the point to implode. Jupiter smiles and shuts the TDE down.

JUPITER
Yes, I am.

It finally dissolves, melting away and leaving them in the flickering lights of the room. The hypnoses stand around the controls and all scientists were already head-splat.

JUPITER
Just like your uncle Glau, now you and
your plan are gonna end. You are failing.

Sarah's and Marcus' bodies are pulled by John and Cameron onto the platform. They both aren't dead yet. Stefan Jr. steps forward, protecting them.

JUPITER
I always want to be the king of Earth.
You can't stop me anyway. You'll see.

Stefan Jr. stares still at Jupiter.

JUPITER
Humans are still weak anyway. Without their
heroes or heroines, they can't do anything.

C.U. THE TIME TRAVELERS as they hold Sarah's wound. Marcus is dead. They surround her. Kyle is holding her hand.

JUPITER (O.S.) (cont'd)
No one can run from my scientific power.

KYLE (cont'd)
No, Sarah. You must be saved. You have to stay
with me. I love you, Sarah. Please don't die.

SARAH
(weakly)
Kyle, I love you too. I just have to go. We'll
see each other again. I have been so happy to
live with you. I'm so sorry. I can't.

CAMERON
John, Kyle, her blood. I can't stop bleeding.

Cameron still struggles to stop the flow of blood. But none of her training or knowledge can help. The wound is severe and Sarah is weak. She needs surgery now.

JUPITER (O.S.)
Kyle Reese, I'll...

Kyle looks up at Jupiter with much wrath on his expression.

JUPITER (cont'd)
...cure her if you join me, join us
and kill them all. I love your skills.

KYLE
Never. You son of a bitch!

Kyle looks back at Sarah as Stefan Jr still blocks the way.

JOHN
Mom, please. I love you.

Sarah looks at Cameron.

SARAH
Cameron, look after my boy and protect him.
I know you can do it. You always have could.

CAMERON
I will. I promise.

Sarah looks at Kyle. She survives through this, her tears are streaming down with pride.

Jupiter's gaze sees that the button is pushed down by no one. He quickly looks at Stefan Jr. who has nosebleed flowing. Stefan Jr smiles proudly.

STEFAN JR.
It's you. Not me.

The sphere begins to form again on the platform.

STEFAN JR.
You are failing, Jupiter.

JUPITER
Attack!

SLOW MOTION as every hypnos step.

STEFAN JR
(shouting)
Haaaa Ahhhh!

Stefan Jr spreads his arms, every hypnos and Jupiter bounce away from the platform. Jupiter can stand fast, he quickly jumps onto the platform and grabs Stefan Jr's leather clothes. The bubble is maintaining its shape.

STEFAN JR.
Okay. You wanna go back with us, right?

Stefan Jr stops Jupiter's motion and brings Jupiter with him into the sphere of time. The light bubble becomes a beautiful chrome covering them all. Blue, purple, violet and cyan lightning sphere is shaped rapidly. The high tech time bubble dances about and Jupiter's molecules seem to be destroyed slowly. He's agape.

JUPITER
What the hell is this?

STEFAN JR.
Good bye, Jupiter.

Jupiter screams as his molecules become statue and then his voice is shut down.

STEFAN JR. (cont'd)
You are terminated.

KYLE (V.O.)
That is so much pain, hurtful.

Kyle keeps his eyes on that statue as it becomes dust.

KYLE (V.O.) (cont'd)
I know it with all my life. Everything musts
be continued. Everything is being continued.

...the bubble implodes, taking our heroes and heroines with it to the past. The room explodes and whites out:

KYLE (V.O.) (cont'd)
I have to forget this pain.

EXT. LOS ANGELES – DAY

As the sun rises over Los Angeles, one last point of blue light flares in an abandoned junk yard. It flickers and dims, pulsing like a dying star and sending rivulets of blue fire along the ground. One of them frightens a mangy dog sleeping under the rusted frame of a car and sent it yelping under the fence.

KYLE (V.O.) (cont'd)
Because every pain can be controlled.

For a moment, it looks like the unsteady ball of lightning is going to fade with the shadows, but it gives one last hiccup, and then blazes into life, spilling the roar of an explosion that won't happen for nearly twenty years into the air along with five bodies and one figure kneeling.

Then it pops like a soap bubble, leaving nothing but a charred circle, Maggie Moon, Stefan Jr, Kyle Reese, Cameron Connor and John Connor, in leather clothes and unconscious in the dirt. Cameron has been on top of John's body. The figure that has knelt is Mia who is standing.

ANGLE SHOT:

E. Boykins(with Orwell), Allison(with Sittipong), Catherine, John Henry, Nevlin, and Preecha (with Michael) come into view and are waking them up, calling their names to wake. Sarah has died before the jump. So she can't get back with them.

KYLE (V.O.)
I have to live.

FADE OUT.

END OF ACT 4

THE END