EDI's mobile unit sits in her usual co-pilot's chair. Jeff and most of the ship are asleep, so she is taking this time to review all ingoing and outgoing correspondence from the people aboard the Normandy. She does not view this as an invasion of their privacy, but another way in which she is aiding them.

She pulls up the last several emails to Diana Allers from her producer at Alliance News Network.

Subject: New Material

You haven't sent me anything in a while, Allers. I realize that things are busy, but surely there must be something interesting you can pass along?

Subject: Still waiting…

C'mon, Allers, give me something to work with.

EDI begins reviewing the other videos that have been sent and aired. Surely she can come up with something that will assist Allers. EDI understands how important it is for Allers to portray the Normandy in a positive light and wishes to help.

When she has finished, there is another email from Allers' producer for her to read.

Subject: Here's a thought

You haven't done anything featuring Commander Shepard. How about something that shows what the great hero is really like?

EDI considers this, then pulls recent security camera footage featuring Shepard and attaches it to a reply email (that will appear to have come from Allers, naturally).

BEGIN VIDEO TRANSCRIPT

SETTING: The Normandy's gallery. The footage is from an overhead angle, likely a security camera of some kind. The camera is stationary and is focused on a table where a handful of Alliance personnel are sitting and eating food.

URDNOT WREX [offscreen]: RAAARGH!

COMMANDER SHEPARD: Wrex! Step away from the refrigerator!

The sound of a door opening and closing can be heard. The Alliance personnel have turned their attention to the commotion happening offscreen.

SHEPARD: Dammit, Wrex, that's my gyro!

WREX: [mutters] Hungry…

SHEPARD: I'm going to wring that skinny salarian's neck. WREX! Give me that sandw-

WREX gives another roar and the sound of two large bodies hitting the ground can be heard. Some of the Alliance personnel stand and quickly flee the area.

A loud THUD sounds and one of the crewmembers jumps out of the frame abruptly.

CREWMEMBER [offscreen]: Oh - oh my God. That's … that's so much blood…

Another THUD, presumably the crewmember fainting from the sight.

SHEPARD [offscreen]: You call that a choke hold? You krogan couldn't perform a choke hold if…

Another roar, and abruptly a chair comes flying from offscreen in the direction of the fight.

SHEPARD [offscreen]: Can't … breathe ...

Yet another THUD and SHEPARD's foot can be seen at the edge of the camera, lying on the ground.

WREX [offscreen]: Mmmmm… nom nom nom.

The sound of footsteps approaching rapidly leads into URDNOT GRUNT running into view.

GRUNT: There was a fight and nobody told me about it?!

END TRANSCRIPT

The next day, Allers' producer pings her for a realtime chat. EDI wants to see how her work was received and decides to monitor the exchange.

PRODUCER: Allers, what the hell did you send me? It's not inspiring. If anything, it's discouraging.

ALLERS: What are you talking about?

PRODUCER: You sent me a video of two of the galaxy's leaders bickering like children over a sandwich.

ALLERS: I didn't …

EDI notes that Allers has accessed her sent emails, which shows the message that EDI sent on her behalf.

ALLERS: I didn't send that. Someone else must have done it.

PRODUCER: Goddammit, Allers, protect your files better!

ALLERS: Well, you were asking for something on Shepard, weren't you?

PRODUCER: I still can't air this. Step up your game, Allers.

EDI considers the exchange and attempts to find different footage that will help.