The Semi was parked close to the FLAG manor, and the technicians had to shoot the scene from a different angle, so that the medieval-like castle would not be too visible in the background. This caused new problems, since part of the trailer's right side was removed for the inside scenes. In the meantime, KITT and KARR were playing darts, shooting their short, slim but strong harpoons at an empty barrel. This either continued as a tug-of-war when they shot at the same time from different direction, or as a freestyle explosion scene when the barrel was not as empty as they thought it was.

"April! Bonnie! How often do I have to tell you to keep them away from the gunpowder?"

"I told you Devon, they're doing this because they're bored."

"Excuse me, Bonnie, but I am not 'bored'. I am simply practising for my role in the episode" KITT stated.

"Uh-huh!" KARR didn't sound as if he believed that explanation. "He's rather practising for the time he will pull dozens of empty tin boxes behind himself, with you in the passenger's seat."

Bonnie's face turned slightly red. Was this the time to discuss her future?

"And a 'Just married' label would look very nicely on you, KITT" KARR continued.

"Is there no way to keep your processor silent, KARR?"

"There is, but I won't let any of you do it again."

Bonnie grabbed an unopened can of coke and aimed it at the dark blue car. "And how about a Coca bath, KARR? Won't you shut up please?"

Menacingly, she shook the coke can, ready to open it if KARR would continue teasing her. Her relationship with Michael was private. Why did they have to equip KITT and KARR with so potent scanners? Where's privacy now?

"KITT! We need you for a fast scene out here! You can go back to the trailer after that."

"I'm coming, Mr. Larson."

Outside of the Semi, the episode's female hero was chatting with Michael. Bonnie had put the shaken coke on a table and marched away.

KITT finished the shot he was needed for, and drove back to the comfortable Semi. In his hurry, he accidentally hit the table with the coke on it, which rolled away, glanced off the wall, rolled between the wheels of the black Trans-Am, and was lost in the grass outside.

KARR pretended not to see it. KITT was inside the Semi, so he didn't even need to pretend.

The director and the producer arrived and joined the discussion between Michael and the lady. Their presence seemed to annoy Michael, he wished he could be left alone with his newest girlfriend. KARR's amber scanners ran like a grin. He turned away, with his harpoon directed at the tin can. He only needed good timing. KITT noticed what his brother was up to, and he decided to intervene. With his car body still in the relative safety of the Semi, he decided to shoot first.

The two harpoons hit the tin at the same time, and the coke spread out like a small fountain as both Trans-Ams were trying to pull it away. The producer screamed, Michael was angry beyond reason, the director was cursing, the lady was left with her pretty dress covered in coke foam and sugar. Bonnie gave the cars a warm smile, and forgave anything they've done to her before.

A part of the dam had to be built for a scene when it would be destroyed. This was done with three yellow Caterpillar bulldozers, and KITT couldn't help teasing their drivers. He didn't even mind they were being filmed: ski driving backwards was a piece of cake for him. But, for some reason, the cameraman was scared. Why?

KITT scanned the area, only to find somebody watching them from behind.

"Michael. What shall I do with a stray bull out there?"

"What? Where?"

"There is a black bull behind us. I can also detect three pick-ups approaching from the left.

"Are they after the bull?"

"I hope so, Michael. That animal is about to demolish my scene."

"Would you suffer very much if you didn't have a showing-off scene in this episode?"

"It's not just about me, Michael. Quite the opposite. I think I am the only one safe from that bull."

Bumm. Bubumm. Bummm.

"What is it, KITT? They're shooting at us?"

"Apparently, Michael. But I believe they aim for the bull, if they know what aiming is."

A bulldoser driver screamed: he got a bullet in his arm. Another bullet hit the bushes next to them.

"Can't they see us?"

"I don't know, Michael. But we need to cut them from our staff before anybody else would get injured."

KITT forced the bull to turn around and run back where he came from.

"You walking beefsteak!" somebody yelled as KITT pursued the bull among the pick-ups. Finally, the animal reached the small river they were filming at. The only bridge was occupied by actors, actresses and their make-up artists. He didn't need to cross the river there, he could swim.

Sadly or not, the pick-ups couldn't.

"That's an island, Michael. Do you think the bull will realise that he's safe there?"

"I don't know, KITT. But whenever I underestimated an animal, I turned out to be wrong."

The waterfall was beautiful and perfect background for a fighting scene.

"But Mr. Larson! Aren't they supposed to attack during the night?"

"We use blue optics on the camera so that it will look as if it was night."

"But that's not the only way to express 'night' in filming" KITT stated. "Night is also a time for nightmares, and I would like to pretend to be one of them."

"You want a horror episode, KITT?"

"No, I only want a horror reference."

"I think I got it. Strange movements, unexpected lights, these are what you think about, right?"

"May I give it a try, Mr. Larson?"

"Go ahead, KITT! I have never seen you being threatening, but I've seen you acting many other roles, so I just say: be creative, KITT!"

Thed black Trans-Am didn't need more encouragement.

While they were shooting the episode, some were trying to shoot the bull. They made each other's work impossible.

"I think we should secure the animal so that we could actually work."

"But how? It's theirs, and their responsibility."

"But our show. Where's KARR when we would need him?"

"There's the bull!"

"Shoot him!"

KITT watched the, from a safe distance. He knew he had no right to interfere once more with this bull affair, but he clearly hoped that the people were not going to destroy the whole dam just to get a good shot at the runaway creature.

He remembered what Michael told him about underestimating animals. Maybe this applies to humans as well?

One of the self-appointed matadors decided to use dynamite, since the bull seemed to be bullet-proof.

"After all, we only damaged the dam a little bit."

"And you flooded a valley."

"Just one third of it!" one of the bull-shooters refused.

"Because the river was blocked by the rocks. Are you proud of yourselves?" Glen asked sarcastically.

The bull hunters didn't take the hint. Yes, they were proud! And their heroism was included in the episode, partly because the intended shots could not be filmed during their noisy hunt.

"And did you get the bull, afterall?" a cameraman asked.

"Sure we did!"

KITT decided that he would endanger human lives if he told them how wrong they were. He couldn't lie to them, so he sat in silence, and hoped they would never grab a weapon again. It would be a lot safer.