3NT3R MiSSi0N.) With The Lights Out
INT. ROOM
Lucia Bordeaux locks her phone. She opens her room door and heads downstairs.
INT. DOWNSTAIRS
Through the kitchen she catches a glimpse of her Father, Sylvester Bordeaux in the garage.
He's dressed as if he's going to his day job yet it's a weekend.
Black slacks, a white dress shirt(the sleeves rolled up to his elbows), his suit jacket draped behind the chair he sits in and his "work glasses" atop his head digging into his slicked jet black hair.
His desk lamp is pointed at the object he intensely focuses on between his hands.
A "ship-in-a-bottle". Without alerting him of her presence she quietly heads back upstairs.
INT. ROOM
She locks the hidden lock(hidden to her father at least) on her room door. Then drags the chair from her study desk to her closet.
Almost every time she has done this since moving in she has reminded herself that she should look into getting a chair with wheels.
Her closet has a similar lock as her door(similar in the sense that it is hidden from her father).
She unlocks it to reveal a large wooden desk with 7 computer monitors of different sizes arranged in what appears to be a random cluster but has been specifically plotted out to be most useful for its purpose.
A press on the keyboard brings all the monitors humming to life. She sets the chair in front of the desk and after sitting down grabs a small metal disk from the center desk drawer.
The disk is black matte steel, the middle of it has circular fans that in a second will rotate at inconceivable speeds.
Both the top and bottom are designed with 3 lines, making it appear to be the circle symbol identified with "peace".
On the whole, the disk is about the size of a "Frisbee", which is appropriate because that's what Lucy calls it.
Another two keyboard presses and the disks within the disk begin to spin, causing the Frisbee to hover in the air.
Lucy picks up the Atari joystick next to her keyboard and directs the Frisbee through her white curtains, out her room window, and into the evening sky.
CUT TO:
EXT. NEW YORK CITY
The Frisbee soars silently, gracefully above the cityscape.
BACK TO:
INT. ROOM
4 of the monitors display an 180 degree view of what the front of the Frisbee sees.
Lucy places an earbud in her left ear and after a flurry of key presses, the highest monitor not in use displays J. Jonah Jameson's face.
The lower-right screen starts popping up social media streams. Every second a new hit, be it from a "Twitter Tweet", a "Facebook Post" or an "Instagram Selfie" but all from the New York area and all displayed because they involve the same key searchword: "Spider-Man".
A grid map appears(it's of the Manhattan area). A large cluster of orange circles on it seems to indicate a "hot zone" of Spider-Man sightings.
She starts to input the code for Auto-Pilot but is momentarily distracted by what J. Jonah Jameson is reporting. A new Supervillain is targeting Spider-Man and the struggle is causing widespread damage.
He reports that there seems to have been an incident involving the Supervillain throwing cars filled with passengers at Spider-Man.
She doesn't believe what she's hearing, of all the villains she has documented, if this new one can cause this much of a commotion then it has to be one of the biggest challenges Spider-Man has ever faced(unfortunately she is right).
With the Auto-Pilot set to the Latitude and Longitude of the hot zone, she presses the red button which engages the Frisbee's turbo-engines.
While the Frisbee travels to its location, Lucy looks back to the Manhattan map and sees the orange circles are beginning to pop up about a block above where she directed the Frisbee.
They appear more and more.
She clicks one and a blurry Instagram photo shows: a huge dark figure standing on a bright burst of flames in the street and a slender red figure retreating in the air.
SFX
*Bling*
The Frisbee arrives at its destination and appears as a green blip on the Manhattan map.
She moves the green dot up to the block where the orange circles are more frequent.
Lucy doesn't pay attention to the 180 degree view, she just moves the dot along the black and purple grid map that outlines the birdseye view of the city and its buildings, like a game of real-life Pac-Man.
She glances at the 180 view it shows only blue sky, she presses the "b" button on her controller and it starts to descend while still flying forward.
Into the 180 field of view comes the street and the damage done to it. On the furthest left screen is a crashed car with open doors, the middle screen shows pedestrians down the street in dismay.
There is no sign of the villain or hero. A large group of civilians run down the cross street in the distance.
She flies onward and turns left. On this street seems to be the largest sign of trouble, a traffic jam of cars in the street, all civilians appear to be doing 1 of 3 things, either running away, driving away or standing with their fingers or phones pointing in the air.
She twist the stick and the 180 view adjusts to the right. She presses the "a" button and starts to ascend.
The view is ascending and the street disappearing, blue returns until 2 figures unexpectedly appear on screen.
She stops touching the joystick as the shock of what she sees causes her to drop it to her lap and grab her mouth.
LUCY
*gasp*
Spider-Man is hanging by one hand on what appears to be a hoverboard and atop the board is a disfigured human being with sickly green skin in a black spandex suit.
As Spider-Man gets his second hand back up the villain stomps his right foot, it hits the board, the jets flare and the board splits into 2 pieces. Spider-man and Green Goblin begin to fall.
She stares at the screen in shock.
It's all blue except for small puffs of black smoke.
CUT TO:
EXT. ROOF
Spider-Man limps towards the downed body of Green Goblin. Norman Osborn has been impaled on a steel bar.
Day One: From all street footage it appears that Spider-Man used his free hand to rip the glider in two.
Day Two: The Daily Bugle publishes the frontpage headline "Spider-Murderer!?"
Day Three: Rumors swirl and debates rage on whether or not a warrant will be issued for Spider-Man's arrest.
Day Five: Harry Osborn attends his Father's funeral.
Day Six: Lucy knocks on the door of the house she has followed Spider-Man to on many occasions and tells Peter Parker he has to fix this.
Day Seven: Peter Parker becomes the boy who saved Spider-Man, by accidently filming him with a modified remote control helicopter. The Daily Bugle writes a second page story on it(no frontpage headline) and JH High School does an exposé on him.
