Hey! Peeps, please, if you're interested in joining in on the party in my other book, let me know! Oh, and I forgot to put a disclaimer on the previous chapters, so here it is: I do not own any of the characters, just the plot line. The right goes to Cassandra Clare, who must have a huge imagination to be able to make this all up, and I'm sure we all thank her.

Attention Wow (Guest): I apologize if I offended you. I don't think people would be too happy if I deleted it at this point in the proceedings, and it's not going to have any more parts of the book after this. Hopefully, you will be satisfied. If not, feel free to contact me through whatever means of communication are open to you as a guest. I apologize once again.

The party didn't start until midnight, so with a whole day to kill, Jace and Alec disappeared to the weapons room, and Isabelle announced her intention of going shopping for the day. Clary went to her room, pacing restlessly. Finally, bored out of her mind, she went to the library. Once inside, she crossed to the shelves, picked a book at random, and made her way to the couches. On the way, something on Hodge's desk caught her eye. A photograph. It was the photograph of a group of young people, none much older than Clary herself. She knew it had been taken at least twenty years ago, not because of the clothes they were wearing—which, like most Shadowhunter gear, were nondescript and black—but because she recognized her mother instantly: Jocelyn, no more than seventeen or eighteen, her hair halfway down her back and her face a little rounder, the chin and mouth less defined. She looks like me, Clary thought dazedly. Jocelyn's arm was around a boy Clary didn't recognize. It gave her a jolt. The boy was good-looking, with hair so fair it was nearly white, and black eyes.

"That's Valentine," said a voice at her elbow. "When he was seventeen." She leaped back, almost dropping the photo.

It was Hodge, looking at her with curious eyes.

"I'm so sorry," she said, setting the photograph down on the desk and backing hastily away. "I didn't mean to pry into your things."

"It's all right." He touched the photograph with a scarred and weathered hand—a strange contrast to the neat spotlessness of his tweed cuffs. "It's a piece of your past, after all."

Clary drifted back toward the desk as if the photo exerted a magnetic pull. The white-haired boy in the photo was smiling at Jocelyn, his eyes crinkled in that way that boys' eyes crinkled when they really liked you. Nobody, Clary thought, had ever looked at her that way. Valentine, with his cold, fine-featured face, looked absolutely unlike her own father, with his open smile and the bright hair she'd inherited. "Valentine looks … sort of nice."

"Nice he wasn't," said Hodge, with a twisted smile, "but he was charming and clever and very persuasive. Do you recognize anyone else?"

She looked again. Standing behind Valentine, a little to the left, was a thin boy with a shock of light brown hair. He had the big shoulders and gawky wrists of someone who hadn't grown into his height yet. "Is that you?"

Hodge nodded and pointed to a tall man with glasses and sea-blue eyes. "Lucian. And here." Leaning over the photo, Hodge indicated an elegant-looking teenage couple, both dark-haired, the girl half a head taller than the boy. Her features were narrow and predatory, almost cruel. "The Lightwoods," he said. "And there"—he indicated a very handsome boy with curling dark hair, high color in his square-jawed face—"is Michael Wayland." Clary smiled at him.

"Thank you for showing this to me. I can't sleep. I keep thinking too much. Could you…"

"Ah, the unquiet mind." His voice was full of sympathy. "I can give you something for that. Wait here."

The potion Hodge gave her smelled pleasantly of juniper and leaves. Clary kept opening the vial and smelling it on her way back down the corridor. It was unfortunately still open when she entered her bedroom and found Jace sprawled out on the bed, looking at her sketchbook. With a little shriek of astonishment, she dropped the vial; it bounced across the floor, spilling pale-green liquid onto the hardwood.

"Oh, dear," said Jace, sitting up, the sketchbook abandoned. "I hope that wasn't anything important."

"It was a sleeping potion," she said angrily, toeing the vial with the tip of a sneaker. "And now it's gone."

"If only Simon were here. He could probably bore you to sleep."

Clary was in no mood to defend Simon. Instead she sat down on the bed, picking up the sketchbook. "I don't usually let people look at this."

"Why not?" Jace looked tousled, as if he'd been asleep himself. "You're a pretty good artist. Sometimes even excellent."

"Well, because—it's like a diary. Except I don't think in words, I think in pictures, so it's all drawings. But it's still private." She wondered if she sounded as crazy as she suspected.

Jace looked wounded. "A diary with no drawings of me in it? Where are the torrid fantasies? The romance novel covers? The—"

"Do all the girls you meet fall in love with you?" Clary asked quietly.

The question seemed to deflate him, like a pin popping a balloon. "It's not love," he said, after a pause. "At least—"

"You could try not being charming all the time," Clary said. "It might be a relief for everyone."

He looked down at his hands. They were like Hodge's hands already, snowflaked with tiny white scars, though the skin was young and unlined. "If you're really tired, I could put you to sleep," he said. "Tell you a bedtime story."

She looked at him. "Are you serious?"

"I'm always serious."

She wondered if being tired had made them both a little crazy. But Jace didn't look tired. He looked almost sad. She set the sketchbook down on the night table, and lay down, curling sideways on the pillow. "Okay."

"Close your eyes."

She closed them. She could see the afterimage of lamplight reflected against her inner lids, like tiny starbursts.

"Once there was a boy," said Jace. "When the boy was six years old, his father gave him a falcon to train. Falcons are raptors—killing birds, his father told him, the Shadowhunters of the sky.

"The falcon didn't like the boy, and the boy didn't like it, either. Its sharp beak made him nervous, and its bright eyes always seemed to be watching him. It would slash at him with beak and talons when he came near: For weeks his wrists and hands were always bleeding. He didn't know it, but his father had selected a falcon that had lived in the wild for over a year, and thus was nearly impossible to tame. But the boy tried, because his father had told him to make the falcon obedient, and he wanted to please his father.

"He stayed with the falcon constantly, keeping it awake by talking to it and even playing music to it, because a tired bird was meant to be easier to tame. He learned the equipment: the jesses, the hood, the brail, the leash that bound the bird to his wrist. He was meant to keep the falcon blind, but he couldn't bring himself to do it—instead he tried to sit where the bird could see him as he touched and stroked its wings, willing it to trust him. He fed it from his hand, and at first it would not eat. Later it ate so savagely that its beak cut the skin of his palm. But the boy was glad, because it was progress, and because he wanted the bird to know him, even if the bird had to consume his blood to make that happen.

"He began to see that the falcon was beautiful, that its slim wings were built for the speed of flight, that it was strong and swift, fierce and gentle. When it dived to the ground, it moved like light. When it learned to circle and come to his wrist, he nearly shouted with delight. Sometimes the bird would hop to his shoulder and put its beak in his hair. He knew his falcon loved him, and when he was certain it was not just tamed but perfectly tamed, he went to his father and showed him what he had done, expecting him to be proud.

"Instead his father took the bird, now tame and trusting, in his hands and broke its neck.

'I told you to make it obedient,' his father said, and dropped the falcon's lifeless body to the ground. 'Instead, you taught it to love you. Falcons are not meant to be loving pets: They are fierce and wild, savage and cruel. This bird was not tamed; it was broken.'

"Later, when his father left him, the boy cried over his pet, until eventually his father sent a servant to take the body of the bird away and bury it. The boy never cried again, and he never forgot what he'd learned: that to love is to destroy, and that to be loved is to be the one destroyed."

Clary, who had been lying still, hardly breathing, rolled onto her back and opened her eyes. "That's an awful story," she said indignantly.

Jace had his legs pulled up, his chin on his knees. "Is it?" he said ruminatively.

"The boy's father is horrible. It's a story about child abuse. I should have known that's what Shadowhunters think a bedtime story is like. Anything that gives you screaming nightmares—"

"Sometimes the Marks can give you screaming nightmares," said Jace. "If you get them when you're too young." He looked at her thoughtfully. The late afternoon light came in through the curtains and made his face a study in contrasts. Chiaroscuro, she thought. The art of shadows and light. "It's a good story if you think about it," he said. "The boy's father is just trying to make him stronger. Inflexible."

"But you have to learn to bend a little," said Clary with a yawn. Despite the story's content, the rhythm of Jace's voice had made her sleepy. "Or you'll break."

"Not if you're strong enough," said Jace firmly. He reached out, and she felt the back of his hand brush her cheek; she realized her eyes were slipping shut. Exhaustion made her bones liquid; she felt as if she might wash away and vanish. "Jace," she tried to say. But sleep had her in its claws; it drew her down, and she was silent.

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