Sarah is played by Camila Mendes
Reviews = Love!
2008
On the Emerald Coast in Florida, Mason is in a bar, it's nighttime.
"All right, Carlos. That's it for me," says Mason. He pays and leaves the bar. As Mason walks out, there's a man who's clearly drunk and who's also been watching Mason, follows Mason to his car.
The man pushes him. "Mason!"
"Hey Jimmy, easy. Let's get you home."
"Fuck you!" He pushes Mason again. "I know about you and Marla."
"What are you talking about? You've had too much to drink, dude."
Jimmy rushes at him and strangles him.
Mason pushes him. "Dude! What's up?! It's me, Mason! I'm not messing with Marla. You know that!"
Jimmy punches Mason in the face.
Mason tries to control his anger. "You don't want to do this buddy."
"I'll kill you!" yells Jimmy.
Jimmy throws Mason on the ground and kicks him in the stomach. Mason grabs his arm and pushes him. Then he carries him and throws him on the floor. Jimmy's head hits the ground with a crack, he's dead.
"Jimmy? Jimmy?"
2009
Mason finished telling the story of his first kill to Artie.
"You killed him?" asks Artie.
"He kept coming at me. He got in his head that I was sleeping with his girlfriend."
"Were you?"
"No! No. I wouldn't do that, he was my friend. He was drunk and attacked me. It was self-defense."
"And it triggered the curse."
"On every full moon, I lose control. If I don't sedate myself and chain myself down, I'll kill anything in my path. You have to be careful. All it takes is an accident, a car wreck. Any death at your hands and you'll have a lifetime of this. You don't want it Artie, trust me." He takes a breath. "All right. Where's the moonstone? A deal's a deal. I answered your questions."
"Um, yeah, I'm not sure, but I'm guessing it's in here." He rolls toward his father's safe and does the combination. "My dad, he was very kooky about his hiding spots, but I figured most of them out over the years." He opens the safe. "It's all yours."
Mason looks inside the safe, but the moonstone isn't there.
"Are you gonna tell me what's so important about this rock or what?"
"I told you, it's just something I want. Sentimental value."
"Yeah, I'm not really buying that. Why do you really want it?"
"Do you know where it is or not?"
"No, I figured it would be in here, man."
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At the Hummel residence, Kurt's in the bathroom with Finn.
"I can't believe Artie Abrams is a werewolf," says Finn as he brushes his teeth.
"We're not sure about that yet. The only thing we know for sure is that Mason Abrams is," replies Kurt as he does his skin care routine.
"It should be enough easy for us to figure it out."
"There is no us. I said that I wouldn't keep things from you anymore. That doesn't mean that I want you involved in it."
"Being in this family means I'm involved."
"This is dangerous, Finn. You have to stay out of it, okay?"
"Alright. Just saying." He leaves.
Kurt goes in his room and opens his closet. When he closes it, Blaine is there. He gasps. "Oh, God."
Blaine giggles. "Sorry, I didn't mean to scare you."
Kurt closes the door and kisses him. "Hi."
"Hey."
They embrace each other.
"Are you ready for today?" asks Blaine.
"No. I hate fighting with you, even if it's fake."
"I know, but if Kristian thinks that we're fighting, then he will think that he's winning and it keeps him from following through with his threats."
"Yeah. But it doesn't make it any easier. Neither does knowing that Quinn will be there, reporting everything back to him."
Blaine grabs Kurt's hands. "Hey, everything's gonna be okay. Yes, we have to keep up this ruse for a little while but the best way to keep Kristian from hurting anybody, from hurting you."
"Just promise me that he won't get his way with us. We can fake a fight, we can pretend that his threats are tearing us apart, but none of it is real, okay?"
"Okay, how about this? Today, when we're fighting, if I say, 'Do you even love me anymore?', what I'll really mean is that I love you."
"And when I say, 'Maybe I don't', that means I love you too."
They kiss.
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At the Fabray house, Liz is carrying some boxes to her car.
Quinn arrives. "Are you off today?"
Liz lifts a box and puts it in the trunk. "The Historical Society Volunteer Picnic is today. You're the one who signed me up."
"I know. I just assumed you'd bail."
Liz lifts another box and puts it in the trunk. "No. I'm gonna spend the whole day with my daughter."
"You're gonna pretend to be a mother?"
Liz sighs. "I'll bring my gun if it gets rough. Come on, give me one day. I've been buried in work mode, I've barely seen you."
"Well, be warned, I'm in a mood."
"Goody for me." Liz closes the trunk. "What was Kurt doing here so late last night?"
"Kurt wasn't-" Quinn realizes her mistake. "Yes! Kurt was here. He just needed to talk. Him and Blaine are going through a rough patch."
"Is everything okay with you?"
"I'm fine."
"It's just lately you seem different."
"I'm not different, I'm fine."
"I know you think I don't notice these things, but I do. What's going on with you?"
"You know there's pretending to be a mother and then there's reality. Let's not push our luck, okay?" She goes to her own car.
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It's the Lima Historical Society Volunteer Day. Preparations are underway at Lima State Park.
Nancy Abrams is giving a speech. "This is all part of the historical society, continuing efforts to give back to the community. Thanks to the generous donation of the Fell family. We are now standing on the sight of our newest public park. Thank you to everyone who has shown up today to lend a helping hand. Thanks!"
Mason is removing boxes from his trunk. Blaine walks up to him.
"Blaine, right? The other Anderson," says Mason.
"The nice one. The one offering an apology," replies Blaine.
"Not interested."
"Look, my brother acted impulsively."
"You think?"
"If you and Puck keep at each other throats, somebody innocent is going to get hurt and I don't want that. You have family here so I can imagine you don't want that either. So, what do you say we just quit the whole alpha male fighting thing and call a truce?"
"I made that same offer to your brother. He turned it down with a knife."
"He made a mistake. I'm here to make sure that neither one of you make another one."
"Tell your brother to watch his back."
Blaine grabs Mason's arm. "Well, I'm guessing that he only has to worry about that during a full moon. Otherwise you're not as strong, am I right? Or you would have killed Puck by now. There's one of you. There's two of us. I think you're the one that needs to watch his back."
Mason sighs. "If he comes at me…"
"He won't."
They shake hands and Mason leaves carrying a box.
Puck appears behind Blaine. "What are you doing?"
"Negotiating peace on your behalf," replies Blaine.
"I don't want peace."
"Consider it opposite day."
"Blaine, please tell me you don't seriously think a hand shake just solved our problem."
"No, actually, I think that the first chance Mason Abrams gets, he's gonna drive a stake through your heart and then through mine, all because you took it upon yourself to try to kill him. So, thank you, because we don't have enough problems." He leaves.
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Finn is at a table at Breadstix drawing in his notebook. He looks at Artie.
Sarah and Aimee are at another table. Sarah looks at Finn.
"When did Finn Hudson get so hot?" asks Sarah.
"Oh no, stay away, that guy's damaged goods," replies Aimee.
Finn joins Artie at his table. "Hey man, how have you been?"
"Since when?"
Finn shrugs. "I don't know, I haven't seen you much since your father's funeral. I just figured maybe you'd want…"
"I'm fine, Finn."
"Yeah, okay." Finn starts to leave.
"Wait, hold up. I'm sorry. Bad day, bad month. Listen, you were cool that day, at the wake. Thanks for that. I felt like kind of a freak show, well more than usual."
"Yeah, I know the feeling well. What are you doing here?"
"Distracting myself."
Aimee and Sarah join them.
"Hey, thanks for the text. Where too?" asks Aimee.
"My place. My mom is gone all day. Empty house, fully stocked bar…" replies Artie.
"Margaritas?" asks Aimee.
"Sure." Artie looks at Finn. "You in?"
"Yeah. Yeah, I'm in."
"Let's do it."
They leave.
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At the Lima Historical Society Volunteer Day, Mason is helping Liz.
"Oh, thanks Mason," says Liz.
"Hey Sheriff, you've got a second?" asks Mason.
"I'm out of uniform. Let's go with Liz."
"Alright Liz. I was hoping to talk to you about the council."
"I don't know what you're talking about."
"I know you and the others founding families have a secret council."
"If that were true then you'd know it's a secret and isn't discussed with non-council members."
"I know I rejected all that, but it's only because I wanted a life outside of this town, not because I was a non-believer. Look, I know vampires exist and you have two of them living right under your nose."
"Really?"
"Yeah."
"Who would they be?"
"Noah Puckerman and Blaine Anderson."
"That's impossible. I know Noah Puckerman. Do you know what he's done for this town?"
"I know it's a lot to digest."
"No. I watched him kill vampires. He's an ally; he's part of the Council." She tries to get away from him.
He follows after her. "Think about it. When did the vampire attacks begin? When Noah Puckerman and Blaine Anderson moved to town?"
"They walk in the sun, Mason."
"They've evolved. It's not 1864 anymore. They figured it out, Liz."
"No. Noah Puckerman is my friend."
"What if I can prove it to you?"
They look at Blaine and Puck.
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Elsewhere, Kurt and Quinn are talking while they walk to and start painting a veranda.
"So suddenly, she's in the running for Mother of the Year just when I'm trying to avoid her the most. I'm babbling, you don't want to hear all this," says Quinn.
"Oh, no, I'm sorry. Then what happened?" asks Kurt, trying to be interested in what Quinn's saying.
"Well, I was a bitch which is par for the course with us. So, how are things with you and Blaine? Anything?"
"No, not since the fight. He's been pushing me away because he thinks that Kristian might get jealous enough to hurt me. I just don't know how to change his mind."
"You said that Kristian's dangerous. Maybe he's got a point."
"Yeah, I know that he's dangerous and I know that he's just trying to protect me but it feels like giving up and I just…"
"Just what?"
"I just thought that we were stronger than that."
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In another part of the park, Puck joins Liz.
"Hey, I saw you with Mason earlier. What was that about?" asks Puck.
"Oh, I uh, I just asked him to help with the cleanup in the woods," replies Liz, trying not to be awkward around him.
"That's what I'm here for, put me to work. Should I go help him?"
"Oh no. You know, he's…I'm sure he's fine."
"Are you okay, Liz? You seem really upset."
"It's Quinn. We had a moment."
"Is there anything I can do?"
"No, Puck. Thank you. It's just horrible parental skills paying off in spades." She walks away.
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As Kurt paints, he watches Blaine and Blaine's watching him too. While Quinn is watching the both of them.
"Oh, oh. Longing looks are being exchanged," says Quinn.
"I'm gonna go talk to him," says Kurt, getting up.
"No, Kurt. I think it's a bad idea."
Kurt leaves and goes towards Blaine anyway when Puck joins Quinn.
"What's his problem?" asks Puck.
Quinn sighs. "Don't worry about it."
"Why are you being such a bitch to your mom?"
"Don't worry about it."
Kurt joins Blaine. "Do you still care about Kristian?"
"Don't do this. Please don't turn this into something that it's not."
"So, this is not for discussion. That's what you're saying?"
Puck and Quinn are listening in on them from afar.
"No, I'm saying that this isn't up for discussion right now because we have ears on us."
They look at Puck and Quinn. They both pretend that they're not listening.
"Okay, when?"
Blaine sighs. "I don't know."
"I saw him Blaine. It's like we are the same person. How could you hate him and be in love with me?"
"Why don't you ask Puck?"
"How about we don't bring Puck into this right now?"
"Well I'm sorry if I'm upset about my boyfriend and brother being close."
"Well how would you feel if your boyfriend spent all yesterday with his ex. Pretty shitty right?"
"You know, do you even love me anymore?"
Kurt remembers this really means "I love you". He replies in their code. "Maybe I don't." And Kurt leaves.
Puck is still with Quinn. "Relationships are about communication," says Puck.
And Quinn leaves, exasperated with the whole situation.
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At the Abrams Estate, Aimee and Sarah are dancing and Artie and Finn are drinking. Aimee goes over to Artie.
"Where's my drink?" asks Aimee.
"Let's go get one," replies Artie.
They go toward the bar. Artie goes behind the bar and grabs a bottle and a glass.
"Thanks for having us over. I think Sarah's got a thing for Finn," says Aimee.
"Well, good for Sarah," replies Artie. He unscrews the bottle and pours the alcohol in the glass. He slides the glass over to Aimee.
"Look, I'm really embarrassed about slutting it up with you that day at the swimming hole. I'm really not like that, I promise you."
He puts the bottle back inside the bar and rolls from behind it. "You don't need to apologize."
"Friends?"
"Yeah, sure."
They clink glasses and drink.
Sarah takes Finn's sketchbook. "Can I see?"
"No, no. No way," says Finn as he tries to grab the notebook back.
"I want to see," says Aimee.
"Yeah, let's see. What does Van Gogh got going on?" asks Artie.
"Okay, yeah. Check it out," relents Finn.
Sarah looks at Finn's drawings. "Ooh, scary demon wolf thing."
Artie seems uncomfortable. Finn watches him.
"What's this about?" asks Artie. He takes the notebook and pages through the drawings.
"Just some sketches. You still draw, Artie?"
"A little, but not much. You know, I've got something I'm working on. Come on, I'll show you."
"Yeah. Okay, sure."
They start to go toward the office.
"You're gonna need a drink," says Aimee to Sarah.
"I mean, it's nothing special, it's pretty much amateur hour over here," says Artie to Finn as they go toward the office.
"Dude, I've seen your stuff before, it's great," replies Finn.
"It's on the desk."
Finn looks on the desk, but there's nothing there. Artie closes the door.
"Ah, I…don't really see it here."
Artie rushes over him and punches him in the stomach. Finn groans onto the floor and Artie grabs him by the collar, strangling him.
"What were those pictures about, huh?"
"I can't…I can't breathe!"
"Answer me! Why? Why wolf pictures?"
"Because…because I know."
"You know what? You know what Finn?!"
"I know what you are."
