[A/N: Sorry there's no opening puzzle piece for this episode as this is technically just a continuation of the last episode. Part 2 of the season premiere had one because I wanted you guys to get used to the new format. Anywho, no worries, there's plenty more to come anyway!]
1.
TITLE CARD: FRIDAY
EXT. WOODSBORO HIGH - QUAD - DAY
Lunch is in full swing as the students make their way through the crowds joining their friends for social hour. In the midst of them is SHERIFF DEWEY RILEY and DEPUTY PERKINS making their regular patrol near the parking lot.
A LARGE VAN pulls into the lot and both their heads twist to see what it is. Dewey sighs... he knows this isn't gonna be good. On the side of the van reads WINDSOR COUNTY POLICE. The van parks and outcomes DETECTIVE PANAMA, a large mustached douchebag if there ever was one.
PANAMA: Dewey.
DEWEY: That's Dwight. Sheriff Riley as a matter of fact.
PANAMA: Ah, ofcourse.
DEWEY: What are you doing in my neck of the woods, Panama?
PANAMA: Oh, you know. Ususal shit with more teens from your area dying in my county. It's funny, how Woodsboro has pretty much 0 homicides over the last decade yet the majority of the ones in my county were all caused by people who live here.
Dewey looks at Perkins and Perkins half laughs at how silly this guy sounds.
PANAMA: What the hell is so funny?
PERKINS: That damn mustache, I'm tellin' you.
PANAMA: It's not a joke! You're ruining Windsor's name!
DEWEY: If you haven't noticed, Woodsboro's names been tainted enough as it is.
PANAMA: And the Windsor College Massacre just... so happened to be on Woodsboro grounds too or does that not count?
DEWEY: Eh, they weren't teens. Less of a big deal on your part.
PANAMA: You listen to me... get these kids in check before you have another Woodsboro Massacre on your hands. And God dammit, make sure they stay out of MY county!
DEWEY: So what new murder happened over in Windsor anyway that has you over here? There's been no losses lately. Been nice and quiet... just as we like it.
PANAMA: Nothing new, we just have to talk to Mr. Leeds for new details on that poor girl killing Katherine Maleficent and then herself on the old Penciatti Hotel property. Ya know... ANOTHER place where your dumb teens were slaughtered and were responsible for in another massacre. Including your own sheriff, now THAT'S new. We should've known better than to ask for your help on that one.
DEWEY: You keep Burke's name out of this!
PANAMA: Just stating the facts... Dewey.
Panama oozes his way around Dewey and Perkins and onto the campus. Dewey grits his teeth...
DEWEY: I hate that guy.
To the side of them, Trevor picks a rose from the garden and he makes his way further onto campus. Jenny, Niley and Marnie sit in the corner with their lunch as Niley and Marnie talk away... Jenny watches Trevor from afar...
CUT TO:
THE FOUNTAIN
Jill and Olivia both eat their sandwiches as they wait for the rest of the group to come over. Jill notices Trevor making his way into the hallways towards the lockers. She squints, noticing he's alone. She jumps up and throws her sandwich onto Olivia.
OLIVIA: Hey, you got jelly on me! (waits) Jill, where you going? Jill!
Jill continues on forward, not looking back following behind Trevor.
OLIVIA: Now I'm a loner, great.
Niley quickly sits down at the fountain next to Olivia.
NILEY: I just wanted to say "hi" while you were alone.
OLIVIA: You done hanging with short meat and Jenny McSlut?
NILEY: Do you even know them? Why would you say things like that? They're nice.
OLIVIA: Whateverrrrr.
Niley watches Olivia a bit longer... she comes to the sad realization...
NILEY: I just realized that you're not all that nice.
OLIVIA: Oh, thanks! I'll remember that the next time Robbie runs off with another dance bimbo to a cabin in the woods and I bring you company.
NILEY: Funny thing about that is... that can't ever happen again because you didn't let me call him that night.
OLIVIA: So you're blaming me now?
NILEY: I had a gut feeling and you didn't listen to me.
OLIVIA: You were burning down houses, why would I have listened to you back than? !
NILEY: And it turned out I was right about that too!
OLIVIA: (beat) Besides the point. And why are we pretending as if the Robbie being gay thing isn't real? Both you and I know the truth about that. So you could've stopped Robbie from cheating on you but you would've never stopped him from liking GUYS.
NILEY: Whatever, Olivia.
Robbie and Charlie make their way over to the fountain. Niley jumps up and runs off with her head down as if it would make her invisible or something.
2.
CUT TO:
INT. WOODSBORO HIGH - HALLWAYS - SIMULTANEOUSLY
"Pathetique" by Beethoven begins. Jill slowly follows behind Trevor, sneaking from onside of the hall to another behind lockers. She notices he has a ROSE in his back pocket. He finally stops and turns to a locker and Jill ducks down behind a trash can. She pokes her head out, watching his every move.
He slides the rose out and places it in an air slot of the locker's door. He smiles and walks back down the hallway from where he came. Jill ducks back and he passes by the trash can - - she goes by unnoticed. She watches him turn out of the hall and she jumps up to make her way to the locker.
JILL: (muttering to herself) That's not Jenny's locker...
She comes face to face with the locker and looks at it. She thinks long and hard... who does this locker belong to? Fuck thinking, she makes her way to the custodial closet and takes down a tool set. She finds pliers and returns back to the locker.
She twists around to make sure nobody is coming and takes the pliers to the lock, prying it open. It makes a loud POP that echos down the hall - - nobody's around to hear it though. She opens the locker - - it's empty.
JILL: What the hell?
Jenny watches from around the corner looking on at Jill. Once she too sees the locker is empty, she backs off before Jill can see her and makes her way back to the outside quad.
Jill leans against the set of lockers and drops the pliers. She covers her face...
JILL: What are you doing, Jill? (beat) Just... talk to him.
She breathes heavy and slides down so her head's in between her knees.
IN ANOTHER HALLWAY
The song continues. Jenny follows behind Trevor and she catches up with him.
JENNY: Hey.
TREVOR: Heeyyyy, what are you doing?
JENNY: What was that?
TREVOR: Was what?
JENNY: The rose thing?
TREVOR: You were following me?
JENNY: I was following Jill follow you. (beat) What was that?
TREVOR: I'll tell you after school, we can't be seen together.
JENNY: Just... tell me now.
TREVOR: Every month... I leave a rose at Chelsea's old locker.
JENNY: Chelsea? You didn't even know her.
TREVOR: I know.
JENNY: ... that's weird.
TREVOR: I know.
JENNY: So... why?
TREVOR: People are just complex in that way, Jenny. They do things that sometimes even themselves can't explain.
JENNY: (smiles) Well where's my rose?
He points to his heart.
TREVOR: Right here.
JENNY: ... that's cheesy.
TREVOR: You love it.
JENNY: (smiles) Kind of.
TREVOR: 'k, we should split.
Trevor ducks off and Jenny smiles as he goes. Jenny turns around and practically skips out the building. Trevor turns around the corner - - HE RUNS INTO JILL.
JILL: Hi Trevor.
TREVOR: Hi - - Jill.
JILL: I know we haven't... talked in awhile. Well... since the break up. And um... I just wanted some clarification.
TREVOR: What do you wanna know?
JILL: ... why did you leave me?
TREVOR: I told you, it wasn't working for me.
JILL: But why not?
TREVOR: (sighs) Things were... getting stale. Ya know? Routine. One day, I was happy and then the next... I felt like I saw our entire life... and there was no change. It scared the hell out of me.
JILL: You think maybe because you've "foreseen" what's to come that there couldn't possibly be any surprises left. Well let me tell you... YOU'VE SEEN NOTHING YET.
The soundtrack THUDS. Jill stares him down and walks backwards, leaving him behind with a quizzical look on his face. She turns around towards the door, fuming.
3.
CUT TO:
EXT. PARKING LOT - SIMULTANEOUS
The song continues. Roy parks his car into a stall and stops. Tess sits in the passenger seat, staring out the window with an emotionless expression. Roy turns to her and turns off the car.
ROY: What's wrong?
TESS: I don't know how many times I have to tell you.
ROY: Look... I know you're... insecure because of your last boyfriends but Tess, I'm a different person.
TESS: You think I don't know that? You think I LIKE having these feelings? Every time you leave somewhere, I get this acid like feeling in the pit of my stomach. I want to change. I want to trust you. But I can't. Maybe I jumped into a relationship too soon, maybe I need more time to grow back into the real me.
ROY: Look... I don't care what's wrong with you. I'm sticking by your side. That's what couples do when they go through a rough patch.
TESS: It's not a rough patch, it's an entire bush full of thorns. We've never been happy because I won't allow myself to be in the equation of us. They say accepting your problem is the first step to fixing it but... that's not true. It's the first step to realizing how horrible a person you are and seeing you can't change and it just makes you an even worse person because then you know you're doing something wrong and you kinda just don't care. I care but I can't FIX THIS thing about me no matter how hard I try. I don't wanna hurt you, Roy...
Tess tears up and Roy's cheeks plump up as she looks out the window. She begins to sniffle as the tears flow and she looks back at Roy.
TESS: I'm sick of myself. Why aren't you sick of me too?
ROY: Because I have faith.
Tess leans over and places her head on Roy's shoulder.
TESS: So you'll stop going to Cinema Club meetings?
ROY: (sighs) Yeah.
TESS: Good. I don't trust that Esline girl...
Roy closes his eyes realizing how odd it is that this girl has a fully self-realization moment but then within the matter of 30 seconds can say the thing she hates herself for.
ROY: Okay but on Sunday, we're doing the Halloween festival and I said I was gonna help.
TESS: What?
ROY: Yeah, I mean... I always do.
TESS: (sits back up) But you said you'll stop going.
ROY: I... promised, babe. And then the radio gig starts in November... I'm always gonna have to be somewhere. Maybe what I need to do is... go anyway and make you suffer through it. Maybe you'll get used to the suffering?
He smiles as if that would be funny to her...
TESS: Get used... to the suffering?
ROY: Wrong choice of words.
TESS: (beat) Maybe you're right...
ROY: How about this? We work our way up to it. It starts off with me being gone for only a little bit. And then half the time. And then full time. By than, you'll have warmed up to the idea.
TESS: And you won't flirt with the other girls?
ROY: Tess... I'm with you. Nobody else. You're all I need.
TESS: Not even Kirby?
Roy pauses for a moment... and then a moment too long.
ROY: No, not even... Kirby.
TESS: Why did it... why did it take you so long to answer?
ROY: Tess, c'mon, I can't reply back quickly every time!
TESS: Do you like her, Roy?
ROY: No.
TESS: Do you LOVE HER?
ROY: Ofcourse not!
TESS: You want her instead of me, DON'T YOU?
ROY: Tess, just - - shut up, listen to yourself!
TESS: First Esline and now Kirby, Roy? Seriously? !
ROY: Oh, my God. You're insane.
TESS: No shit.
ROY: So stop!
TESS: Admit you love them!
ROY: I don't!
TESS: You wanna fuck them!
ROY: Jesus...
TESS: You wanna fuck every girl, don't you? ! Because I'm hideous, I'm fat and emotionally UNSTABLE!
ROY: Hideous? Fat? You fucking kidding me?
TESS: You didn't deny the last one!
ROY: ... no shit.
TESS: Whatever. Take me home.
ROY: I can't, I'll be late for 5th period.
TESS: TAKE ME HOME, ROY.
ROY: Tess, just calm the fuck down for a second!
TESS: Take me home! (PUNCHES THE DASHBOARD) Take me HOME!
Roy's eyes go wide... Tess heaves.
TESS: You're with me out of charity. Or because you don't wanna be alone. Nobody could ever wanna be with me...
ROY: I'm with you because I think despite all this insanity that when we're not fighting, you're actually a caring, funny and charming person. Have you kept taking your medication?
TESS: I'm not bi-polar, I don't care what the doctor says. That's there answer for everything, "here's some meds, here's some meds."
ROY: Then what, you're just... (smiles) passionate?
TESS: Perhaps, doesn't make me CRAZY though, for Christ's sake.
She giggles and Roy smiles now that she's lightening up.
ROY: 'k, let's go.
Roy exits the car and Tess follows after him as she wipes her face off from all the tears. He waits as she comes around and he throws his arm around her. She clutches his hand on her shoulder and she smiles as they continue towards campus... and the song fades out.
CUT TO:
INT. WOODSBORO HIGH - GYM - BACK TO HALLOWEEN
Robbie watches completely in shock at Roy's story.
ROY: It's my biggest fault, Robbie... I'm a hero. (beat, sighs) I wanna be the one to save her... and I can't back down from that now... no matter her mind state. I can fix it. (nods) I can fix it.
ROBBIE: Roy... sometimes the best thing you can do to save someone... no matter how much it hurts them... is to let them go.
4.
CUT TO:
INT. JILL'S ROOM - SIMULTANEOUS
In perfect juxtaposition to that, Jill sits there in a morose mess.
KIRBY: So you're staying inside because you threatened Trevor?
JILL: I didn't threaten him!
KIRBY: Sounded like a threat.
JILL: No, I... okay, sure, it sounds like a threat but I just wanted him to know what he was missing.
KIRBY: Jill... Trevor is a dumbass and he what know what he's missing... move on.
JILL: I'm embarrassed. I put myself out there and I made a fool out of myself. People must think I'm stupid.
KIRBY: What does it matter what people think?
JILL: Because people are what make the world go round, Kirby. If they think negatively of you... or don't think about you at all... you might as well stopping living. Because what other purpose do you have?
KIRBY: Jill - -
JILL: I've been thinking about what you said. About Chelsea and all that. About being desensitized or whatever.
KIRBY: And?
JILL: She was one of our best friends. Before Olivia came into the picture again. She stuck her neck out for us. Got me thinking that I don't feel enough lately.
KIRBY: YOU don't FEEL? Wow, that's a joke.
JILL: I'm serious, Kirby, I've done things where I was just thoughtless. Or maybe I was thinking so much that my thoughts turned into actions. Either way... it was the wrong thing to do. No... no, it was definitely the right thing to do.
KIRBY: Did you steal from the ice cream man again? I told him not to jack up those prices.
JILL: (sighs and turns away) Forget it.
KIRBY: (chuckles) Ok, seriously, c'mon, what'd you do?
Kirby stops for a moment and just focuses on Jill. Jill's eyes shift back towards Kirby, looking down at her.
JILL: I killed someone.
KIRBY: In a dream?
JILL: No, in real life. 5 people.
KIRBY: (smiles) You killed 5 whole people? All by yourself?
JILL: With a knife. And fire.
KIRBY: And fire. Okay, maybe you should stay home today, you're talking crazy.
JILL: Kirby, what if I was telling the truth?
KIRBY: You're not.
JILL: What if I was?
KIRBY: (beat) Then you'd still be my friend. Fuck it, I'd hide those bodies for you. (smiles) 'K?
JILL: (a tear falls from her cheek) You're too good to me.
KIRBY: You're my girl. I'm your partner in your crime.
JILL: Too bad you're joking.
KIRBY: (beat) I'll see ya, Jill. I gotta go now. But text me if you need me tonight.
Kirby stands up to leave.
JILL: Kirby.
KIRBY: Huh?
JILL: Before Chelsea killed herself... do you remember ever hearing anything about her being... a "baby killer?"
KIRBY: I heard whispers and rumors. Ofcourse I never listened, I didn't wanna hear that bullshit.
JILL: Did you ever hear... Olivia say it?
KIRBY: Probably. Why?
JILL: It's just I had this funny memory... that Olivia started that rumor.
KIRBY: Fucked up rumor but knowing Olivia... That's old news though, we can't judge her for it still.
JILL: Sure we can.
KIRBY: Okay Jill, we'll take her to teen rumor court and we'll sort that out. Prior to the proceedings though, we're gonna go see Stab 7.
JILL: (blank) Have fun.
Kirby exits.
JILL: (mumbles to herself) Olivia starts rumor. Chelsea kills herself because of rumor. Olivia killed Chelsea...
CUT TO:
EXT. WOODSBORO PLAZA - THEATER - DAY
Jenny stands there looking at Marnie and Niley who don't seem at all impressed by the story.
JENNY: So that's weird, right?
MARNIE: (monotonous) So weird.
JENNY: Well I think it's weird.
NILEY: I think it's weird that you think it's weird when it's not weird, maybe you're just weird for thinking it's weird. Isn't that weird?
There's silence among them.
MARNIE: That was too much, Niley. Subtlety next time.
NILEY: Darnnnn.
MARNIE: We gotta go, see ya Jenny.
JENNY: See ya guys. Bring me some candy.
NILEY: Get cho own!
5.
CUT TO:
INT. WOODSBORO HIGH - GYM - NIGHT
As the night has fallen, kids make their way into the dim lit gym to watch John Carpenter's Halloween. Charlie stands at the door welcoming everyone in.
CHARLIE: Hey... Hello... Hi... Welcome... Enjoy... Nice costume.
Robbie returns from the parking lot and enters through the line. Charlie watches him... noticing Robbie's arms are stuck to his face.
CHARLIE: What is this?
ROBBIE: My costume. Had to glue my hands to my face.
CHARLIE: I don't... get it.
ROBBIE: Ya know. (opens his mouth like he's screaming) Right?
Charlie just shakes his head... he's completely befuddled.
ROBBIE: Home Alone, man!
CHARLIE: What?
ROBBIE: "Keep the change, you filthy animal!" Right?
CHARLIE: I don't know what you're talking about.
ROBBIE: You've never seen Home Alone? !
CHARLIE: ... wasn't aware of such a movie.
ROBBIE: Huh. Weird. Anyway, see you inside.
CUT TO:
INT. WOODSBORO HIGH - THEATER - NIGHT
Jenny turns off the lights in the box office and puts up the closed sign. She sighs and looks at her phone. She then dials and waits. Voicemail.
JENNY: Hey Trevor, um... you said we'd catch the last showing of Stab 7 but uh... apparently you're too busy doing something else, so... bye.
She hangs up and makes her way out of the box office. Outside, she keeps walking to her car and dials another number. Again, voicemail.
JENNY: Hey Marnie, just wanted to see where you guys were at. If I can't catch ya than I'll just go to the Halloween Festival. Anyway, hit me back.
Jenny hangs up and continues forward.
CUT TO:
INT. JILL'S ROOM - NIGHT
Jill looks at her laptop, staring at Trevor's facebook pages. He hasn't been updating lately... she looks in his friends column... Jenny is listed, but only as a friend. She clicks her page. Her status from 5 minutes ago reads: Heading to the Halloween Festival. My date ditched me :-/
CUT TO:
INT. COSTUME STORE - NIGHT
Jill makes her way in and the store is completely empty. The cashier counts the money from the register.
CASHIER: We're about to close.
JILL: I just need one thing.
CASHIER: Good luck finding it.
Jill makes her way through the aisles and then stops, staring on - - a GHOSTFACE COSTUME sits on the shelf in full stock. She grabs one and makes her way back to the counter.
CASHIER: Ah, Ghostface. Classic. Usually only sells during April for pranks and what not so we actually have a good discount on it for Halloween.
JILL: I came at the perfect time than.
CASHIER: (hands her a card) You also get a code for a free download of the voice app.
JILL: (looks at it) Really?
CASHIER: Yeah. So what are your plans tonight?
JILL: (downloading the app) Halloween Festival at Woodsboro High.
CASHIER: (chuckles) You're not gonna get in there with this costume. You kidding me? That's practically offensive...
JILL: Says the guy who sells it for cheap and ups the price when it's in demand for Memorial Week in April. (talks into the phone and it emits THE VOICE) Included with a free app.
6.
CUT TO:
INT. WOODSBORO HIGH - GYM - NIGHT
Freddy now stands at the door letting people in. He notices GHOSTFACE walking straight for him. He holds up his glove-hand.
FREDDY: Excuse me, but that's not allowed on this campus.
Ghostface lifts up the mask to reveal Jill, smiling sweetly.
JILL: C'mon Freddy. I'm harmless.
FREDDY: I could get in trouble for letting you in.
JILL: I'll take off the mask than.
FREDDY: (sighs) Okay.
Jill makes her way into the room... and slips the mask back on.
JILL: Suckerrr.
Halloween 3: Season of the Witch plays on the screen as the kids watch on the bleachers. The kids boo and throw popcorn at the screen.
ROBBIE: Please don't throw popcorn, I'll have to clean it up!
Jill continues and heads under the bleachers, slowly making her way through. She looks up through the cracks beneath their feet and up at the faces sitting there. She then stops... underneath Jenny... and watches her.
Jenny's phone rings and she answers it. We can't hear the conversation from where Jill is. Jenny then stands up and makes her way down the steps of the bleachers and out the building... Jill slowly follows behind.
CUT TO:
EXT. JENNY'S HOUSE - NIGHT
Jenny walks down the street towards her house among the late trick 'r treaters. Jill blends perfectly right in not to be seen. Jenny goes up her walkway and enters her house. Jill stops and looks onward at the house. She then proceeds forward.
INT. JENNY'S LIVING ROOM - CONT'D
Jenny throws down her purse and moves across the rooms, turning on the lights. THE DOORBELL RINGS. She spins around and walks back to the door and opens it to reveal GHOSTFACE (Jill) standing there. Jenny laughs and steps back to a bowl of candy with a note her parents left there in the event she comes home.
JENNY: Cute. Ghostface.
Ghostface remains silent. Jenny returns with the bowl and looks down.
JENNY: Where's your bag?
NO RESPONSE.
JENNY: And aren't you gonna say "trick or treat?"
NO RESPONSE. Ghostface stares coldly forward. Jenny starts to get uneasy.
JENNY: Okay Casper, that's a wrap.
Jenny closes the door - - GHOSTFACE SLAMS THEIR HAND ON THE DOOR... and slowly holds out their hand. Jenny grabs a handful of the candy and slams it in their hand so they'll leave. Ghostface remains motionless... AND SPINS AROUND back down the walk way.
JENNY: What the hell?
Jenny closes the door and puts down the bowl. HER PHONE RINGS. It startles her and she jumps back, screaming. She then laughs, realizing how stupid it was. She answers the private number.
JENNY: Hello?
GHOSTFACE: I think it's time we get reacquainted with each other, what do you think?
THE LIGHTS GO OUT.
JENNY: Who is this? Did you just turn off my lights? !
GHOSTFACE: Maybe.
JENNY: Was this the freak at the door a second ago?
GHOSTFACE: Maybe.
JENNY: Look asshole, you have 2 seconds to turn back on my lights or I'm calling the cops!
GHOSTFACE: On Halloween night? They'll never make it in time.
JENNY: Your funeral.
GHOSTFACE: No Jenny, I'm afraid, it's YOURS.
THERE'S A THUD FROM ANOTHER ROOM. Jenny spins around and grabs the firepoker, MARCHING TO THE OTHER ROOM. She enters, ready to swing.
JENNY: Where are you?
GHOSTFACE: Guess.
GHOSTFACE'S CAPE FLOATS BEHIND JENNY DOWN THE HALL AS IT RUSHES INTO ANOTHER ROOM IN COMPLETE SILENCE.
JENNY: I'm not playing your stupid Casey Becker rehash game, okay, you unoriginal bastard? This is over!
GHOSTFACE: You're not gonna threaten to get your jock boyfriend on me?
JENNY: I don't have a boyfriend.
GHOSTFACE: You don't?
JENNY: NO.
GHOSTFACE: Why not?
JENNY: I'm calling the cops now.
There's a knock at the door. Jenny runs back to the door, firepoker in hand. She bursts open the door and gets ready to SWING. Niley and Marnie jump back frightened.
NILEY: What the hell are you doing?
Jenny looks at her phone - - the phone call's ended.
MARNIE: Jenny?
JENNY: You guys see Ghostface around here anywhere?
NILEY: Uh... no.
JENNY: (sighs) Come in.
They enter.
MARNIE: It's probably someone just messing with you.
Niley empties her bag of candy on the floor and drops to her knees to look at it all.
JENNY: Some freak came to the door and then I got a Ghostface call.
MARNIE: It was probably Trevor.
Jenny smacks the phone against her head embarrassed.
JENNY: That makes sense now with the boyfriend question and why he never answered his phone earlier.
MARNIE: See.
Marnie joins Niley and dumps out her own candy. Jenny stays up and looks out the window. JILL, out of costume, stares at her from across the street. Jenny squints to make sure she's not seeing things and opens the door again to get a closer look - - she's gone.
MARNIE: Jenny, we got your favorite! Tootsie Rolls!
JENNY: (beat then closes the door) Oh... cool.
She turns back to look out the window. She dials Trevor's number now - - he answers.
TREVOR: Hello?
JENNY: Very clever, Trevor.
TREVOR: What?
JENNY: Oh, we're not gonna play that game now. Just know... I'm gonna get you back.
TREVOR: For what?
JENNY: Bye bye now.
Jenny hangs up and she joins the candy pile on the ground.
EXT. CEMETERY - CONT'D
Trevor hangs up the phone and puts it back in his pocket. He looks back up... we DOLLY OUT to reveal he's sitting in front of Chelsea's grave...
TREVOR: Happy Halloween, Chelsea.
SMASH TO BLACK.
70 reviews for Episode 6!
a) What was your favorite moment from this episode?
b) Which character had the best dialogue/quotes this episode? And which pieces of dialogue in particular?
c) Who was the most "pathetic" person this episode?
d) There's two deleted scenes from this episode: Panama talking to Mr. Leeds while Chelsea's "present" and Olivia & Kirby's reaction to Stab 7. Which one do you want to see more?
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