Colbert leads out Brooks, and spots Massey. He gives him a knowing nod. INT. COLBERT'S HUMVEE - NIGHT Colbert drives, popping glances up at the rear-view mirror. BROOKS Well, shit-a-doodle-doo. We've got little more than two hours left. COLBERT Yeah...not a lot of time. BROOKS Wanna start now? Brooks slips a hand between Colbert's thighs. Colbert takes her hand firmly. COLBERT No. Not tonight. BROOKS What? COLBERT We're not going back to my place. I'm going to drop you off at the base. BROOKS (hard) What? COLBERT Listen, it's happening again. The Colonial government has found more of the aliens. BROOKS The ones from Rim? But I thought you said you killed them all? COLBERT We didn't. (beat) All my life I've tried fighting off the nightmares, to forget what happened. I can't any longer. I'm going to put an end to this permanently. You know where are people went? BROOKS Yeah, but... Colbert triggers his phone console. COLBERT Call them. INT. JOY CLUB - NIGHT Opposite of what we saw at the opera. Bodies writhe to the heavy beat of techno-music. Mix jungle and underground. A throng of MARINES with gorgeous WOMEN wearing nothing but thong bikinis. Pulaski emerges from the crowd with a wild brunette over his shoulder, slapping her jiggling ass. Two girls doing the bump and grind with Jesus. He kneels down, caressing their flatboard stomachs, teases their bellybuttons with his tongue. Herman, Butch, Jess, Teape and Stokes are at the bar. A hot honey BARTENDER serving drinks there. Another girl enticing Teape to come out to the floor. TEAPE I really shouldn't... JESS Shee-it, what are you? A little girl? HERMAN Get in there, Private! Herman gives Teape a good hearty shove off the bar. PARTY GRUNT #1 You guys got a real tight crew? STOKES Real tight. PARTY GRUNT #2 You lucky. My squad freaked after our CO told us we're shipping out. They all pissed in their pants and I been smelling that since. Beer jugs CLANG. The bartender leans over to the men. CLUB BARTENDER Which one of you big boys is Sergeant Herman? STOKES It ain't the skinny black man for sure. JESS Suck air. Herman wags a finger. The bartender hands him the receiver. He covers a ear and listens in. Garbled voice. INT. TILLER'S QUARTERS - NIGHT Tiller is sitting with his CHILDREN, four of them in all. He adjust his son's collar. A woman appears at the doorway, his WIFE. MRS. TILLER Come on, honey. We're going to be late. TILLER Be a sec. I need my marines looking sharp. His pager goes off. He grudgingly snaps it off his belt, looks. MRS. TILLER Business? TILLER Yeah. MRS. TILLER (claps hand) Okay, kids. You know the drill. Tiller kisses each of his children on the forehead as they walk by. Then comes the eldest, the daughter, EVELYN, who brushes him off. EVELYN Daddy, please. The make-up. She leaves. Tiller gets up and stands with his wife. TILLER When did that happen? MRS. TILLER Last year. I think you were storming Grenada at the time. TILLER I'm sorry. MRS. TILLER (a little bit of guilt) We're used to it. CUT TO: INT./EXT. BLACK SEDAN - NIGHT The car pulls to a stop. Inside, the two TIA Agents watch in the distant Colbert leaving his Humvee, and heading up the stairs to his apartment. One of the agents dials in a number on the phone console. The line connects. The face of Orona appears. ORONA Yes? TIA AGENT #1 Colbert dropped off his date, and then he went home. We're at his place now. ORONA Keep an eye on him. TIA AGENT #1 Yes, sir. The image fades to a blip. Both Agents lean back against their chairs, prepping for the night. One of them pulls out a sandwich, the other grabbing a cup of coffee. A car pulls up next to them. The doors opens and out steps Massey. He taps the window. TIA AGENT #2 Get rid of him. The other Agent waves him away. Massey taps the window again. TIA AGENT #1 Christ. The window rolls down. Massey takes a PISTOL from beneath his coat. No hesitation. Shoots each one. Colbert rushes up to Massey. He looks at the two Agents. MASSEY Tranq darts. They'll be out cold for the night. We have a transport? COLBERT I made a few calls. I don't know what's available at the base until we get there. MASSEY We have a way in? COLBERT I can get us in. MASSEY You ready? COLBERT No. Considering what we're about to do. MASSEY Considering what we've been through, maybe we should have died on Rim. Colbert pauses, regards him for a moment. COLBERT Yeah. Right. We'd better get going. INT. OUTSIDE/AROUND HANGAR #10 - NIGHT Tiller moves down the metallic hallway, hands in pockets. He hears the CLICK-CLACK of high heels, looks up to see Brooks now in a long overcoat over her dress. TILLER We're rolling? She shrugs. The bay doors SLIDE OPEN, and they ENTER into -- INSIDE HANGAR #10 The rest of the platoon are there clustered around a dormant APC. Stokes takes Brooks, twirls her once. Activity still going strong in the b.g. STOKES Whoo-whee! Damn if I weren't married. BROOKS I heard that before. A gigantic HEAVY LOADER on treads rumbles into view. On it's lift is a steel container easily ten feet high and six feet deep. Something huge inside. ANGLE OVER THE CONTAINER as the lift lowers. Pistons WHINE. We see Lara behind the wheel. JESUS You droppin' with us, Kat? Lara winks, drives the tractor up into the ramp of the awaiting transport, the CMS DAEDALUS. Herman waves everyone up the ramp. HERMAN Awright, cut it out, people. I want everyone up in that ship, now. The platoon fall out into the ship. WHIP PAN TO: TWO MEN working on a service loader. Their heads are tilted slightly down so their hat bills block their faces from view. Both wearing engineer overalls. GROUND LEADER Take that to Bay Six. The lead man nods, drives the loader away quickly. After some distance, the driver suddenly changes direction and heads for the Daedalus. INT. CMS DAEDALUS - NIGHT The door to the lockers slide open, and in steps the two men from the loader. The lead man removes his cap. Michael and everyone are in attendance. MICHAEL Colonel? BUTCH Tench-hut! Officer on deck! The troops snap to. COLBERT At ease. (to platoon) All right, everyone. Listen up. We don't have a lot of time here, so I'll make this quick and precise. Exactly three hours before this time, a Colonial vessel was dispatched with the intention of retrieving a bio-weapon to return to Earth. A weapon which poses a tremendous threat to the welfare of every living creature in this system. Now some of you know I was part of a botched mission thirteen years ago. Well we are in the same situation now. And I find it unacceptable. I will use whatever means necessary to stop this. Colbert walks among his troop. COLBERT (CONT'D) I will need help so I am asking each of you. I will let you know, whether you come with or not, this mission continues. As of tomorrow I will no longer be Colonel of the Colonial Marine Corps. So, if you do choose to come with me... (beat) ...in return, I can grant each of you six month leave of absence without notice effective as of today. The platoon all stare at each other, already considering. COLBERT More details will be given once we're on our way. STOKES Six months, Colonel? No questions asked? COLBERT You people won't hear anything. LARA You're throwing away your career, Jason? COLBERT You wanted an explanation, Katherine. Here it is. (looks at his CO's) Sergeants? HERMAN Hey, your problem is my problem, too, Colonel. It ain't fly-fishing season anyhow. TILLER (O.S.) I'm in. CUT TO TILLER, standing up, throwing in his chip. TILLER (CONT'D) For six months. The war could be over by then. I'll go. PULASKI You got kids, brother. Stay. Colonel, you're giving him the leave if he staying, right? TILLER If you go, I go. COLBERT This mission will be dangerous. I can't stress that enough. But you people are the only ones I can trust. I know you, and you know me. STOKES It's important to you, right, Colonel? I mean this is big. Big or else you wouldn't call us? COLBERT Yeah, Cowboy. It's pretty big. A grin spreads from cheek to cheek. STOKES Fuck it. I'm in then, Colonel. TEAPE This is some deep shit. JESS You're in? You are in, kid. PULASKI He's in. TEAPE Yeah, guess I'm in. Colbert looks at Brooks. BROOKS Whatever, Jason. I roll with you. COLBERT No, this isn't an order, Sammie. You come with me at your choice. BROOKS Then I am going. Adlibs 'Hell yeah' from the platoon. COLBERT All right, let's get moving. Semper fi. Michael watches them leave, moves to Colbert. MICHAEL That big? COLBERT How's the ship, Michael? MICHAEL (shrugging) Pretty solid cruiser. One of the latest ships to be integrated with the stealth technology and the ATDMC intercept. We can probably catch that ship through their navigations. COLBERT Good. MICHAEL Wasn't easy for Lara to secure several hundred tons of nuclear weapons like you wanted. COLBERT That's why I have you great kids. MICHAEL Yeah right. Just drop Hell into my life anytime. They do a gentle fist dap and smile warmly at each other. COLBERT Let's get this ship into space. And they leave. FADE TO BLACK. TO BE CONTINUED...
