Page 23, Panel 1
WE'RE INSIDE DR. WHITE'S OFFICE, LOOKING PAST HIM AT THE DOOR. BLACK IS BURSTING INTO THE ROOM, HIS FACE FULL OF FURY. DR. WHITE DOESN'T EVEN LOOK UP FROM HIS COMPUTER.
Black: White!
White: Is something the matter, Mr. Black?
Page 23, Panel 2
PULL AROUND SO THAT WE'RE LOOKING AT BLACK FROM BEHIND. BLACK HAS GRABBED DR. WHITE BY THE COLLAR OF HIS SUIT AND IS PULLING HIM UP OUT OF HIS CHAIR. DR. WHITE HAS A SLIGHTLY SURPRISED EXPRESSION, BUT OTHER THAN THAT, IT'S DIFFICULT TO READ ANY EMOTION INTO HIS FACE.
Black: Oh, yes. There is definitely a matter we need to discuss.
White: Something tells me you're upset.
Page 23, Panel 3
GIVE US A MEDIUM CLOSE-UP OF BLACK AND WHITE FROM THE SIDE. BLACK IS NOT MAKING ANY EFFORTS TO MASK HIS ANGER. WHITE'S SURPRISE HAS WORN OFF AND HIS EXPRESSION IS NOW NEUTRAL.
Black: Upset? Yes, that's one way to put it.
Page 23, Panel 4
WE'RE LOOKING DOWN ON DR. WHITE FROM BEHIND BLACK. WE CAN JUST SEE BLACK'S HEAD IN THE CORNER OF THE FRAME. BLACK THROWS DR. WHITE BACK INTO HIS CHAIR. DR. WHITE IS STILL VERY CALM, ALTHOUGH HIS GLASSES ARE SLIGHTLY ASKEW.
Black: You arrogant son of a bitch!
Page 24, Panel 1
THIS IS GOING TO BE A SIMILAR PAGE TO WHAT WE HAD THE FIRST TIME WE WERE IN DR. WHITE'S OFFICE. A SINGLE LARGE FRAME TAKES UP THE TOP TWO TIERS OF THE PAGE, OVERLAID WITH SMALLER FRAMES SHOWING DR. WHITE'S ACTIONS, EXCEPT THAT THE FOUR OTHER FRAMES WILL ALL BE GOING DOWN THE RIGHT SIDE OF THE PAGE.
THIS IS THE BIG FRAME. PULL BACK AND TO THE SIDE SO THAT WE CAN SEE BOTH THE CHARACTERS CLEARLY. BLACK IS SHOUTING. DR. WHITE IS READJUSTING HIS GLASSES.
Black: You told Eddy that he was damned! That is the most presumptuous thing I've ever seen!
Black: How dare you take God's rights upon yourself like that!? What in heaven's name were you thinking!?
That is one of the most grievous of sins!
Caption: Chapter 9: Visitors
Page 24, Panel 2
ON THE TOP RIGHT CORNER, WE CAN SEE DR. WHITE'S HAND OPEN THE MIDDLE DRAWER OF HIS DESK, REVEALING THE KEY.
No dialogue.
Page 24, Panel 3
DR. WHITE PUTS THE KEY IN THE LOCK OF THE TOP SIDE DRAWER AND TURNS IT.
SFX: Click
Page 24, Panel 4
FROM THE SIDE, WE CAN SEE DR. WHITE'S HAND PULL OPEN THE DRAWER.
No dialogue.
Page 24, Panel 5
THIS ONE IS ON THE BOTTOM RIGHT CORNER OF PANEL 1. NOW DR. WHITE IS REACHING INTO THE DRAWER, ALTHOUGH WE CAN'T SEE WHAT HE'S TAKING OUT.
No dialogue.
Page 24, Panel 6
FOR THIS PANEL, WE HAVE A FRONTAL SHOT OF BLACK'S HEAD. HE'S STARTLED BY WHAT DR. WHITE HAS PULLED OUT OF THE DRAWER.
Black: Gasp!
Page 24, Panel 7
BLACK'S POV, NOW IT'S A FRONTAL SHOT OF DR. WHITE, REVEALING WHAT HE'S GOT. HE'S DRAWN A MILITARY STANDARD-ISSUE .45 CALIBER PISTOL AND IS POINTING IT DIRECTLY AT US. HIS FACE IS PERFECTLY CALM, EVEN EMOTIONLESS.
White: I suggest you calm yourself, Mr. Black.
Page 25, Panel 1
NOW GO BACK TO A SIDE SHOT OF THE TWO CHARACTERS. WHITE IS POINTING THE PISTOL RIGHT FOR THE SPOT BETWEEN BLACK'S EYES. BLACK IS SINCERELY AFRAID THAT DR. WHITE WILL PULL THE TRIGGER.
White: You know, I've found that when you want something, a polite word goes a lot farther than an angry word.
Page 25, Panel 2
A SIMILAR SHOT TO PANEL 7 ON THE PREVIOUS PAGE. WE'RE LOOKING DOWN THE GUN BARREL AT DR. WHITE. HE'S GOT A SLIGHT, CONDESCENDING SMILE ON HIS FACE.
White: But a gun and a polite word . . .
Now that's an attention-getter, isn't it, Mr. Black?
White: Please, calm yourself.
Page 25, Panel 3
NOW WE MOVE TO AN OBLIQUE ANGLE OF DR. WHITE. HE'S PULLED THE GUN AWAY SO THAT HE ISN'T POINTING IT AT BLACK, BUT HE HASN'T PUT IT DOWN.
White: For your information, I never told Eddy anything to that extent. Never.
White: He came to that conclusion by himself.
Page 25, Panel 4
OKAY, PULL AROUND BEHIND DR. WHITE SO THAT WE CAN SEE BLACK. BLACK IS STILL NERVOUS, BUT HE SEEMS TO HAVE GAINED CONTROL OF HIMSELF. DR. WHITE IS STILL BRANDISHING THE PISTOL IN A NON-THREATENING MANNER, BUT THAT MAKES HIM SEEM SOMEHOW MORE THREATENING.
Black: But you let him keep believing it.
White: There was no reason to disabuse him of the notion. It kept him in line.
Black: So then you'd let the boy suffer all these years believing that he was hated by God? Dr. White, that's sick.
White: There are clear differences between good and correct. Sometimes, the correct thing to do is not always good, but God forgives us these little sins if they are done for the greater cause.
Page 25, Panel 5
CLOSE IN ON BLACK A BIT SO THAT DR. WHITE IS NO LONGER IN THE FRAME. BLACK IS DISGUSTED.
Black: How can you be so uncaring?
White (off): I care about the greater good, Mr. Black. The trail must not be compromised. Is that clear?
Page 25, Panel 6
A SIDE-SHOT, MEDIUM CLOSE-UP OF BLACK'S FACE. HE LOOKS LIKE HE HATES HIMSELF FOR HIS COWARDICE.
Black: . . .
Black: Clear as crystal, Dr. White.
Page 26, Panel 1
NOW WE'RE BACK AT THE SCHOOL. A STRAIGHT SHOT OF THE DOOR TO THE DEVILLE GIRLS' DORM. IT'S OPEN AND PRU IS PEEKING HER HEAD IN WITH A SMILE ON HER FACE. HER HAIR IS CAREFULLY COMBED AND GROOMED FOR THE DANCE.
Pru: Janette?
Page 26, Panel 2
THE REST OF TIER ONE IS TAKEN UP BY A LONG, THIN PANEL SHOWING THE ROOM. JANETTE IS SITTING AT HER DESK, STUDYING SOMETHING HER SHOES ARE OFF AND SITTING AT THE DOOR, ALTHOUGH, DEPENDING ON THE ANGLE, WE MAY NOT BE ABLE TO SEE THEM. THE CLOCK OVER THE DESK READS 5:30. JANETTE IS LOOKING OVER HER SHOULDER AT PRU, WHO WE CAN SEE COMING IN THE DOOR. PRU IS WEARING AN ELEGANT, BUT TASTEFUL DRESS. SOCRATES IS HANGING OVER HER SHOULDER.
Janette: Oh, Pru. Why aren't you at the dance?
Pru: I just wanted to make sure you were okay. I heard about what happened in the dungeons.
Janette: Oh, that. It's nothing. I'm just glad Ms. Sinclair didn't put me in the jar on top of banning me from the dance.
Page 26, Panel 3
ANOTHER FRONTAL SHOT OF PRU AS SHE COMES IN, BUT SLIGHTLY OBLIQUE. PRU'S HANDS ARE BEHIND HER BACK. SOCRATES HAS HIS USUAL EXPRESSION.
Pru: Well, I guess you are lucky there.
Pru: I brought you something to pass the time tonight.
Page 26, Panel 4
JANETTE HAS TURNED AROUND IN HER CHAIR AND IS TAKING A BOOK THAT PRU IS HANDING TO HER. SHE'S GOT A GRATEFUL SMILE ON HER FACE AS SHE TAKES IT, BUT SHE'S LOOKING UP AT PRU.
Janette: You didn't have to do that.
Page 26, Panel 5
WE'RE LOOKING DOWN AT THE BOOK IN JANETTE'S HANDS. IT'S AN OLD BOOK HARDBACK WITH A BROKEN SPINE AND FADED COVER, BUT IT'S STILL IN GOOD CONDITION CONSIDERING IT'S AGE. IT'S A COPY OF "CHARLIE AND THE CHOCOLATE FACTORY."
Janette: Oh!
Pru (off): It's a first edition. It took me a lot of searching to find one in good condition.
Janette: Wow, Pru! You shouldn't have.
Page 26, Panel 6
A SHOT OF PRU. SHE'S SMILING AND PUSHING HER GLASSES BACK UP HER NOSE, SHRUGGING A BIT. SOCRATES IS JOSTLED A LITTLE BY THIS AND HAS A STARTLED EXPRESSION.
Pru: Well, maybe not, but you are my friend.
Socrates: Quack!
Pru: And I know how much you like Roald Dahl.
Janette (off): Thanks.
Page 27, Panel 1
THE TWO GIRLS ARE LOOKING AT EACH OTHER NOW. EITHER IT'S A DIRECT SIDE-SHOT, OR SLIGHTLY OBLIQUE SO THAT WE SEE MORE OF JANETTE'S FACE. JANETTE HAS A SMILE, WHILE PRU IS BEING MODEST.
Janette: So, Pru, you're pretty smart.
Pru: Well, perhaps.
Janette: Oh, come on. I bet you passed all the midterms above 90.
Pru: . . .
95.
Janette: Oh, wow! Pru, that's incredible.
Page 27, Panel 2
PULL IN ON JANETTE NOW. SHE'S GOT A CASUAL EXPRESSION AS SHE TALKS.
Janette: Annabelle passed hers above 80, so she got to invite Donny to the dance.
Pru: What about you?
Janette: Me? Well . . .
I got 72 on the Magical History midterm. I forgot to study the section on Thule.
Janette: So, Pru, did you invite anyone special to the dance?
Page 27, Panel 3
A SHOT OF PRU. SHE'S A LITTLE SURPRISED BY THE QUESTION AND HER FACE IS A LITTLE RED.
Pru: Huh? Oh, no. I don't have time for boys. I'm too busy studying.
Janette (off): You're blushing.
Page 27, Panel 4
PRU TURNS AWAY FROM JANETTE, COVERING HER CHEEKS IN HER HANDS, TOTALLY EMBARRASSED. JANETTE HAS A PLAYFUL, BUT TEASING SMILE ON HER FACE.
Janette: Is he cute?
Pru: I can't believe you're teasing me like this!
Janette: He is cute, isn't he?
Pru: Oh, he's alright, I guess, but I haven't told him about my heritage, so I couldn't invite him.
Janette: Oh, I see.
Page 27, Panel 5
PRU TURNS BACK TO JANETTE AND LEANS IN CLOSE WITH A CONSPIRATORIAL EXPRESSION, ALTHOUGH SHE'S STILL A LITTLE RED. JANETTE CAN TELL PRU IS JUST TRYING TO CHANGE THE SUBJECT, BUT SHE'S GOING ALONG WITH IT.
Pru: Anyway, have you had any dreams lately?
Janette: Not since I was sent to the headmistress's office.
I guess even the voice of prophecy is scared of her.
Pru: Maybe. Have you told anyone else yet?
Janette: No. I almost told Harlan when he was here, but . . .
Page 27, Panel 6
A STRAIGHT SHOT OF PRU. SHE'S READJUSTING HER GLASSES THOUGHTFULLY.
Pru: You should probably tell someone, Janette.
Janette (off): I will, don't worry.
Anyway, you're missing the dance. You'd better go.
Pru: Are you sure you're okay? I could keep you company if you want.
Janette: No, I'm fine. There no sense both of us missing out.
Page 28, Panel 1
PRU IS GOING TO THE DOOR AND OPENING IT, LOOKING BACK OVER HER SHOULDER AT JANETTE. JANETTE IS GIVING HER A REASSURING SMILE AND HOLDING UP THE BOOK.
Pru: If you're sure.
Janette: I'll be fine.
Thanks again for the book.
Pru: You're welcome. I'll see you tomorrow.
Janette: Enjoy the dance.
Page 28, Panel 2
A STRAIGHT SHOT OF JANETTE OPENING THE BOOK TO READ. AGAIN, WE CAN CLEARLY SEE THE CLOCK ON THE WALL ABOVE HER. IT READS 5:40.
No dialogue.
Page 28, Panel 3
A SHOT OF THE CLOCK. NOW IT READS 6:00.
No dialogue.
Page 28, Panel 3
A SIMILAR SHOT TO PANEL 2, BUT NOW JANETTE IS HALFWAY THROUGH THE BOOK AND THE CLOCK READS 6:25. JANETTE IS LOOKING UP SUDDENLY AT THE SOUND OF A FAMILIAR VOICE.
Voice (off): So, we meet again, Young Miss.
Janette: ??
Page 28, Panel 4
THE FAIRY FROM THE BEGINNING OF THE BOOK IS SITTING ON THE BED, SMILING PLEASANTLY WITH HER LEGS DANGLING OVER THE SIDE. SHE'S WEARING A SLIGHTLY MORE FORM-FITTING DRESS THAN BEFORE, BUT NOTHING OUTRAGEOUS.
Janette (Off): Oh, it's you again.
Fairy: Yes, it is. How have you been, Janette?
Page 28, Panel 5
GIVE US A SHOT FROM BEHIND THE FAIRY, LOOKING AT JANETTE AS SHE TURNS HER CHAIR AROUND. SHE'S PUTTING A BOOKMARK INTO HER BOOK, LOOKING UP AT THE FAIRY CURIOUSLY.
Janette: I had a dream about you.
Fairy: I know.
Anytime someone speaks a fairy's name, or dreams about her, we know. It is the nature of our being.
Janette: I didn't know that.
Page 29, Panel 1
GIVE US A LONG, THIN PANEL ACROSS THE TOP TIER, AGAIN FROM BEHIND THE FAIRY. JANETTE IS LOOKING AWAY TO PUT HER BOOK ON THE TABLE. SHE'S CASTING A LONG SHADOW ONTO THE WALL ON THE OTHER SIDE OF THE ROOM AND TWO POINTS OF LIGHT ARE GLOWING WHERE THE EYES WOULD BE. WHILE JANETTE ISN'T LOOKING, THE FAIRY HAS TURNED HER HEAD SHARPLY TOWARD THE SHADOW WITH A STERN GLARE.
Janette: Listen. I . . .
Uh . . .
Page 29, Panel 2
OVERLAY THIS SMALL PANEL ON THE BOTTOM RIGHT CORNER OF PANEL ONE. IT'S A CLOSE-UP OF THE SHADOW. THE GLOWING EYES GROW WIDE SUDDENLY.
Shadow: !!
Page 29, Panel 3
A SIDE-SHOT OF JANETTE SO THAT WE CAN STILL SEE HER SHADOW. THE EYES ARE GONE. JANETTE IS NOW LOOKING UP AT THE FAIRY AGAIN, SLIGHTLY NERVOUS.
Janette: I've been having other dreams, too.
Janette: Pru - my friend - thinks they might be prophetic.
Page 29, Panel 4
A SHOT OF THE FAIRY. SHE'S LOOKING DIRECTLY AT US WITH A VERY REASSURING SMILE.
Fairy: They are.
Janette (off): Really? What do they mean?
Fairy: I'm not permitted to say.
Page 29, Panel 5
A CLOSE-UP SIDE SHOT OF THE FAIRY. SHE'S STILL SMILING.
Fairy: There are certain laws that we of the Fey are bound to.
Fairy: But I can tell you this.
Page 30, Panel 1
A CLOSE-UP SHOT OF JANETTE'S HEAD. SHE'S LISTENING VERY INTENTLY, CONSIDERING EVERY WORD.
Fairy (off): You are a special child, Janette DeVille. The stars shine very brightly upon the path that you walk.
Fairy (off): Your name speaks of a destiny written in the Book of Time by the hand of Fate herself.
Janette: Me? But I'm . . . not that special.
Page 30, Panel 2
A CLOSE-UP OF THE FAIRY'S SMILE.
Janette (off): Annabelle is better with magic than I am.
Fairy: No, she isn't. Her will is strong, but your heart is stronger and one day, you may become the most powerful sorceress that the world has seen since the Bloodlines were first seeded on the Earth.
Page 30, Panel 3
BACK TO A SHOT SIMILAR TO PANEL 1, BUT PULLED BACK A BIT. JANETTE IS AMAZED TO HEAR THIS - SHE REALLY DIDN'T THINK OF HERSELF AS EVER BEING THAT POWERFUL.
Janette: I will?
Fairy (off): Perhaps. It will depend on the choices you make.
Page 30, Panel 4
A SIDE SHOT OF THE TWO. THE FAIRY HAS STOOD UP ON THE BED AND IS DUSTING HERSELF OFF. HER FEET ARE STARTING TO FADE TO TRANSPARENCY. JANETTE IS LEANING FORWARD IN HER CHAIR, STILL A LITTLE CONFUSED.
Fairy: Choose wisely, Janette DeVille. You have much potential.
Janette: Wait! I don't understand.
Fairy: As it should be. I wish you well, child.
Page 31, Panel 1
A FRONTAL SHOT OF THE FAIRY LOOKING DIRECTLY AT US WITH A MORE SERIOUS EXPRESSION. ALL OF HER LOWER BODY IS TRANSPARENT NOW AND IT'S CRAWLING UP FURTHER.
Fairy: You should go now. There is someone who needs your help.
Page 31, Panel 2
A SHOT OF JANETTE FROM BEHIND WHERE THE FAIRY HAD BEEN. JANETTE HAS A QUESTIONING EXPRESSION ON HER FACE. THERE IS ONLY A SHIMMER OF LIGHT WHERE THE FAIRY HAD BEEN STANDING MOMENTS BEFORE.
Janette: Who?
Fairy (from the shimmer, the words trail off toward the end): You already know that . . .
Page 31, Panel 3
JANETTE SITS BACK IN HER CHAIR AGAIN, A FINGER PRESSED TO HER CHIN, HER BROW FURROWED IN THOUGHT.
No dialogue.
Page 31, Panel 4
JANETTE RISES FROM HER SEAT SUDDENLY. HER EYES ARE WIDE WITH THE SHOCK OF A HORRIBLE "EUREKA!" MOMENT.
Janette: Eddy!
Page 31, Panel 5
JANETTE DARTS OUT THE DOOR, FORGETTING TO PUT ON HER SHOES.
No dialogue.
Page 32, Panel 1
OKAY, NOW WE'RE AT THE ENTRANCE TO THE DUNGEONS. DRAKE IS STILL GUARDING THEM. THERE IS A HUGE KEG OF ALE NEXT TO HIM AND HE'S TRYING TO GET SOME ALE OUT OF IT INTO HIS MUG, BUT APPARENTLY IT'S EMPTY. THERE IS A LOT OF ALE ON THE FLOOR, SOME OF IT DRIPPING UNDER THE DUNGEON DOOR.
Drake: How?
Page 32, Panel 2
A CLOSE UP ON DRAKE FROM THE SIDE SO THAT WE CAN SEE HIM HOLDING THE MUG UNDER THE KEG'S FAUCET; NOTHING'S COMING OUT AND HE IS SORELY DISAPPOINTED.
Drake: How can this thing possibly be empty?
Page 32, Panel 3
NOW A SHOT LOOKING DOWN THE STAIRS OF THE DUNGEON. THE ALE IS DRIPPING STEADILY DOWN THE STAIRS LIKE A SMALL RIVER.
No dialogue.
Page 32, Panel 4
A SHOT LOOKING AT HOBBES FROM THE BOTTOM OF THE STAIRS. HE'S LEANING AGAINST THE WALL, RUBBING HIS BELLY WITH A SAD LOOK ON HIS FACE.
Hobbes: When bringers they my dinner? I bes very hungry.
Page 32, Panel 5
NOW WE'RE IN THE CELL, LOOKING AT EDDY. HE'S LEANING WITH HIS BACK AGAINST THE WALL, HALF-ASLEEP.
No dialogue.
Page 33, Panel 1
EDDY SUDDENLY RAISES HIS HEAD IN HORROR, LOOKING STRAIGHT AT US. NOTE: DIS'S DIALOGUE SHOULD BE IN A RAGGED BLACK BOX WITH A WHITE BORDER AND THE TEXT SHOULD BE RED.
Dis: Eddy.
Eddy: You!?
Dis: I need you to do something for me, Eddy.
Page 33, Panel 2
BLACK IS LISTENING CAREFULLY TO HIS HEADPHONES. HIS EYES ARE NARROWED AND HE'S PRESSING AGAINST HIS EAR. HE'S NOT SURE IF HE'S ACTUALLY HEARING SOMETHING, BUT IF HE DID, IT WORRIES HIM.
Black: Dan, did you hear another voice?
Dan (off): I'm not sure.
Page 33, Panel 3
BACK TO A SHOT OF EDDY, HE'S TURNED AWAY AND CURLED UP INTO A BALL, GRASPING HIS HEAD IN HIS HANDS.
Eddy: I don't want to! I don't wan to!
Dis: Eddy . . .
Eddy: Don't make me do it! It's not right!
Page 33, Panel 4
BACK OUTSIDE THE CELL, HOBBES HAS HEARD EDDY AND IS TURNING TO LOOK.
Hobbes: Why makers you noises, hunter? No one bes in there.
Page 33, Panel 5
A SHOT OF EDDY FROM THE FRONT, ALTHOUGH THE WAY HE'S HUDDLED MAKES IT IMPOSSIBLE TO SEE HIS FACE. BEHIND HIM, WE CAN SEE THOSE TWO GLOWING POINTS OF LIGHT.
Eddy: What do you want from me!?
Dis (coming from just below the glowing eyes): I need to borrow your body.
Eddy: Leave me! Leave me alone!
Page 34, Panel 1
WE'RE IN THE CELL LOOKING HOBBES, WHO IS STARING IN THROUGH THE BARRED WINDOW OF THE CELL DOOR. HOBBES IS A LITTLE UNSETTLED.
Hobbes: Speaksie-sel to whom you does? Hobbes sees nobody. Hears nobody, either.
Page 34, Panel 2
A CLOSE-UP SIDE SHOT OF EDDY'S HEAD WITH HIS HANDS ON THE TOP OF HIS HEAD SO THAT HIS ARMS ARE COVERING HIS EYES. WE CAN SEE TEARS STREAMING DOWN HIS FACE AND HIS TEETH ARE CLENCHED.
Eddy: Please! Please, I'm afraid . . .
Page 34, Panel 3
CLOSE UP OF EDDY'S FEET. A SKELETAL HAND WITH LONG TALONS LIKE A VULTURE IS TOUCHING THE MANACLES CLAMPED AROUND HIS ANKLES. THEY ARE COMING UNLOCKED BY THEMSELVES.
SFX: Clink!
Dis: Then give your fear to me.
Page 34, Panel 4
EDDY IS SITTING UPRIGHT, STARING BLANKLY AT THE CEILING, HIS EYES DISTANT AND EMPTY OF LIGHT. HIS MOUTH HANGS OPEN SLIGHTLY. AS IF A HEAD WERE LEANING ON HIM, THE GLOWING EYES HOVER JUST ABOVE HIS SHOULDER.
Dis: Give me your fear, your rage and all of your pain.
Dis: And let me handle everything.
Page 34, Panel 5
BACK OUTSIDE THE CELL, A SIDE SHOT OF HOBBES LOOKING INTO THE CELL, CONFUSED.
Hobbes: What does you in there, freaksie-man? Hobbes sees . . .
Page 35, Panel 1
SAME SHOT AS THE LAST PANEL, BUT NOW EDDY'S ARMS ARE REACHING THROUGH THE BARS AND LOCKING AROUND HOBBES'S THROAT. HOBBES'S MOUTH HANGS OPEN, HIS TONGUE COMING OUT AND HIS EYES GO WIDE WITH SHOCK.
Hobbes: ACK!
Page 35, Panel 2
A LONG, THIN PANEL TAKES UP THE REST OF THE TOP TIER. WE'RE LOOKING INTO THE CELL THROUGH THE BARS. EDDY'S FACE IS VISIBLE INSIDE, BUT HIS ARMS CUT OFF OUR VISION BELOW HIS EYES, WHICH ARE WIDE AND BLOODSHOT, FULL OF MADNESS.
Eddy (remember to make the text thicker than normal): Who's the freak?
Page 35, Panel 3
EDDY'S POV, LOOKING OUT THROUGH THE BARS. WE CAN SEE EDDY'S HANDS AROUND HOBBES'S NECK. HOBBES IS TRYING TO PRY THEM LOOSE. HIS HEAD IS LEANED SLIGHTLY BACK, HIS EYES ROLLED UP MOST OF THE WAY IN THEIR SOCKETS AND HIS TONGUE IS STILL HANGING OUT OF HIS MOUTH.
Hobbes: Hkk! Ahkk!
Hrrkk!
Page 35, Panel 4
NOW A SUPER CLOSE-UP OF EDDY'S MOUTH. IT'S CONTORTED INTO THAT FRIGHTENING GRIN FROM BEFORE. REMEMBER TO EXAGGERATE THE SIZE OF THE INCISORS A BIT.
Hobbes (off, trailing off): AAUGgghhhh . . .
SFX (exploding box): CRACK!
Below panel 4
Caption: Next! - Chapter 10: Party Night!
