[The students are bringing their luggage into the choir room preparing for their trip to Nationals. As everyone is talking to each other, Annie and Jake walk into the class together.]
Annie: I can't believe we're going to New York together. I've always wanted to go.
Jake: Maybe once we're in New York, I can take you out for a bit.
Annie: Like on a date?
Jake: Yeah. I was thinking a restaurant overlooking the Hudson River. Then, maybe, we can take a horse and carriage ride as we cuddle together.
Annie: As long as Burt and Carole don't interfere with it. You forget, they're chaperoning this trip with Principal Schue, Sam, Jesse, and Quinn. You're gonna have to be on your best behavior.
Jake: I try, but I can't make any promises.
[Annie and Jake kiss.]
Madison: [calling out] Annie! We need your help choosing bunk mates for Nationals!
[Annie brings her luggage with her to the girls. Jake stares at Annie smiling. Burt comes from behind Jake and puts his arm around him.]
Burt: You better not think about sneaking into my niece's room once we're in the City.
[Jake chuckles nervously]
Burt: What's wrong, kiddo? I thought you'd be excited about Nationals.
Jake: [nervous] I am. I just need to talk to you about something.
Burt: She's not pregnant, is she?
Jake: No! No! That would be bad. It was just something I talked to George about before he died.
[Jake secretively pulls out the ring box from his pocket. Burt is surprised.]
Burt: When the hell did you get that?
Jake: Years ago before she left the first time. It was always meant to be hers. I guess I'm asking permission to, well, marry Annie.
Burt: When were you gonna propose to her?
[Sam walks up to Burt and Jake]
Sam: [shocked] You're proposing to Annie?
[Jake shushes them]
Jake: I wanted to take her out on a really nice date. I thought it would be something she'd like.
Burt: You sure you wanna do this?
Sam: Yeah, I mean, you're kinda young for this, don't you think?
Jake: I love her. I've always known that I did. And if I didn't do this, I might regret it forever.
Burt: I think you guys are too young, but I also said that about Kurt and Blaine and look at them now. Jake, if you're gonna propose to Annie, make sure you know she's gonna say yes.
Jake: You're really giving me your blessing?
Burt: You've straightened yourself out over the past couple of months. I have no choice.
[Burt smiles towards Jake and hugs him. Spencer and Alistair walk into the choir room.]
Spencer: When are you gonna tell them?
Alistair: I told you, I already told my parents. They're making the arrangements as we speak.
Spencer: I'm not talking about your parents.
Alistair: I don't think I'm gonna tell everyone here. I don't want them worrying.
Spencer: They love you here. They're gonna wanna support you through this.
Alistair: There's nothing they can do, Spence. I'm not ruining their trip with my news.
Spencer: I'm sorry. I'm just-
Alistair: [interrupting] I know. But there's nothing we can do. I wanna enjoy these moments with you.
[Alistair kisses Spencer. The camera pans to Quinn, Jesse, and Sam load the bus with the luggage]
Sam: Is the sheet music packed?
Quinn: I made sure it was.
Jesse: You think that Rent is the most appropriate musical for them to use at Nationals? I mean, some of the music is a bit much for a high school show choir competition.
Sam: When the musical came out, there was a lot of issues going, like HIV and people blaming gays for it. I want these kids to sing about something that has depth and meaning.
Jesse: But some of their songs are a bit racy, don't you think?
[Will approaches them]
Will: How's it going over here?
Quinn: We're trying to talk Sam out of making these kids sing songs from Rent.
Jesse: I was saying that these songs might not be the most appropriate for Nationals.
Sam: I want these kids to sing something with purpose. The musical came out during an era when no one understood the virus.
Will: I remember when the musical came out. It was very controversial for its time. You sure this is what you wanna do, Sam?
Sam: We might as well shake things up.
[Sam shrugs his shoulders as Jesse and Quinn glare at him. Marley walks over to Ryder as he puts his luggage in the bus]
Marley: Hi.
Ryder: What do you need, Marley?
Marley: Look, I know you're still mad at me.
Ryder: That's an understatement.
Marley: I'm sorry. I shouldn't have done what I did.
Ryder: Sorry doesn't cut it. I love you, Marley. But I can't do this with you anymore.
Marley: Please just give me another chance.
Ryder: No, Marley. You had it and then you ruined it when you had sex with someone that wasn't me.
Will: Alright, everyone! Let's fight for the Nationals title!
[Marley solemnly watches as Ryder boards the bus. The kids board the bus as Rent begins. The camera documents their drive to New York City.]
Roderick: How do you document real life
When real life is getting more
Like fiction each day
Headlines - bread-lines
Blow my mind
And now this deadline
"Eviction - or pay"
Rent!
Jake: How do you write a song
When the chords sound wrong
Though they once sounded right and rare
When the notes are sour
Where is the power
You once had to ignite the air
Roderick: We're hungry and frozen
Jake: Some life that we've chosen
Roderick: How we gonna pay
Roderick and Jake: How we gonna pay
How we gonna pay
Last year's rent
[The kids arrive to New York. They step off the bus as they look around enamored. They walk around Times Square.]
Ryder: How do you start a fire
When there's nothing to burn
And it feels like something's stuck in your flue
Spencer: How can you generate heat
When you can't feel your feet
Ryder and Spencer: And they're turning blue
Roderick: You light up a mean blaze
Jake: With posters
Roderick: And screen plays
Ryder and Spencer: How we gonna pay
Ryder, Spencer, Roderick, and Jake: How we gonna pay
How we gonna pay
Last year's rent
[They walk further and see homeless people sleeping on the sidewalk.]
Alistair: How do you stay on your feet
When on every street it's trick or treat
And tonight, it's trick.
[he grabs his stomach] Welcome back to town.
[Spencer holds him] Oh, I should lay down
Everything's brown and uh oh, I feel sick [leans into a garbage can throwing up]
Annie: Where is he?
Spencer: [holding Alistair's hair] Getting dizzy.
Ryder, Roderick, Jake, and Annie: [as Alistair wipes his mouth and Spencer hugs him] How we gonna pay
How we gonna pay
How we gonna pay
Last year's rent
[They walk a homeless person holding a sign asking for money. Annie kneels down and gives her money]
Roderick: The music ignites the night with passionate fire.
Jake: The narration crackles and pops with incendiary wit
Roderick: Zoom in as they burn their past to the ground
Jake, Roderick, and Annie: And feel the heat of the future's glow.
How do you leave the past behind
When it keeps finding ways to get to your heart
It reaches way down deep and tears you inside out
Till you're torn apart
Rent!
Everyone: [Annie and Jake buy hot dogs and hand them out to the homeless people around them] How can you connect in an age
Where strangers, landlords, lovers
Your own blood cells betray
What binds the fabric together
When the raging, shifting winds of change
Keep ripping away
Sam: Draw a line in the sand
And then make a stand
Jake: Use your camera to spar
Roderick: Use your guitar
Everyone: When they act tough
You call their bluff
We're not gonna pay
We're not gonna pay
We're not gonna pay
Last year's rent
This year's rent
Next year's rent
Rent, rent, rent, rent, rent
We're not gonna pay rent
'Cause everything is rent!
[The song concludes and a police officer approaches them.]
Officer: Whatever you kids are doing, make it stop. This ain't all Broadway like you think it is.
[The kids awkwardly scurry away. The camera transitions to a pizzeria. Roderick and Jane are eating pizza together.]
Jane: [joyfully] Wow! When they said that New York has the best pizza, they weren't kidding!
Roderick: This is seriously better than the crap we have back in Ohio.
Jane: Can we totally bring some back with us?
Roderick: No way!
Jane: Why not?
Roderick: We'll end up eating it all the way back and not have anymore.
[They laugh]
Jane: I'm having a good time with you, Rod.
Roderick: Me, too.
[Jean Baptiste and the rest of Vocal Adrenaline walk in]
Jean: Well, well, well. Are these members of the New Directions?
Roderick: Can we seriously not do this whole "who's stronger" thing right now? We're on a date.
Jane: [shocked] What?
Jean: I'm not here to grovel in your soon-to-be grave. I wanted to tell you that according to the Show Choir grapevine, Vocal Adrenaline has been denounced from the board. The board was not happy about how their leader sexually assaulted someone.
Jane: That's an awesome thing!
Jean: It seems that us, the Mele's from Hawaii, and the Vocal Cowboy's from Texas are the main competition. But just because what happened to one of your members was tragic, that doesn't mean that we're taking it easy on you.
Roderick: The competition's on, bro.
[Jean paid for the pizza pies and left.]
Jane: Did you mean what you said?
Roderick: About?
Jane: This being a date and all?
Roderick: [stammers] Oh. Um, no. Just, um, competition talk.
Jane: [solemnly] Oh.
Roderick: Unless you want it to-
Jane: [interrupting looking at her phone] Oh wow look at the time. It's getting late, so I'm gonna head back to the hotel.
[Jane walks out of the pizzeria. Roderick looks out the door and sighs sitting at the table. The camera switches to Alistair and Spencer sitting in a room together. They are seated in a circle with other people.]
Facilitator: Okay, guys, we're gonna start by going around the room and introducing ourselves starting on my right.
Woman #1: Joanne.
Man #1: Frank.
Man #2: Henry
Woman #2: Taylor.
Woman #3: Sophie.
Man#3: Kyle.
Alistair: Hi. I'm Alistair.
Spencer: I'm Spencer. I'm here to support Alistair.
Facilitator: Welcome to everyone. Today, I want us to talk about our fears and how to conquer them. Obviously, when you're diagnosed with something as terminal as cancer, you're left in fear of what's to come. Who would like to begin?
[Alistair nervously raises his hand. The facilitator points to him.]
Alistair: I was given only six months left to live two months ago. At this point, I'm kinda waiting to die, which sucks, because I had so many plans. Like, I wanted to get married and buy a house and graduate school and have kids. I'm never gonna be able to do that. In fact, those dreams are gonna be nothing but that. And I'm scared. Not just of dying, but all those unaccomplished dreams. I guess it's more fear of how to take all of this in.
Facilitator: What you're going through, Alistair, is such a scary thing. And you're not alone. Everyone in here is going through the same thing as you. I know you're young and you have so much to do, but sometimes, life has different plans for us. Have you spoken to your family about this?
Alistair: My parents live in the city. I came back to spend the rest of my time with them.
Facilitator: That's a great thing.
[The door opens. Annie, Jake, Sam and Will walk in.]
Will: Is this the Terminal Cancer Support Group?
Facilitator: Absolutely. You've come to the right place. Are you here as a patient?
Sam: We've actually come to support Alistair.
[Alistair glances at Spencer]
Spencer: [whispers] I told them about you. They want to support you.
[Alistair places his hand on Spencer's leg]
Alistair: This is why I love you. You're more caring than you lead on.
[They smile at each other]
Facilitator: It's nice to have support through this time, Alistair.
Alistair: Yeah, it is. [pause as Life Support begins]
[singing] Look, I find some of what you teach suspect
Because I'm used to relying on intellect.
But I try to open up to what I don't know.
Alistair and Spencer: Because reasons said I should've died
Three years ago.
Everyone: [standing up and holding hands] There's only us
There's only this
Forget regret
Or life is yours to miss
No other road
No other way
No day but today
[Alistair looks at everyone and smiles. The camera switches to Alistair, Spencer, Annie, Jake, Sam, and Will walking to the subway.]
Will: Why didn't you tell us what was going on with you, Alistair?
Alistair: I didn't wanna ruin this trip with me dying and all.
Sam: You're gonna learn that being in the New Directions is like a family. We're always gonna support you.
Annie: That's what friends are for.
Alistair: Thanks, everyone. I think I needed this more than I even thought. But let's talk about food. I'm starving.
Spencer: There's this restaurant over by Central Park. Maybe we can all go.
[Everyone agrees and walks down the subway stairs. Santa Fe begins.]
Annie: [enamored] New York City.
Will: Uh-huh
Annie: Center of the universe.
Will: Sing it, girl!
Annie: Times are crappy
But I'm pretty sure they can't get worse.
It's a comfort to know
When you're singing the hit-the-road blues
That anywhere else you can possibly go after New York would be
[walking into the subway] A pleasure cruise.
Will: Now you're talking.
[The camera shifts to everyone sitting in the subway. Will is swinging back and forth gently on the pole in the subway seemingly bored.]
Will: Well I'm thwarted by a metaphysic puzzle
And I'm sick of grading papers that I know
I'm shouting in my sleep I need a muzzle
And all this misery pays no salary so
Let's open up a restaurant in Santa Fe
Sunny Santa Fe would be nice
We'll open up a restaurant in Santa Fe
And leave this to the roaches and mice
Woah
Everyone: Woah oh
Sam: [with Will holding an invisible microphone to him] You teach?
Will: Yeah, I teach
Computer-age philosophy
But my students would rather watch tv
Jake: America
Everyone: America
Will: [subtly dancing] You're a sensitive aesthete
Brush the sauce on to the meat
You can make the menu sparkle with rhyme
You can drum a gentle drum
I can see guests as they come
Chanting not about Heidegger but wine
Let's open up a restaurant in Santa Fe
Everyone: Santa Fe
Will: Our labors will reap us financial gain
Sam: Gain
Annie: Gain
Spencer: Gain
Will: We'll open up a restaurant in Santa Fe
Everyone: Santa Fe
Will: And save from devastations our brain.
Everyone: [dancing around the subway] Save our brains!
We'll pack up all our junk and fly so far away
Devote ourselves to projects that sell
We'll open up a restaurant in Santa Fe
Forget this cold Bohemian hell
Woah, oh
Will: [putting his arms around them sitting] Do you know the way to Santa Fe?
You know tumbleweeds, prairie dogs
Everyone: [sighs] Yeah.
[They dreamily look in the distance. The camera transitions to everyone walking past Central Park. Jake fiddles in his pocket as everyone converses.]
Jake: Hey, Annie, would you wanna check out the park together?
Annie: I thought we were going to the restaurant together down the block.
[Sam glances at Jake who's motioning to his pocket]
Sam: We can always meet up afterwards.
Annie: [confused] Okay. I guess we'll see you later.
[Everyone walks away. Jake and Annie hold hands as they stroll through the park.]
Jake: You look really beautiful today.
Annie: Thank you. You look really good today, too.
Jake: I'm really happy with you.
Annie: Me, too, Jake.
[Jake and Annie hold hands as they walk through the park. I'll Cover You begins]
Annie: Live in my house
I'll be your shelter
Just pay me back
With one thousand kisses
Be my lover
And I'll cover you
Jake: Open your door
I'll be your tenant
Don't got much baggage to lay at your feet
[wrapping his arms from behind Annie] But sweet kisses I've got to spare
I'll be there and I'll cover you
Jake and Annie: [leaning against a large water fountain] I think they meant it
When they said you can't buy love
Now I know you can rent it
A new lease, you are my love
On life, be my life
[Annie playfully throws water at Jake's face. Annie runs away and Jake chases her. He catches her from behind, lifts her up, and spins her around. Annie and Jake laugh as he puts her down and dances with her.]
Jake and Annie: Just slip me on
I'll be your blanket
Wherever, whatever
I'll be your coat
Annie: [playfully] You'll be my king
And I'll be your castle
Jake: You'll be my queen
And I'll be your moat
Jake and Annie: [as Jake buys Annie a rose]I think they meant it
[slowly pulls out the box from his pocket while Annie's back is to him] When they said you can't buy love
[Annie looking at one of the vendors in the park and Jake bending down on one knee] Now I know you can rent it
[Jake opens the ring box] A new lease, you are my love
[Annie turns around and looks at Jake surprised] On life, all my life
I've longed to discover
Something as true as this is
Jake: [as he's kneeling] So, with a thousand sweet kisses
Annie: When you're cold and you're lonely
Jake: I'll cover you
With a thousand sweet kisses
Annie: You've got one nickel only
Jake: I'll cover you
Annie: With a thousand sweet kisses.
Jake: [puts the ring on Annie] When you're worn out and tired
Annie: I'll cover you
With a thousand sweet kisses
Jake: [standing up holding Annie's hands] When your heart has expired
Annie: I'll cover you
Jake and Annie: Oh, lover
I'll cover you
Yeah, yeah, yeah, yeah, yeah
Oh, lover
I'll cover you
[Jake kisses Annie as the song concludes. Annie looks at her ring happily and hugs Jake. The camera switches to Sam sitting on the rooftop drinking a beer watching the sunset with a black plastic bag next to him. Quinn walks up behind him as he puts down his beer and strums on his guitar strapped onto him.]
Quinn: You know it's against the rules to be up here, right?
Sam: Eh, what they don't know won't kill 'em. Want one?
Quinn: What kind?
Sam: Your favorite: Stella.
[Quinn goes into the bag and pulls out a beer. She opens it and takes a sip.]
Quinn: Whatcha doing up here?
Sam: Just thinking.
Quinn: About?
Sam: The last time I was here, I was trying to start a modeling career. And now here I am; a teacher at my old high school bringing my students to Nationals.
Quinn: I would count that as a victory, wouldn't you?
Sam: Yeah, it is. It's just crazy how this time a few years ago, I didn't think this is where my life would end up. It's crazy how things change so quickly.
Quinn: A few years ago, I was bouncing back and forth with Puck and Yale. Now, here I am helping you teach the show choir.
[pause]
Sam: Can we talk about something?
Quinn: About what?
Sam: Two months ago, I told you I love you. And you've been saying ever since then that you needed some time. I've now given you months. And you can't tell me how you feel?
Quinn: It's more complicating than that.
Sam: How?
Quinn: Because I haven't felt love since Puck died. I'm gonna need some time to think.
Sam: If you don't love me, please just be honest with me.
Quinn: It's not that.
Sam: Then what is it?
Quinn: Being in a relationship like this isn't easy. It takes time to adjust-
Sam: [interrupting and frustrated] You've had months to adjust, Quinn. How much longer do you need?
Quinn: I'm done having this conversation with you.
[Quinn storms off. Sam looks into the distance as Without You begins]
Sam: Without you, the ground thaws, the rain falls, the grass grows.
Without you, the seeds root, the flowers bloom, the children play.
The stars gleam, the poets dream, the eagles fly, without you.
The earth turns, the sun burns, but I die, without you
Without you, the breeze warms, the girl smiles, the cloud moves.
Without you, the tides change, the boys run, the oceans crash.
The crowds roar, the days soar, the babies cry, without you.
The moon glows, the river flows, but I die, without you.
Quinn: [as she scurries down the stairs] The world revives
Sam: [standing on the roof] Colors renew
Sam and Quinn: [as Quinn looks at her phone and sees a picture of her and Puck as her background] But I know blue
Lonely blue
Within me blue
Sam: Without you
The hand gropes
The ear hears
The pulse beats
Quinn: [sitting on the stairs scrolling through pictures of her and Puck] Without you
The eyes gaze
The legs walk
The lungs breathe
Sam: The mind churns
Quinn: The mind churns
Sam: The heart yearns
Quinn: The heart yearns
Sam and Quinn: The tears dry
Without you
Life goes on
But I'm gone
'Cause I'd die without you
Sam: Without you
Quinn: Without you
Sam and Quinn: Without you
[Quinn holds the phone close to her and starts crying. Sam grabbed his drink, took a sip of his beer and sighed looking out into the distance. The camera shifts to an empty theater. Annie and Jake are walking through it arm in arm.]
Annie: I was thinking that after Nationals, we tell everyone about our engagement.
Jake: That would be a good idea
Annie: How do you feel about a summer wedding?
Jake: I don't know. I sweat a lot and I really don't need to be looking like I just jumped out of a pool on our wedding day.
[Jake and Annie walk onto the stage and see Johnny working on wires. Johnny turns around and smiles towards Annie.]
Johnny: Hey, Annie!
Annie: Johnny! How's everything looking here?
Johnny: Better now that you're here.
[Johnny and Annie hug. Jake clears his throat and Johnny makes eye contact with him.]
Johnny: [sternly] Jake.
Jake: Johnny. [pulls Annie aside and whispers] What is he doing here?
Annie: Principal Schue needed some techs for Nationals, so I figured Johnny and his class would be good at it. And he asked if I knew anyone that could help him fix the problems.
Jake: What problems?
Annie: You know that the cables have been wonky ever since Sectionals. You said it yourself. I thought you could help him with the problems. [walks towards Johnny] Jake is gonna help you fix the problems we've been having before the competition. I have to get our placement for this weekend. [kisses Jake and begins walking away] Now you boys play nice, please. You guys know I'll kick your asses.
[Annie exits. Jake and Johnny awkwardly look towards each other silently.]
Johnny: So you gonna tell me what's wrong?
Jake: Well, you're here.
Johnny: I meant with the wiring. I'm the one that set up the system for you guys in Sectionals.
Jake: Oh. Yeah, I forgot.
Johnny: How's everything going with you guys?
Jake: We just got engaged.
Johnny: Oh. Wow. Congrats.
Jake: Thanks.
Johnny: Good luck with her.
Jake: What's that supposed to mean?
Johnny: [walking to the board] Well, when her and I were together, she would just act a certain way.
Jake: Is this coming from some place of jealousy by chance?
Johnny: [toying with the board] Let's just fix the wiring.
[The Tango Annie (originally Tango Maureen) begins]
Jake: The samples won't delay, but the cable-
Johnny: There's another way
Say something, anything
Jake: [miserably at the microphone] Test one, two, three
Johnny: [annoyed] Anything but that
Jake: This is weird
Johnny: It's weird
Jake: Very weird
Johnny: Freakin' weird
Jake: I'm so mad that I don't know what to do
Fighting with microphones
Freezing down to my bones
And to top it all off, I'm with you.
Johnny: Feel like going insane
Got a fire in your brain
And you're thinking of drinking gasoline
Jake: As a matter of fact-
Johnny: [walking towards Jake] Dude, I know this act
It's called the Tango Annie
The Tango Annie
It's a dark, dizzy merry-go-round
As she keeps you dangling-
Jake: You're wrong
Johnny: Your heart she is mangling
Jake: It's different with me
Johnny: And you toss and you turn 'cause her cold eyes can burn
Yet you yearn and you churn and rebound
Jake: I think I know what you mean
Jake and Johnny: The Tango Annie
Johnny: Has she ever pouted her lips and called you "Pookie"?
Jake: [walk away rolling his eyes] Never
Johnny: Have you ever doubted a kiss or two?
Jake: [puzzled] This is spooky
[walking towards Johnny] Did you swoon when she walked through the door?
Johnny: Every time
So be cautious
Jake: Did she moon over other boys
Johnny: More than moon
Jake: I'm getting nauseous
[talking] What are you implying?
Johnny: If she was so willing to cheat on me for you and other people, why would she treat you any differently?
Jake: You're just saying this because you want her back
Johnny: It's the spell she has over you, dude. Just looking out for you.
[The camera pans to a ballroom as everyone tangos together. Jake and Johnny dance the tango as Annie comes closer to them. The song continues.]
Johnny: She cheated
Jake: She cheated?
Johnny: Annie cheated
Freakin' cheated
Jake: I'm defeated
I should give up right now
Johnny: Gotta look on the bright side
With all of your might
Jake: I'd fall for her still anyhow
[Johnny and Jake trade off dancing the tango with Annie]
Jake and Johnny: When you're dancing her dance
You don't stand a chance
Her grip of romance makes you fall
Johnny: So you think "might as well"
Jake: Dance a tango to hell
Jake and Johnny: At least I'll have tangoed at all
[dancing the tango together following Annie] The Tango Annie
Gotta dance 'til your diva is through
You pretend to believe her
'Cause in the end you can't leave her
But the end it will come
Still you have to play dumb
'Til your glum and you bum and turn blue
Johnny: [as him and Jake watch Annie kiss other men on the cheek] Why do we love when she's mean?
Jake: And she could be so obscene
[as Annie waves at them and walks away] My Annie
Jake and Johnny: [as the camera pans back to the auditorium and they look at each other solemnly] The Tango Annie
[The song concludes. Annie comes back with a cup of coffee]
Annie: Okay, guys, apparently we're gonna be the last ones performing at Nationals. And I figured that you would want me to get you a latte. [hands the cup to Jake] How are we doing over here?
Johnny: [walks to the microphone as it echoes] I think we're patched.
Annie: Thank you so much, Johnny! I knew you could do it. We have to go practice our set list, Pookie.
Jake: What did you call me?
Annie: Pookie? Come on, we need to work on the set list.
[Jake and Annie walk away. Jake looks back at Johnny, who's holding back laughter. The camera transitions to Jane walking down the street at night alone. She's looking at all the lights around her.]
Roderick: [calling] Jane! Jane!
[Jane turns around and sees Roderick running after her.]
Jane: What are you doing, Rod?
Roderick: I need to talk to you.
Jane: There's nothing we need to talk about.
Roderick: I shouldn't have said the other day at the pizza place.
Jane: It's not that big of a deal, Rod.
Roderick: Yes it is because I lied. I like you, Jane. And I know that you like me, too. And I'm nervous around girls because I never had a girlfriend before. But I really like you and I don't want to miss out on an opportunity with you.
[I Should Tell You begins]
Roderick: I should tell you, I'm disaster
I forget how to begin it
Jane: Let's just make this part go faster
I have yet to be in it
Roderick: I should tell you
Jane: I should tell you
Roderick: I should tell you
Jane: [as her and Roderick walk down the street] I should tell you
I should tell I blew the candle out
Just to get back in
Roderick: I'd forgotten how to smile
Until your candle burned my skin
Jane: I should tell you
Roderick: I should tell you
Jane and Roderick: I should tell you
I should tell
Well, here we go
Now we
Jane: Oh, no
Roderick: [holds her hand] I know this something is here goes
Jane: Here goes
Roderick: Guess so it's starting to
Who knows?
Jane: Who knows
Jane and Roderick: Who knows where
Who goes there
[Roderick steps in front of Jane holding her hands] Who knows
Here goes
Trusting desire, starting to learn
Walking through fire without a burn
Clinging a shoulder a leap begins
Stinging and older, asleep on pins
So here we go, now we
Roderick: Oh, no
Jane: [caresses his cheek] I know
Roderick: Oh, no
Jane and Roderick: Who knows where? Who goes there?
Here goes, here goes
Here goes, here goes
Here goes, here goes
[Roderick leans in and kisses Jane. After they kiss, they walk down the street happily together. The camera switches to Sam and Will at a bar together.]
Sam: Did Miss Pillsbury find out what the gender of the baby is?
Will: [happily] We're having a little girl.
Sam: Congratulations! That's so awesome that you'll have one of each now.
Will: Oh yeah. No more babies after this one. We don't need any more after this. [silence] What's going on with you, Sam? You're not acting like yourself.
Sam: It's Quinn. I told her a couple months ago that I loved her and she hasn't said anything back since then. And this afternoon, we were fighting about it.
Will: You know Quinn's a tough one to crack. She's very jaded from people. The only person she opened up to died. You may have to give her time.
Sam: But I feel like by giving her time, I'm wasting my time.
[Burt walks in]
Burt: You guys got room for one more?
Will: [to the bartender] Let me get a cold one for my friend.
[Burt sits with Will and Sam.]
Burt: Why the long face, Sam?
Sam: It's Quinn. I told her I was in love with her and it basically backfired.
Burt: Didn't her husband die recently?
Will: Yeah.
Burt: Maybe she's still going through the motions. You probably are the first guy she dated ever since Puck. Carole and I went through that with each other and look at how that ended up. I've never been happier. You gotta give her some time.
Sam: It's been months. What am I supposed to do? Wait years?
Burt: If that's your biggest concern, talk to her. She probably needs someone to listen to her rather than push her into something that she may not be ready for.
[Sam nods his head as he sips his drink. The camera pans to Annie sitting at a coffee shop with Roderick.]
Annie: You and Jane are finally together?
Roderick: [smiling] Yeah. She's cool and I really like her.
Annie: Rod, I'm so happy you found someone who makes you happy. You deserve it.
Roderick: So when did he do that?
Annie: [looking at her ring] Yesterday. He said he's been holding onto it since we were kids.
Roderick: Don't you think you're a bit young to be getting married?
Annie: I mean, we're gonna wait until we're both done with high school and probably until after college.
Roderick: Are you sure this is something you wanna do?
Annie: Jake and I know we're meant to be together. It was only a matter of time.
Roderick: Well, if it makes you happy, then I'm happy.
Annie: Good, because I wanted to ask you for a huge favor.
Roderick: What?
Annie: I wanted to ask you to be my man of honor. Kinda like a maid of honor, but as a man and not a lady.
Roderick: Seriously?
Annie: You're my best friend, Rod. I wouldn't want anyone else standing by my side.
Roderick: [joyfully] Annie, I would love to.
[They hug as Out Tonight begins. The camera switches to Annie walking down the street during the nighttime.]
Annie: What's the time?
Well, it's gotta be close to midnight
My body's talking to me
It says, "Time for danger"
It says, "I wanna commit a crime
Wanna be the cause of a fight
I wanna put on a tight skirt
and flirt with a stranger"
[dancing in the street] I've had a knack from way back
At breaking the rules once I learn the games
Get up, life's too quick, I know someplace sick
Where this chick'll dance in the flames
We don't need any money
I always get in for free
You can get in too
If you get in with me
Let's go out tonight
I have to go out tonight
You wanna play? Let's run away
We won't be back before it's New Year's Day
Take me out tonight
When I get a wink from the doorman
Do you know how lucky you'll be?
That you're on line with the feline of Avenue B
Let's go out tonight
I have to go out tonight
You wanna prowl, be my night owl
Well, take my hand, we're gonna howl out tonight
[walking up the fire escape stairs] In the evening I've got to roam
Can't sleep in the city of neon and chrome
Feels too damn much like home
When the Spanish babies cry
[hanging off the railing] So let's find a bar
So dark we forget who we are
But all the scars from the nevers and maybes die
Let's go out tonight
I have to go out tonight
[climbing through the window to Jake's room] You're sweet, wanna hit the streets?
Wanna wail at the moon like a cat in heat?
Just take me out tonight
[Jake looks at her and turns his back towards her with his guitar] Please take me out tonight
[walking towards Jake seductively] Don't forsake me out tonight
[straddling Jake as he puts his guitar to the side] I'll let you make me out tonight
Tonight, tonight, tonight
[The song concludes and Annie kisses Jake. Jake pushes her off of him.]
Annie: What's wrong?
Jake: I talked a bit with Johnny.
Annie: Okay?
Jake: Did you mess with anyone else besides me when you were with him?
Annie: What? No! You were the only one.
Jake: Not what he said.
Annie: You're seriously gonna believe a guy who's gonna do whatever it takes to get me back?
Jake: I don't know, Annie.
Annie: I'm not the one you should be worried about when it comes to cheating. You were the one who cheated on me. Remember?
Jake: Here we go again!
[The New Directions slowly step out of their hotel rooms and hear Jake and Annie fighting.]
Marley: Are they gonna be okay?
Ryder: This is what people do when they fight and they love each other. But I'm sure that you don't understand that.
Unique: Are you guys still fighting, too?
Jesse: Can you all keep it down? I'm trying to get my beauty rest.
Quinn: We should just let them have their peace.
Sam: Someone cares about someone other than her own self.
Will: What the hell is going on out here?
Roderick: Maybe we should talk to them.
[Everyone slowly tip toes to the door and gently opens it. Another Day begins]
Jake: Who do you think you are?
Barging in on me and my guitar
Little girl, hey, the door is that way
You better go you know the fire's out anyway
[hands Annie her makeup bag and her luggage] Take your powder, take your candle
Your sweet whisper, I just can't handle
Well take your hair in the moonlight
Your brown eyes, goodbye, goodnight
Another time, another place
Our temperature would climb, there'd be a long embrace
We'd do another dance, it'd be another play
Looking for romance? Come back another day
[leaning out the window] Another day
Annie: [gently approaching Jake] The heart may freeze
Or it can burn
The pain will ease
If I can learn
There is no future
There is no past
I live this moment as my last
There's only us
There's only this
Forget regret
Or life is yours to miss
[turning Jake's face towards her] No other road
No other way
No day, but today.
Jake: Excuse me
If I'm off track
But if you're so wise, then tell me
Why do you need smack?
[yanking Annie out towards the door] Take your needle
Take your fancy prayer
Don't forget, get the moonlight out of your hair
Long ago, you might have lit up my heart
But the fire is dead and never ever gonna start
[backing Annie down the hall] Another time, another place
The words would only rhyme, we'd be in outer space
It'd be another song, we'd sing another way
You wanna prove me wrong? Come back another day
Another day
Annie: There's only yes
Only tonight
We must let go
To know what's right
No other course
No other way
No day but today
Annie and the New Directions: [in the doorway] I can't control
Jake: Control your temper
Annie and the New Directions: My destiny
Jake: She doesn't see
Annie and the New Directions: I trust my soul
Jake: Who says there is a soul?
Annie and the New Directions: My only goal is just to be
Jake: Just let me be
Annie and the New Directions: There's only now, there's only here
Jake: Who do you think you are?
Annie and the New Directions: Give in to love, or live in fear
Jake: Barging in on me and my guitar
Annie and the New Directions: No other path
Jake: Little girl, hey
Annie and the New Directions: No other way
Jake: The door is that way
Annie: No day but today
Jake: The fire's out anyway
Annie and the New Directions: No day but today
Jake: Take your powder, take your candle
Annie and the New Directions: [taking off her ring] No day but today
Jake: Take your brown eyes, your pretty smile, your silhouette
Annie and the New Directions: [throwing it in the room] No day but today
Jake: Another time, another place, another rhyme, a warm embrace
Annie and the New Directions: [storming off] No day but today
Jake: Another dance, another way, another chance, another day
Annie and the New Directions: [in the doorway of her room] No day but today
[Annie and Jake slam their doors. The camera switches to Will and Sam at a coffee shop together.]
Will: Did Jesse tell you why we're here?
Sam: He just said that he had something he wanted to show us.
[Jesse walks in with an excited Rachel Berry. Will and Sam shoot from their seats and hug Rachel.]
Rachel: Oh my god! It's so great to see you guys!
Sam: How's everything going?
Rachel: It's great. I did a few shows for Wicked as Glinda and was offered Yentl in Fiddler and just finished doing my tour. Of course, nothing beats Lima, but this is where I belong. I'm meant to be on the big stage. New York is the place for me. And I had to learn that by myself. But how's the new school?
Will: Great! I'm pretty sure Jesse told you that the kids made it to Nationals.
Rachel: Yes he did! I was gonna wait until Nationals to tell you this, but I'm gonna be the celebrity judge.
Sam: Sweet! We got an in with the judges!
Rachel: Well, I do have to give everyone a fair advantage, but I might just pay closer attention to you guys.
Jesse: Will, there's a reason why I came to Nationals with you guys. Yes, I did wanna see you guys win Nationals, but the real reason is because I'm not coming back with you guys.
Will: [shocked] What?
Jesse: Now that Rachel's back in New York, there's no reason for me to be in Lima anymore. We knew my position was only temporary and besides, you guys have Shelby and April there to help you guys. My job's been done at McKinley. I have to go back to where I belong. I have to come back to Rachel.
Will: [putting his hand on Jesse's shoulder] If that's what you have to do, I support you in it.
[Jesse and Will exchange smiles. The camera pans to Jake in line to buy coffee. Madison, Mason and Kitty approach him and stand next to him.]
Mason: Why the long face?
Jake: I doubt you guys would wanna hear about it.
Madison: We obviously came up to you to talk to you.
Kitty: Is it what happened with Annie?
Jake: Johnny told me that I wasn't the only guy she was with when they were together.
Kitty: And you believe that?
Jake: If she cheated on him with other guys, how do I know she won't do that to me?
Mason: Weren't you the one who cheated on her?
Jake: Yeah, but-
Madison: [interrupting] Did you not see the way she looked at you when her and Johnny were dating?
Jake: But why would-
Kitty: [interrupting] Johnny say that there were other guys? Because he would do whatever it took to get her back. Jake, she loves you. I've never seen people look at each other the way you guys do.
Madison: You wouldn't have proposed to her if you didn't love her and trust her.
Jake: How did you-
Mason: [interrupting] That big ass diamond was a giveaway. Plus, let's be real, we all knew this was coming.
Madison: Plus, I kinda saw her looking at wedding magazines when we went to grab hot dogs yesterday.
Kitty: Jake, you were wrong to do what you did.
Jake: Why are you so adamant about me fixing things with Annie? Weren't you the one trying to get back together with me?
Kitty: I saw the way you guys look at each other. That was when I knew that I would never have that with you. You're in love with her, Jake. And she loves you.
Mason: You should probably fix things with her before it's too late.
Jake: You're right. I messed everything up with her. [walking out of the coffee shop as Mason, Madison, and Kitty follow] I gotta go to her hotel room and apologize to her.
Madison: She's not there.
Jake: [stops in his tracks] Where is she?
Kitty: She went out with Burt and Carole.
Jake: [paces back and forth] Dammit! How can I find her?
Madison: [in sudden realization] Doesn't she like extreme romanticism?
Mason: What would be the most romantic gesture you can think of?
[pause]
Jake: [in sudden realization] I have an idea.
[The camera quickly changes to Annie, Jane, and Roderick walking through Times Square together. Roderick and Jane are holding hands while Annie sadly looks around.]
Roderick: We're gonna be leaving in a couple of days. What would we wanna do before our trip is over?
Jane: [looks at her phone] Maybe see a Broadway play?
Roderick: Or maybe we can go to one of those restaurants where they sing Broadway showtunes. What about you, Annie?
Annie: [monotone] I didn't think too much about it.
[Jane shows Roderick her phone]
Roderick: Why don't we sit on the stairs over there? We'll take a small break from walking everywhere.
[They sit on the stairs]
Roderick: I know you're obviously upset about Jake.
Annie: I just don't understand how he could believe Johnny over me. I wouldn't even do anything to hurt him.
Jane: Maybe he made a huge mistake and is regretting it.
Annie: Doubtful. Jake's thick-headed. He never realizes when he's wrong.
Roderick: Give it time. It'll work itself out.
[A man starts playing the piano across the way. I'll Cover You Reprise starts]
Jake: [walking towards Annie] Live in my house
[Annie pops her head up and stares at Jake dumbfounded] I'll be your shelter
Just pay me back
With one thousand kisses
[Annie looks at Roderick and Jane smiling at her] Be my lover
And I'll cover you
Yeah
[Annie stands up as Jake slowly walks towards her] Open your door
I'll be your tenant
Don't got much baggage
To lay at your feet
But sweet kisses I've got to spare
I'll be there
And I'll cover you
Oh
I think they meant it
When they said you can't buy love
Now I know you can rent it
A new lease you are my love
On life
All my life
[the New Directions gather together and sing] I've longed to discover
Something as true as this is
Yeah
Annie: [walking towards Jake with tears in her eyes] So with a thousand sweet kisses
Jake: When you're cold and you're lonely
Everyone: Five hundred twenty-five thousand six hundred minutes
Annie: I'll cover you
With a thousand sweet kisses
Jake: [embraces Annie] You've got one nickel only
Everyone: Five hundred twenty-five thousand six hundred minutes moments so dear
Annie: I'll cover you
With a thousand sweet kisses
Jake: [puts the engagement ring on Annie's finger] When you're worn out and tired
Everyone: Five hundred twenty-five thousand six hundred minutes
Annie: I'll cover you
With a thousand sweet kisses
Jake: When your heart has expired
Everyone: Oh lover
I'll cover you
Jake: Yeah, yeah, yeah, yeah, yeah
Everyone: Oh lover
I'll cover you
Five hundred twenty five thousand six hundred minutes
Five hundred twenty five thousand seasons of
Love
Jake: I'll cover you
Oh
[The song concludes. Jake and Annie kiss as everyone cheers for them. The camera transitions to the Nationals competition. The New Directions take their seats in the auditorium]
Announcer: Ladies and gentlemen, welcome to the National Show Choir Competition! Before we begin, let's meet our judges. Coming all the way from Los Angeles, California, please give it up for indie movie director Tom Lebowitz! [man stands up and waves to the crowd] Our next judge comes from Honolulu, Hawaii. Please give a hand to Mayor Kirk Caldwell! [Kirk Caldwell stands and smiles to the crowd] Our final judge just completed their Broadway tour and has starred in multiple Broadway productions. Please, give it up for Rachel Berry! [Rachel stands and waves to the New Directions as they cheer louder for her] Now, let's start the competition! Our first performers hail from Hawaii. Give it up for the Mele's!
[The camera switches to Sam pacing in the hall. Quinn approaches him]
Quinn: Hey.
Sam: Hi.
Quinn: I'm sorry about the other day. I should have been more understanding with you.
Sam: What's going on, Quinn? We've been together for months. I told you I was in love with you and you still haven't said anything to me. Did I do something wrong?
Quinn: You did nothing wrong.
Sam: Then what is it?
Quinn: Sam, you're a great guy. And if this was high school again, I wouldn't miss out on the chance to make things right with you.
Sam: But?
Quinn: This isn't high school anymore. We're in the real adult world, Sam. I got married. I had a baby and just when I thought my life was going down this amazing path, I come home to my husband dead. I don't expect you to understand how that feels, and I would never wish that on you. [tears well in her eyes] But the pain is worse than anything you have ever felt. You bear your soul to someone and promise that you'll be with them forever, but then suddenly, everything changes and you have to adjust to not having them around.
Sam: Puck was my friend, Quinn. And I'd do anything to get him back. But what does that have to do with us?
Quinn: Because I don't know how ready I am for all of this. I thought I had finally been able to try dating again, but I just can't. I can't tell someone I love them when I don't even know how to love anyone except my husband. I guess I was just trying to push myself to move on when I wasn't ready. I already told Mister Schue that I'm gonna move back to Connecticut. My mom's bringing Gabriel back home.
Sam: So this is it?
Quinn: I guess so. [pause] I'm sorry, Sam.
Sam: I'm sorry, too.
Quinn: Good luck today. These kids are amazing. They're gonna blow the competition away.
Sam: Thanks.
[Quinn leaves. Sam turns around and sees Will standing.]
Will: You okay, Sam?
Sam: I will be. I think it's for the best.
Will: The Hoosierdaddies backed out of Nationals. Throat Explosion is coming up next.
Sam: [walking back into the auditorium] Well, they got another thing coming when they see the New Directions perform.
[Sam and Will walk back into the auditorium. The camera switches to Marley backstage as Throat Explosion is singing Aquarius from "Hair". Ryder walks up to her.]
Marley: [as Ryder walks up to her] I got your text. We're about to go on stage. Is everything-
[Ryder grabs Marley and kisses her]
Marley: [shocked] What was that?
Ryder: Because if everyone can give each other second chances, I might as well, too.
Marley: I'm so sorry, Ryder.
Ryder: It's gonna take a while to trust you, but I'm willing if you're willing.
Marley: More than ever!
[Marley and Ryder hug tightly as the audience cheers. Throat Explosion walks through the backstage]
Jean Baptiste: Good luck to you guys! You're gonna need it!
[Marley and Ryder stare in fear. The camera switches to the New Directions on stage.]
Announcer: And now, all the way from Lima, Ohio, let's welcome the New Directions!
[La Vie Boheme begins]
Mason: Dearly beloved
We gathered here to say our goodbyes
Men: Dies irae - dies illa, Kyrie eleison
Yitgadal v'yitkadash
Mason: Here she lies, no one knew her worth
The late great daughter of Mother Earth
On these nights when we
Celebrate the birth
In that little town of Bethlehem
We raise our glass - you bet your ass to -
La vie Bohème
Everyone: La vie Bohème
La vie Bohème
La vie Bohème
La vie Bohème
Ryder: [as everyone sings "La Vie Boheme" in the background] To days of inspiration
Playing hookey, making
Something out of nothing
The need to express-
To communicate,
To going against the grain,
Going insane, going mad
Spencer: To loving tension, no pension
To more than one dimension,
To starving for attention,
Hating convention, hating pretension
Not to mention of course,
Hating dear old Mom and Dad
Jake: To riding your bike,
Midday past the three-piece suits
To fruits - to no absolutes-
To Absolut - to choice-
To the Village Voice-
To any passing fad
To being an us for once ... instead of a them!
Everyone: [everyone dancing] La Vie Boheme!
Annie and Jane: To hand-crafted beers
Made in local breweries
To yoga, to yogurt, to rice and beans and cheese
To leather, to dildos, to curry vindaloo
To Huevos Rancheros and Maya Angelou
Madison and Mason: Emotion, devotion, to causing a commotion
Creation, vacation
Alistair: [everyone motions] Mucho masturbation
Kitty and Roderick: Compassion, to fashion, to passion when it's new
Myron: To Sontag
Jake: To Sondheim
Girls: To anything taboo
Guys: Ginsberg, Dylan, Cunningham and Cage
Ryder: Lenny Bruce
Jake: Langston Hughes
Sugar: To the stage
Alistair: To Uta
Spencer: To Buddha
Everyone: Pablo Neruda, too
Jake and Annie: Why Dorothy and Toto went over the rainbow
[motioning] To blow off Auntie Em
Everyone: La Vie Boheme!
Kitty and Jane: [with their arms over each other's shoulders] Sisters!
Spencer and Alistair: [kissing] Brothers!
Everyone: Bisexuals, trisexuals, homo sapiens,
Carcinogens, hallucinogens, men,
Pee-wee Herman
German wine, turpentine, Gertrude Stein
Antoniotti, Bertolucci, Kurosawa
Carmina Burana
To apathy, to entropy, to empathy, ecstasy
Vaclav Havel - The Sex Pistols, 8BC
To no shame - never playing the Fame Game
Jake and Annie: [blowing on their vapes] To marijuana!
Everyone: To sodomy, it's between God and me
To S&M!
La Vie Boheme!
To Dance!
Madison: No way to make a living, masochism, pain, perfection
Muscle spasms, chiropractors, short careers, eating disorders!
Everyone: Film!
Spencer: Adventure, tedium, no family, boring locations
Dark rooms, perfect faces, egos, money, Hollywood and sleaze!
Everyone: Music!
Unique: Food of love, emotion, mathematics, isolation
Rhythm, feeling, power, harmony, and heavy competition!
Everyone: Anarchy!
Annie and Alistair: Revolution, justice, screaming for solutions
Forcing changes, risk, and danger
Making noise and making pleas!
Everyone: To faggots, lezzies, dykes
Crossdressers, too
Unique: To me
Kitty: To me
Myron: To me
Everyone: To you, and you, and you, you, and you
To people living with, living with, living with
Not dying from disease!
Let he among us without sin
Be the first to condemn
La vie Boheme
La vie Boheme
La vie Boheme
Mason: [as everyone sings "La Vie Boheme" in the background] Anyone out of the mainstream
Is anyone in the mainstream?
Anyone alive with a sex drive
Tear down the wall, aren't we all?
The opposite of war isn't peace...
It's creation
Everyone: Woah!
La vie Boheme
Viva La Vie Boheme!
[The song concludes. No one in the audience is clapping. Sam motions for the New Directions to get off the stage. The camera shifts to the New Directions sitting outside an office as Will and Sam argue with a man and woman. Sam and Will come out a short time later.]
Will: Okay, guys. Apparently, what you did out there was considered appalling and horrid. And they said it will, in quotes, haunt their dreams for all of eternity.
Marley: So what's gonna happen?
Sam: You guys were disqualified from this year's Nationals. And they're putting our school on a probationary period that we are not allowed to perform anything that could be considered lewd and inappropriate for students under the age of eighteen.
Will: And because Rachel was associated with our school, she was removed from the judges panel.
[The New Directions look around at each other.]
Alistair: Can we deem this as a win?
Will: I think it's safe to say yes.
[The students walk out laughing. The camera switches to the students bring their luggage to one of the hotel rooms.]
Myron: This trip was a little more than I thought it was gonna be.
Sam: You guys did great at Nationals.
Will: Don't worry about what they said. I think you guys did great.
Madison: Can you believe how crazy this week was? Marley and Ryder are back together nad Jane and Roderick are dating now.
Burt: I think my niece has an announcement that her and Jake would like to formally make.
Annie: Everyone, [grabbing Jake's hand happily] Jake and I are getting married!
[Everyone cheers in excitement]
Carole: Annie and Jake have promised that they are waiting until they both have graduated high school and are finishing college before the wedding happens.
Alistair: I have an announcement for everyone. [pause] Because my cancer is progressing very quickly, I'm gonna be staying here with my family so I can spend my final moments with them. So this is actually a goodbye to all of you.
Spencer: I'm gonna be staying with Alistair so he doesn't go alone.
Sam: [hugging Alistair] It was such a pleasure getting to know you.
[Everyone approaches Alistair and hugs him]
Alistair: Can we all sing one more song together?
Will: What would you like to sing?
[Finale B begins]
Alistair: There is no future
Spencer: There is no past
Jake: Thank God this moment's not the last
Jake and Annie: [as Jake embraces Annie] There's only us
There's only this
Forget, regrets
Or life is yours to miss
No other road, no other way
No day but today
Girls: I can't control
Guys: Will I lose my dignity
Girls: My destiny
Guys: Will someone care
Girls: I trust my soul
Guys: Will I wake tomorrow from
Girls: My only goal is just to be
Guys: This nightmare
Girls: [holding out her hand for Roderick] Without you
Guys: There's only now
Girls: [Roderick puts one arm around Annie and the other around Jane] The hand gropes
Guys: There's only here
Girls: The ear hears
Guys: Give in to love
Girls: The pulse beats
Guys: Or live in fear
Girls: Life goes on
Guys: No other path
Girls: But I'm gone
Guys: No other way
Girls: 'Cause I'd die without you
Guys: No day but today
Girls: I'd die without you
Guys: No day but today
Girls: I'd die without you
Guys: No day but today
Girls: I'd die without you
Guys: No day but today
Girls: I'd die without you
Guys: No day but today
Girls: I'd die without you
Guys: No day but today
Everyone: No day but today
[The song concludes and they all hug each other]
[End scene]