THE HEART STILL BEATS
"A successful marriage requires falling in love many times, always with the same person." -Mignon McLaughlin
San Felipe, Mexico (Elysium)
Neither Tom nor Nadia Falk have been made aware of Irina Derevko's surrender. Perhaps that's a good thing, because as he lies on the living room couch staring up at the ceiling partially under covers in his underwear and white tank top, he's got other things to deal with right now, including why he's not sleeping with Nadia when they're in the same house.
It's sometime past midnight and the house is pitch black. The kids are sleeping in Maria's room while Tom and Nadia have a hallway between them...along with a lot of silent friction.
In the 6 years since they started dating, there has never been a time when Tom and Nadia were so awkward around each other. Sure, they both were extremely happy that their young daughter Maria was returned unharmed with Emilio Ortega. They also felt bad about Julieta Romero's unfortunate fate at the hands of Mitch Hayes, but haven't dwelled on that much.
But no matter how they felt about all that, they didn't communicate any of that to each other at all. In fact, both of them seemingly have almost made it their life's goal to never make eye contact with one another.
It's the kind of distance that married couples get when things start hitting the rocks. The time for anger has passed. Nadia made her feelings about Tom's handling of Il Credo Divino and its effect on their daughter very, very clear. But once the anger passed, it's been nothing but distance and painful silence between the two. They both made it an effort to make sure Maria and Emilio were comfortable and felt safe, but not a word was spoken between the two nor was there even a glance exchanged.
After the kids were tucked in, Maria in her bed and Emilio on an airbed on the floor, Tom and Nadia exchanged their first glances when they closed Maria's bedroom door. No words were said, but so much could have been.
When Tom opened a hall closet and pulled out the comforter and pillow, that said more words to Nadia than anything that could have come out of his mouth. Tom's staying for the kids, but he's staying away from Nadia.
What Tom really wanted to tell Nadia is that he didn't feel welcome in Nadia's bed. But he didn't know how she'd react to that.
What Nadia really wanted to tell Tom is to sit down and have a talk with her about what's going on. But she didn't know how he'd react to that.
When he turned to go to the living room, Nadia didn't fight the issue. Instead, she went to bed, more uncertain about her marriage than ever. And Tom felt the same way.
So here he is, unable to sleep while staring up at the ceiling and wondering just what else is going to happen to him and his family.
Tom knows he needs to be there for Maria now, if nothing else to add an extra layer of protection and security for her. He knows that Maria would feel better with him around instead of having him flee to his brother's house again.
Speaking of Eddie, Tom and Nadia have not heard a thing from him since he melted down upon hearing Julieta had died. And knowing Eddie like he does, Tom knows better than to try to cool down that volcano tonight. Many people that have known anyone in the Falk family all say the best way to calm down a Falk is to get the hell away from him or her.
So the issue of Nadia remains, along with Eddie. But there's yet another issue that's about to rear its ugly head.
"WAAAAAAAAAHHHHHHH!"
Tom hears the wailing coming from Maria's room and immediately sits up. He then hears the door open and Maria screaming "Daddyyyyyyy!"
"I'm here, Maria!"
Maria hears Tom calling for her and sprints down the hallway towards him, wailing the whole way in fear and anguish. Tom quickly turns on the lamp next to him and does so just before a sobbing Maria leaps into his arms in desperate need of comfort.
As Maria sobs uncontrollably, Tom also notices that she's shaking just about as uncontrollably. She's been frightened by nightmares before, but not like this. He strokes her head, lightly rocks her in his arms and calmly says "Shhh...it's ok. It's all over. It was just a nightmare."
With her voice muffled in Tom's shoulder, Maria screams "He was going to kill meeeeee!" while still sobbing her little eyes out.
Tom closes his eyes and sighs. "It was Mitch, wasn't it?"
"Yes! I hate him!"
Normally, Tom would tell Maria it's not good to hate anyone at her age. But in this instance, he lets it ago. Now, not only did Mitch Hayes give Maria the scare of her short little life, but now he's going to haunt her dreams. Somehow, Tom just found a way to hate him even more.
"WAAAAAAAAAHHHHHH! MARIA? WHERE ARE YOU?"
It's Emilio, and he too must have had a nightmare. Tom shouts "She's in here, Emilio!"
As an emotionally distraught Emilio runs out of the bedroom and towards the living room, Nadia, wearing a nightgown, opens up the master bedroom door, curious over the commotion that's going on with the kids.
By the time she reaches the end of the hallway, she sees Tom holding both Maria and Emilio in his arms while they cry into his shoulders.
Tom, not noticing her, says to both of the kids "It's ok, kids. I'm here and those six men in white robes outside are here, too. You're safe. He can't hurt you anymore."
Emilio cries out "I'm so scared!"
Tom gently pats his head and, looking down at him now, says "You have to be strong and brave, Emilio. Just like you were earlier when you were protecting Maria.
Emilio just mutters in between tears "Ok." It's not very convincing, but it does stop Emilio from sobbing at least.
Tom cracks a small smile. He's really taken a shine to Emilio for what he did trying to protect Maria from Mitch. He also feels like Emilio could use a male friend right now and he's about the only choice he has. Tom has come to find Emilio to be a pretty good kid, and also notices that while he's pretty quiet, he lets his actions do the talking for him.
Maria pushes away from Tom and starts wiping her eyes. As she does, she spots Nadia out of the corner of her eye. She opens her arms and squeals "Mommy!"
Nadia kneels down and catches Maria in her arms as she crashes into her. Maria's not sobbing like before, but tears still do fall from her face as Nadia embraces her. Nadia calmly asks "Are you ok, sweetheart?"
"I had a nightmare! Mitch was going to kill me!"
"Emilio also had that nightmare."
And that was the first thing that Tom or Nadia said to one another since Maria returned. Nadia looks at Tom looking at her and matches his wondering expression. She's somewhat surprised he said anything at all to her.
Tom then turns his attention back to the kids. "Listen kids, I'm going to make you two a promise." Maria and Emilio both look at him attentively. Tom then continues. "Me and Nadia, Mary, Maria's Uncles, those men outside...we all are going to make this right. We will make sure those people that took you will get what's coming to them and that they never harm anyone else again. You have my word, they will pay for this."
A panicked Maria gasps and says "Don't hurt Irina!"
Emilio steps back from Tom and says "Yeah, don't hurt Irina! She was nice to us!"
All of the sudden, Tom forms a look on his face like he just swallowed a canary. He looks up at Nadia, and she too has a similar bird-gulping expression. The kids are actually DEFENDING Irina? Neither Tom nor Nadia can't believe that Irina managed to win them over so quickly and in such a perilous situation.
Neither know what to say about that right now, so Nadia tells the kids "Come on, let's get you back to bed."
Maria pleads "I want to sleep with you!"
Tom replies "No. You two need to stick together. Come on."
"Why are you sleeping on the couch? Were you being a bad Daddy?"
That question would be funny if it weren't so complicated to answer. There have been occasional moments when Tom has acted a fool and Nadia merely threatened to force him on the couch for the night. But never has Tom actually made the couch his bed unless he took a daytime nap.
But instead of teasing dissension between her parents, Tom takes a different approach. "I thought I'd stay out here in case a bad guy got inside." Tom then leans forward and sternly looks at Maria. He then says in a low growl "He'd have to go through me...no one goes through me." That appears to satisfy Maria as she feels relieved that her daddy, her representation of strength, is being strong for her.
Tom gets up and holds Emilio's hand. Nadia does the same for Maria. The kids are then escorted down the hallway into Maria's bedroom.
Tom straightens out Emilio's messed up covers while Maria climbs up into her bed, which was left mostly neat as usual.
But Maria doesn't lie down immediately. Nadia notices and says "Lie down, sweetie."
Maria doesn't listen. Instead, she's watching a fearful Emilio backing off from the bed, afraid to get back into it.
Tom notices that and tells Emilio "Come on, buddy."
Emilio quickly shakes his head and says "No, I don't want to go to sleep again!"
"Why?"
"Because Mitch will try to kill me again!"
Maria looks over at her teddy bear Mister Fred, lying near her pillow. Suddenly, she gets an idea. She grabs the bear and starts climbing down the bed. Nadia tries to grab her, but Maria wriggles out of her grasp and says "Let me go, Mommy!"
"It's time for bed!"
"I have to help Emilio!"
Nadia lets go and watches Maria walk over to the airbed, flip over some covers, and lie down on the airbed, leaving plenty of room for Emilio since it's a queen sized airbed.
As Tom and Nadia realize what Maria's doing, Emilio confusedly asks "Maria, that's my bed!"
Maria holds up Mister Fred and says "We're going to hold Mister Fred together. He'll protect us!"
Nadia holds her hand up to her mouth, touched at Maria's compassion for her friend. Tom also looks amazed at Maria's gesture and pats Emilio on the back, signaling to him that its ok to go to bed now.
Emilio slowly slides into bed. Meanwhile, with Nadia still frozen, Tom walks by her and grabs Maria's pillow. He then goes to the head of the airbed and says "Maria, here's your pillow." Maria lifts up her head a bit and Tom slides the pillow under her head.
Then, Maria practically thrusts Mister Fred in Emilio's face and says "Hold on to Mister Fred!" Emilio grabs the teddy bear's legs while Maria wraps her arm around its throat. Maria then whispers "Good night, Emilio."
"Good night, Maria."
Nadia, still amazed at her daughter's compassion, squats down and adjusts their covers. When she's done, she rubs Maria's shoulder and, her voice somewhat wobbly, says "Maria, that's so nice of you!"
Maria looks up at Nadia and replies "I just want to be like you, Mommy!"
"What do you mean?"
"You used to protect Daddy, too!"
Nadia quickly glances over at Tom, who looks like any pride he had left in him just escaped. Long has Tom asserted that Nadia protected him more often than he protected her. This was despite Tom joining APO mostly to watch over Nadia and despite the fact that he had a Rambaldi role where was called 'The Caretaker'. But ever since Maria was abducted, Tom really feels like he's doing a horrible job of taking care of Maria, too. Maria is another woman Tom has failed...at least in his mind anyway.
Emilio looks up at Tom and asks "Is that true?"
A somber Tom looks away and hangs his head. He doesn't answer that question for a few seconds, which Nadia takes notice of. As she studies Tom's look of defeat, Nadia finally realizes why he hasn't been talking to her: he feels worthless and afraid. Tom is a man that operates a lot on personal pride and his pride has been shattered since the abduction. Nadia misinterpreted Tom's distance from her as hate, but really, he just crawled into his shell like a frightened turtle. That's why he stayed at his brother's house last night. That's why he was so awkward and short with her when he returned home before Maria reappeared. That's why he was so distant to her tonight. Tom can be broody, but Nadia has forgotten the depths of self-pity that he can sink to. And with her actions after Maria was taken, she can't help but feel a little responsible for driving him down the abyss.
Nadia's thoughts are broken when Tom glumly says "Yeah...yeah, that's correct." Tom then takes a deep breath and says "Maria and Mister Fred will protect you. Just think about them and you'll be fine when you go to sleep. Goodnight, kid."
Emilio looks at the bear, then closes his eyes. "Goodnight, Tom."
Tom smiles again, although this one isn't as forced. He pats Emilio's shoulder a couple times, then leans over to Maria and gives her a kiss on her forehead. "Goodnight, Maria. Take good care of Emilio, and he'll take good care of you."
Maria closes her eyes and, for the first time tonight, smiles. "Ok! Goodnight Daddy! Goodnight Mommy!"
Nadia wipes the remaining tears on her face and gives Maria a kiss on her cheek. "Goodnight, sweetheart. Goodnight, Emilio." Emilio grumbles out a "Goodnight", apparently already working on sleeping.
Tom is the first to leave the room, and he leaves as soon as he can. Nadia stands up and slowly walks out of the bedroom, still feeling touched over Maria's kind gesture to Emilio. She looks at the two sleeping together, clutching on to a teddy bear. Then, she turns out the lights and softly closes the door.
As soon as the door closes, she looks down towards the living room and sees Tom leaning on the wall, his head being propped up by his forearm lying flat on the wall.
Seeing what she saw in the bedroom just now, Nadia now feels bad for Tom instead of angry. She calmly asks "Tom?"
"Leave me alone."
He's still in his shell, but it's now bothering Nadia seeing him like this. "Tom, we really should talk..."
"About what? How my own kid thinks I'm worthless, too?"
Nadia slowly starts walking towards him. "You're not worthless. What I did and said to you was wrong..."
"What you said was the truth. I couldn't protect you in life, and now I can't protect my daughter, either. What kind of husband or father does that make me?"
Nadia stands next to Tom. She thinks about putting a hand on his shoulder or hugging him or something to calm him down, but she's not sure how he'll react. So instead, she says "Our daughter is back..."
"Not by my doing."
Nadia sighs. Tom can be real difficult when he's sulking.
As Nadia wonders how she can finally reach Tom, he suddenly backs off of the wall and turns towards the living room. "I'm going to bed."
All of the sudden, like it's a reflex, Nadia grabs Tom by the arm. She couldn't stop it because she can't take the wall he's put up between them anymore. Tom turns around and gives her a confused look.
Nadia returns his look with pleading eyes. "Come to bed, please."
Tom looks back at the living room, then back at Nadia. "Why are you doing this?"
Nadia pauses to make sure she doesn't choke up, then says "Maria reminded me of something just now, when she did what she did for Emilio." Nadia then hangs her head and puts her hand up to eyes, like she's trying to fight back the tears.
A concerned Tom asks "What is it?"
Nadia looks up at Tom and says "When times got tough for us, we always leaned on each other for support. Now, times are tough for us and we're drifting apart! Tom, that's not us! Dammit, I still love you!" Tom raises his eyebrows a bit in surprise at the fact that she still loves him. Nadia continues, now even more insistently. "And don't you EVER say that you weren't ever there for me because that is a lie! Without you, I wouldn't have any of this, I wouldn't have Maria, and I wouldn't be the woman I am now! So please, come to bed with me. I need you more than ever right now."
Sometimes kids say the darndest things, and sometimes kids do the darndest things. And in rare occasions like this, kids can be downright inspirational. Maria's desire to protect Emilio is almost reminiscent of moments that Nadia shared with Tom. Tom knows Nadia is right. He also knows that apparently, she doesn't hate him anymore, if she ever truly did at all. He looks down at his arm, which Nadia is still digging her nails into. He then looks back up at Nadia's pleading eyes and says "Ok."
Nadia meekly smiles and says "Thank you." Then, she leads Tom down the hallway like she led Maria just a couple minutes ago.
When they get into the room, Nadia lets go of Tom and closes the door softly. While she does that, Tom studies their king sized bed, with its cream-colored silk sheets. He feels a little relieved to be welcomed back into his own bed, although maybe he never was unwelcomed from it at all.
His thoughts are broken when Nadia lightly touches his left shoulder and says "Come on. It's not a bed of hot coals!"
"It sure seemed like it this time yesterday."
Nadia lets out a sigh and again says "Come on." Then, she starts heading for her side of the bed.
Tom takes his cue and heads for the right side of the bed, which is his normal side. As he does, he says "How many problems have we solved while lying in bed? Forget kingly thrones, conference tables, or a Judge's bench...beds make the best place to solve problems."
For the first time in days, Nadia laughs. "Well, for us anyway!" Then, she slides into bed.
Tom follows in right behind her and lies on his back, staring up at the ceiling. Nadia leans on her left side and has her attention all on Tom. Unsure where to start, she paints a wide brushstroke with her first comment. "So much has happened in the past week or so."
Tom snickers and says "You ain't kidding. Cesar..." Tom then turns over to Nadia. "How are you doing with that? I just realized you don't have any bruises no more."
Nadia shrugs and says "I've been fine from that for a couple days...seems like forever since that happened."
"That's about the time you learned about Sloane..."
"I don't want to talk about it."
"We're going to have to at some point..."
"Tom, I never want to discuss Sloane again. I never want to THINK about him again. God, I can't believe that I bought his bullshit!"
"We all did. But listen, he's a part of this scheme that Paris got arrested for. We might run into him..."
Nadia forms a nasty scowl on her face as she rolls over to her back. "I don't even want to see him again. But if I do, I won't let him speak his poison to me. I'm going to kill him, and I'm going to kill him like you did...he'll suffer to his last breath." Nadia takes a deep breath and actually forms something of a sinister smirk on her face. "But I do want to see my Aunt Elena again. Oh yes, I do want to see her again. I want to look into the eyes of the bitch that raised me with hopes that I'd be her little pawn in her goddamn scheme. My mother killed her before I could. It's my turn now."
This is a side of Nadia that hasn't been seen since she was alive. Nadia can get really, really nasty about a person if she wants to. When she thought that it was Martin Bishop that killed her mother, Nadia saw red anytime she even thought of his name. She rarely brought up that subject around Tom because of how mad it would make her.
Eventually, Nadia lets out a sigh to try to calm herself down. She then turns looks back over at Tom and says "Sorry."
Tom cracks a small smile, trying to bring some levity back into the room, and says "It's ok. I feel the same way about Mitch."
Nadia then rolls over to her side, but keeps looking down at the bed a little nervously. It's time to address the friction between the two, they've danced around it enough. "Tom, I shouldn't have been as cruel to you as I was since Maria was abducted. That was wrong of me."
Tom's face turns glum again. "You also tried to knock my head off."
Nadia nods and looks back up at Tom somberly. "I know. But you have to understand that I love Maria so much. She's my child, and I was upset that my child was missing. I was so angry, and unfortunately, you were the only one I could take it out on. I was just so...afraid..."
"I was, too. And I do take responsibility for what happened..."
"You don't have to. You didn't abduct her. Mitch, my mother..." Nadia suddenly freezes. Her mother was involved in this. She hadn't really thought about that lately. But Mitch's letter said that Irina was against the idea. Just how involved was she?
There's also the fact that Tom's about to point out. "Maria and Emilio had an interesting opinion on Irina Derevko tonight."
Nadia snickers at that, amazed at the power of Irina's manipulative abilities. "Why would Irina twist their minds like that?"
"Because they're kids and it was easy?"
"No, remember what your mother said. Irina doesn't do things just because. There was a reason that she wanted the kids to favor her. But why?"
"Well, obviously something went wrong. Maybe Irina had something else planned before Julieta rose up against Mitch."
Nadia closes her eyes tightly. "Oh my goodness, I forgot all about her."
"Yeah, Charlie and Jerome are dead because of all this, too. Me and the boys are trying to figure out if we should hold some sort of memorial service for them. What about Julieta?"
Nadia opens her eyes again. "I would for Julieta, but I don't want the kids at the orphanage to know what happened."
"Emilio knows what happened. How long are we going to keep him here?"
"Until room opens up at another orphanage. He can't go back to San Marcos, he'll tell the kids."
Tom sighs. "Well, he's a good kid at least. I think having him stay with us will help both him and Maria heal from all this."
"You don't mind him staying for a while?"
Tom shakes his head. "No, not at all. Emilio earned my respect standing up to Mitch. But I'm afraid about how they both will feel when Emilio goes away again."
"It'll be tough, but they'll get over it. Being an orphan isn't easy, watching your friends go away all the time." Nadia pauses to see how Tom will react, but he doesn't argue her point. He realizes she knows more about being an orphan than he ever will and rarely questions Nadia over orphans. She continues. "That was so sweet what Maria did for him tonight."
"We're raising her right."
Nadia looks down at Tom's hands and holds one of them. "That's right. WE are raising her right." Nadia finishes that with a smile, hopeful that Tom agrees about the "we" part. Instead, Tom keeps looking up at the ceiling, not responding to that. Nadia's trying to steer the conversation back on track to the issue at hand, but Tom's got his mind on something else. Thinking that he's not buying into the "we" concept yet, Nadia asks a question she's nervous asking. "Do you still love me?"
Tom smacks his lips a bit, chuckles, and scratches his eyebrow...three things that give Nadia pause. Those are tells that Tom gives when he's nervous about something.
He then looks over at Nadia. "I was thinking back to when you were in your coma from the Sovogda bullshit. I visited you every week with Sydney. There's something I never told you about. Something I did during those visits. I swore Sydney to secrecy on this, too."
Nadia looks intrigued. "What is it?"
Tom looks relieved...Sydney didn't tell her. "Nadia, one of the ways I would pass the time in solitary was by creating really, really bad poetry to recite to you every week."
Nadia snickers a couple of times, even snorting out of her nose one time. She catches herself doing that and holds her hand up to her face. "I'm sorry...really?"
"Yeah, I thought it was good when I wrote it down, but when I said it, well, most of it was awful, and that's why I told Sydney to keep a secret. She didn't think they were all that bad, but I know she was just being nice. Anyway, there was one poem in particular that she said she liked, and I was just thinking about it when you asked me if I still loved you."
Nadia props her head up on her left hand, eager to hear the poem. "How did it go?"
Tom winces. "Do you really want to hear it?"
"If Sydney actually did like it, then I'll probably like it too."
Tom nods, then rolls over to his side to face Nadia. "Ok. Here it goes..." He takes a deep breath, composes the poem in his mind again, and starts reciting:
"Everyday, I sit alone with no one to greet,
But in you, my heart still beats.
These walls are cold, I can't feel any heat,
But in you, my heart still beats.
My life has become silent and discreet,
But in you, my heart still beats.
Stale, rotten is everything that I eat,
But in you, my heart still beats.
Everyday, I feel the pain of defeat,
But in you, my heart still beats.
When I saw you fall, I fell off my feet,
But in you, my heart still beats."
At this time, Tom reaches his hand over and puts it on Nadia's chest, pausing the poem so he can feel her heart beat. Meanwhile, Nadia looks very touched at this poem so far. Tom continues, this time softer than before.
"Every time I see you, it's still a treat,
Because in you, my heart still beats."
Nadia lets out a sudden whimper and follows it up with an "Oh geez..." as she puts her hand up to her face as her eyes get watery.
"I will never leave you, I will never retreat,
Because in you, my heart will always beat."
Nadia sniffles a bit and wipes away the tears in her eyes. "Tom, that was so beautiful!" She then starts lovingly rubbing Tom's hand that is still on her chest.
Tom then leans forward, strokes some of Nadia's long black hair back behind her ear, and says "When I was at Eddie's last night, and tonight when I was lying out there on the couch, I felt like I was back in solitary again. I felt naked without you. You are right, we've leaned on each other when times got tough. And we got to this point in our lives by staying together. But I truly do believe that you have my heart. There are times in my life where I wondered if I even had a heart. Turns out I did have a heart, and it's right here, right where I left it."
An emotional Nadia then reaches over to Tom's chest and feels his heartbeat. She giggles a bit and says "And this is my heart. I gave you my heart, too! And it's still beating for you!"
Tom gives Nadia a warm smile and says "I know. We're so much better with each other in our lives. I truly do believe that. I'm so happy you still love me, because I still love you..."
Nadia cuts him off by pulling off her old trademark move: grabbing the back of Tom's head and forcing it towards hers so she can give him a bunch of big, wet kisses. They both pour the pent-up frustration they've had these past few days into this very, very strong make-out session. The last time they kissed this hard and passionately was when Nadia sprung Tom from prison.
Finally, after what seems like an eternity, Nadia releases the kiss with a big smile. It's matched by the smile Tom has on his face.
With a laugh, Nadia says "I was waiting so long for you to say that last part!"
He reaches up his hand to lightly touch Nadia's face, much like he used to do when they were really in love when they first started out. He then laughs and says "Well, you didn't let me finish!"
Nadia playfully leans her head on her hand and says "Well, I'm listening!"
Tom smiles wider and says "I still love you, beautiful."
Nadia giggles and starts caressing Tom's face like he's doing to hers. "And I will always love you, handsome!"
Tom chuckles, then leans in for a couple more sweet kisses. At this moment, Tom and Nadia feel like they were falling in love with each other all over again, like they once did during their APO days. These kisses are the big, wet, sloppy ones...not the cordial, slower kisses of recent years.
Suddenly, they both stop with the kisses and look at each other with the longing that couples in love get. Nadia bites the bottom of her lip. They both know what they want: make-up sex.
In stereo with one another, they both reach over to their bedside lamps, turn off the lights, and...we can all imagine what happens from here.
But, what they can't imagine is what's going on in the Siberian Forest...
Siberian Forest (Elysium)
The four remaining Elysian Council members and a mass of over 30 Il Credo Divino members appear in this remote section of the Siberian Forest, all circled around the ousted and shamed Paris of Troy. It is just after sunset, and if it weren't for the torches that some of the assassins are holding, it'd be almost pitch black.
Another thing everyone in the group realizes is that Paris has indeed led them right to the doorstep of this portal.
As they all separate, they all gaze upon the portal. It stands somewhere around 10 foot and provides a wavy picture of the part of Hell that is on the other side.
The assassins, including Laurent L'Andre and Alec Derevko, stand in a half circle around the Elysian Council and face the portal. They pull out their short swords and stand ready in case something comes rushing out of the portal and into the vast forest. Everyone is tense.
Aristotle looks amazed at the sight of this portal. "I can't believe something of this magnitude exists here."
Marcus Aurelius turns his gaze to the crest-fallen Paris. "I don't believe it needs to be said that something like this should have been reported a long time ago."
Paris meekly nods and says "I know. I guess now would be a good time to tell you what I know about this portal."
Everyone, even the assassins who are standing ready, turn their gazes to Paris. Albert Einstein ponders "I thought you told us everything back in the cavern."
Paris turns to him and says "I told you everything I knew about the scheme. But there is a history with this portal."
Aristotle folds his arms and gruffly says "Go on."
Paris turns back to the portal. "When I was a part of the previous regime, I was considered a 'junior member', as you all know. I was not made privy to a lot of what went down in Elysium on a governmental basis, including the location of these portals, but I was certain they existed."
"There may be more of these?"
Paris shakes his head. "Not according to Helen. She says the leaders of Hell have sealed off the other portals when communication between Elysium and Hell stopped after the takeover. This one was left open as an oversight...it also is in a remote portion of Hell that few venture out to."
Alec, always in a cheerful mood, irritatedly asks "We were walking all over the damn place to find this portal. Just where are we, exactly?"
Paris looks over at Alec and says "We are near the eastern tip of the Siberian forest, about 50 miles from the Arctic Ocean. We're closer to Alaska than any major Russian city."
Alec throws his hands up in the air. "We were looking in the wrong damn part of the forest!"
Laurent snickers and says "Well, to be fair, is there really a 'right' part of the Siberian forest that a person would be in?"
Alec just points at the ground with a sneer on his face, not entertaining the insult that Laurent was giving the ominous Siberian Forest.
Laurent shakes his head defeatedly. "I remember when you had a sense of humor." It's true, Alec in his younger days wasn't the hostile, irritable man he is now.
Aristotle corrects Laurent. "This is no laughing matter, Laurent." He then turns to Paris. "What else do you know?"
Paris shrugs and says "There used to be human transactions and other business conducted at portal sites. At least, that was the rumor anyway. That's about it, really. I would have said something about the history of Elysian/Hell relations, but I thought you would have no desire to have any connection with Hell considering the peaceful nature..."
He stops when he sees a person walking on the Hell side of the portal. Everyone notices him stop, then turns to the portal and sees this person for themselves. He's wearing some sort of body armor and stands at about an average height and build from what they can tell.
And this person has spotted the gathering, too. He looks back over to his left and yells out in Latin "Hinc est quod concilio!" ("There is a gathering on the other side!") His voice sounds gruff like there's a bunch of gravel in his throat.
Milo Rambaldi, who's been quiet since arriving in Siberia, appears amused. "They speak Latin...I guess that should be fitting considering that Latin is also dead like them."
Aristotle points out "Are we not dead, either?"
With a smirk, Rambaldi says "I'd say our spirits are more alive than the damned, wouldn't you agree?"
Aristotle doesn't argue the point, just shrugging and turning his attention back to this man from Hell.
Another man joins the first man in Hell. They whisper something to each other, then the new man runs away. The other man steps forward...through the portal.
This causes the assassins to get into attack position. Laurent shouts in Latin "Vos mos non procedes amplius!" ("You will go no further!")
The man stops at his tracks and calmly lets his arms hang at his side, weaponless. "Qui estis?" ("Who are you?")
Aristotle steps forward. "Ego sum Aristoteles, ductor Elysias Consilii. Elysios ibi Consilio ceteri cum Symbolo Divino interfectoribus." ("I am Aristotle, leader of the Elysian Council. The other members of the Elysian Council are here, along with assassins from the Divine Creed.")
"Tu es ones in procuratione Elysium nunc?" ("Are you the ones in charge of Elysium now?")
"Nos sumus. Qui estis?" ("We are. Who are you?")
At this point, the man pulls out a two-way radio from his belt. As he does, he blankly says "Sicut servus Legatus." ("Just a servant of the Ambassador.") He talks into the radio. Everyone gathered can hear his chatter, but can't make out what the person on the other end is saying. "Viri isti sunt in imperium of Elysium nunc ... ita vero, ut 'quod dixerunt ... Aristoteles est eorum ... Licuit, dicam eos." ("These men say they are in control of Elysium now...yes, that's what they said...Aristotle is their...alright, I will tell them.")
The man from Hell puts the radio away. Aristotle asks "Quid agatur?" ("What is going on?")
The man replies "Erit in legato per semihoram. Cum vellet aliquid de se, maxime ubi aliqua desunt nostra tenent." ("The Ambassador will be along in a half an hour. He has some things he would like to discuss with you, mainly the whereabouts of some missing tenants of ours.")
The Nine and Francisco's Army. That MUST be what The Ambassador wants to discuss with them. Aristotle studies the looks of the other council members, then turns back to the man from Hell. "Bene nos exspectare." ("Very well, we will wait for him.")
The man nods and then walks through the portal, causing a ripple behind him. He then turns around in attention and just looks through the portal back at the Elysian Council and Il Credo Divino. He displayed a lot of calm throughout that whole encounter, something not lost on the men gathered in Elysium. Another thing the council members realize is that this 'Ambassador' likes to make people wait, apparently.
Laurent steps forward and whispers in Aristotle's ear. "The man did not show hostility. I find that noteworthy."
Aristotle shrugs and says "What do you make of it, Laurent? Do you suspect any surprises coming from them?"
"Hard to say. I do not know these people. But my initial read is that no harm will come to us if we show no hostility in return."
Rambaldi, who was listening in, steps forward and whispers "It sounds like they might want to negotiate."
Aristotle asks "But what can we gain from such a negotiation?"
"MILO!"
Everyone's attention focuses outside of the semi-circle. A couple assassins step aside to allow a nervous Mary Falk to step inside the circle. She looks like she has something on her mind big time.
Rambaldi walks up to her and asks "How did you find this place?"
Before she can respond, Marcus asks "Are you in on this scheme of Paris's?"
And again, before Mary can respond, Laurent jumps in. "Not a chance."
Mary goes to say something, but Paris jumps in. "Mary did not know what was going on, I swear."
Mary finally speaks up, tired of getting jumped over. "I can defend myself! And yes, I was not a part of whatever Paris was conspiring. I'm here because I need Milo, Laurent, and Alec to come with me."
Alec steps forward and asks "Why us?"
Mary looks like she wants to say something so bad, but she can't. She looks over at the portal worriedly, then back at Alec. "I just need you to come with me. We need to speak in private. It concerns..." Mary waves her hand at the portal. "...all of this."
Rambaldi gives Mary a courteous nod and says "Show us the way." Rambaldi then grabs a torch from another assassin.
Mary turns around and starts walking away from the semi-circle. Rambaldi follows her, which forces Laurent and Alec to follow behind him.
Mary keeps walking through the dark forest, the only light coming off of the torch that Rambaldi is holding. At about 50 yards, Laurent asks "I think we're far enough away from the rest..."
Mary cuts him off. "No, we're not. I have to show you something."
"What is it?"
"You'll see."
It's not very convincing, but still, Rambaldi, Laurent, and Alec follow Mary through the woods.
Finally, at 100 yards, Mary stops in a circular clearing in the forest. The three men behind her stop themselves and start looking around. There's enough light from the moon hitting the snow on the ground to provide some sight beyond the single torch Rambaldi carries. But they see nothing.
Rambaldi asks "Ok, we are here apparently. What is the issue, Mary?"
Mary, looking around anxiously, replies "A major development has occurred. We have to be away from the portal to discuss this for security reasons."
"I think I am now beyond curious about what this development is."
Mary shouts out to the open space ahead of her "You can come out now!"
That comes as a surprise to the men. Alec mutters "Mary, what have you..."
His words are stopped when, from their right, Irina Derevko casually steps out from the woods. Mary walks forward and meets Irina about 10 feet in front of Rambaldi, Laurent, and Alec, who look shocked at the sight of one of The Nine so close to the portal to Hell, especially since that person is Irina. Laurent and Alec unsheathe their hidden blades, but mostly out of protection. Rambaldi folds his arms and intrigued by Irina's presence in addition to surprised.
Mary tells Irina "Go ahead, Irina."
Irina puts her hands on her sides and says "I have asked for you three to come here. I'm prepared to negotiate the terms of my surrender. Mary has heard my story already, but the ultimate decision lies with you."
The three men are speechless, all for different reasons. Rambaldi is glaring at Irina, trying to figure out what her goal is here. He doesn't have an opinion on her either way, but knowing her like he does, he does have a hunch as to what's up her sleeve.
Laurent is staring at Mary, and he can't believe Mary would be so gullible to bring Irina along with her so close to the portal.
And then there's Alec, who is only seeing red at the sight of Irina Derevko, a woman he hates more than anything. In fact, he's the first to speak up. "There is nothing you can say that we will believe, you pathetic woman."
Rambaldi turns to Alec and says "Calm down..."
"I will not! This is a treacherous dog who will say anything to get what she wants!"
Irina defends herself. "I'm trying to help you..."
"Bullshit! We will not listen to your poison..."
This time, Rambaldi sternly yells "That will be enough! I order you to stay silent and back off!"
Alec takes a deep breath and stands down. He cannot disobey a direct order from Milo Rambaldi, which is a condition of his continued employment with Il Credo Divino.
Satisfied that Alec is no longer an issue, Rambaldi turns back to Irina. He's not ready to believe her yet, either, but is willing to hear her out. "I do not take great comfort in hearing your story, because it is just as likely to be a truth as it would be a lie. I know you about as good as you know yourself..."
Irina cuts him off. "And because you know me, you're going to hear me out, aren't you?"
Rambaldi nods. "Yes...yes I will. Proceed."
Irina looks down at her right pocket and reaches for something in it. Sensing a threat, Alec shouts "She's going for a gun!"
Mary shouts out "No, she gave it..."
Too late. Alec teleported away. A split second later, he reappears behind Irina with his hidden blade brandished out of his right wrist.
And he moves to plunge that blade into the back of Irina's skull.
END OF CHAPTER
