Conrad Achenleck buys groceries for Hanna Cross. He knows how to get stains out of the dead man's shirts. He even lends his couch to the Seelie orphan, and helps a werewolf with her self-image crisis. One would think Conrad Achenleck was a nice guy, by these examples. Doc Worth is burdened by the truth of the matter; Conrad isn't nice, and that's what makes him perfect. Slash.

Conrad has tried to avoid everything and everyone supernatural and skeezy since the first week he was turned. It's amazing how prone you are to dying even after you're already dead. Eventually ConWorth.

In truth, I think you might have gotten the wrong impression about who was really keen on who. Conworth, something of a reversal of the usual dynamic.

Lapis Lazuli was tiring out. She could feel it in her gem, the fatigue that came with flying through the stars for hours upon hours with no rest. But she had to get to her destination. She had to get home. Someone was waiting for her, someone she hadn't seen in 5,000 years. [[Lapidot oneshot.]]

It's been a year since the collapse of the USA, and nobody's saying it's easy, but Hanna and his company have finally gotten their feet on the ground. Word comes in that there's something like the supernatural equivalent of an arsenal lying around in South Dakota. Details are fuzzy. Hunters, unfortunately, appear to be already on the scene, as Conrad is finding out the hard way.

It's been a while since Pearl's last nightmare, and this has been the worst one in a lone time. Perhaps Garnet can provide some comfort from the darkness.

"We should be a family". A collection of oneshots during year four of the apocalypse. Hopefully we can maintain chronological order here.

In which important questions are investigated such as: the necessary parameters of the common household sandwich, the nature of Algebra II, and whether blood is indeed thicker than eggnog. Post Apocalyptic Christmas.

Ghosts from the past turn out to be a little less ghostly than you might expect. And that's... nice. Probably. Hopefully. Apocalyptic Conworth.

Conrad does not like people in his apartment. So naturally, while he's watching TV and Worth comes through the door as though he does every day, Conrad shoots to his feet with a rather surprised and perhaps inappropriate, "What the f-." Worth proceeds to reveal more than he intends, and Conrad discovers that Worth is actually human. M for language, and ...obvious reasons.

Worth has a revelation and decides to share it with Conrad. Isn't he lucky? Please make sure to read this AFTER reading Facing the Bullets or else you will be really confused! HINABN Postapocalypse AU.

In the midst of the tension that's been rising since Christmas, the boys kick up a hotbed of political, and possibly supernatural, upheaval like a bunch of kids screwing with an ant bed. And of course, ants bite. Post-apocalyptic Conworth.

It's the most wonderful time of the year - Conrad and Worth are... sort of an item, Florida is warm, the booze is free, and everything is going to hell in a handbasket.

"The date? It's, uh, October thirtieth… Oh, that's going to be a problem, isn't it?" A gothic tale of bargains, escapes, and close calls in the post-apocalyptic world of tomorrow. Pre-slash Conworth.

Drabble excerpts from the relationship of Rufioh Nitram and Horuss Zahhak before they play the game and subsequently die. Beware, fluff and cute alien boyfriends ahead.

Notes, companion stories, and musings related to my story 1000 Paper Cranes.

1000 little moments in Hanna and ... 's life.

"So, with Worth, there may not be a Happily Ever After. But that would be boring, anyways."

Fifteen-year-old Conrad Achenleck had problems before he met Luce Worth. Problems meriting psychiatry and resulting in insecurity, neuroses, and a real need for a friend. Luce is not that person, but he fills a void. Young!conworth, including Lamont.

Psychology of a Hummingbird canon. For all that Luce does not call it a relationship, he knows the one year mark is important to Conrad, almost as important as the yearly art gala Conrad just can't get into. But Luce can fix that. Young!conworth.

A Thanksgiving dinner at Hanna's, prepared by his undead friend, and in the company of Conrad, Worth, Toni, Veser, and Ples. Food and drink had by all. Hints at Hanna/Zombie, Worth/Conrad, and Veser/Toni, but all pairings are light enough to be ignored.

In which Hanna goes trick-or-treating dressed up as "Conrad the Vampire" and Zombie accompanies as "Doc ZombieWorth" and the two drop in on the good doctor and his nurse assistant for the night to share holiday cheer as candy. Hanna/Zombie and conworth.

After being cut loose for one night by Casimiro, Finas decides to antagonize Conrad on his own. In the course of their jaunt they stumble upon Ples, and necessitate a visit to the good doctor Worth. Finas POV, slight Conworth, explicit craziness.

"It was, simply put, a cathedral. A temple devoted not to a product line, but to a way of life ..." The Mac store has always been a kind of mecca for Conrad, but has a year among the undead really changed things? ConWorth-y.

Adelaide will keep her spawn now that she's made it, even if she has to teach her baby bat how to drink proper food herself. Even if she has to invoke his fascination with that doctor to do it. Adelaide at Conrad, hintings of Conworth.

Doc Worth never cut himself while shaving, despite how much he preferred one to the other. Snippet character study. Light ConWorth teasing, Worthmont friendship.

In which Conrad turns into a bat and can't turn back. "Aw, lookit you," Doc Worth cackled, "you're much better lookin' as a little flyin' rat."