A sequel to Renaissance. Foyle's feelings toward Katherine have grown more serious, but will circumstances – and a newly-arrived American officer – destroy his hopes of building a future with her?

When a young child goes missing in Hastings, DCS Foyle and his team must use all their wits to find her and bring her safely home. But he finds himself unexpectedly drawn to her mother, a war widow. Will his attraction prove strong enough to pull him out of his shell of grief at last?

What might happen when an old felon returns to Hastings, bent upon taking revenge upon DCS Foyle? Courage and loyalties will be tested as Milner and Sam try to protect their boss from the murderous rage of an old foe.

Could you pinpoint a moment in time that changed the way you thought about love and happiness? Four people ponder their lives and their loves.

January, 1943. The aftermath of an unusually personal murder case leads to tensions and reconnections in Hastings. Follows the episode "Bleak Midwinter." [Divided into chapters 9/7/14]

Set after "Casualties of War". Sam tells herself she is resigned to her new circumstances, but when a friend is the victim of a crime, her path crosses that of the Hastings Constabulary once more.

Hill House is a school for murder - and when one of the residents applies their lessons within its walls, is it a crime or is it treason? (Follows "The Year's Midnight").

A wartime police operation on the longest night of the year is interrupted, and Foyle and Sam meet an acquaintance in need of help. But trust in wartime is a fragile thing ... (follows "Ill Met By Moonlight")

A phonecall from Hilda Pierce sends Foyle and Sam to investigate a murder in a quiet country town. The local police are convinced they have the culprit in custody - but if they're wrong, a miscarriage of justice could cost more than one life.