MirvishGehry. An art collector’s property is a area of autobiography, a spot exactly where deep truths are told by way of the objects positioned within it, and David and Audrey Mirvish’s property in Toronto’s Forest Hill neighbourhood is no exception. Final week, I dropped in for a look. I had just returned from Venice, exactly where I had located the Mirvish name whispering from wall labels: An exceptionally fine 1943 Robert Motherwell collage from his assortment is the opening stunner in an exhibition of the late New York artist’s perform at the Peggy Guggenheim Collection at the Museo Correr on Piazza San Marco, an Anthony Caro exhibition was advertised with posters bearing the Toronto theatre impresario’s Red Splash, a 1966 abstract metal sculpture produced by the British artist at the peak of his powers.
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