Erik is a monster and monsters are unlovable. What if Erik discovered there were literal monsters in the world? Would he finally find somewhere that he belonged? An exploration of an adolescent Erik, drawing from Susan Kay's Phantom and Gaston LeRoux's Phantom of the Opera.

Christine Davies discovers a gold ring in the cellars during a tour of the Opera House and accidentally takes it home with her. Bound to his ring, Erik suddenly finds his spirit trapped in a new place and time. Now he will do everything in his power to ensure that he is returned to his final resting place, even if that means becoming the Opera Ghost once more. Modern AU. E/C

Christine Daaé has spent eight months imagining what she might say to the Opera Ghost if she ever saw him again. Now he is here in her flat, quite by accident, and the fact of the matter is she can no longer speak. COMPLETE.

We all know the story of the masked, musical genius who lived beneath the Opera Garnier in Paris…or do we? What if his early life had been altered in one dramatic way? Or his meeting with Christine had come about differently? And what might happen when his past and present come crashing together in the most unexpected of ways?

A different take on Henry Jekyll confronting Edward Hyde, in an effort to get rid of him once and for all. - Written in a screenplay format, since I wrote it for a class.

Leroux-based. Christine realizes what it's really like to be Erik's wife. Slowly, she learns that in order to unlock his heart, she must first unlock hers. Her perspective as his living bride. COMPLETE.