Ever wonder what Torchwood would be like if the characters sang all the time? I did! Follow our quintessential hero, Ianto Jones, and the equally lovable Jack Harkness - plot drawn from TW S1 and a tiny bit of DW S3. Fluff, with music!

Sometimes you need to walk into hell to save your partner. Sometimes even when he thinks he doesn't need saving.

Ianto is a second year student at Cardiff University. Jack is getting his MBA. This is the story of how they meet and fall for one another. AU.

Both Sweden and Finland are romantics. Sweden in the traditional way, Finland in the more... eccentric way. But as most people know, love comes in many different shapes, sizes and forms and though Finland's may be a bit different, Sweden is absolutely captivated by it. Two-shot.

"There's not enough good in you to take the bad out of me." Thor/Loki, Mjolnir/Loki, dub-con, object insertion, handcuffs, pwp

Salieri/Mozart, Mozart and Salieri are forced to work together at the request of the Emperor on a musical piece, leading to new discoveries, relationships and heartaches. Based on the characters portrayed in Mozart L'Opera Rock, not the historical people

Tony wants to see Jarvis flustered, but gets more than he bargained for. A kinkmeme fic. Yeah. Tony/Jarvis.

NS and IK's version of a peaceful New Year's Eve in each other's company. Or reasonable facsimile thereof. Fluff-haters do beware, and HP fans on alert, advance apologies.

What Judas Iscariot may have been thinking, towards the end. Hints of one-sided slash if you want to see them, I suppose.

ErikRaoul slash. Erik’s beginning to think that Raoul chooses to misunderstand the situation.

Judas has a crush, and finally decides how to handle it. Mild slash.

One-shot, mild J/J slash. Based on the 2000 movie. The kiss.

ErikRaoul slash fic. Midnight meetings and things finally go Raoul's way. I might have to say this is going to be a PWP. Didn’t actually plan on that. Started off as just a character introspection bit but got way to the M rating side.

Crashed on a frozen world, off course and with no communications, Bashir and Garak just have to survive and stay sane until help arrives. Mild slash. Mild 'adult' themes later. (Complete)

Response to Killa's "Ghost in the Machine". (Written in 1996.)