It's not that he's invested in keeping them alive. The idea of someone else killing them first, though, is a bit offensive. Or: a funny pattern starts to emerge between dire situations involving various Avengers.

"And sometimes, the Pit would give something back – something stronger than that which had been fed flailing into the bitter earth." Talia rises. Bane follows.

Nick-centric continuation of L4D2. At least twice a day he would trace a finger over the faded highways that stretched over the map in his hands. Every step he took could very well be in the wrong direction, but he had to take it. He had to find them. Language, violence, adult situations. Original characters. No pairings, just friendship. Complete. Thank you for reading!

After his lips were sewn shut, Loki hates anything covering his mouth, and somebody really should have told Thor that. Post-Avengers, totally broken Loki. This story has no plot outside of questionable use of Norse mythology. It is literally nothing but Thor & Loki feels. Also starring the Science Bros, and Good Guy Steve.

There is a balance of good and bad. Good is not always good; sometimes it can be bad, and being bad can be good. It isn't any simpler when Megamind explains it.

AU, oneshot. Roxanne wakes up to find a strange creature systematically destroying her apartment. Metro Man is busy. Rated T for language.

Wayne Scott always knew he was special.

Pre-movie. Wayne learns something, and is unsettled. Megamind is in jail and confused, but he knows when something isn't right, and he doesn't like the change, and wants to figure out what caused it and fix it. Part Two: Megamind Fixes It.

"How is it that you're not afraid of him? After all you've been through?" Roxanne isn't exceptionally brave or strong; she just knows his type, and she's not intimidated anymore. Pre-movie.