Set towards the end of the Angel series finale Not Fade Away, Wes contemplates Death and all its idiosyncracies and gets a much needed slap upside the head from one of the few people who ever seemed to know how.

Fourteen drabbles, 1400 words, and two incredibly screwed up individuals pondering each other and what they have together. Wesley/Lilah. Warning: language.

Drabbles along the intersection of Wesley and Lilah.

Ice is a very strange substance. Although it’s, essentially, used to cool things down, the very opposite effect occurs when applied directly onto human skin. [A strange, yet fitting, analogy to the WesLilah relationship. 100 word drabble.]

Wesley and Lilah try their hand at domesticity. It goes, well, pretty much how you'd expect. Badly.

The whole good and evil thing's got Wesley confused right now, but he'll do the right thing. Response to Habeas Corpses. [I just couldn't resist.]

Wesley/Lilah. Heavy spoilers for Calvary. It's the end.

Post-finale. Wesley's dead. Lilah's his lawyer. The two chat over paperwork. WesLilah (sorta)

Lilah takes a gamble...

NEW: 063005 “They both know how this is going to end … the manipulations make it easier to bear.” WesLilah.

AU of Home. Lilah gives Wes a chance to go back and do it all over again with her along for the ride.

You called this a relationship. I kiss his forehead. A short series of Season Four vignettes. LilahWesley.

Lilah's birthday also happens to be her deathday... A response to a challenge posted on The Potential Awards (http:sct.panthermoon.comPotentialAwards) Challenge posted at the end.

Wesley/Lilah

A regular night for Lilah Morgan is never really that regular. WesleyLilah.

She never stays the night because that means something. Falling in love, perhaps. Then he asks her to stay. WesleyLilah

It's very unusual to feel something when you thought your emotions were dead. WesleyLilah

A set of drabbles, inspired the Evanescence song Hello. How is Wesley coping without Lilah?

Three ficlets, loosely related by mood and by the fact that they perhaps romanticize Lilah a little too much. Or maybe not. Wesley & Lilah, early season four.

She waits for the butterflies she's heard about, but there is nothing in her stomach but excellent coffee. A moody LilahWes ficlet, really.

With all the 'Lilah's dead. Wesley deals. Or not.' stories floating around, this funky lightbulb went off in front of me (really!), and I thought -- well, what if I turned the tables? Angel, of all people, breaks the news; and everything spins away.

Instead of a summary, how about a nice keyboard metaphor? This story contains a shift both subtle and overt, an ent(e)r[ance], and probably a bit of alt-ness beginning somewhere in earlyish season four. Wesley & Lilah. And Angel.

Actively taking care of her would be a gesture too sweet for their relationship. [Wes & Lilah.]

This is their lullaby; this is all they have. [Wes & Lilah, wilted.] (Hard PG13 for language.)

Sometimes the nuance makes all the difference. Wes & Lilah, mid-S4.