There is a problem here, lodged in the nonexistant distance of their hearts. Charles forgets, and Erik doesn't want him to remember. /Charles/Erik/ /First Class/ /pre-Beach/ /oneshot/

Complete PWP. ONESHOT. Charles Prof. X and Erik Magneto are playing chess in Charles' study, when Charles' telepathic powers get up to a little mischief.

*X-MEN FIRST CLASS* *ERIK/CHARLES* Takes place during the chess scene. Erik is determined to kill Shaw, but Charles is worried that he will get seriously hurt in the process. He intends on showing Erik just how much he truly cares for him.

Alex Summers knows more than you'd ever think. -First Class oneshot, Charles/Erik, Charles/Alex friendship.

In Erik's dreams, Charles can walk.

If confusing dreams with reality and talking to visions mean you're halfway to madness, then Erik Lehnsherr is already all the way there. -First Class oneshot, Erik/Charles.

How can Charles love his best friend while their ideas about the world are so different?

Erik Lehnsherr always despised guns, because guns took something away from the only two people he has ever loved. The first was the life of his mother. And the second was the legs of Charles Xavier. .:. First Class-based drabble. Hinted slash. Spoilers.

Even through decades, even across miles, and even as they become quasi-enemies/only friends in memory, that tethered feeling is still there between Erik Lehnsherr and Charles Xavier. .:. First Class-based oneshot. Slash.

Protection: by basic definition off the top of anyone's head, they know that it's preventing harm from coming to something precious. Sadly, I've never been very good at protection. .:. First Class-based. Erik POV. strong hints of slash. a snippet oneshot.

It's chaos in the making, it's beauty and tragedy, it's metaphors upon similes, and it's all Charles has sometimes to reflect on, to ponder, and other times, it's the only thing keeping Erik sane. .:. post First Class. slash. oneshot.

Erik fails to deflect the final bullet, and it makes searing impact with the tender space between his right shoulder and right pectoral. Charles comes to his side, and from there, they need to reevaluate their situation. .:. AU ending to First Class.

Erik returns to the Xavier estate with Raven in tow, and he tells Charles about a few realizations that led him to a single conclusion: that Erik and Raven want to be a part of Charles' little mutant family again. .:. slashy domestic drabbles. AU post-FC.

Before returning to the CIA base after finding Alex Summers, Erik and Charles reach an impasse that they settle with a question of 'Why' and a night spent together in a hotel room. .:. First-Class-based oneshot. Pure smut. Inspired by a fanvid.

Every night for the past 240 nights, Charles finds that he cannot sleep until he uses Cerebro for 20 mere minutes to search - in vain - for one Erik Lehnsherr. .:. angsty slash, unrequited/unresolved. drabbleshot. post-FC film.

Whenever Erik sleeps in Charles' bed, he never gets any rest. But it's not because of anything sexual; on the contrary, Charles just has awful sleeping habits. .:. Cherik for invisibleheros' comic on dA. T for language and suggestion. Erik POV. oneshot.

AU. Slash; Erik/Charles. Oneshot. .:. Papa Erik and Daddy Charles decide to take on the newest generation of mutants within the area, all orphaned and in need of foster care, and later, adoption. .:. family fluff based off a fanart. for rulebenders.

Erik can't sleep; Charles comes to his rescue. .:. implied smut, Erik/Charles slash, Erik POV, and based on a prompt from Tumblr. drabbleshot. enjoy!

Charlene and Erika band together to combat one Sebrina Shaw.:.Genderbent AU; every character is of the opposite gender. Same plot and ages as First Class film, however, with a twist on the scenes. Cherik femslash. Rated T for various content, implied sex.

The Cuban beach and afterward, the tormented and angsty thoughts of Charles Xavier regarding his injury and Erik Lehnsherr, a man he loves. .:. inspired by the song 'Exit Wounds' by The Script, but not a songfic. Charles/Erik. rated for cursing.

Erik doesn't know how to express his feelings for someone outside of when he hates them and harms them. So, being such the child he is and has never stopped being in a sense, Erik picks on Charles because he loves him. .:. oneshot. rated for swears.

Though he hadn't known him that long, Erik didn't doubt that Charles could be stubborn when he wanted to be. A cold or a headache wasn't enough to stop the great Charles Xavier, but Erik knew that it would burn him out sooner or later. .:. Cherik drabble.

It was all rug's fault. Damn Charles and his damn rugs. It's the rug that made him trip and kiss Charles, and the rug that brought Alex and Sean along to accidentally see the incident. .:. Cherik, humorous FC-timeline drabble. T for cursing.

Even with all of that, he still loved that goddamn sweater, since it was in fact Charles'. .:. Erik angsting over Charles and a bit of humor about a single article of clothing. Rated T for language. drabble.

The reproachful look Raven gave him made Erik have a sinking suspicion about what she really knew. He tried to be subtle, but Raven was too clever for him. .:. Erik/Charles drabble with Erik/Raven interaction. a tad angsty, a tad funny, a tad sweet.