Jos Perlman wants to keep his job with Hammerstein. Raoul just wants to keep his wife. Maybe they have more in common than they think.

Eight years ago, Raoul left a letter for his wife, took Gustave, and set off to leave Coney Island. Now, as the clouds of war hang over France, the echoes of that night still haunt them all.

At the masquerade ball, Christine loses a partner... and the two of them find each other. Musical-based fluff-fic.

The dead won't leave Erik alone. But he truly can't understand why.

Oneshot. AU. We cannot go back. We can only make the best of the choices we have made... and of those things we had no choice in.

Cometh the hour, cometh the man... This time there is no interruption to "Point of No Return".

Outside, it's the hottest day of the summer. Inside, Raoul ruminates on Christine's pregnancy and the upcoming birth of their child. Oneshot.

She is all that remains––and he will have his wedding night. Leroux / ALW Canon Mashup. Canon Compliant / Post Final Lair. Erik/Mannequin, E/C. COMPLETE.

A stream-of-consciousness exercise a la James Joyce. Erik considers Christine behind her dressing room mirror. Explicit. COMPLETE.

Erik finds that married life is a series of compromises. Modern-ish E/C AU with an R/C slant. Angst.

A founding child from Rouen was born without a nose. He joins the Christmas pilgrimage to Vatican City. Lerouxian and sort of historically accurate. As of Feb 2019, i am re-formatting this whole thing. For right now I'm just going to leave this snippet here. I've never published anything here before and am having trouble learning my way around.

Erik is overcome by un-angelic thoughts as he watches Christine from behind the mirror. ALW-based.

Raoul is mourning the death of his beloved, but another is suffering right alongside him. Raoul/Erik. A bit dark. Rated M for smut. Post LND canon.

Erik knows that Raoul doesn't deserve Christine. He tries to take back what he thinks he is owed. Based on the prompt "Erik/Raoul and a kiss out of jealousy." (Warning for stalking and non-consensual kissing).

Reupload due to posting shenanigans. Takes place directly after Love Never Dies. Raoul and Erik's lives are now intertwined because of Gustave. E/R if you squint.

Erik thinks that you can tell a lot about someone by how they dress: a series of character studies. Modern setting. Largely a gen fic.

Carlotta wants out. This time, she's serious. Oneshot.

A week after rehearsals begin for Don Juan, Christine gets a visitor to her flat. Oneshot, canon-compliant. CW: the b-word is used once, but not in reference to a specific person.

After the falling of the chandelier, Christine is recast as Countess in Il Muto, leaving Carlotta in the role of Serafimo. She doesn't think she's meant for the part. Christine disagrees. Oneshot, Carlotta/Christine.

The offer from New York's Metropolitan Opera House was all that Raoul had dreamt of for him, Christine and their young son. They could finally leave Paris for good; could leave behind the ghosts. But they soon found out there's no escape from the Phantom they once thought gone forever. Now it's up to Detective Matt Rivers to be able to see through the couple's shadows.

Raoul is not Erik's first companion. E/R, oneshot. Semi-fusion with "My Last Duchess".

Raoul and Christine's relationship is at a standstill. Erik decides to step in. R/C, oneshot.

"He had never hated her more." Erik/Carlotta, drabble.

Christine takes her lover to her father's grave. Oneshot, Carlotta/Christine.

When Erik overhears Raoul and Christine rehearsing the Don Juan seduction scene together, he finds himself oddly attracted to the way they sing together. And so Raoul gets suddenly added to the opera cast. And the game of obsession gets a little more complicated. Canon divergent AU, E/C/R.