The Vicomte disappears a week after the dropping of the chandelier. And in Erik's opinion, that's absolutely unacceptable. Oneshot, Erik/Raoul.

Quite a fortune. That's what this old violin was worth. But he had to get it back from the child's room first. Nothing easier than that. At least, that's what Raoul told himself. Re-writing of Ghosts, Chapter I, from a different point of view and a different ending. This story has been specifically written for the Character development WA challenge. Translated by Igenlode Wordsmith

About the hundredth time the daroga tries to break into his lair, Erik runs out of restraint. The daroga doesn't give a damn. Oneshot, Pharoga.

When a kidnapping leaves Raoul with a case of hypothermia, Christine forces the Phantom to take responsibility for his actions. Oneshot, E/C/R.

The first kiss was for him, the Vicomte who needed saving. The second kiss was for her because she needed to be sure. This night, she searches for the man she wants, and she will not be deterred. Takes place after the musical. Lightly LND-inspired ("again and then again"). Rated M for strong sexual situations. E/C. One-shot.

Christine and Erik have a deal: He gives her music lessons and she gives him a portion of everything she wins by singing. But now her singing has gained her a pretty young Vicomte, and for the past couple months she's been holding out. It's time for Erik to collect his dues. Oneshot, E/R. Warnings for noncon kissing and touching, but no sex.

He didn't leave New York. Even if he was supposed to. To look after a son that had long forgetten him. And then, on a mid February night... (this story participate in Not a Ghost3 St-Valentine's challenge) (Translated from french by Igenlode Wordsmith)

There is something of his father in his jaw, of his mother in his nose, and he has her curls but not her voice, and his father was no musician, but yet his fingers belong on piano keys. And Guillaume, Comte de Chagny stands alone in the dressing room that once hers and contemplates the ghosts that have woven him together.

Erik just wants his wife to touch him. He discovers how cruel Christine can be. Leroux based Depictions of emotional and physical abuse, but not graphic. May be disturbing.

When the Persian buys out Box Five for the night, the Opera Ghost decides to exact revenge, but Nadir and Erik know each other far too well for this to end as other hauntings do. E/N. Pharoga. Kay-based. Rated M for sexual content. AU for obvious reasons.

Erik decides to audition for "The Phantom of the Opera". Nadir has a few objections. Immortal/Modern Verse. Possible E/N, if you squint.

His marriage and life in ruins, the broken Raoul de Chagny finds himself in another world- a world where Christine is faithful, he never took up drink or gambling, and their child is clearly his own. Is this world a dream, or realer than the one he knows?

What happened to "that handsome young man in the Opera box" after the tragic events in Coney Island? A sad one shot about Raoul as he faces life without Christine or Gustave.

Raoul is searching for the means to an end and he wants it at the hands of the one man who has killed. Will he live or will he die, only a few have made it to the house on the lake and survived. Is it really Death that waits for him? Or is it something else?

ErikRaoul slash. Raoul makes an unexpected request of Erik after having drunk something of a suspicious nature. dub-con. Hard M.

Halloween 2012 special. ErikRaoul slash. Oneshot. Erik will live to regret trying to kill the viscount, at least, regret trying to do so with a noose.

Left to die at the Phantom's hands, Raoul muses through his last moments, and Erik gives him one last choice. One-shot.

A collection of short stories/one shots featuring the OT3 of Raoul/Erik/Christine.

Erik loses control. Loosely Leroux inspired. One shot.

The music takes you back to a different time. — Raoul, Gustave, Erik.

On her wedding night, Christine finds that heroes can be just as delightfully perverse as villains. RC, containing BDSM

Raoul and Christine's wedding night.

Foppish dandy Raoul seeks out his friend from Britain, the fellow foppish dandy Bertie Wooster, to counsel him on what to do about the Phantom. Well, actually, Raoul seeks out Bertie's inimitable valet, Jeeves. Bit of fun, what? Leroux, Wodehouse

The characters of Phantom find some common ground. In honour of the 10 000 milestone recently reached by this wonderful fandom.

Is it possible to write realistic E/R slash? Can these two be kept in character and still have any kind of a relationship? Possibly, if enough distrust, madness, and revenge is added to the mix! But it probably won't end well...