So now Alfred is a vampire. Turns out it's more he could imagine.

The Graf watches Alfred. And watches his son fall in love. Both prove equally interesting.

Alfred is running for his life... or is he?

Alfred was afraid his fascination of Krolock was stronger than his fear of him...

Als das Schloss der Von Krolocks vom Staat unter Denkmalschutz gestellt wird, stehen Breda und Herbert vor einem Problem. Wie sollen sie unbemerkt ihr Hab und Gut in Sicherheit bringen, ohne bemerkt zu werden? Und wie kommt man als Vampir an einen geeigneten Wohnsitz, geschweige denn einen Job?

An exploration of an alternate ending possibility. Following the bathroom-events, Alfred finds himself attending the Midnightball with Herbert. Things, as usual don't go as planned. Like this summary.

Der Graf von Krolock findet ein kleines Menschenkind und nimmt es bei sich auf.

The world outside Sarah's window was white. The cold had crept into their village, its breath passing over the glass, the layer of frost rendering the people blurred and unclear. She was certain she would die of boredom.

What happens when the child that the Professor left behind goes looking for him after the strange events in Transylvania? What happens when that child has secrets of its own? My take on what could happen next

Coming to Transylvania, Alfred and Abronsius expected to find vampires, not a wounded bat Abronsius took to nurse back to health and to study. Little did they know the bat was actually a vampire, and he was not amused.

A boy and a vampire dance the minuet. Alfred realises his fairytale has all gone horribly wrong, and Herbert proposes a compromise. Or: what might have happened if Herbert had recognised Alfred underneath his disguise during the ball.

The night before the ball, shaken by nightmares, Alfred wanders the castle alone. The dangers lurking in the dark are not the ones Alfred expected.

Alfred and Abronsius's stay in the village changed drastically when the villagers decided to make Alfred their human sacrifice to their local vampire. AU to the musical.

How do you live forever when your very existence is the anthithesis of what you used to be? How do you go on when all you have known and loved is gone? How do the first hundred years pass by? And, finally, how does the story end? This is the last part of Alfred's journey of self-discovery and his impossible love that began with "A Deal with the Devil".

Alfred looks for Sarah after she left for Castle von Krolock. He ends up meeting… someone else.

Gentle Alfred Cooper, who had been deeply wounded by a hard life, found himself in a village in Transylvania where he met the intimidating Count Von Krolock and his friendly son, Herbert. But Alfred carried with him a powerful artifact that Count Von Krolock hated so passionately that he would go to great lengths to destroy it even if it meant traveling half-way around the world.

Professor Abronsius's thoughts on his young assistant.

Just what it says on the tin: the count kisses Sarah goodnight.

Rebecca and Yoine want to save their daughter from a fate worse than death. Their daughter wants adventure, romance, and a life like she's never known. Von Krolock wants the beautiful girl with the stars in her eyes. Each of them takes measures to seek what they truly desire. Set before, during, and after the musical.

In the castle's library, Alfred shares an unexpected moment with Count von Krolock.

Alfred was cold. It was the least of his worries. Alternate ending to the musical.

How terrible it is to love something that death can touch. (References Self-harm and Suicide)

Alfred, timid and obedient to a fault, followed Professor Abronius to a castle in Transylvania where he found a family unlike any he'd ever imagined. Warning: Slash and homophobia.

How a timid young orphan from Königsberg ended up on a vampire-hunting expedition to Transylvania.

The course of events which lead up to, seemingly, the most perfect day in Alfred's life. One-shot, complete.