The Nazis claim they are the master race, but is there something else behind their depravity and fanatical devotion to their cause? Denny Johnson, who fled North Dakota at the end of the war for a new life in Mexico City, gets a chance to strike a small blow against their rule over his former home.

Charlotte Smith was the golden child; a nurse, a spy, a doting daughter, everything her father could want. Lottie followed in her father's footsteps, until one day she found her own path. Torn between two worlds, Charlotte is no longer just fighting for her own survival, but the future of a nation.

Abandoned by his wife just prior to the Jahr Null celebrations, John Smith struggles with what it means to be a Nazi. He is also obliged to deal with Juliana Crain, both personally and professionally. In this fic, Juliana never gets to travel and remains at the mercy of her very agitated captor. Follows canon up until Helen's phone call. Contains very graphic sexual elements.

John Smith prepares for the beginning of a new day.

This takes place after season 3, so spoilers abound! In waiting for season 4, this is one possible outcome of Jahr Null. Other characters may be featured at some point, but it is focused on Juliana and John Smith, and their eventual (slow burn) romance. Also plenty of Thomas!

Thelma Harris meets Nicole Dörmer, and her perfectly clandestine lesbian tendencies start to tumble into view. Can they navigate the dangers of the American Reich to find secret happiness together? Follows the series to a point, but no arrests/reeducation, at least when they happen in the series. F/F pairing, don't like, don't read.

Having finished discussing the matter of Juliana Crain, Obergruppenführer John Smith decides to serve Chief Inspector Kido a little wine, just to see what happens... (This story refers to their meeting in Episode 5, Season 2.)

What does honor, loyalty and morality look like in a world where we lost the Second World War. There will be a new chapter released every week on Sunday.

After the death of his son, John Smith is struggling to keep it together and any sign of weakness is an opportunity for his enemies, putting his and his family's lives at risk. Kayleigh is in the resistance, but she's lost sight of what is important. Hatred has overshadowed her belief that people are worth fighting for. If they don't kill each other maybe they can help each other.

John Smith has to go through difficult times and Juliana Crain somehow is compelled to share this with him. In their mutual pain they find some kind of solace, but can it last for two people whose worlds are miles apart ? Takes place where season 2 left off. Also on Archives

Juliana cuts Joe's throat, and as Joe lays there on the bathroom floor, bleeding out, he realizes that every choice he had made had led up to this moment. He doesn't blame Juliana; she did what she had to, and it was what he deserved. He welcomes death with open arms, and dies. But then, he wakes up.

A series of (mostly) unrelated short one shots set in the Man In the High Castle universe as a response to writing prompts. Feel free to leave me a prompt as well!

Juliana's life...

*Contains Spoilers for Season 2* '"What about Juliana Crain?" I ask, changing the topic, but failing to keep the anger out of my voice.' A Joeliana Introspective One-shot

My version of what happened in the gap of time between Juliana deciding to save Joe's life and watching him float away on the boat. (1x10)

He was almost sure she hadn't seen him yet, based on the way she took a satisfied sip of her cocktail, like she was enjoying herself. Season 3 speculation.

Juliana Crain has a job at the Reich's University library. When a package one day appears on her desk, it threatens to send her once again down a perilous route. And when Juliana has an unexpected visitor the following day, she finds the conflict inside them both can only be resolved one way. Set in a hypothetical reality in Season 2. John Smith/Juliana Crain. M readers only.

Obergruppenführer Smith just prevented World War III, and as a reward, he is allowed access to Hitler's vault of films. What does he see in these films? Or more specifically, who does he see in these films? Starts off at the very end of Season 2 Episode 10 (Fallout). This will eventually be Juliana Crain/John Smith. The title means 'The Grasshopper Lies Heavy' in German.

This is a long drabble that takes place in episode 6 on Season 2 of "TMITHC", during the scene where John and Helen kiss. Warning for spoilers if you have not seen the episode yet.

John and Helen, after a social gathering in Berlin, return back to their hotel for some fun.

Juliana and Joe find each other again (and again, and again).

John Smith acted for the good of his nation and his family when he killed the Hangman of Prague, Reinhard Heydrich. But all actions have consequences, and Smith's might cost him everything. Smith is, after all, not the only man willing to do anything for his family.

Tutto ciò che ha fatto, lo ha fatto per la sua famiglia. Tutto ciò che farà, sarà per loro. Forse non ne uscirà vivo. [Spoiler seconda stagione - Spoiler season 2] (I'd like to translate it, don't know if I can. Work in progress)

"He thinks of what they could have done to her, could still be doing to her, because there's no way they let her go untouched after that, and his hands start to shake as shame, disgust and fear take over. He hates himself." Post-season 1.

Joe is locked up because he helped John. John offers him a way out, and even if Joe doesn't want to accept, he doesn't have a choice.