Harvey Specter reminisces key moments through their lives together in which he's realized the level of respect, admiration and deep love he feels for Donna Paulsen.

Donna reminisces about the past while packing for the move to Seattle.

After Mike's parents die his grandmother is forced to tell him the truth; his dad wasn't really his dad. His real dad is a hotshot lawyer named Harvey Specter. His grandmother tells him about how Harvey treated his mother, and he instantly stars to dislike him. But his when his grandmother is unable to take care of the boy, it seems like his only option is to move to his real dad.

"So you're saying you want everything?" Harvey challenges her. "Yes!" Donna shouts without thinking. "Yes, and I'm tired of fighting it." Set in 4x16.

A continuation of DAZED, Donna and Harvey navigate their relationship as husband and wife and soon-to-be-parents.

The wedding day through Harvey's eyes.

It was an unspoken vow between them that they would always be a part of each other's lives and neither of them would ever risk the bond they had. But a decade ago she crossed a line she never thought she would. She fell in love with her best friend, the most important man in her life— Harvey Specter. 10 years, she thought, was a long time to be in love with someone. Semi-AU.

Spanking Story (M/F). AU. Rachel neglects to keep up with her music lessons, and Harvey takes notice.

A week into their new relationship, Harvey feels like Donna deserves to know why Thomas backed out of their deal.

Unable to sleep, Donna finds herself remembering times when missing him almost became too much. Post-canon looking back at pre-canon. One-shot. Inspired by Joni Mitchell's 'Both Sides Now'.

"It's a first time but not the first time. It's their first time as husband and wife, and in a sense, it isn't all that different from any of the many other times." — "The Wedding Night" requested by anonymous. One-shot.

Donna has another rule: she won't think about *that* when doing *this*.

Set during The God Awful Dinner Party, Donna falls asleep and Harvey carries her to bed.

Harvey and Jessica. Alpha male v Alpha female. The jury's out, in this court ship. Who will be de-briefed first? (Sorry, I can't help myself, with the legal puns).

It'd been a while since he had one of those. Post-series.

'It's late at night when Donna wakes up; their daughter is standing between the hallway and their bedroom looking like a lost sailor.' Set post-series.

Set during the first two minutes of 9x01. Harvey thinks about where they are now. (Happy Darvey day!)

"It isn't about saving himself the heartache. It's about protecting her. He can't leave that up to chance. He won't." — Pre-Series, "The Other Time" requested by Liz.

When Donna's too forward tailor suggests ways to get Harvey's attention, fantasies and feelings complicate her resolve. Set in 8A

Donna and Harvey find a good use for their apartment balcony. Post canon.

Donna meets a relative of her husband's who might just change her life.. First attempt at a fanfic since this fandom consumed me

The night Harvey and Donna decide to leave the firm is a momentous one.

"That 'battle axe' is my wife." — They can't fault the other for the protectiveness that they feel — for the way that they defend each other. It's instinctual… beyond that after so many years side-by-side. — Prompted via CC. One-shot, Post-series.

After winding up having dinner at the same restaurant with different people, Harvey and Donna find they can't keep their eyes off each other. Set post 8.14

"We're married in every way that matters." / Canon divergent post-"The Other Time." One-shot.