Notes:

This is a re-write of an older story, but I think I like this version better.

"Bollocks... bollocks... bollocks... bollocks... " Crowley mutters as she paces back and forth, simmering behind her eyeballs with so much anxiety she's about to tear her hair out by the roots. The only plan she can come up with to solve her current dilemma grows hotly in her mind, but she's searching for something - ANYTHING! - to take its place.

Maybe something along the lines of acting like an adult, womaning up, and admitting this isn't going to work? Be upfront about it and say it to the man's face, for Heaven's sake! 'Go on, Crowley!' she thinks. 'Go ahead! One foot in front of the other. Steady on! You can do this!'

But she's become so tired of the grind – going to bars, faithfully tending her online dating profile, endless blind dates set up by well-meaning friends, the rejecting and the rejections. She can't face one more. It physically hurts, knots her stomach muscles until the pain turns her world monochromatic.

Crowley had had high hopes for this one, too. Her date Steven is the new doctor of the boy she nannies. He and Crowley have plenty in common – a love of theater and fine dining, and an appreciation for fashion. Crowley thought dating a pediatrician would be fascinating. After summarizing the pertinent details of her own life, perhaps her date would talk about getting through medical school, toss in a few whimsical stories about the joys (quote/unquote) of working with children - baby's first shots where the parents cried more than the infant, or the tale of a precocious little girl who demanded he put a Band-Aid on her teddy before he helped her (the way Crowley's young charge had with his first doctor when he was around three). They could swap war stories, bond in that way.

But Steven's favorite part of his profession is pediatric surgery, and, unfortunately, he loves to talk shop. Every morsel of conversation has been inappropriate for dinner and graphic in nature - appendectomy this and tonsillectomy that, abscesses and pus and untreated sores - until Crowley's face turned as green as her salad and she couldn't look at her steak anymore.

Neither could their neighbors, who flagged down a passing waiter and requested a new table. They've been sat near the kitchen, which most diners would loathe, but they look heaps happier.

Crowley excused herself as delicately as she could and raced to the loo, needing to escape any more gruesome talk.

That was over fifteen minutes ago.

She's trapped with no way out.

She pictures the layout of the restaurant in her head. There has to be a back way in and out of this place. All restaurants have an exit through the kitchen, right? But the toilet, the kitchen, and the front door are all in full view of their table. Steven is sure to spot her sneaking out no matter how stealthy she is.

Crowley turns on the cold water and splashes her face, scolding herself to think, think, think! She's an intelligent woman. She can come up with a way out of this. Could she phone someone to come down to the restaurant and make an excuse for her? Not likely, not on short notice. Her friends Anathema and Newt wouldn't be able to find a sitter - ironic, seeing as Crowley is a nanny, and if the tables were turned, she'd be more than willing to lend a hand.

Could she phone her employers, ask Mrs. Dowling to claim an emergency at home? No. She doesn't want to get them tangled up in her personal woes, especially when they concern a man they think of so highly.

She could look up one of those services that make fake calls to your cell phone to get you out of sticky situations, but that would mean going back out there to make the ruse believable. And from the way her hands lock around the lip of the basin every time she thinks about taking a step outside the door, she knows that isn't happening.

Crowley looks at herself in the mirror, looks into her eyes, and reminds herself to calm down. Slow her breathing. She'll find a solution.

And suddenly, there it is.

In the reflection of the mirror, she sees what might be her only way out.

A window.

The only window in there, propped open enough that she'd be able to fit through.

It's kind of high, sort of narrow, and definitely a last resort. But what other choice does she have?

Loads, in reality. It just doesn't feel like it.

But does she really have to resort to jumping out a window? She's already been in there for (she checks her watch and her eyes open wide) twenty-five minutes! And her date hasn't come to check on her once. Maybe the man got the hint and left (hopefully after paying what should be close to a hundred-pound check).

Crowley tests her luck, opening the door a sliver, praying silently don't be there, don't be there, don't be there...

But there is no God - not one on her side, anyway - because there sits Dr. Steven Malory, talking to the waiter, telling him about another fascinating surgical procedure. He makes an exaggerated cutting motion across his stomach with a butter knife. The poor waiter, weighed down by a tray of soup bowls, nods politely, but looks like he may vomit in the tureen.

She winces. That poor waiter. Who knows how many times he's been called upon to lend an ear since her absence, or how many more times he'll be forced to endure another gory tale before Dr. Malory realizes she's gone. She peeks over her shoulder at the window, then back to the table, where Steven has his phone out, Googling something to the waiter's dismay. She slowly closes the door and backs away.

Window it is.

Crowley shelves the nagging feeling that she's perpetuating the most pathetic trope in the dating world and starts constructing a platform. There's not much available – a small stepstool underneath the sink; a short, square, plastic rubbish bin that looks less than steady; another taller rubbish bin, dented along one side, looking like someone else already used it to make a break for freedom; and the toilet and basin, both miles away and completely unmovable.

Crowley does some quick engineering in her head and figures that if she turns the small bin over onto the stepstool, she might gain the height she needs to grab the lip of the window and hoist herself up, which would eliminate using the dented bin. She doesn't like the odds that she won't slip, fall, and crack her head open. She's not so much worried about doing any permanent damage, but of having to explain to her date why she's lying on the floor, covered in trash, and bleeding profusely.

With her luck, he'll giddily insist on stitching up any gashes, drawing a crowd of bystanders around to watch.

Crowley pushes the stool up against the wall with her foot. She dumps the trash from the small bin into its larger counterpart and sets it on the stool, centering it as best she can to keep it from sliding. With a hand on the wall for support, she puts a foot on the bin and attempts to pull herself up. It wobbles back and forth, then gives one backward lurch that nearly sends Crowley flying.

She determines quickly that this isn't going to work the way she had planned and makes a desperate leap for the window, using all her upper body strength to get her halfway through.

Crowley shudders when the cold air hits her skin, shocked by the drop in temperature, but mostly from fear of death. She looks down.

A huge mistake on her part.

A horribly placed streetlamp keeps her from seeing into the alley, but she's pretty sure she remembers a dumpster underneath this window. She had parked her Bentley in the lot across the way and saw it on the walk in. She looks out into the rows of cars and spots her vehicle. She sighs with relief.

Now she's a little more sure, but still not 100%.

Worst case scenario, she lands in food muck, probably not rotten since it's still actively dinner, and ruins an expensive designer outfit.

Of course, that's not actually the worst-case scenario, is it? Worst case scenario, she misses the dumpster altogether, hits the pavement, and breaks her leg, but she's determined to remain optimistic. At this moment, when her anxiety-ridden brain has her convinced that the only logical route out is through this flippin' window, that's a chance she's willing to take.

She swings her right leg over, grateful that she chose slacks over a skirt tonight, till she's straddling the narrow sill, bent in half by the metal lip of the window frame. She balances there, the dull edge digging into her sternum, her belly, and her crotch, but she can't make herself jump.

She'll need to trick herself into it.

She forces herself to relax, teeter-tottering back and forth, not dwelling on the possible outcome, just trying to work her way to the right far enough that she knocks herself off-kilter.

Fate lends a hand in the form of a drunken passerby yelling, "Oi! Oi, lookie there! There's a big bird... human... thing hanging out that window!"

Crowley panics, afraid she's about to be mistaken for someone breaking into a busy restaurant and not out. She fumbles, flails, starts falling head first, scrambles to get a hold. She hears a distant, "No! No, wait!" as her fingers slip. There are three seconds of cold wind and a sinking feeling in her stomach before she lands on her bum, thankfully in the dumpster, surrounded by the smell of not-too-rank food, the squish of something under her body that she thinks might be mashed cauliflower...

... and a scream.

"Ouch!"

"Oh my God! I'm sorry!"

Crowley yelps when her body lifts, something extraordinarily strong underneath pushing her up. She reaches around the slippery mess and wet plastic bags, struggling to pull herself off whoever is in the rubbish under her while trying to ignore the gravy seeping into her slacks, or the rice pilaf embedding itself beneath her freshly glossed fingernails. She knows she's broken two at minimum.

How much worse could this evening get?

"I'm sorry!" Crowley scrambles to her knees, crawls away a few feet. "I'm so, so sorry!"

"It's alright, my dear." A voice underneath her chuckles, its owner emerging from a layer of poached fish and au gratin potatoes.

Crowley turns in time to catch a glimpse as they move into the light. A woman wearing a vintage-inspired emerald gown covered in Hollandaise sauce and ranch dressing smiles sheepishly at her. The white light overhead gives a halo effect to her silvery-blonde hair, and her blue eyes almost glow.

She's quite breathtaking.

"I thought I had reserved a private dumpster," she jokes. "I'll need to have a word with the maître de."

Crowley stares at her, stunned. "I… I don't understand. What are you doing in here?"

"I suspect I might be here for the same reason as you," she says, wiping mayonnaise off her hand before offering it to Crowley. "I'm Aziraphale."

"Crowley. I'm sorry I landed on you." She takes Aziraphale's hand, forgetting to wipe hers off before and smushing creamed spinach between them. Crowley groans in embarrassment, but Aziraphale laughs.

"No worries." Aziraphale doesn't let go immediately the way Crowley thought she would, her smile becoming brighter the longer she holds on. "It's the most exciting thing that's happened all evening."

"So... I take it you're running away from a bad date, too, huh?" Crowley asks, regretting when Aziraphale finally lets go.

"I'm afraid so." Aziraphale glances down with a long sigh. "A friend set me up, but I swear, the only men she knows are unemployed, torpid, and skeevy."

"Wow. That's some A-plus word usage right there."

"Yes, well, the written word is my passion."

"Does that mean you're the one who wrecked the silver rubbish bin?"

"Did I?" Aziraphale looks up at the window and grimaces. "I should probably offer to replace that then, shouldn't I? What about you?" Aziraphale turns her soft blue eyes back Crowley's way. "How bad was your date going?"

"I can now perform an appendectomy with my eyes shut."

"Yikes. I take it that's not a turn-on for you?"

"Not in the slightest. I appreciate medicine as much as the next gal, but I'd rather not know the gritty details." Crowley stares at Aziraphale until Aziraphale notices, then the two look away, blushing like giggly teenagers flirting in a coffee shop instead of two adults stuck in the trash. Crowley can't help herself. Regardless of the stench of curdled butter and cheese that will probably be with her for life, Aziraphale is a calming presence. And she looks like an angel. An honest-to-God angel!

And Crowley found her in the trash.

What are the odds?

"You know, we might want to get out of here before anyone else drops in," Aziraphale suggests, rising to her feet and lending Crowley a hand.

"Yeah," Crowley agrees. "Guess that's my night over. Though... " She looks down at her blouse and trousers, positively caked with sweet potatoes, chicken grease, tomato sauce, and chutney "... I'm not looking forward to driving home like this."

"How far do you have to go?"

"I'm in Mayfair."

"Oh!" Aziraphale gasps. "Isn't that a lovely part of town?"

"I enjoy it," Crowley replies, never having felt quite so proud to live in Mayfair as she does in this moment. "And you?"

"I have a shop in SoHo."

"Lucky. You're just a hop, skip, and a jump, aren't you?"

"Yes, I am... " Aziraphale chews the inside of her cheek as her words hang, balanced in the air between stopping a thought or continuing it. "I hope you don't think I'm being too forward, but if you come back to my shop, I have a shower. We could clean up there... " Aziraphale sputters when Crowley's eyebrow arcs sharply upward. "S-separately, of course! A-and order in some pie. I know a great spot nearby. I dare say they have the best pie in the world! And they deliver."

"I don't have a change of clothes," Crowley says, wary of taking Aziraphale up on her invitation. Garbage notwithstanding, meeting her has definitely been an improvement to the way things were going.

"I might have something that would work for you." Aziraphale sizes Crowley up, but not in a creepy way. In a surprisingly nurturing way. "It would be nice to salvage the evening, don't you think?"

"It would." But one disastrous date is plenty for the night. Should Crowley jump straight to another with a woman she met in a dumpster? Then again, it would be wrong for her to assume that spending time with Aziraphale would be disastrous. Plus the story of how they met is way too fantastic to waste on self-doubt.

Crowley took a chance on jumping out a window with only hope to guide her. She'd be stupid not to take a chance on this.

"Sure," Crowley says, confident with her decision. "Your car or mine?" The words slip out before she considers the fact that she's talking about her baby. A vintage car that she, due to an extreme case of sheer luck, has been the sole owner of. She won't even wear muddy shoes in her car. Or rayon! On top of her own ruined outfit, which will need to be dry cleaned twice and then set on fire, if she lets Aziraphale in her car, she'll have two sloppy, food-stained seats that she'll need to have scoured.

Maybe Aziraphale will laugh her off and offer to take her own car. Why would she want to leave it behind, anyway?

"Oh, I didn't drive," Aziraphale says, looking down sadly at her own destroyed dress. "I took the bus."

Crowley's heart clenches. There's that decision made. There's no way she's going to suggest Aziraphale take the bus while Crowley drives her car. She just prays that, with time, her baby will forgive her.

"My car it is then." Crowley loops her arm covered in soup through Aziraphale's arm covered in whipped cream and leads the way. Aziraphale smiles, holds Crowley's arm a wee bit tighter, and Crowley becomes certain this new development will be worth the money she'll spend detailing her car in the morning.